


let the inter-species games begin!
I want to try this!!
firehose' “ARE YOU A GIRL? WHY GIRL PLAYING DAYZ? WHY IS GIRL PLAYING DAYZ HANDCUFFING ME?” I ignore him, getting a sense that he’s just one of those creeps and not aggressive. Edward George Terry Fenning keeps his rifle trained on the guy while I check through his gear and do a bad thing – I take a bag of saline out of his backpack. Meanwhile, the guy is still shrieking, “I’M AUSTRIAN, BE GENTLE WITH ME!” and other nonsense. I pull back and aim my rifle at him while Edward George Terry Fenning takes the last of Sean’s gear.
“ARE YOU TWO MARRIED IN REAL LIFE???!!” asks the Austrian, with two rifles pointing at him and a dead body on the floor.
“No,” replies Edward, “We’re not.” '
By Emily Richardson on January 24th, 2014 at 9:00 pm.

DayZ is a multiplayer zombie survival sim which, though buggy and incomplete, produces anecdotes of drama, desperation and clown mask-wearing weirdos. Emily Richardson has been playing it with a question: can you be a good person in the videogame post-apocalypse? Read part one here.
I’ve started a new life in DayZ and I’m determined that this one isn’t going to kill anyone. I’ve already lost all my friends, but I’ve got a lot of food and water from the town of Polana. It’s time to head back to the coast, meet up with some allies and begin my work as a good Samaritan of Chernarus.
This is my third life. In the second, I spawned in Kamiwobo and decided to sit by the water pump until my friends caught up with me. As I was sitting in a little hedge reading Twitter, a voice asked, “What are you doing?” I look back at my primary monitor and there’s a guy in a green t-shirt and bright red crash helmet looking at me. I look back at him.
“Are you alright?” he asks.
“Yes, I’m just reading Twitter.”
“Oh, right.” He sounds perplexed. “Are you going somewhere now?”
“No, I’m waiting for my friends to meet me here.”

He tells me he’s waiting for his friends too, and then starts playing Let’s Get Ready To Rumble at me over proximity chat. We move over to the road so we can do the wiggle and dance a bit. His name is Charlie, and he sings all kinds of songs to me until my friends appear on the horizon.
“Are those your mates?” he asks.
“Yup! You should sing to them too,” I tell him. “They’d like it.”
I turn around to wiggle at them and YOU ARE DEAD. Charlie decapitated me with an axe.
In this third life, though, I did much better. I made my first venture to an airfield and immediately ran away again when my comrade got shot in the back and died. I survived for a good day and a bit and let two random players pass by me without them even knowing I was there. Part of me always wonders if I should have shot them for saline and loot, but when I see that fluorescent little backpack wiggling across the horizon I just don’t have it in me. Besides, how many times have I survived an encounter I didn’t know existed?

I decide to meet up with a pacifist ally called Edward George Terry Fenning. He’s a pacifist ally because he’s new and does whatever I say, and I make a point of calling him Edward George Terry Fenning at every opportunity. Apart from when I forget who he is and call him Will.
We team up and head back to Elektro to see if we can’t get him a gun from the fire station. Along the way we’re joined by my friend Sean, who, upon arriving in Elektro, immediately falls off the topmost roof of the hospital and kills himself, landing on the roof just below.
Edward George Terry Fenning and I find his body and begin to load Edward George Terry Fenning up with all his gear, arming him with a rifle and magnum in the process. It’s at this point I see a little man running away from a zombie and into the hospital below. I order Edward George Terry Fenning to equip Sean’s rifle and aim at the door. I wait at the top of the stairs, knowing he’ll have to come up if he wants to escape the zombie who can, at this point in the alpha, walk through walls.

Sure enough he sprints right up to us. I point the gun at his face and tell him to hold still and put his hands up, which he does with no hesitation. However, because of the networking issues, he slides through a wall and pings back, appearing behind me in the doorway leading onto the roof where Sean’s body and Edward George Terry Fenning are. I’m stuck behind the guy, basically, and I look like a bloody fool.
With a few gentle shoves in the back, the guy takes a hint and walks out onto the rooftop. I’m concerned he has a concealed weapon, so I begin handcuffing him. I feel a bit guilty and don’t want him to panic and bolt off the edge of the roof, so I tell him that it’s okay and I’ll free him again after I’ve checked him over.
At this point, the guy begins to exude weirdness. “ARE YOU A GIRL? WHY GIRL PLAYING DAYZ? WHY IS GIRL PLAYING DAYZ HANDCUFFING ME?” I ignore him, getting a sense that he’s just one of those creeps and not aggressive. Edward George Terry Fenning keeps his rifle trained on the guy while I check through his gear and do a bad thing – I take a bag of saline out of his backpack. Meanwhile, the guy is still shrieking, “I’M AUSTRIAN, BE GENTLE WITH ME!” and other nonsense. I pull back and aim my rifle at him while Edward George Terry Fenning takes the last of Sean’s gear.

“ARE YOU TWO MARRIED IN REAL LIFE???!!” asks the Austrian, with two rifles pointing at him and a dead body on the floor.
“No,” replies Edward, “We’re not.”
The Austrian can’t seem to get his head around this. I start to take his handcuffs off and tell him to take whatever is left from the body. Then I think and say, “We didn’t kill him by the way. We don’t do that.”
“SURE YOU DIDN’T, YOU CRAZY MURDERING PSYCHOS!!”
I ask him if he’s hungry or thirsty but I know he has food and water in his backpack, and he says he’s not sick or injured so there’s little else to do. We decide to leave, wishing him a happy new year as we go.
Holding him up and stealing his bag of saline isn’t exactly healing and helping him on his way, but it’s about the best we could do in this situation.
The next one though, the next one will be perfect.
The Saline Bandit will return… on Monday.
Weirdly enough—no one could've predicted—Sarah Silverman's new video is pissing off tons of Christian conservatives. (Thanks for the tip, Steven Blum!)
Part Two of the interview between Bill Moyers and Dr. Tyson.
While astrophysicist Neil deGrasse Tyson believes all individuals have a right to their own beliefs, he’s passionate about what should be taught in science class – science.
“If you have a religious philosophy that is not based in objective realities that you then want to put in the science classroom, then I’m going stand there and say no, ‘I’m not going to allow you in the science classroom,’” Tyson tells Bill.
Yesterday, Amazon announced that it would be cutting the prices of both its S3 and EBS cloud-based storage. Today, Microsoft announced that it too was cutting the cost of its cloud storage. The software giant promised last April that it would match Amazon's prices for commodity cloud services: storage, bandwidth, and computation.
Amazon's pricing varies from region to region, and the price cuts range from 6 percent if you're storing between 1 and 50 terabytes of data, to up to 22 percent—though you'll need to be storing at least 5 petabytes to take advantage of this.
Microsoft says that not only is it going to match these prices, making cuts of up to 20 percent itself, but it will also charge the same amount in every region. This means that Azure storage will in some parts of the world as much as 10 percent cheaper than the Amazon equivalent.
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Read more of this story at Slashdot.
As musicians throw their real instruments in garbage bins all over the world in a rush to create Electronic Dance Music using nothing but the most minimal of computers, one piece of "legacy" equipment refuses to go away: good ol' ebony and ivory (or a plastic imitation of it). Manufacturers from Akai to Numark to Korg have created portable MIDI keyboards in every imaginable iteration, but none of them have felt substantial enough to be interesting on their own merits. And then there's the C.24, a Kickstarted piece of kit from San Francisco-based Miselu that doubles as an iPad cover.

The entire device fits in a metal enclosure that's almost the same size as the iPad, while a magnetic latch on the edge lets it function almost as elegantly as Apple's own covers. Like a sort of click pen, the whole keyboard pops out of its frame to a satisfying elevation of a little more than an inch, creating a small but significant key-travel distance. Each key is equipped with a small pair of opposed magnets to give a slightly "weighted" feel — it's certainly nothing compared to a baby grand, but the tiny resistance is just one of many little perks that make the C.24 as interesting to explore as a Swiss army knife.
It's certainly nothing compared to a baby grand
A combination of infrared and optical key-tracking methods provide super-high-resolution touch data to the iPad over a Bluetooth Low Energy connection. Inside the tablet, the Miselu KEY application takes care of all the MIDI routing you can throw at it. There's no mechanical latch on top of the C.24 to hold the iPad, just a grippy "performance groove" slot that feels solid enough to use even on a bumpy car ride. There's also a small slot on board to house third-party auxiliary controllers like button arrays or ribbon controllers.

The preproduction units on display at NAMM seemed super delicate — there were some latching, spring-load, and magnetics issues to be firmed up before the product ships to its 1,200 Kickstarter backers in April. But once it was properly engaged, the C.24 was super-fun to use with Animoog — it was the first time I'd used the virtual-modular synth app with hardware that felt like it was "supposed" to feel, whatever that means. My favorite little trick was optical octave-switching: to shift the pitch up or down, you simply swipe your left hand somewhere near the left side of the keyboard.
I never pictured myself as the kind of person who would care about an iPad keyboard, but with so many well-thought-out tricks under its belt, I have high hopes for the C.24 when it launches commercially. Pre-orders for the non-Kickstarting public will start in February at $199.
For those of us with small kitchens and big dreams, the Akebono All-in-One Kitchen Tool Set is pure serendipity. The set boasts nine handy tools including a funnel, flower vase, lemon squeezer, spice grater, boiled egg dicer, cheese grater, lid opener, egg separator and a 420 ml measuring cup, leaving a footprint no larger than a wine bottle. The set is part of the MoMA Design Store’s Spring/Summer 2014 collection.
images via Deputi-Japan
via Wired
New York City visual effects artist Richard Trammel, who make the video of a ‘Fight Club’ scene without Tyler Durden, has reimagined the trailer for the film Spike Jones film “Her” using Phillip Seymour Hoffman‘s existing lines from such films as Punch Drunk Love and Along Came Polly to portray the unseen role of Samantha (the Operating System).
video by Richard Trammel

Lawrence Welk comics. Let me repeat that: Lawrence. Welk. Comics.
Part One of the interview between Bill Moyers and Dr. Tyson.
In a multi-part series with the popular astrophysicist Neil deGrasse Tyson, Bill explores a variety of topics, including the nature of an expanding, accelerating universe (and how it might end), the difference between “dark energy” and “dark matter,” the concept of God in cosmology and why science matters.
“Science is an enterprise that should be cherished as an activity of the free human mind,” Tyson tells Bill. “Because it transforms who we are, how we live, and it gives us an understanding of our place in the universe.”
I am cautiously optimistic. But I wouldn’t say what we have seen so far means we are getting such a movie. There is a lot that has to happen first.
And my comments about a WW film are all in the comic I wrote about WW in Hollywood. I can wait for a great movie, and I don’t want a bad one at all.
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firehoseI CAN SEE THE PEEL IN THE SAZ FROM HERE
GET IT OUT
Every state in the U.S. has its own flag, its own flower, its own animal and its own motto, so why not its own cocktail? Hannah C Gregg of BuzzFeed has compiled a delicious menu of suggested cocktails delineated by state.
America boasts an almost endless array of liquor, making the choice of one signature cocktail for each state a tricky task. But every state gets tipsy in its own special way, and we chose these cocktails with some semblance of logic: a combination of state of origin, popularity, and exclusivity.
Here are just a few:

New York – The Moscow Mule

Florida – Rum Runner

California – Mai Tai

Ohio – Velvet Elvis

Michigan – Golden Cadillac
images via BuzzFeed
firehosevia multitasksuicide

1985.
Michael Caine and Bob Hoskins.
Sorry, but I don't want to play Cards Against Humanity with you.
It's not that I'm grumpy. Or humorless. Or that I dislike the concept of "enjoying myself." It's that I like my games to be games, and to me, Cards Against Humanity is less a game, and more a shapeless exercise in hackwork comedy using "edgy" Laffy Taffy wrappers. It's Family Guy writers' room bullshit at best.
I know this is unfair, and I know exactly why this is unfair. It's the same reason musicians came off like grumpy-gus party-poopers when Guitar Hero ruled the world. Cards is to being funny what Guitar Hero is to being musically inclined. And nothing made a musician sound more like a humorless bag of dicks than when they'd complain about how pointless Guitar Hero was, just like nothing makes me sound more like a pisspants comedy snob than telling you why I don't like the game you laugh your ass off playing.
Some musicians derided the that game's audience as clueless wanna-bes, fooling themselves with their plastic controller into thinking they were making music. If you thought Guitar Hero was a means to create, a substitute to learning how music works, then yeah, I see how "pointless" is a charge you'd level.
But that's not what the majority of people playing the game were doing, any more than people lining up for the umpteenth iteration of Madden every year think they could be defensive backs. They were under no illusion that they were becoming musicians by five-starring Knights of Cydonia. They were just having fun with the game, as a game. And I know the large majority of Cards Against Humanity players are under no illusions as to their comedic abilities as they build zingers out of pre-fabricated set-ups and punchlines. Nobody's going to kill a game of Cards and immediately elbow their way to the local comedy club and try a five-minute set at open mic.
Guitar Hero didn't damage musicianship, and Cards isn't hurting comedy.
Plus, it's really hard to argue that there isn't fun to be had. The popularity of the game speaks to that, (Just as Guitar Hero had its band-focused spinoffs, there's now an independently published, Doctor Who specific Cards game) as well as the sounds of laughter pouring out of my living room every time the game has been played when friends are over.
But I can't play it with you. I'm sorry. For a game whose entire purpose is to elicit laughter, it doesn't make me laugh very much at all, which is a problem. I can't get down with the arbitrary nature of the scoring, either. Comedy is subjective as hell, and even if I know you really well, I can't always predict what's going to crack you up. I like that. But in Cards Against Humanity, that's a negative. You lose for that. It's a "game" that makes me second-guess my sense of humor, and asks me to judge my friends for having their own. It's weird. It kind of makes the game pointless.
I know this puts me closer to the grumpy burnout complaining about those darn lazy kids with their plastic guitars, and far away from the laughing-'til-you're-crying friend who built a child molestation joke out of a card with Cookie Monster's name on it.
That's no fun for me, or for you. I don't want to judge you for the things you think are funny, and for me, it feels like the game is specifically asking me to do that. "Here. Spend an hour being Ant from Last Comic Standing." Even if "winning" Cards actually meant anything (and it doesn't), judging my friends based on what makes them laugh doesn't sound like a fun way to kill an hour. That's all that's left of the "game" when the stack of Laffy Taffy wrappers you're playing with is less-than-efficient comedy fuel. Part of what makes comedy worthwhile is the sense of spontaneity, of imagination, innovation, cleverness, surprise. Cards, by its pre-fabricated, jokes-as-Lego-bricks nature, subtracts all but the cleverness, and cleverness by itself turns cloying really fast.
I know this makes me the bad guy, and trust me, I feel it. But look - while you guys are playing, I'll gather up the plates and glasses, run em through the dishwasher. Refresh some drinks. Maybe make a plate of little Triscuit pizzas or something. While I'm in the kitchen, scrubbing over the sink, maybe I'll laugh at the card combinations that do manage to work, without the pointless "game" aspect getting in the way. I'm more than happy to be the waiter at the impromptu comedy-club facsimile happening in the living room.
Just don't ask me to play. It won't turn out well for either of us.
firehosestarts with Chocolate Chip Mint Julep ice cream and goes downhill until it slams face first into Bone Marrow & Bourbon Smoked Cherries ice cream

One more thing to make you pine for warmer days: Salt & Straw has released its flavor "series" for 2014, to be released in three phases at the beginning of June, July, and August. And yes I am looking at a press release for limited-edition gourmet ice cream flavors.
June is focused on cocktail inspired collaborations with some of the city's most lauded mixologists, because of course it is. These include flavors inspired by Brandon Wise of Imperial, Ross Hunsinger at Portland’s Aviary, Jeffrey Morgenthaler of Clyde Common, Kyle Webster of Expatriate, and Evan Zimmerman of The Woodsman Tavern, are are the most plausible sounding. "Lemon Amaretto Sour Sherbet" and "Rhubarb & Saffron Champagne Cocktail" sound interesting, but they don't boggle the imagination.
Moving on to July, things get more daring. Seizing on the Oregon berry season, S&S combines famously fantastic Oregon summer produce like strawberries and blackberries—working with area farms and fruit stands, obviously—and takes them to the unlikely places you come to expect not to expect, like "Goat Cheese Marionberry Habanero" ice cream and "Black Raspberries and Pork Belly."
The late summer menu starts to sort of devolve out of specificity other than "produce," but has some intriguing submissions nonetheless, like "Tomato Water Olive Oil Sherbet" (which sounds awesome to me), "Melon & Prosciutto Ice Cream," and "Bone Marrow & Bourbon Smoked Cherries."
Complete descriptions of the entire series are pasted up behind this here break.
June Summer Cocktail Ice Cream Flavors
Chocolate Chip Mint Julep
This flavor blends together an ice cream world favorite with a classic cocktail, mint, bourbon and chocolate ice cream. Combining these delicious ingredients all together was, to Brandon Wise of Imperial, a no brainer. In execution, you find Oregon roasted single-origin chocolate, Oregon grown spearmint, and a hand-selected batch of bourbon from Four Roses Distilling. This flavor truly shines as the perfect marriage of a Brandon Wise mixing experience with Salt & Straw’s kitchen full of yummy Oregon ingredients.Strawberry & Verbena Pimm's Cup
A sweet and bitter, citrusy pop in the mouth. Working closely with Ross Hunsinger at Portland’s Aviary, this ice cream taps into his bag of flavor manipulation techniques to create a subtly bright strawberry and fresh lemon verbena ice cream. The real inspiration is a Gin marmalade that spikes on the palate with a strong hit of Portland-distilled Aviation Gin.Lemon Amaretto Sour Sherbet
When asked what cocktail is nostalgically summery to him, Jeffrey Morgenthaler of Clyde Common smiled and made us an Amaretto Sour. Capturing that childish smile in a scoop... it’s hard to taste this flavor without a grin. Eye opening punches of lemon egg cream top off an intensely fruity amaretto sherbet in this delicious combination. At home, dare to go the extra mile with a shot of cask-proof bourbon poured over the top.Pineapple Honey Dorléac
We worked closely with Kyle Webster of Expatriate on this cocktail themed ice cream. Both Kyle and Salt & Straw’s Tyler Malek are self-taught with one building cocktails and the other ice creams based off of past experiences and personal flavor exploration. Together, Kyle and Tyler sat down with a case of ingredients ranging from bitters, essential oils, and fruits from every corner of the world and began riffing. The result: A honey, vodka, and aperol ice cream based off of Kyle’s own Dorléac recipe paired with a gentle ribbon of pineapple caramel.Rhubarb & Saffron Champagne Cocktail
With the background of a pastry chef, Evan Zimmerman of The Woodsman Tavern crafts cocktails that make more sense from a chef’s perspective than from your average bartender. In a combination that carefully combines only a few delicate flavors, this ice cream is subtly yeasty from the champagne with a tart and carefully flavored ribbon of saffron and rhubarb jelly. A combination reminiscent of that perfect summer-fresh rhubarb spritzer.July Oregon Berry Flavors
Strawberry with Cilantro Lime Cheesecake
This Summer, we are getting thousands of pounds of strawberries from Deep Roots Farm, located in Albany, OR. These strawberries are picked and delivered the same day we use them, creating a strawberry ice cream that is as fresh as it is delicious!Birthday Cakes and Blackberries
Frosting flavored ice cream with ribbons of cake and blackberry jam. This blackberry jam is extra special because it uses Evergreen Blackberries from the Willamette Valley. These berries are pitch black in color and wonderfully sweet. With this combo it might as well be everyone’s birthday!Goat Cheese Marionberry Habanero
We got our hands on some of the best goat cheese to come out of the Willamette Valley from Portland's own, Portland Creamery. Using their "Sweet Fire" flavored chevre as inspiration; we churned out a tart goat cheese ice cream and swirled in ribbons of Marionberry Jam that has been infused with habanero peppers.Summer Cucumber & Raspberry Sorbet
These raspberries, from South Barlow Berries, are bright and tart, the summer cucumbers are bitter and sweet. Each compliments the other so well... a scoop of this sorbet simply makes you smile!Black Raspberries and Pork Belly
Oregon black raspberries can only be harvested for three weeks out of the year, making for an incredibly rare and unique berry experience. Taking advantage of their deep flavor, we paired these berries with a salty, smoky pork belly ice cream. This ice cream is indulgence at its finest!Featured Flavors in August and September:
Tomato Water Olive Oil Sherbet
Tomato season in Portland, OR is short…. like four weeks short! But when it comes, we get some of the best tomatoes in the world. It’s almost like the tomatoes know that they will only be at their ripest for a few weeks and they want to make each season completely worth it! We’ve paired these uber-fresh tomatoes with Arbequina Olive Oil from Red Ridge Farms in Dayton, OR and a touch of lemon zest. This flavor is clean, sweet, and one that we will remember all year.Carrot Watermelon Sorbet
To us, carrots in dessert are kind of a no brainer. We love the sweet, earthy flavors that summer carrots provide, but what we really look for when picking out carrots at the Portland Farmer’s Markets are ones that have a pleasant bitter note to them. Once we find perfectly bitter carrots, we bump up the sweetness with fresh watermelons. This combination leaves us in awe every time we try it!Melon & Prosciutto Ice Cream
Another great salty-sweet combination provided by Italy. Re-imagining this into an ice cream was destiny for Salt & Straw. We teamed up with Portland’s Olympic Provisions vast array of charcuterie twists and turns through golden, sweet and fresh summer cantaloupe ice cream. A truly beautiful marriage of historical flavors and Portland culinary magic.Bone Marrow & Bourbon Smoked Cherries
Unexpected and delightful, slow roasted and clarified bone marrow brings texture, flavor, and depth that has never been found in ice cream. In our kitchens we smoked Oregon Bing Cherries then cured them in spices and Portland distilled bourbon to add depth to this flavor. If you only get to try one flavor of ice cream this year, be sure it’s this one!
The New York Times Magazine released an unusual cover depicting the face of former Secretary of State Hillary Clinton as a planet for its January 26 edition. Here are the New York Times Magazine covers featuring current, former, and would-be national political figures over the past five years:
Hillary Clinton:



New Jersey Gov. Chris Christie:

Former President Bill Clinton:


Former Speaker of the House Newt Gingrich:








Former vice presidential nominee Sarah Palin:

Former presidential nominee Mitt Romney:


Former vice presidential nominee Rep. Paul Ryan:

firehosewas about to pitch a fit over where the Louisiana startups were located (the closest civilization to that dot is Prison View Golf Course)

It’s no surprise that California dominates when it comes to US venture capital investment. More interesting is that startups based in 46 out of 50 American states received venture capital funding last year, according to analysis released today by CB Insights (p. 11, subscription required).

There’s been some head-scratching and hand-wringing this week about the inability of Boston to foster technology startups despite the presence of some of America’s most prestigious universities in Massachusetts. Yet the state still ranks second in the US for venture capital investment, probably due to its burgeoning biotech scene rather than internet tech companies.
At the other end of the scale, Alabama had three deals, including Hospicelink, a provider of medical equipment, as did Arkansas, including Collective Bias, which does marketing via its network of shopping bloggers.
But spare a thought for West Virginia, Mississippi, Alaska and Wyoming. There, according to the analysis, no startups received any venture capital funding last year at all.