firehose
Shared posts
@gguillotte >> @stevestreza: The RSS debacle is fascinating. It suffers from every early adopter problem imaginable, but it’s going to have a flood of non-early-adopter users running from Google Reader. The next few days are going to be a beautiful entropic orchestra.
Details Of Grant Morrison And Yanick Paquette's 'Wonder Woman: Earth One' Emerge

Years in the making, writer Grant Morrison and artist Yanick Paquette’s Wonder Woman: Earth One graphic novel will finally hit shelves — at a still-unspecified date. But at least Morrison is offering up some details about the book. We grabbed a few quotes from his interview with the LA Times’ Hero Complex blog, as well as the one piece of preview art for the book so far. You can see it all after the jump.
On Wonder Woman as a character:
There’s something about the character that really annoyed me, to be honest, because I couldn’t quite get a hook on her. I felt like there were a lot of really strange contradictions in there…. And because it was a challenge to most people. If you read about filmmakers talking about Wonder Woman, it’s always, “Oh, we can’t make a Wonder Woman film because people wouldn’t buy into this, this, this or this.” So it seemed that it was a challenging character.
On the themes of the book:
It’s not a comic about superheroes punching each other. It’s about the sexes and how we feel about one another, and what a society of women cut off from the rest of the world for 3,000 years might look like, and what kind of sexuality, what kind of philosophy, what kind of science would that have developed, and how would that impact our world if it actually suddenly became apparent that these women existed.

On Wonder Woman creator William Moulton Marston:
Wonder Woman was a very high-selling comic back in the 1940s. It was really successful. But the sales diminished as soon as Marston died. So obviously whatever weirdness he brought to it was actually part of the DNA of Wonder Woman. We’re trying to bring some of that back.
On influences:
The only influences I really wanted to have was the original Marston stories with Harry Peter, and also the Lynda Carter TV show, which I thought was a really good and workable translation of the Wonder Woman concept for a mass audience.
Texas Executes 393rd Guilty Prisoner
Photos of Nine Inch Nails’ Trent Reznor Working With David Lynch on ‘Came Back Haunted’ Music Video
firehoseDavid Lynch beat
Rob Sheridan took a series of photos of Nine Inch Nails front man Trent Reznor working with director David Lynch in Los Angeles on a music video for “Came Back Haunted,” the first single from NiN’s upcoming album Hesitation Marks. According to Rolling Stone, the music video will premiere Friday, June 28, 2013 on VEVO.com.
“I’m a huge David Lynch fan – we used to hold up Nine Inch Nails shows just so we could watch the latest Twin Peaks,” Reznor told Rolling Stone in a 1997 cover story on the two. “So we set up a weekend for him to come to my place in New Orleans. At first, it was like the most high-pressure situation ever. It was literally one minute, ‘Hi, I’m David Lynch,’ and he’s cooler than I even imagined he would be. Three minutes later, he’s saying: ‘Well, let’s go in the studio and get started.’”
images via Rolling Stone
via Rob Sheridan
Cooking with Dog, A Cooking Show Starring a Talking Dog Named Francis & An Anonymous Japanese Chef
firehoseCooking With Dog is still a thing
Choux Creme (Cream Puffs)
Francis the dog is the host of Cooking with Dog, a long-running cooking show on YouTube that co-stars an anonymous Japanese chef. In each episode, Francis is perched next to the unnamed female chef and narrates the recipes in English. The Cooking With Dog Facebook page states, “He sometimes gets sleepy and closes his eyes but don’t worry, you will still hear his voice.” The show started in 2007 and now has over 100 episodes.
Cheese in Hamburg
Sweet Little Girl Sings Death Metal Song Called ‘Zombie Skin’ on ‘America’s Got Talent’
firehoseHowie Mandel loves screamo
She looks like a princess, but sings like a heavy metal warrior!
A brother and sister duo perform their original death metal song titled “Zombie Skin” on America’s Got Talent. Six-year-old Aaralyn growls out the lyrics while nine-year-old Izzy plays the drums. After their performance, Aaralyn names some of the duo’s other songs including “Lullaby Crash” and “Brush My Hair in Knots.”
via Hypervocal
The state of US trade with Africa as Obama visits

Data: US Census Bureau
US president Barack Obama is in Africa—along with his newly confirmed trade representative—to encourage trade with the continent. There’s plenty of room to grow. Even combined, the nations of Africa are still just the eighth-largest trading partner of the United States.

Obama’s itinerary includes stops in Senegal, Tanzania, and South Africa, three nations with vastly different economies but one thing in common: their trade with the US is growing faster than the rest of Africa.

US export growth

After years of decline, the US nearly doubled its imports of Tanzanian goods in 2012. US trade data show the increase came from larger shipments of rubies and gold bullion, which primarily occurred in a single month rather than being distributed throughout the year.
Exports are up 45% over the last five years, but were down 5% from 2011 to 2012 due to smaller imports of grains, fertilizer, and tires. Over the last five years, US exports to Tanzania in every category of good—from weapons to wood—have grown.
The US has never been a big importer of goods from Senegal; the volume in 2012 was only $16.7 million.

The top imports from Senegal are refined light petroleum and synthetic wig material. US exports to Senegal are much more significant and grew about 25% a year from 2008 to 2011. Though last year Senegalese imports to the US fell 43%. More than half of the decline came from fewer exports of fertilizer and electric generators.
Senegal, however, has continued to import from elsewhere. The country grew its imports 8.9% from 2011 to 2012 with more goods from Nigeria and India and less from France and China.

South Africa, the continent’s largest economy, is the only country Obama is visiting that has maintained a trade surplus with the United States. It is the US’s second largest trading partner in Africa, after Nigeria.

US imports from South Africa are falling as exports rise. More than half of the US’s $8.7 billion in 2012 was passenger cars and precious stones and metals. The drop in US imports was a result of a decline in precious metal imports. South Africa has one of the largest mining and refining industries in the world, capable of swinging the balance of South Africa’s trade relationships.
The US grew its top exports to South Africa, automobiles and industrial equipment, by 36% and 20%, respectively, from 2008 to 2012. Huge gains in 2012 of automobile, aircraft, and electronics were offset by fewer exports of grains and refined petroleum.
Five nations make up more than half of all of US trade. Nigeria is the US’s largest trading partner in Africa, but is only 31st among all countries.

Ghost riders
firehoseclosest source I can find appears to be http://www.flickr.com/photos/51514834@N00/7978390789
Apparently from the Deadwood Dick serial, 1940
Unity engine adds support for Xbox One, Windows Store Apps and Windows Phone 8
The multi-platform Unity 3D game engine will provide support for Xbox One, Xbox 360, Windows 8 and Windows Phone 8, according to an announcement from Microsoft and Unity at the Build 2013 developer conference.
Unity will develop new tools to support Xbox One, including features like multiplayer matchmaking, SmartGlass, Kinect gesture recognition and Microsoft's Azure cloud technology. Game developers having their work published by Microsoft Studios will get access to Xbox One and Xbox 360 tools from Unity free of charge, Microsoft says.
"I'm also happy to say that the Windows Store Pro publishing add-on will be free when released," writes Unity CEO and founder David Helgason on the company's official blog. "You'll be able to port your games, ads, training and educational apps-any kind of Unity-authored content-to both the Windows Store Apps and Windows Phone 8 platforms with a Unity Pro 4 license."
Thanks to Unity's multi-platform support for Windows and Xbox, "Microsoft's gaming ecosystem will benefit from the wealth of ideas and imagination flowing from the Unity games development community," said Steven Guggenheimer, corporate vice president of Microsoft's Developer and Platform Evangelism group in a release.
At Build 2013, Guggenheimer announced more than $100,000 in prizes available to developers building Windows and Xbox apps in the Unity 3D engine.
In March, Unity Technologies announced a partnership with Sony Computer Entertainment to support the PlayStation 3, PlayStation 4, Vita, PlayStation Mobile and "future cloud services."
Pond Smelt: Animal Crossing doujinshi from Jane Mai Awesome...



Pond Smelt: Animal Crossing doujinshi from Jane Mai
Awesome artist Jane Mai has a very promising "Animal Crossy" book on the way, if you’re into imagining lives and experiences with your New Leaf neighbors beyond the confines of the game’s scripted dialogue.
It’s published by Peow Studio and will ship early July. You can preorder Pond Smelt online for 100 Swedish krona, which I’m told is around $15 (shipping worldwide included) — expensive, but I can already tell from these preview pages that this book right here, right now, right here, this is my shit. Plus it comes with a “special surprise present."
You can also check out some of Jane’s comics online for free here, and buy more of her excellent zines here.
Oh, and have I mentioned yet that wolves (especially those that are named Fang) are the best Animal Crossing neighbors?
BUY Animal Crossing: New Leaf, AC:NL guide, upcoming games
Atlus' parent company Index files for 'civil rehabilitation'
As part of its petition, as of May, the company has ¥24.5 billion ($249 million) in total liabilities.
Jurists.co.jp has a pretty solid explanation of the procedure from this point forward. The company will have a supervisor appointed and a plan will be drawn up for rehabilitation of the company. After that, there is a creditors meeting and approval. Then the company is supposed to follow the plan.
We've reached out to Atlus for a statement about if this will have any impact on the company's daily business or release schedule.
Atlus' parent company Index files for 'civil rehabilitation' originally appeared on Joystiq on Thu, 27 Jun 2013 15:00:00 EST. Please see our terms for use of feeds.
Leandro Erlich’s Reflective Optical Illusion House Now in London








Want to pretend you’re Spiderman but can’t afford the suit and the genetic mutation? Argentine artist Leandro Erlich was commissioned by the Barbican in London to install a version of his wildly popular optical illusion that creates the visual effect of instant weightlessness. Using a wall of giant mirrors propped against a huge horizontal print of a Victorian terraced house, visitors are free to climb and jump around as their reflections appear to move freely without the pesky effects of gravity. Titled Dalston House the piece was erected in Hackney just off Dalston Junction on a disused lot that has remained vacant since it was bombed during the Second World War.
The installation opens today and is free to all visitors and will remain up through August 4th. Erlich will also be giving a talk tomorrow starting at 7:30pm. All images courtesy the Barbican. (via visual news)
(via Don’t Hassle Me I’m Local T-Shirt - What About...
Books: Newswire: Shakespeare's plays to be remade as modern-day novels
firehosenope

From animated lions on the plains of Africa to Amanda Bynes movies, Broadway musicals to the violent takeover of a fast-food restaurant, William Shakespeare’s plays have been adapted every which way for centuries—and not just in film, as anyone suffering through a community college production of Macbeth set in gangland Chicago can attest. In honor of the 400th anniversary of the Bard’s death, The Hogarth Shakespeare will commission modern authors to write “cover versions” of Shakespeare plays, re-imagined for the 21st century, to be released in 2016.By converting them to that modern, cutting-edge medium, the novel, the project aims to bring Shakespeare's stories to the reading public that eschews live theater and high-school English classes.
Among the first up for adaptation, Pulitzer Prize-winning author Anne Tyler (Breathing Lessons, The Accidental Tourist) will take on The Taming Of The Shrew—though good luck outdoing 10 Things ...
Read more"So Bob Dylan Loves Tombstone, It Turns Out."
firehoseVal Kilmer beat
You're probably already aware that Val Kilmer is currently being all sorts of awesome (PROOF! PROOF!), but what you might not have known is that Bob Dylan is a fucking HUGE fan of Tombstone! And Val Kilmer has an AMAZING story about it! Via today's Guest DJ Project on KCRW, here's Val:
So Bob Dylan loves Tombstone, it turns out. I found out he was in New York so I called my friend and I said you know, I'd love to meet him, is there any chance and he says, "I don't know, I'll find out." And the next call I got I thought was going to be my friend, but it wasn't, it was Bob.
I was real excited, like a crazy fan, like a child; it was so great. Basically it was like nothing. It was like we were old friends, it was like, "You want to come over?" and he was like, "Yeah." So, hangs up the phone, I was newly married and we had a baby and I went in and said "I think Bob Dylan's coming over…I'm not sure, it could be a hoax…."
He shows up and sits down and he wants to talk about Tombstone, but I just can't, you know, nor can I talk about any of his stuff. Eventually he says, "Ain't you going to say anything about that movie?" and I said, "Do some 'Blowing in the Wind' and I'll…."
That's what I said to him, basically I said no. I get like that sometimes. So I turned him down and, I thought, no one turns this guy down. Anyway, I felt like an idiot afterwards, well, yeah I could have said a few lines. They're fun lines too, like people still ask me to say lines and now I’ll tell any schmo in the airport, I'll say "I'm your huckleberry", but I wouldn't say it Bob Dylan!
I felt so bad about it. I was like how could I make it up to him? So what I did was, I recorded "It's Alright Ma, I'm Only Bleeding" but as Doc Holiday and I put in all of the big lines from the movie into the song and made him a little tape. (Via.)
What I would give to hear that tape.
Is Wine Bullshit?
firehoseyes
The Best Superhero Comic of the Year Is About a Crime-Solving :dog: Who :heart: :pizza: | Underwire | Wired.com
firehosebeen trying to find a better non-spoiler review but I can't
Matt Fraction beat
Pizza Dog forever
Yesterday, Hawkeye No. 11 hit the print (and digital) shelves, the latest issue of a superhero comic devoted to the bow-wielding Avenger that nobody really cared about–at least until writer Matt Fraction and artist David Aja got their hands on him last year. What initially seemed like a short-term passion project for Fraction (Casanova, Invincible Iron Man) and his former Immortal Iron Fist collaborator Aja has become a smart, stylish high-water mark for mainstream comics, a critical darling whose collected trade paperback debut somehow managed to knock the first Walking Dead Compendium out of the No. 1 slot on the New York Times bestseller list for graphic novels.
Oh, and its latest issue contains almost no words and is told entirely from the perspective of a dog who loves pizza and solves crime.
When we first met Lucky, aka Pizza Dog, in the first issue of the comic, he was lying critically wounded on a vet’s table after a car-dog collision while Clint Barton (aka Hawkeye) stood over him and said “Fix. This. Dog.” After pulling through the ordeal, the canine–who first took a shine to the street-level Avenger after being fed a slice of delicious pizza–become a fan-favorite character, though for obvious reasons, he’s always been more of a sidekick than a hero.
But thanks to the latest and possibly best issue of Hawkeye yet from Fraction and Aja, Pizza Dog not only gets a shine but to solve a murder. But the story, titled “Pizza Is My Business,” doesn’t just follow the dog on his adventures; it actually simulates his experience of the world through the visual narrative, which contains almost no words and portrays the dog’s thoughts and interactions through an interconnected web of pictograms. And since much of the way dogs interact with the world has to do with their sense of smell, most of that visual “dialogue” has to do with olfactory responses.
“I had to go through and figure out what each character smelled like,” Fraction told Wired. Clint, for example, smells like coffee, while Kate Bishop–a fellow bow-wielding hero–smells like flowers, cocktails, and pizza. Walking past the other doors in their apartment building reveals a broader cast of characters who identities must be deduced from simplistic visual icons: the bearded man who reads books and burns incense, the mother of two small children in diapers–and the man whose body is lying on the roof next to a barbeque grill. Who killed him? It’s up to both Pizza Dog–and the reader–to decipher the clues.
There’s a dense wealth of visual information ready to be unpacked in the issue, an intricately designed marvel (no pun intended) constructed with an attention to detail and semiotics that bears more resemblance to Chris Ware than Jack Kirby. Since the issue involves a reunion between Pizza Dog and his previous Polish-speaking owners, Fraction actually consulted with a Polish speaker to learn what commands they might use while speaking to a pet. “Would it be “boy,” like my dog responds to?” Fraction told Wired. “Or ‘drive,’ or ‘park’? It became this three-day long conversation about tenses. All this work that literally went into four characters.”
The conceit is a high-concept, high-wire act for a comic to carry off, but Fraction and Aja stick the landing with a poise and grace that deserves full marks even from the metaphorical East German judges–not to mention the Eisner Award committee. It manages to be both a functional murder mystery loaded with noir sensibilities–from the bloody paw prints that blot across the cover to a rooftop gun scuffle with neighborhood thugs–and a book that is as entertaining as it is experimental and worth reading a time or ten.
Part of what makes Hawkeye so special, and so able to operate in a distinct way from other Marvel Comics titles, both visually and narratively, is that it operates in the spaces in between the many interconnected titles of the Marvel Universe. Or as the introduction to most issues of Hawkeye explains, “This is what he does when he’s not being an Avenger. That’s all you need to know.”
That’s good news if you aren’t a regular superhero comic book reader. Or hell, even if you are. Granted, it’s only June, but I’m ready to call it right now: This is the best comic of 2013. If you buy one comic book about a one-eyed canine superhero sidekick this year – or really, any superhero comic at all – make it this one.
Would it be evil to build a functional brain inside a computer?
firehoseSHODAN beat

There’s been a lot of talk recently about using supercomputers to simulate the human brain. But as scientists get progressively closer to achieving this goal, they’re going to have to consider the ethics involved. By making minds that live inside machines, we run the risk of inflicting serious harm.
First clues emerge about Jelly, Twitter co-founder's mysterious new startup
firehoseYahoo Answers
On April 1st, Twitter co-founder Biz Stone posed a question on a company blog: "What is Jelly?" The answer, he said, is a new company and product named after the jellyfish. Unmentioned in the post is that Jelly is the second jellyfish-themed product with which Stone has been associated. Before Jelly, Stone advised a lesser-known Q&A startup named Fluther. A fluther — it rhymes with "brother" — refers to a group of jellyfish. If you want to know where Jelly is heading, Fluther is the place to start.
Jelly plans to take core ideas from Fluther and remake them in an app purpose-built for mobile devices, according to a person familiar with the company's plans. Fluther, whose team was acquired by Twitter in 2010 but remains operational, is part of a crop of web-based knowledge platforms that sprung up toward the end of the last decade. Quora, ChaCha, and Aardvark are among the companies who raised millions of dollars on the premise that high-quality, real-time answers represent the logical evolution of search engines. (Google bought Aardvark for $50 million and promptly shut it down.)
Routing personalized questions to users based on their expertise
Fluther's take on Q&A involves using algorithms to route personalized questions to users based on their expertise. It is designed to be used in real time, so that "each question feels like its own chat room." In a Twitter-like touch, users follow a "fluther" of interesting people to help personalize the questions and answers they receive. Meanwhile, a team of volunteer moderators tries to prevent the site from devolving into a Yahoo Answers-style wasteland; providing high-quality answers helps you increase your "lurve" score.
It remains unclear how Jelly will work, or whether it will have any connection to the existing Fluther service. The person familiar with Jelly's plans said it was strongly related to Fluther but did not see the product itself, which is still early in its development. The Jelly team is trying out a range of different approaches, the person said.
If Jelly has more mystique than most Silicon Valley startups in stealth mode, Stone is the major reason why. After getting his first job designing book covers for Little, Brown and Co., he became creative director at Xanga Inc., the early social network and reviews community. From there he had prominent roles at Google, which he joined after it acquired Blogger, and at Twitter, which he co-founded with Jack Dorsey and Evan Williams.
In 2011 he and Williams co-founded the Obvious Corporation, with a goal to "develop systems and mechanisms that help people work together to improve the world." Williams turned his attention to Medium, the publishing platform; in April, Stone announced Jelly. In his LinkedIn bio, Stone notes that "the main thrust of his work over the past decade plus has been developing collaborative systems freely accessed by hundreds of millions of people worldwide. 
In 2009, Stone became an adviser to Fluther, which was founded by Ben Finkel and Andrew McClain in the summer of 2007. By the time Stone joined, it was attracting more than half a million monthly visitors and raised $600,000 from prominent Silicon Valley investors including Ron Conway, Naval Ravikant, Marc Andreessen, Ben Horowitz, and Dave McClure. In a screencast to accompany the news, co-founder McClain said that 98 percent of questions on Fluther get answered, with an average of 14 answers apiece.
Barely more than a year later, in December of 2010, Twitter acquired the team behind Fluther for an undisclosed sum. Four engineers and a designer came on board, Finkel and McClain included. At that point, active development on the website stopped, and it was handed over to community manager Lisa Noll, who continues working on Fluther. Finkel and McClain have continued to oversee the site.
Stone had stepped away from day-to-day duties at Twitter, so he didn't work with the Fluther team once they arrived. Finkel was put in charge of new user experience on the growth team; while he was there, Stone notes, Twitter grew from 50 million active users to 200 million active users. Finkel quit in March; on his last day, co-workers carried him out of the office. A few weeks later, Stone revealed Finkel would be Jelly's chief technical officer.
Connections between Finkel's old company and his new one
Even a cursory glance at Fluther's website reveals connections between Finkel's old company and his new one: Each employs the jellyfish as a logo. Each emphasizes the power of groups, connections, and the ability to do good. Then there's the name Fluther gives its users: "jellies." "Knowledge diversity is something we prize highly and is also something that will be represented in our product," Stone has said of Jelly — something that is also true of Fluther, and fits with the notion of a crowdsourced information platform.
There is no shortage of question-and-answer services online, but most of them were built first for the web. Quora, the most highly valued service of the current crop, launched in beta in January 2010 but didn't release a mobile app until September 2011. The mobile app has lagged behind the website in features; Quora only added a search function to the app last month.
ChaCha has put more emphasis on mobile search, letting users send in questions via text message as well as mobile apps, but the quality of its answers varies widely. The most profitable and widely used Q&A platform in the world remains Google, which has begun placing more emphasis on letting users ask questions in natural language and receive immediate, high-quality answers.
Since announcing Finkel's hiring, Stone has been building out his team. In recent weeks he has scooped up Kevin Thau, who formerly ran mobile efforts at Twitter and had most recently built the #Music app, and added Tweetie and Letterpress creator Loren Brichter as an adviser.
In April, Stone said of Jelly: "it won't be ready for a while." In an email to The Verge, he declined to comment on the company's plans. But for all the mystery surrounding Jelly's development, its basic direction may have been hiding in plain sight. The company, Stone has said of he and Finkel's brainchild, is "the idea that we couldn't get out of our heads."
Tim Tebow’s Former Teammate Charged With Murder
firehoserofl
Film: Great Job, Internet!: Buy This: the computer from WarGames
firehoseoooooooooooh

The Internet is bracing for a game of Thermonuclear Bidding War, as the IMSAI 8080 used by Matthew Broderick in WarGames is up for sale. The computer includes a keyboard bigger than any laptop currently on the market, clunky red and blue switches with no apparent purpose, a then-powerful 1200 baud modem, and a speaker you can presumably coax into saying "shall we play a game?" until that gets old, which it never will. The IMSAI has been appraised at $25,000, but we assume nostalgia-prone nerds will drive that up significantly. The only thing missing is how to buy the computer (we assume Sotheby's will be handling this one), as the only information given is an ominous "soon."
Read moreMusic: Newswire: Yoko Ono's new record has Questlove, tUnEyArDs, Beastie Boys
firehoseRoots beat, tUnEyArDs beat, Cibo Matto beat, Wilco beat

Polarizing 80-year-old artist Yoko Ono is set to release a new record with her Plastic Ono Band later this year. Take Me To The Land Of Hell is out Sept. 17 and features guest appearances from tUnEyArDs, Questlove, Wilco’s Nels Cline, and Miike Snow’s Andrew Wyatt. That's in addition to the members of Cibo Matto and Cornelius who are already in her group.
Take Me was produced by Ono's son Sean Lennon and Cibo Matto’s Yuka Honda. The record will include remixes (of tracks that are also on the record, probably?) by Cornelius and Beastie Boys Mike D and Ad-Rock.
Read morePix/Bar Vivant Bastille Day Bash
firehoseBastille Day beat
The kids at Pix/Bar Vivant can't stop having fun. They CANNOT DO IT. Just when you think they've bought every last bottle of obscure gentian-heavy liqueurs, or supercollided the stinkiest glob of cheese possible onto the side of one of their world-class pastries, they plan a rambling, multi-faceted hot mess of a Bastille Day party that sounds like falling into a blood red tub of action. Events include:
* 150lb. whole roasted pig from Carlton Farms
* Champagne & Oyster Bar
* Live music
* A wine drinking 5K
* Champagne sabering
* "Hoola hoopin’" (I can't decide if this qualifies as fun)
* Bicycle scavenger hunt
* Grape stomp
* Cupcake stomp
I would add to this that they have a petanque court, a bona fide tapas bar, the biggest champagne cellar in Oregon, and a serious cocktail program. Please see their website for event details and specific entry fees.
Add it to your calendar: Saturday, July 13th 2pm – 11PM
Steve Wozniak on Newton, Tesla, and why the original Macintosh was a 'lousy' product
firehose"what (Jobs) did was he made a really weak, lousy computer, to tell you truth, in the Macintosh, and still at a fairly high price. He made it by cutting the RAM down, by forcing you to swap disks here and there. It was a lousy product. Every time we improved the Macintosh, year by year by year, it got closer to what the Lisa had been.
We didn't get the Lisa back until we got OS X from NeXT. Once we had OS X, that was the Lisa! But we had it so early … If we had just worked on it and developed it until it was at a personal computer price, we would've had the most incredible technology ever for GUI computers and we would've really owned it and had the rights to it. So Macintosh… the Macintosh failed, really hard, and who built the Macintosh into a success later on? It wasn't Steve, he was gone. It was other people like John Sculley who worked and worked to build a Macintosh market when the Apple II went away. ... and remember — who hired Ive? Gil Amelio."
Ford gathered journalists in its hometown of Dearborn, Michigan earlier this week for its Further with Ford conference, holding a variety of panels to discuss the past, present, and future of technology across a variety of industries (Warby Parker and Coca-Cola were both in attendance, for instance). One of those panelists happened to be the gregarious and always entertaining Steve Wozniak — better known to most of us as "Woz" — and I had the opportunity to spend a few minutes with him after his final panel appearance on Tuesday. The Apple co-founder, entrepreneur, and technologist was eager to chat.
First of all, I have to say that I saw your Nixie tube watch while you were on stage, and I was extremely jealous of it.
Yes.
Did you build it?
I wish. I wish I'd thought of it. You can't build it unless you think of it. There's an astronomer in Tuscon, Arizona that builds them, so I bought it online. It's $400, and I think he's out of parts now.
Yeah, I can imagine. Not easy to come by [Nixie tubes]. Is it accelerometer driven? I saw it come on…
Yeah.
Nice.
When you turn your wrist. And I love to tell people that the Nixie tubes are run on 140 volts, and it's waterproof, so you can take it in the bathtub… once.
So correct me if I'm wrong: you're a Model S owner, is that right?
I'm an S-Class owner.
You don't have a Model S?
"I'm no longer just buying anything I feel like at any time."
I ordered a Model S, and decided at the last minute because of my wife. See, I'm one person, I'm a Model S person. But she was an S-Class person — Mercedes. It's a lot less money, a lot more technology for driving, and a lot less batteries to worry about. That was right for her. Now, she might surprise me and get me a Model S for my birthday in August, we'll see. She knows… Every day, I sent her articles about the Model S consistently. I have for a couple of years. That's why one day she said, "Hey, we should go down and look at one," and decided, okay, we'll buy it, but we backed out. Elon Musk wrote me, he sent me some emails, he was pissed that I was getting a gas guzzler and that I wasn't a Silicon Valley boy. But you know, there are some times that you have to make tradeoffs. Because my wife's from Kansas, I'm no longer just buying anything I feel like at any time. And so, you know, how many luxury cars can you buy per year? We've got another one in the garage that we never drive, so…
So give me thoughts on the Model S. I drove one from LA to San Francisco on a review…
It's easy to give you my views.
Specifically, I'm wondering about your thoughts on the center console.
Yes. To me, you know, it's not horrible. If you take it into account, you can use it. I'm good for it. But for most people, I have so much trouble in a car, driving with touchscreens, that I worry about people trying to access the screen while they're driving. I worry about that a lot, and I don't think it's that attractive. It's not unattractive — not totally ugly at least — but the controls in the Mercedes are so ergonomic, they fit your hand, you never have to look at them, you can feel where your hand is. So I do have a reservation about that, but not enough to turn me off. I think it's a great car, I think it's the first electric car that was worth anything. I look at it as, all the electric cars so far have been very tiny so they get better mileage on smaller batteries, you know, they can go 30 miles… or they were sports cars. Well, this is the first one, it's a luxury car, a big sedan that fits five people comfortably. Well, my gosh, those are the people that are going out and buying $100,000 Mercedes already, so a $100,000 car… money doesn't matter. The fact that $40,000 is batteries, they don't see it as much.
"The controls in the Mercedes are so ergonomic, they fit your hand, you never have to look at them, you can feel where your hand is."
So I think they found the right market niche that might be permanent, might be enough to keep a company sustained. And the next step is to bring it to a lower-priced market. And the idea of the replaceable batteries means you buy your battery per mile. You lease the battery, you don't own it. You only buy the car. That's a step that'll appease the other crowd. Luxury guys, I think, really want to own their own battery and don't even want to swap it with somebody else's — they want to know what they got.
But it is a problem because you do have to pay now for the battery, and you have to pay for the electricity. As opposed to, you know, just gasoline. So it's going to probably be more expensive per mile that way, and the economic factor might come into play. But that makes me think, you know, just driving into this building, we passed Ford's fuel cell research division and I thought, oh my gosh! The words we heard last night from [Ford CEO Alan Mulally] … he mentioned fuel cells, he mentioned electric vehicles. Well, those two go together perfectly. You have to lose energy if you know physics, but it transfers so efficiently to the wheels, that's why it can still make sense economically. And then you don't have to carry this huge weight of batteries and the huge cost of the batteries. There are different problems with that one, though.
You know, we keep trying to find the way to clean energy … I'm not smarter than all the people who work on it and research it and the scientists and the people and the laboratories, so it's not like one person can have this beautiful vision nobody else has. It's been a struggle my entire life to make better batteries, and all we ever really came up with was lithium ion. That was about it.
The technology for batteries does seem to move really slowly, right?
Yeah.
So to completely switch gears, if I'm not mistaken, you're an advisor on the Sorkin film, right?
Correct. Yes, I'm going to see him again very soon, and I look forward to that. I like to answer questions, and I like to answer them honestly. And I really admire the way he's going to make that film. I think it's going to bring out Jobs' personality and characteristics and thinking and vision very well at three key, important times. Introducing the Macintosh, Steve was still young, trying to move too fast, and not regulated enough to really create a good product, a successful product. He had basically, in Apple times, when he ran things... he had three failures. We had 10 years of revenues from the Apple II running the company, and that was just from one person. When Steve Jobs was at NeXT, he was really getting his head together and taking control and becoming the person that, when he came back to Apple, you know, he was ready to really run the company and keep control of things and watch what was being done and develop new products secretly that were really incredibly great. He was finally ready to wait them out until their time, which he didn't do with the Lisa and the Macintosh.
"Introducing the Macintosh, Steve was still young, trying to move too fast, and not regulated enough to really create a good product, a successful product."
The Macintosh should've been a whole different product, not a mouse-driven GUI machine like it was, and the Lisa he should've just waited five years, and then it would've been ready. When he introduced the iPod, that was the next Apple II. That was what shot Apple… that's what makes people really love Steve Jobs to this day, the iPod, the iPhone, the iPad, and how much they meant to our lives.
Why do you think the Macintosh shouldn't have been a UI-driven product?
It was a different project. I was on the team, Jef Raskin was on the team; he brought ease of computing and intuitive computing into Apple, and he had very strange, different, kind of disruptive ideas. Steve really took over the project when I had a plane crash and wasn't there. He took over the project, and it was really my own opinion — only my opinion — that he wanted to compete with the Lisa group that had kicked him out. He liked to call them idiots for making it too expensive. Well, one megabyte of RAM back then cost 10,000 of today's dollars. He made a cheap one — but what he did was he made a really weak, lousy computer, to tell you truth, in the Macintosh, and still at a fairly high price. He made it by cutting the RAM down, by forcing you to swap disks here and there. It was a lousy product. Every time we improved the Macintosh, year by year by year, it got closer to what the Lisa had been.
"Who built the Macintosh into a success later on? It wasn't Steve, he was gone."
We didn't get the Lisa back until we got OS X from NeXT. Once we had OS X, that was the Lisa! But we had it so early … If we had just worked on it and developed it until it was at a personal computer price, we would've had the most incredible technology ever for GUI computers and we would've really owned it and had the rights to it. So Macintosh… the Macintosh failed, really hard, and who built the Macintosh into a success later on? It wasn't Steve, he was gone. It was other people like John Sculley who worked and worked to build a Macintosh market when the Apple II went away.
I'm a huge Newton fan to this day.
You know, I loved the Newton. That thing changed my life. John Sculley got demeaned by Steve a lot, but he did the Knowledge Navigator, the Newton, HyperCard — unbelievable things. The first day I had the Newton, I hand-wrote a message… I got a phone call in the San Francisco airport on the way to Disneyworld with my kids. And I hand-wrote a message to myself on a notepad paper: Sarah — that's my daughter — dentist, Tuesday, 2PM. And I saw a button called "Assist," and I thought, this must be a menu. And I tapped the Assist button — it opened up the calendar, Tuesday at 2PM, it put in the word "dentist" and it grabbed Sarah out of my contact list. And that was the first time in my life I had seen a computer understand… I had written something for a human, and the computer understood it. I didn't have to learn its language and it changed my life forever. From then on, I wanted computers to understand me. Just talking, as I'm talking to you. From then on, I used my Newton, if I wanted to call my friend Jim, I'd handwrite C-A-L-L J-I-M, and I'd click "Assist" and it'd dial him so I didn't have to dial the phone and I felt so free!
That one, and then the [G4] Cube. And oddly enough, the 20th Anniversary Macintosh was a really slick little machine.
"Who hired Ive? Gil Amelio."
That was one of Ive's first designs, right?
Yes. And then he did those glass speakers, and remember — who hired Ive? Gil Amelio. You'd be really surprised to get a lot more and different opinions about things and people.
But you think that Sorkin will do a good job conveying that?
Oh, I think what he's going to do is just have three real-time half-hour scenes. He's going to have Steve Jobs interacting with all these key people — very quick dialog that brings out Steve's thinking, and his wisdom and his guidance and his vision, and other people that were in the way and what some of the conflicts were and how Steve… I'm sure he's going to treat some people nasty, you know? And how he might just really grab onto others and love them and take their ideas. So I think it's going to be a great, great movie.
Do you have a sense of the timeline for [the movie]?
Actually, I don't. They're on their own. It's when he gets time, when Sorkin gets time more than anything else. It's gotta be on his schedule.
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Microsoft patent: Remakes running concurrent engines for old, new visuals
firehosejesus, even considering this is 3D and not a new idea... doesn't Secret of Monkey Island: SE alone invalidate this?
The Halo Anniversary example seems to be the best illustration of what this patent is aiming for. Further down, the patent specifically calls out "remakes" of games, where the original graphics are described as "leveraging" player emotions tied to the original experience. "However, this may be lost as modern graphics may cause the gamers to lose that feeling of nostalgia," the patent reads. So having that ability to switch between an original experience and enhanced visuals seems like a good middle ground this patent is trying to lock up.
A trio of 343 Industries employees, including executive producer Daniel Ayoub, are listed in the patent filing.
Microsoft patent: Remakes running concurrent engines for old, new visuals originally appeared on Joystiq on Thu, 27 Jun 2013 13:30:00 EST. Please see our terms for use of feeds.
Simon Pegg Toys With Fans, Teases the Return of "Spaced"
firehosewhat!
A CG-Free The Great Gatsby
firehoseVFX reel beat
This'll be the most I'll ever see of Baz Luhrmann's The Great Gatsby, because Baz Luhrmann, but it's pretty remarkable—I feel like all movies should have to do this, just to remind people how much CG they're actually seeing, like, all the time. Even morons can figure out they're watching visual effects in big action sequences or when Bilbo's riddling a Gollum or whatever, but now we're at a point when productions could build old-timey things like "sets" but they're choosing not to, and most people never even know it. (Ironically, this isn't working out too well for Hollywood's non-unionized VFX artists.) If I was feeling up for it I could also make a thing here about how the dispiriting hollowness of this pre-VFX Gatsby footage mirrors the horrifying, gaping void that Baz Luhrmann has instead of a soul, but I'll just put that part in later.













