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15 Sep 02:45

fuckyeah1990s: i want to make these, mainly for myself, but if...



fuckyeah1990s:

i want to make these, mainly for myself, but if anyone else wants to get in on this, i’ll make u one too. limited edition.

Available here

15 Sep 02:45

hoodpussy: talking to white people about reverse racism

hoodpussy:

talking to white people about reverse racism

image

15 Sep 02:45

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14 Sep 21:50

BOX OFFICE: "Guardians of the Galaxy" First 2014 Film To Pass $300 Million Domestic

Marvel's "Guardians of the Galaxy" continues to exceed expectations, becoming the first film of 2014 to pass the $300 million mark domestically.
14 Sep 21:48

Adventure game Paradigm stars a mutant hero and sloth villain

by S. Prell
Paradigm is an in-development point-and-click adventure from Jacob Janerka, an independent game developer from Australia. To call it "surreal" would not encompass the sheer absurdity on display here. In Paradigm, players control a lab-grown mutant...
14 Sep 21:48

Report: Glitch serves up one-day bans for Smash Bros. players who pick Peach

by Owen S. Good

Online play in Super Smash Bros. for 3DS is moderated, and players who cheat, disconnect or even engage in unsportsmanlike conduct face sanctions. However, it appears a glitch is causing some users to be automatically banned for doing nothing wrong.

According to EventHubs, users who select Peach in the online "For the Glory" mode have been slapped with erroneous one-day bans. The theory, via Japan's massive 2ch forums, is that using her down+B attack (a move that pulls a turnip from the ground) early in the first round makes the game think the player has illegally brought an equipped item into the match.

That's only a theory, though. EventHubs notes that Link also has a down+B attack that pulls out a bomb, but no one using him has gotten kicked.

It's a day-long ban — 1,440 minutes. Super Smash Bros. on 3DS launched in Japan on Friday, and comes to North America on Oct. 3.

14 Sep 21:47

Elite: Dangerous priced, special edition announced

by Owen S. Good
firehose

searching for reasons not to get this, like "i will never work again" or "saucie will leave me"

or "saucie will like it and we'll lose our jobs from playing coop too much"

Frontier Developments has yet to announce a release date for the space combat sim Elite: Dangerous, but the game has been priced at $60, and it will receive a special edition that can be pre-ordered at a discount.

The benefits in Elite: Dangerous"Mercenary Edition" are entirely digital, including a players' guide, concept art book, ship decal, paint schemes, and an additional fighter. "Plus additional in-game benefits and other digital goodies to be announced over the coming weeks," said an announcement from Frontier.

The Mercenary Edition may be preordered for $50. Anyone who preordered the game before this announcement receives all of the digital content it has to offer, too.

Crowd-funded at more than $2.6 million, Elite: Dangerous will launch on Mac and Windows PC. Fontier Developments boss David Braben has said the studio is open to the idea of releasing the game on PlayStation 4 and Xbox One.

14 Sep 21:45

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14 Sep 21:45

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14 Sep 21:44

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14 Sep 21:44

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14 Sep 21:44

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where wallace at



14 Sep 21:44

"First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired..."

“First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.”

- Octavia E. Butler (via mangaluva)
14 Sep 21:44

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14 Sep 21:43

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14 Sep 21:42

Eli Manningface

by bubbaprog
2014 September 14 15 56 22
14 Sep 21:42

Things We Saw Today: Doctor Who Donuts, Complete With Punnery - I'm not sure I can forgive "lime lord."

by Becky Chambers
firehose

buried lede: Disney World is killing off its viking-themed attraction

doctor-who-donuts

Bravo to the Donut Whole in Wichita, Kansas, for creating a donut case we would absolutely clean out. (via That’s Nerdalicious!)

  • Many of you were not pleased to learn that Disney World is replacing Maelstrom with a Frozen attraction. You’re not alone.
  • The original studio model of the U.S.S. Enterprise is currently in the shop. The 49-year-old ship’s been on display at the National Air and Space Museum, and though it’s undergone several rounds of cosmetic detailing, these have been primarily to make the model look good, rather than to restore it to the way it appeared when used in filming. At long last, it’s getting properly restored. (via Air and Space)

Cthulhu-The-Animated-Series

“Cthulhu: The Animated Series,” drawn by adho1982. Just in case you want your children to never sleep again. (via Neatorama)

  • Oops. Some Japanese players of Super Smash Bros. for 3DS have encountered an unfortunate glitch that results in a one-day ban from online play after selecting Princess Peach. (via Polygon)
  • A breakdown of the Star Wars vs. Star Trek fight by state. Can’t we all just get along?

astrid cosplay

Some mighty fine How To Train Your Dragon 2 cosplay by THAM. Photographed by Double Stomp Productions. (via Anime News Network)

14 Sep 21:38

A closer look at the space shuttle that never got to space

by Casey Johnston
Space Shuttle Enterprise: namesake of the Star Trek spaceship, and one of NASA's greatest, and biggest, behind-the-scenes testing tools. (video link)

NEW YORK—The space shuttle Enterprise has been ensconced aboard the USS Intrepid for just over two years. It sits in a silent warehouse, dramatically lit so it appears to be cruising in a dark vacuum. Tourists can wander around or under it at the exhibit; they can even walk up some stairs and get nose-to-nose with the Enterprise, staring down its long axis through a thick layer of glass.

While the whole thing evokes space exploration, the Enterprise has never actually made it out of Earth's atmosphere. The shuttle on display has the distinction of being one of NASA's biggest workhorses despite earning perhaps the least amount of glory among the entire space shuttle fleet. So while visitors look closely at the Enterprise, they can see what has stopped it from earning more prestige and examine the scars its body has retained from experimentation during its years in service from 1976 through 2012.

Casey Johnston

Like the USS Enterprise it's named after, the Enterprise shuttle is more or less fake. Where a shuttle's $40 million engines should be, the Enterprise has mere mockups, covered by a cone for aerodynamic purposes. A shuttle should be speckled with reaction control system thrusters to help maintain or change its orientation in space. But since the Enterprise has always been Earth-bound, it has nothing but covered holes.

Read 6 remaining paragraphs | Comments

14 Sep 21:37

Hellmouth, Madonna dei Martiri, Italy



Hellmouth, Madonna dei Martiri, Italy

14 Sep 21:36

Hellmouth, 15th century



Hellmouth, 15th century

14 Sep 21:36

The Cankerous Slime-Slick Shame Pit That Is #GamerGate

by terribleminds
firehose

"You want more literal game reviews unmarked by any bias or agenda? Go start a review blog. Or read some of the review blogs that basically already do this.

And then, y’know? Shut up."

I imagine that when the meteors were coming, and the volcanos were sharting great globs of lava into the sky and onto the ground, and mammals were conspiring to survive the pyroclasm, the dinosaurs were probably pretty pissed off. They had been phased out by nature — they saw that the world was changing and that they couldn’t survive in it anymore. They probably started a hashtag. Like, #meteorgate or #nomoreextinction or something. Carving them on trees and rocks with saurian claw. And they probably filled these hashtags with a lot of anti-mammal rhetoric. Then they stood around yelling at the sky, shaking their tiny fists or swishing their spiky tails in rage, hoping it would change what was coming. Hoping it would stop the meteors from popping their big dumb dinosaur heads like grapes. Hoping the lava would not cook them from the feet up. Hoping that this whole “mammal” thing was just a glitch, a gimmick, a short and forgettable chapter in the Big Book about How Dinosaurs Are Fucking Awesome.

And then some of the dinosaurs became birds and flew away while the rest of the dinosaurs ate hot meteor and died. Or something. I don’t really know precisely what killed the dinosaurs — Dino Flu, or Arrogance, or a Free U2 Album — but I do know that the world was eventually done with them and had moved on. Evolution and change are hard to deal with.

That brings us to #GamerGate.

If you don’t know what it is — *whistles* — oh, man, it’s fun. And you should read that word, “fun,” with all the quiet connotation of taking a bath with a plugged-in toaster. Here’s an article at WaPo about it. GamerGate seems to be a beast with many, many heads — some want ethical responsibility in games journalism, some want agendas and so-called political correctness out of their game reviews, some want that out of their games.

Thing is, all these heads lead to one common monster, and it is a beast whose hide is thick with the grease of misogyny, sexism, prejudice against… well, anybody who doesn’t live on Heteronormative White Dude Mountain. Mostly, it reads like they want social relevance out of their games. Or, worst, they just anybody who isn’t like them to shut up and stop talking.

It’s an ugly thing, this beast.

It is is, in fact, a dinosaur.

Because GamerGate feels like the rantings and ravings of a dying, wretched, angry species. All this seems to rise up from a fruiting, fungal corner of pop culture — mushrooms tended in the dark of their expectations and experiences, fertilized by great heaps of horseshit.

I said as much on Twitter last night and I received…

Well, let’s go with a lot of responses.

Some asserted GamerGate was a good thing and it was anti-prejudice and actually was itself the target of misogyny and racism and also truth — and then you go ahead and click the hashtags (#GamerGate or #notyourshield) and you find it full of misogyny and racism. Like, I don’t mean in the charitable sense — well, if you poke around, this might be a little bit sketchy — no, I mean like, I just got face-punched by a shit-shellacked fist clutching a handful of foul ideas that had been shoved up some jerk’s nether-hole. Down that rabbit hole is a thick, malodorous treacle of nasty business. Or you go and watch some of the Truther-like conspiracy videos. Or you read some of the blog posts (which suspiciously read like they were torn out of an MRA playbook and then rewritten just slightly, like some kind of gamer-version of Mad Libs.) I looked at all the responders to my tweets last night and, almost hilariously, they appeared to all be dudes. And when you looked at their Twitter feeds, you saw their social media existence just brining — marinating, even — in this septic nastiness of racist and sexist and prejudiced rhetoric. They claim lies and toxicity on the other side (despite having their own claims refuted again and again, like the no police reports were filed ‘fact,’ which is of course not at all a fact, jerks).

*shudder*

Forget it, Jake — it’s Troll Town.

(I also found this world populated with that least pleasant of not-Baldwin-brothers, Adam Baldwin, who I used to think was bad-ass until he started opening his mouth on social media.)

This graphic is what some in GamerGate purport to support.

Of course, the last two paragraphs conflict with one another, don’t they? And despite any message of nobody should be harassed, that’s exactly what’s happening. All over this thing is harassment and horribleness. It’ll take about four seconds to see that. One or two clicks in and it’s like –

Blink, blink, holy shit.

(Oh, and news flash: you’re against agendas? What do you think GamerGate is?)

(Spoiler alert: it’s an agenda.)

If you associate with GamerGate — you’re associating with all the toxicity that comes with it. Even if you’re not like that and you think there’s something valuable at the heart of this, guess what? This thing is deeply, grotesquely shitty. You can’t roll around in it and keep clean. You’re going to have all that feces and venom and overall awfulness spackling your every inch. You can’t support this without supporting bad people saying bad things. Talks like a troll, walks like a troll?

C’mon.

You know what? Don’t be a dinosaur. Grow wings, man. Join the birds, or hang out with the mammals. The ground is shifting. The meteors are coming. You can survive this — you can adapt and start to realize that there are other people in this world. You can start to figure out that other worldviews besides your own not only exist, but actually — gasp — have merit. At the bare minimum, you can figure out that if you don’t want to see these things in your games, you can not play those games. You don’t have to play Depression Quest or Gone Home. You don’t have to go watch Anita Sarkeesian’s videos — and, if you do, you don’t have to agree with them. (Related: good article on her at The Verge, with the money quote being: “One of the most radical things you can do is to actually believe women when they talk about their experiences.”) You want more literal game reviews unmarked by any bias or agenda? Go start a review blog. Or read some of the review blogs that basically already do this.

And then, y’know? Shut up. Because you don’t own games. You don’t own this space. The lock is busted. The door is open. The mammals are calling from inside the house, motherfuckers. The birds are flying. This space is evolving, dear dinosaur. As it should. As all artforms should. It doesn’t take away the games you have. It brings new games to the table. New voices. Voices by people who are long under-represented, speaking to audiences who have long been under-served. You can’t stop that. You shouldn’t want to stop that, because that’s something assholes want. We should want everyone to be allowed to make games that speak to their experiences — whether it’s depression or sexism or LGBT issues. We should yearn for a game industry that has room for people who don’t just want Assassin’s Creed 14 or Call of Duty: Mortal Kombat III. Just as we should yearn for films and comics and books to be able to explore both popcorn pop culture fun alongside far meatier and more meaningful territory.

We should be cheering folks like Anita Sarkeesian, Zoe Quinn, Leigh Alexander. We should be championing if not their voices (though I do), then at the least their right to have those voices and use them in this industry. We should be asking for greater diversity in big games and little games and all the games journalism that surrounds it. (And this is where someone says, oh oh oh but you champion their voices but not my voice, to which I respond, if the use of your voice is used only to shut others out, then no, I do not need to tolerate your intolerance. Game over, man. Game over.)

You stand in the way, you’re gonna catch a face full of meteor.

And, frankly, if that’s the case, then you fucking deserve it.

Now, if you’ll excuse me, I’m gonna go hang out with the birds and mammals.

(For added ranty-pants fun, check out Greg Costikyan’s rant on the subject. It’s by no means perfect, but its anger is pure, its message is righteous.)

(And noooo way am I turning comments on. I don’t think the SPAM OUBLIETTE is prepared.)

14 Sep 21:36

saucieshares: gguillotte s favorite scene ever

firehose

when I first saw this I thought it was just a tumblr joke

but these are the actual lines and faces from the actual episode







saucieshares:

gguillotte s favorite scene ever

14 Sep 21:35

Watch New Orleans Saints vs. Cleveland Browns [09/14/2014] - NFL.com

by gguillotte
firehose

saints worst best team ever

Cleveland 26-New Orleans 24
14 Sep 21:29

Joan Rivers Banned Michelle Obama from Funeral before Passing | Afro

by hodad
firehose

'In an interview with the The Sunday Times Magazine, Rivers said did she did not want Obama at her funeral and labeled her a “tranny.” '

'During an interview on “The Howard Stern Show,” Rivers told Stern: “We used to have Jackie O now we have Blackie O.” '

Actress, writer, producer and television host Joan Rivers made a list of people that she did not want to attend her funeral before she passed on Sept. 4. That list included first lady Michelle Obama.

In an interview with the The Sunday Times Magazine, Rivers said did she did not want Obama at her funeral and labeled her a “tranny.”

This is not the first time Rivers has made negative comments about Obama. At a signing for her new book Diary of a Mad Diva at a Barnes & Noble in New York City, a reporter asked Rivers what she thought about possibly having a first gay president.  Rivers replied by saying, “We already have it with Obama, so let’s just calm down. You know Michelle is a tranny.”

When the reporter asked her to clarify what she said, Rivers said, “She is a transgender.”

During an interview on “The Howard Stern Show,” Rivers told Stern: “We used to have Jackie O now we have Blackie O.”

“Jackie O” was a moniker for Jacqueline Lee Kennedy Onassis, the 35th first lady of the U.S. and wife of President John F. Kennedy.

Other notable persons Rivers banned from her funeral was pop singer Adele for being “fat” and talk show host Chelsea Handler, whom she called a “drunk” and a “whore.”

Original Source

14 Sep 19:55

Los Angeles police to probe handcuffing of Django Unchained actress - BBC News

firehose

"Watts and chef Brian James Lucas were “showing [their] affection publicly” when police officers arrived and asked for the couple’s IDs, Lucas said on his Facebook page. He gave the officers his ID but Watts refused. She was subsequently handcuffed and put into the police car until the officers could identify her. She was later released."

Los Angeles #nevergo


BBC News

Los Angeles police to probe handcuffing of Django Unchained actress
BBC News
Police in Los Angeles are conducting an internal investigation over accusations officers violated a US actress's rights by handcuffing and detaining her. Daniele Watts, who appeared in Quentin Tarantino film Django Unchained, refused to show identification ...
Officer defends actions in questioning Daniele WattsLos Angeles Times

all 935 news articles »
14 Sep 19:47

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14 Sep 18:35

There's Not Much Point In Arguing About Moffat's Doctor Who Any More

by Charlie Jane Anders
firehose

'by now it's pretty clear what Steven Moffat's Doctor Who is going to be about, and you either like it or you don't. Moffat has staked out a few ideas and stylistic tics that he's going to keep mining, and he's obviously having fun with them. ... I like storytelling that gives characters agency — Back to the Future, Terminator 2, Looper and Moffat's own "Day of the Doctor" anniversary special are good examples of time travel stories that allow characters to make choices instead of being puppets. But I know a lot of people prefer closed-loop or deterministic time-travel stories, and I respect that. Again, by this point you're mostly going to know whether Moffat's approach to time-travel storytelling is your cup of tea or not.'

'Clara becomes a kind of surrogate mother figure to both Young Rupert/Danny and the Baby Doctor, and this turns her into a better friend or lover to the grown-up versions of them.'

There's Not Much Point In Arguing About Moffat's Doctor Who Any More

I'm still kind of dazed by tonight's episode of Doctor Who. I can't decide if it's a fantastic work of genius or a shaggy-dog story. Maybe both. But it's clearly Steven Moffat turning all of his favorite tropes up to 11. And I came away feeling, more than ever, as though there's not much point debating Moffat's Who.

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14 Sep 18:32

TV Club: Doctor Who: “Listen”

by Alasdair Wilkins
firehose

'this episode reveals just what Capaldi brings to the Doctor that distinguishes him from his all his predecessors: He is utterly insane. We’re not talking about madness here, because a madman in a box—the 11th Doctor’s favored self-description—suggests a kind of charming eccentricity that’s oh so very English. Well, this Doctor isn’t English. (For those who don’t mind a mortar shell blast of profanity, Capaldi would be happy to elucidate his feelings on the subject.) This season has suggested a minimalist Doctor, with the assumption being that beneath his predecessors’ affectations lie ruthlessness and rage—the darkness that the Doctor flashed in “Deep Breath” and alluded to in “Into The Dalek.” But “Listen” suggests something even scarier: Lurking underneath that daffy curiosity and sense of adventure that so animated his immediate predecessors is an obsessive need to know everything, to take the unknown and the unknowable and bring it all to heel. As Clara suggests toward the end of this episode, it’s okay for the Doctor to be scared. What’s not okay—and what’s absolutely, captivatingly terrifying in the hands of Capaldi—is that he won’t admit that he’s just afraid for no good reason.'

I might run out of superlatives for this one. I’m prepared to take that risk…

“Listen” is the best Doctor Who episode in years. More than that, it’s the best story Steven Moffat has written for the show since “The Eleventh Hour,” and I might be willing to go still further back than that in search of an episode of his that outdoes tonight’s entry. (Honestly, I’m considering a fairly pitched battle for supremacy between this and “The Empty Child”/“The Doctor Dances.”) Like so many of Moffat’s best efforts, this episode is simultaneously concerned with exploring childhood fears and deconstructing the Doctor Who mythos; indeed, this story brilliantly combines these two overriding obsessions, as we are asked to wonder whether we should really take seriously the Doctor’s latest mad theory of impossible monsters hiding in plain sight. This episode is clever in the ...

14 Sep 18:02

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