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09 Jul 11:12

Tiny Row House Installation Restores Missing Addresses

by Steph
[ By Steph in Art & Street Art & Graffiti. ]

Amsterdam Urban Intervention 1

Taking a stroll along Westerstraat in Amsterdam, you might notice that an entire clump of houses seems to have disappeared. The addresses jump from 54 to 70, with nothing but a four-inch crack between them. Where did those houses go? Ad agency Natwerk has its own creative take.

Amsterdam Urban Intervention 2

Amsterdam Urban Intervention 3

The agency restored the seven ‘missing’ row houses, building tiny models in the same style as the full-scale homes that surround them. Just barely peeking out from the dark void, these cute little sculptural installations invite passersby to stop and look closer.

Amsterdam Urban Intervention 4

Urban interventions are a fun way to temporarily alter the environment in public places. Some are fleeting, like chalk tracings of shadows that document a passing moment, or tiny, like Slinkachu’s miniature scenes. Some require no more than a couple plastic eyeballs to make people smile. Others are more disruptive, altering familiar objects like street signs, trash cans and traffic markings.

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23 Jun 16:35

Comic: Negotiations

by tycho@penny-arcade.com (Tycho)
New Comic: Negotiations
23 Jun 16:32

Subtle russian Tampon-Ad

by René

Youtube Direktjump, via Dangerous Minds

I leave this here without Comment.

23 Jun 16:14

Berlin Sunset

by Aram

(..pic taken from our terasse June 21, 2013)

 

21 Jun 17:40

The best films of 2013 (so far)

We may only be half way through, but 2013 is shaping up to be a great year for films. Here's ten of the best, as voted for by Guardian readers

Earlier this week we asked readers to vote for the film they thought had been the best of the year so far. Here are the results – a fairly eclectic top ten, with some leftfield choices alongside the blockbusters you'd expect to see do well in a public vote.

We've included some supporting statements from our esteemed voters, along with links to our reviews of the films. Disagree with the results? Perturbed by the absence of Hansel & Gretel: Witch Hunters? Let us know in the thread below.

10. Man of Steel

"Finally showed what fighting with superpowers could be like. Also a more adult take on superheroes" Chris Doré

"I thought matching the Richard Donner film was an impossible task but I was wrong." Kevin O'Connor

Read the Guardian review

9. Spring Breakers

"A bold, visually dazzling, provocative, hilarious and moving film that confirms Harmony Korine as the most important filmmaker of his generation." Daniel Hickin

"A topography of young people's minds, a secret treasure map revealing hidden desires and mutated G-Spots of the 21st century." Johannes Lehnen

Read the Guardian review

8. Iron Man 3

"Hilarious, clever, non-stop entertainment that had me grinning throughout." Louise Crane

"Its dark, funny and clever. My kids love Iron Man and its strikes a perfect balance for a superhero film." Paul Healy

Read the Guardian review

7. Behind the Candelabra

"Michael Douglas is superb – touching and believable. So glad the British have given it the credit it deserves by screening the film in cinemas, unlike the American film industry." Izzie B

"Quite simply, it's everything you want in a good film. It looks stunning, has top-notch performances all round, contains real laugh out loud moments as well as being really quite unexpectedly moving. Plus add on top of that sequins, Matt Damon in a speedo and Rob Lowe's face and you have not just a good film, but a great one." Caitlin

Read the Guardian review

6. Stoker

"One of the most beautiful films of the year and in fact one of the most beautiful of Park Chan-Wook's career. Matthew Goode's subtly macabre turn had me leave the cinema with a nasty taste in my mouth that I am yet to get rid of and don't think I will lose for the rest of the year. It's sublime film making." Saul Allerton

"Definitely a film for multiple viewings, the banality of evil sprinkled with angel dust, that's entertainment." Stephen Lucas

Read the Guardian review

5. Mud

"It's Shane meets Stand by Me." John Fitzgerald

"It's Americana, coming of age, loss of innocence all rolled into one. Great performances throughout including the continuing revival of McConaughey's career. It confirms Jeff Nichols as the director to watch." Carl Albanese

"It's beguiling, beautifully shot, brilliantly acted, moving, deeply human, and full of exquisite cinematic moments." Rupert

Read the Guardian review

4. Star Trek Into Darkness

"A wonderful summer blockbuster with action, suspense, and heart. This year's Avengers." Sam Jones

"As a something of an art house cinema lover, I was completely surprised and blown away by this audio visual extravaganza. I had been very sceptical of all this 3D business but couldn't have enjoyed this more. A rip roaring thrill ride that made me completely forget about real life for a couple of hours. Precisely what good entertainment should do." Allan Bain

"What a delight to see a Hollywood movie present judicial process – rather than rampaging revenge – as the correct measure to take against a homeland attack." Will Strange

Read the Guardian review

3. The Great Gatsby

"A fresh and original take on a classic that has never translated particularly well to the big screen. An unexpected triumph, with superb performances and a soundtrack that is mostly thrilling." Stephen Lawlor

"This is a great film. At long last, Luhrmann has achieved his magnum opus." Michael Carmichael

"Amazingly cinematic. Baz gives the tale a Shakespearian heft and universality instead of falling into the trap of making a costume drama." William Malcomson

Read the Guardian review

2. The Place Beyond The Pines

"Innovative, thorough, painful, Shakespearean, great performances." Ricardo Vargas

"When a film surprises you, grabs you whole, entices you, and moves you this much, it must be exceptional. You even love its faults. Lovely!" Hannu Björkbacka

"An epic drama with wonderful performances from Bradley Cooper and of course the man himself Ryan Gosling. Great father son relationship study." akbar

Read the Guardian review

1. Django Unchained

"Tarantino's most complete film since Pulp Fiction, it rises above mere homage to become a classic Western in its own right. Samuel L. Jackson, Leonardo Di Caprio and Jamire Foxx have never been better, and Christoph Waltz is even better than them." Doug Scott

"Excellent acting, fantastic soundtrack, perfect direction, engrossing adventure. Totally mesmerized from start to finish." Matthew Atherton

"Disturbing, terrifying, hilarious, uncompromising." Gemma O'Donnell

"Far and away the best movie of 2013. From soundtrack to cinematography to the outstanding performances of the actors to Quenten's unique blend of ultra violence and opéra bouffe, Django is an exploding horse head of film magic, fabulous music and just deserts, destined to be a classic." Sean Malloy

Read the Guardian review


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21 Jun 13:17

‘Arkham Origins’ Gets Its First TV Spot

by Jason McAnelly

arkham-origins-batman

If you’ve been eagerly awaiting another look at the upcoming Batman: Arkham Origins, then wait no longer.  For Warner Bros. and Games Montreal (with help from Nerd Bastards, of course) are now bringing you the first official TV spot for the game.  It’s not very long and very short on much other than punching and kicking, but you can check it out below.

Looking tasty enough for ya yet?  If so, you can pick it up on all your consoles or your PC when it releases on October 25th.

 

Thanks to ComingSoon for helping to share the love.

21 Jun 10:50

The Hundred Dresses: Day 18

by Erin
Rebeccasaskia

I need more clothes with pockets

Here’s today’s dress:
Simplicity 1577, no collar

This is another collarless Simplicity 1577 — when I had to do the collar amputation on the denim one, I thought, “Hey, what if I did this on purpose?” and voilà:
Simplicity 1577, no collar

The bias binding for the neckline is a slight bit lumpy. The fabric is a lighter twill, so it showed through more than I thought it would (better image of the fabric below). I’m very happy with the pocket lining (it’s Liberty, natch):
Simplicity 1577, no collar

Here’s the back where you can see exactly the spot I missed while pressing this before taking pictures:
Simplicity 1577, no collar

And the zipper, which is truly terrible, a C- at best. For some reason this dress came out smaller than I thought it would so I have to go back and undo both side seams and cheat them out a bit, and do the zipper “right” in the process. Needless to say this has not happened yet. At all.
Simplicity 1577, no collar

I tend to wear this dress in the winter (it’s warm) with black boots and a black sweater (or brown boots and a brown sweater). It’s a good traveling dress, too, since I made the pockets extra-deep. Now if only I managed to get this on to the top of the pile for fixing …

 

21 Jun 10:46

Lord Have Mercy on Us All

Lord Have Mercy on Us All

Submitted by: Unknown

20 Jun 10:12

Baby Peach and Daisy Hooded Towels

by Starrley

Kareesh’s friend was having twin girls, so she came up with a great idea for a present! Here they are together:

And here are the close-ups:

I love what Kareesh said, “ I think my favorite moment was when someone at the baby shower came up to me and told me I must have a pretty amazing machine to make that. Proudly I said I did that all by hand. :grin:

via[TheSpriteStitchForum]

20 Jun 10:09

In Case You Were Wondering The ‘Axe Cop’ Voice Cast Is Amazing

by Jeremy R! Hudson

Axe-Cop-Wondercon

It would be premature and irresponsible of me to declare FOX’s forthcoming Axe Cop cartoon a ‘perfect,’ but damn your rules, it is! We’ve known for a while now that the titular character will be voiced  by the shows exec producer and master carpenter Nick Offerman, but what of the other characters? Well, maybe you should have a seat because over on the official Axe Cop blog they’ve announced the rest of the cast and it reads like the supergroup of  cartoon comedy voice talent.

When the show premieres as part of FOX’s ADHD cartoon line-up Offerman will be joined by Chldren’s Hospital alums Ken Marino and Rob Huebel as Flute Cop and the Grey Diamond respectively, comedian Patton Oswalt as Sockarang and British actor/comedian Peter Serafinowicz will do multiple voices including the villainous Dr. Doo-Doo. Pretty impressive, right? Well we’re only half way through (see why I told you to sit down?) In possibly the greatest casting of a man baby of to date, Baby Man will be voiced  Michael Madsen (Reservoir Dogs, Kill Bill.) The cast also contains not one but two actors from Breaking BadJonathan Banks (Mike) and Giancarlo Esposito (Gus) and Vincent Kartheiser from TV’s Mad Men caps it all off.

Let’s watch the recently released upfront for the show together now!

If you listen closely you can hear the gentle sobbing of an [adult swim] executive.

Apparently if you are at SDCC this year and attend either the Axe Cop panel or the ADHD one you will get to see the first episode. The rest of us will have to wait till 11pm July 27th on FOX.

 

Source: AxeCop.com

 

20 Jun 09:55

Noam Chomsky äußert sich zur NSA-Überwachung. Money ...

Noam Chomsky äußert sich zur NSA-Überwachung. Money Quote:
"Governments should not have this capacity. But governments will use whatever technology is available to them to combat their primary enemy – which is their own population," he told the Guardian.
19 Jun 17:21

Kitchen Experiments: Madeleine Cookies

by elsiecake

How to make madeleine cookiesI first fell in love with madeleine cookies over 10 years ago while watching the very first Transporter movie. Is it weird that what I took away from that action film was a love of sea shell shaped cookies? Maybe. But there you have it anyway. 

I also really like Transporter. I thought it was awesome. I love action films. :)Madeleine cookiesI was recently gifted a Madeleine pan so I was excited to give these a try! It's kind of strange to think that I've been a fan of these cookies for so long but have never gotten around to making them. The batter is actually really interesting because it involves incorporating melted butter into creamed eggs and sugar. Most cookies recipes warn against using melted butter, as they require softened butter. Which is not the same thing. Duh. Baking can be so fickle. But Madeleines are not fickle, they are super easy to make once you have the cute pan. :)Madaleine batterMadeleine Cookies, makes 18 (regular size). Recipe from Martha Stewart.

4 eggs
1/4 teaspoon salt
2/3 sugar
1 teaspoon vanilla extract
1 cup flour
1/4 cup butter, meltedSea shell cookies!Butter and then lightly flour the baking pan. Be sure to get butter in all the little ridges so the cookies will be easy to remove after baking.

Beat the eggs, salt and sugar together until the batter begins to thicken (about 8 minutes with an electric mixer on low). Toward the end of mixing add in the vanilla. Stir in the flour. Then stir in the melted, cooled butter. Quickly spoon the batter into the preparred baking pan. Bake at 375°F for 10 minutes.Easy madeleine cookie recipeI like how these kind of puff up on the back sides while cooking. Let them cool for a few minutes before dusting with powdered sugar. Yum! If you've never had a madeleine before you are in for a treat as they are dense and chewy and taste like butter. :) Happy kitchen experiments! xo. Emma

12 Jun 07:17

GoGo & Multiplo: Modular Building Blocks for Kids & Adults

by Urbanist
[ By WebUrbanist in Design & Furniture & Decor. ]

modular block bedroom set

Two very similar designs with somewhat different audiences, Multiplo emphasizes their kit-of-parts approach as a means toward making convertible adult furniture, while Gogo Blocks are presented as a way for children to build their own play spaces, forts and mazes.

modular blocks toys playspaces

Sinclair Smith designed the Blocks as a student project, and, when he came across Multiplo, celebrated and encouraged HeyTeam‘s development of its parallel project.

modular gogo blocks system

But the blocks can work as furniture too, writes Smith: “Gogo blocks are a children’s play system of foam pillows for building and imagining, and are specifically scaled to form a twin mattress for sleepover guests.”

modular blocks heyteam multiplo

As to Multiplo: users are welcome to invent their own configurations and transformations, but core starting suggestions include couches, beds and a square lounge pit for seating groups. Also, the color palette is a bit more passable for older users (at least: young adults), being somewhat less colorful than that of its cousin, Gogo.

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[ By WebUrbanist in Design & Furniture & Decor. ]

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12 Jun 07:11

Oh nein, im SPIEGEL steht was über Feminismus!

by Magda
Dieser Text ist Teil 4 von 4 der Serie Feminist Fun Friday

In unserer Serie Feminist Fun Friday (a.k.a. Feminist Revenge Friday) analysieren wir aktuelle Themen bilder­reich. Kann Spuren von Ironie enthalten. 

Der SPIEGEL schreibt in der aktuellen Print­ausgabe über feministischen Aktivismus.

Ey, kein Scherz! Aber bloß nicht zum Kiosk laufen und der Malestream­presse Geld schenken. Ich habe mir nämlich extra die Mühe gemacht, die besten Sahne­stückchen dieses Artikels zu kommentieren. Let’s roll! Es beginnt wie Popcorn-Kino: Neben Wiebke Hollersen schrieb auch Jan Fleischhauer am Artikel mit. Ja genau. Das ist der, der als “Experte” zu Sexismus und Rassismus in alle Talkshows Deutschlands ein­geladen wird und dann – suprise, surprise – nur hetero_sexistischen und rassistischen Quatsch labert. Und der schreibt jetzt wieder was zu Feminismus…?

Nur nicht so voreingenommen! Erst mal schauen, was im Artikel steht! Nun ja, eigent­lich fängt es ganz klassisch mit ein paar anti-feministischen Stereotypen an. Es fallen Worte wie ‘bieder’, ‘ver­kniffen’ und unrasierte Achselhöhlen. Ach ja, und Porno.

Glücklicherweise mag die interviewte #Aufschrei-Aktivistin Kathy Messmer Pornos. Dank dem SPIEGEL wissen wir das nun. Es geht zwar um Feminismus, aber Messmer’s Aussehen wird bilder­reich beschrieben. Wir erfahren so, dass der junge Feminismus “rebellisch” aussieht. Apropos Aus­sehen. Klar kommen auch noch die FEMEN ins Spiel. Blanker Busen. Das freut die SPIEGEL Redaktion! So werden Hefte verkauft!

Es folgen ein paar Knallersätze: “Feminismus ist das Thema der Saison.” Oh ja toll! Feminismus ist das neue trendy Accessoire! Im Sonder­angebot! Buy one get one free!

Weiter steht da: “Abtreibungen sind praktisch straffrei, das Recht auf gleichen Lohn ist unbestritten.”

Falsch. Und schön, dass das Recht auf gleichen Lohn unbestritten ist. “Recht” ist so ein schönes Wort. Ein anderes schönes Wort ist “Realität”. Und in dieser Realität sind wir meilen­weit entfernt von fairer Ent­lohnung.

Nun geht’s um die FEMEN. Zu Wort kommen Anne Wizorek, die Initiatorin des Hashtags #aufschrei, und wieder Kathy Messmer, die sich etwas halbherzig von FEMENs Politiken abgrenzen. Im Artikel kommen bis zu diesem Zeit­punkt lediglich weiße Feministinnen vor. Klar, irgendwo fällt auch Alice Schwarzers Name. Messmers beruf­licher Erfolg und ihre akademische Laufbahn werden aus­drücklich betont. Die Femen-Aktivistin Zana Ramadani, die dann näher vor­gestellt wird, sei hin­gegen keine so “typische Feministin” und aus einer “muslimischen Einwanderer­familie”. Hatte strenge Eltern und musste sich alles im Leben er­arbeiten. Will keine Theorien wälzen, sondern kämpfen. Sehr gewitzt, SPIEGEL. Nicht nur reproduziert ihr hier mal wieder ein stereo­types Bild von in Deutschland lebenden Muslimas (über die Eltern von Wizorek und Messmer erfahren wir nämlich nichts. Vielleicht sind die ja auch streng? Und christlich?). Gleich­zeitig bleibt die Kritik an FEMEN von muslimischen Feminist_innen einfach un­sichtbar. SPIEGEL befindet: Wenn eine Muslima bei FEMEN mit­macht, kann’s ja nur richtig sein!

Nun fallen Worte wie “radikal”, “aggressiv” und “verbissen”. Mein feministisches Super­hirn kombiniert: Jetzt geht’s um Critical Whiteness (gewürzt mit einer Prise Queer-Bashing). Wenn es um Rassismus geht, holen weiße Menschen, die keinen Bock haben, sich kritisch mit (eigenen) Rassismen aus­einander­zusetzen, nämlich immer solche Keulen raus. Laut SPIEGEL sei die “aggressivste Gruppierung” unter den “Frauen­rechtlerinnen” jene, die sich der “Critical Whiteness ver­pflichtet fühlen”.

Es folgen widerliche Absätze. Um das kreierte Bild der aggressiven Critical Whiteness-Grupperierung in jedem Falle aufrecht zu erhalten, nehmen die SPIEGEL-AutorInnen Bezug auf eine Podiums­diskussion mit dem Titel “Colors of Feminism“, die im April im Inter­kulturellen Frauen­zentrum S.U.S.I. stattfand. Klar bleiben die Podiumsdiskussion-Teil­nehmerinnen namenlos und werden als eine sektenartige und vor Gemeinheit triefende Clique beschrieben, die die bemitleidens­werte Aktivistin von FEMEN an­geschrien haben soll, weil diese sich nicht als weiße Frau vor­stellte.

Dass das eine ver­kürzte Wiedergabe ist, um eine Podiums­diskussion lächer­lich zu machen, bei der es um Feminismen of Color und Rassismus(kritik) in weiß-dominierten feministischen Zusammen­hängen ging, fällt unter’n Tisch. Ich weiß das. Ich saß mit auf dem Podium.

SPIEGEL versucht aktuelle feministische Kämpfe auf­zuzeigen, aber macht jene lächer­lich, die Mehr­fach­diskriminierung in den Blick nehmen. Worte wie Mehr­fach­diskriminierung und Weißsein werden im Artikel übrigens konsequent in Anführungs­zeichen gesetzt. Eine beliebte Taktik, um bestimmte Konzepte ab­zuwerten und lächer­lich zu machen. (Klappt zugegebener­maßen ganz gut: SPIEGEL ist ein “ernst­zunehmendes” Medium.)

Der SPIEGEL entscheidet also, was “guter” Feminismus (= FEMEN und #Aufschrei – aber bitte nur die hippe Variante) und was “schlechter” Feminismus sei (= der von rassismuskritischen und queeren Feminist_innen). Und das traurige ist: Manch­mal machen da auch Feminist_innen mit. Weil sie sich nicht positionieren. Und das Spiel mitspielen. Genau hier könnten wir inner­halb feministischer Zusammen­hänge solidarischer werden. Und kritischer z.B. die eigene Pressearbeit betrachten. Solche Artikel sind nämlich nur eins: ein kräftiger, ekliger Nieser ins Gesicht.

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10 Jun 09:50

Shark Wheel: The All-New Skateboard Wheel That Looks Square

Unlike traditional skateboard wheels, the Shark Wheel boasts a cube-design that reportedly feel perfectly circular when you're riding, but look like a square from the side when in motion. Its creators tout that these are faster, have phenomenal grip, slide better and look incredible. Continue reading for a video and more information.

09 Jun 15:42

We Could All Use a Compliment

We Could All Use a Compliment

Submitted by: Unknown

Tagged: pregnancy , card , funny , dating
04 Jun 06:13

Je christlicher die Eltern, desto weniger Prügel fürs Kind?

by tpred@heise.de (Ulrike Heitmüller)
Kriminologe Christian Pfeiffer über Gewalt und Religiosität und warum Freikirchler bzw. Evangeikale am ehesten ihre Kinder züchtigen


02 Jun 18:36

How did Germany become the new champion of Europe?

by Julian Coman

It was called the sick man of the continent: now it is once again a powerhouse. Julian Coman reports from Bestwig, North Rhine-Westphalia, where firms thrive by innovation, good labour relations and commitment to the local economy. Can Britain learn from the German model?

Sitting in his brightly lit office overlooking the green hills of rural Westphalia, surrounded by photographs of aluminium and titanium castings, Phillip Schack has drawn a blue triangle on a piece of paper. Pointing to a small shaded section at its apex, he says: "Look. If that's your market, up at the top, high-quality end, then you're well protected from global competition. It's only if you're down here," he adds, pointing to the triangle's much wider base, "that globalisation is a threat. So we need to take care of our triangle."

Schack is managing director of Tital, a leading manufacturer of precision parts for aeroplanes and racing cars. In the corridors and workshops of this company, which employs 520 people in Bestwig, a town of 11,000 near Dortmund, the crisis of the last five years has not been a subject of anguished internal debate.

Exports around the world have increased by 50% over the last decade, as the market for high-class titanium products booms. Revenue is up. Apprentices are being taken on. A new plant for small aluminium castings has just been opened in the Chinese town of Nantong, near Shanghai. Times may be hard, but the company is thriving at the top end of Schack's triangle of prosperity.

What goes for Tital goes for Germany. As the rest of the eurozone – along with Britain – labours under the yoke of austerity, Germany has been basking in the glow of international success. A week ago, Bayern Munich, a supporter-owned football giant, deservedly won the biggest prize in club football, the Uefa Champions League, beating national rivals Borussia Dortmund in the final. England's debt-laden heavyweights and their foreign owners were placed firmly in the shade.

Then there is Volkswagen, which reported a $15bn (£9.8bn) profit for 2012, making it the most profitable car manufacturer in the world, ahead of Toyota and General Motors. The new VW Golf also won "world car of the year" at the New York motor show in March – not a bad way to celebrate the company's 75th anniversary.

The list of reasons for Germans to be cheerful goes on: wages are rising while those in the rest of Europe and America stagnate; economic growth, though affected by the crisis, continues; and unemployment is half that in neighbouring France. In a depressed, recession-haunted eurozone, Germany is the last economy left standing, following the hurricane of the debt crisis. And in flatlining Britain, where the search for sustainable economic growth has become the question of the age, the alluring calls of the German model have become deafening. Even George Osborne, who tends to look to America for economic inspiration, told a group of Manchester businessman that companies such as Tital "are the envy of the world".

For a country described as "the new sick man of Europe" in the late 1990s, Germany appears to have made a superhuman recovery. Where did it all go right?

According to Wolfgang Streeck, the director of Cologne's Max Planck Institute for the Study of Societies, Germany's golden moment is the vindication of a different way of doing things, one that has as much to do with history and culture as economic theory. "In the 1980s and 1990s," said Streeck, "when America took off in the direction of the dotcom boom, Germany remained a manufacturing economy, true to its artisanal roots. That was strongly criticised at the time. There were lots of commentators – the Economist, for instance – who said that the country had been left behind, that it had become old-fashioned. Worse, Germany's economy was highly regulated. Power was locally held. Employers had obligations to their workforce and the local community. Wages were high and workers had the right to influence decisions and sit on boards. In countries like Britain and America, that way of organising things was seen as a kind of death sentence for the economy."

Instead, Streeck says, this much mocked business environment proved a blessing in disguise, as Germany's firms proved more supple and cunning than critics had imagined. "The constraints eventually proved beneficial," Streeck continues. "Firms accepted the challenge and got ahead by improving and innovating, particularly in the global market, focusing on quality not price. Managers managed better. VW, in relative terms, was low-tech in the 1970s. Now its Wolfsburg plant is one of the most sophisticated in the world."

In the early 2000s, the Wolfsburg workforce also played its part, as Germany struggled with the legacy of reunification. When VW threatened to transfer the production of new cars to cheaper locations such as Portugal, new flexible hours and pay were negotiated with the IG Metall union, along with performance targets and training schemes. The then chancellor, Gerhard Schröder, praised the 2001 deal as "groundbreaking", urging other industries "to follow the example of VW and IG Metall to create new jobs in Germany". Labour market reforms, negotiated between employers and unions, followed across German industries. They have been enthusiastically embraced by Schröder's centre-right successor, Angela Merkel.

Meanwhile, in hundreds of small towns like Bestwig, a remarkable success story with global implications was taking place. Germany has long treasured what it calls its "Mittelstand" businesses, the small- to medium-sized enterprises that are often family-owned, typically have up to 500 employees and specialise in high-quality niche products. When the film-maker Edgar Reitz made Heimat, his acclaimed epic of German life in the 20th century, the postwar economic recovery was symbolised by a fictional family optics firm, set up in the heart of the Rhineland. Over the last 10 years, as competition from cheap labour abroad has placed a premium on innovation, skill and high quality, the real-life Mittelstand has never had it so good.

Tital, founded by two local families in 1974, has made itself indispensable to its clients through a patented casting process that uses a unique cooling liquid. "It's our Coca-Cola," jokes Schack. In total, Germany's Mittelstand companies own an astonishing 499,525 such patents. These innovators also employ more than 70% of the country's workforce, provide 83% of Germany's apprenticeships and have links to communities that go back generations. Sennheiser, an audio equipment manufacturer that provided the sound for last month's Eurovision Song Contest, is still located a stone's throw from the house of Fritz Sennheiser, who founded the company 65 years ago.

It is the stability of those links – with schools, banks, businesses and the wider community – that gives companies such as Tital and Sennheiser a competitive edge. Tital gets its finance from the investment arm of the local co-operative bank, which is prepared to give its strategies time and space. From the schools in Bestwig and the surrounding area, the company takes 18 apprentices each year. It pays a grant to allow the more able to go to university, on condition they come back to work at the company. For the less academic, an in-house supplementary education is provided. Schack himself teaches the new recruits a voluntary politics and economics course.

"Each year we take two apprentices who have not really got the qualifications needed," he said. "We give them a broad training and they work really hard because they are happy to be given the chance. And they stay loyal to the company, as do the graduates who come back after we've helped with their higher education. So what's good for the community and good for our reputation is also good for the firm." Compared to Britain's Work Programme, it's a different world.

Tital also has a works council with power and influence over company strategy, including one full-time paid organiser. The system works because the cultivation of an engaged and committed workforce, says Schack, is fundamental to the company's future. "We depend on innovation coming through from production level. We need continuous improvement and collective ideas; employees who think as they work. The system functions because we need to be up there at the quality end of the market. So we pay top dollar because we need to compete at that level, and that gives us the luxury of having this consensual way of acting."

Companies such as Tital, Sennheiser and Lunor – a six-person manufacturer of high-end spectacles now sold in unfeasible quantities to South Korea – resemble Britain's indie bands in their 1980s pomp. They are distinctive, niche and promoted by small-scale but sympathetic financial backers. And life at the industrial "supergroups" is just as harmonious. Last week, as wage freezes and reductions continued across the rest of Europe, a substantial pay increase was agreed on behalf of 97,000 Volkswagen workers by IG Metall. Public sector workers are also set to receive a big increase.

Even for the most seasoned of economic observers, it is a reversal of fortunes that takes the breath away. In the last years of the 1990s, all the buzzing talk was of Silicon Valley and America's technology boom. In Britain, light-touch financial regulation under New Labour created superbanks capable of generating wealth on an industrial scale, but industry itself received little attention at Westminster. Germany struggled. Then came Northern Rock, a near financial meltdown and the fallout from a City-inspired long boom that had been sustained by debt. "The crisis changed everything in Europe and America," says Streeck. "The credit-based pseudo-prosperity had come to an end. And at that moment, it was the Germans who had things to sell that the others didn't."

So what can Britain learn from this sobering turning of the tables? At a London School of Economics debate last month, the Labour peer Maurice Glasman debated with the Conservative education minister, Michael Gove, on the subject of "One Nation Britain", Ed Miliband's big idea. Glasman believes that if it is to become a reality, places such as Birmingham must look a lot more like Braunschweig. Labour needs definitively to move on from the starry-eyed embrace of financial markets that characterised the Blair years, and focus on the unglamorous, steady localism of capitalism, German-style.

"Germany won," said Glasman at the debate. "We have a Champions League final between two supporter-owned and democratically governed football clubs. Tradition and the preservation of institutional virtue are a source of energy and modernisation precisely because change and continuity work together; a balance of power is the best system; a negotiated settlement is better than one that is imposed, the domination of any interest violates the demand of what is good; the discovery of the common good between forces that are estranged is the best good of all. It takes longer to get there but the benefits are more enduring."

Lord Sainsbury, a former Labour minister and author of a just-published book entitled Progressive Capitalism, is less sure. "I don't think you should try to copy countries that have a different kind of capitalism," he told the Observer. "In terms of industrial democracy, for example, the role of trade associations and trade unions in Germany cannot be replicated in the UK. In German business negotiations, if employers or employees are being unreasonable, then their own umbrella body intervenes and makes sure a consensus is reached. Trade unions and trade associations can deliver for their members, which they can't in Britain. America is the more relevant comparison for Britain."

The view from Streeck's office in Cologne is similarly pessimistic, on cultural as well as economic grounds. "It's very difficult to reproduce Germany in England," he said. "Here there is still a considerable respect for the engineer, the maker of things. There is still a cultural link back to the old artisanal pride in Handwerk, or craftsmanship. In England, early unlimited competition wiped so many of those firms out. Britain needs to look at the spirit of German institutions maybe, but then work out how that spirit can be translated into a different world."

The German love of engineering was vividly on display last Thursday afternoon, as hundreds of visitors spent a bank holiday at Wolfsburg's Auto City, a lavish monument to the native car industry. Willy Schlüter, from Bielefeld, was there with his family. As his children tried out a Beetle cabriolet for size, he explained: "We had an Opel for a while. But now we've got a VW Touran." The cabriolet would be nice, but it wasn't a family vehicle.

Would he ever consider buying a foreign car? Too polite to say no, Schlüter gave a slightly apologetic smile. After decades of industrial neglect and regional decline, Britain, whatever the aspirations of Ed Miliband, has a long way to go before such popular pride in homegrown products goes without saying.

For the time being, incontrovertibly, Germany rules.

Winning ways

Sport: The first all-German Uefa Champions League final at Wembley last weekend was a source of huge national pride. But Bayern Munich's match against Dortmund was also a triumph for a distinctive way of running football teams. Both clubs are mainly owned by their members. Germany's Bundesliga has the lowest ticket prices of Europe's major leagues and attracts the highest attendances.

Industry: Wolfsburg, the 'car city' that is home to Volkswagen, has enjoyed a year of celebration. In March, the new VW Golf was named 'world car of the year'. This summer, the city marks the 75th anniversary of its founding. Car workers have also just been awarded a 5.6% pay rise. After a rocky period in the early 2000s, Germany's car industry is back on track, with VW its most profitable brand.

Small business: Denmark's Emmelie de Forest triumphed at the Eurovision song contest but Hanover company Sennheiser won the battle to provide the mics and sound equipment. German small businesses, often family-owned, have become market leaders in lucrative niche markets. They employ 70% of Germany's workforce and play a major role in providing apprentice places for the next generation.

Union influence: Trade unions have played a crucial role in Germany's recent success. From works councils to representatives on boards, employees are readily granted power and influence in companies. In smaller enterprises, this has led to high levels of commitment and loyalty. In huge concerns such as VW, unions including IG Metall have negotiated pay cuts as well as pay rises.

Politics: The German chancellor, Angela Merkel, has been the dominant figure in European politics since the banking crisis struck in 2008, quickly followed by a crisis of sovereign debt. Her solution – swingeing austerity for much of the eurozone – has been highly unpopular in southern Europe and France. But most German voters back her stance and she is likely to be re-elected in October.


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01 Jun 20:06

Istanbul pullt ein Stuttgart und wasserwerfert Umweltschützer ...

Istanbul pullt ein Stuttgart und wasserwerfert Umweltschützer weg. So brutal, dass sich gerade breite Bevölkerungsgruppen in Empörung solidarisieren. Dieses Video hier erinnert ein bisschen an die Bilder von dem S21-Opfer, dem sie die Augen rausgeschossen haben mit dem Wasserwerfer. Die Solidarisierung hat überraschend sogar die drei großen Fußballklubs in Istanbul zusammengebracht, die sich sonst gegenseitig Straßenschlachten liefern. Angeblich soll die Polizei sogar schon dem Militär mit Tränengas gedroht haben (der Google/Bing Translate versagen hier leider ziemlich). Das bisher krasseste Bild könnt ihr hier sehen. Man hört vereinzelt, dass das Militär Gasmasken an Demonstranten verteilt haben soll.

Update: Ratet mal, wo das Tränengas herkommt. Kommt ihr NIE drauf!

31 May 21:27

Das "Verfahren" gegen Lother König ist so eine groteske ...

Das "Verfahren" gegen Lother König ist so eine groteske Farce, dass selbst das ehemalige Nachrichtenmagazin die Contenance verliert und ohne Zurückhaltung draufkloppt. Au weia ist das ein Totalversagen der Staatsanwaltschaft. Mann Mann Mann.
"Der Verdacht einer Straftat rückt in so weite Ferne, dass man nicht mal mehr von einem Anfangsverdacht reden kann", bringt es Königs Verteidigerin Voigt vor Gericht auf den Punkt. Was soll denn überhaupt noch aufgeklärt werden? Ratlose Gesichter in Saal A 2.133.
31 May 13:52

:: Snippets

by Pip

A few snippets, really. Some things to share....

I was interviewed for this piece.
I'm doing this course.
I liked reading this.
The four roles of creativity.
I found an amazing book at the op-shop (above)
I went here and here.
I hung out with Rin & Gem.
I read some of the Harp In The South trilogy.
7 ways to be more creative.

What did you do this week?!

x Pip
 

30 May 20:39

Lightning loves his friend the mop.

by mabelmoments
27 May 10:45

Comic for May 27, 2013

25 May 18:25

11 Awesome Cakes That Geeks Would Love

The term "cake" has a long history. The word itself is of Viking origin, from the Old Norse word "kaka". Although clear examples of the difference between cake and bread are easy to find, the precise classification has always been elusive. For example, banana bread may be properly considered either a quick bread or a cake. Continue reading to see eleven awesome cakes that geeks would love.

25 May 15:03

This Dress? Yeah, it's a Work-in-Progress

This Dress?  Yeah, it's a Work-in-Progress

Submitted by: Unknown

22 May 09:53

Damon Lindelof Apologizes for the Gratuitous ‘Star Trek Into Darkness’ Scene of Alice Eve in Her Skivvies

by Sarah Moran

eve

When preparing this article I considered for a moment using the image of Alice Eve from the scene in question, especially because it was soooo prevalent in every aspect of the film’s promotion. But I reconsidered, because one, even if you haven’t seen Star Trek Into Darkness you know exactly what scene we’re talking about, and two, maybe if we focus on Carol as a character and Alice as a person we can all understand why the scene’s inclusion was wrong.

I’ll also preface this with saying I’ve got no qualms with scantily clad women, there’s just a time and place for it. For example, Kirk in bed with two sexy, space kittens. I’m fine with it. J.J. Abram‘s Kirk is a player, a bit of a womanizer, and those women were used in that scene to demonstrate that point. Sure, it’s a tired, overused trope, but I can forgive it. Reducing Carol Marcus, brilliant scientist and weapons specialist, to nothing more than mere eye candy? That’s distasteful, and judging from how often we were bombarded with the image of Eve in her bra and panties, it’s how they wanted us to remember her. Sexy lady, not integral member of the crew.

Thankfully, I’m not the only who thought the scene was out of place and it’s been brought to screenwriter Damon Lindeloff‘s attention. And, gratefully, his response wasn’t defensive or angry, but understanding, and hopefully means he’ll work against something like this happening in the future. Lindelof tweeted (read from bottom top),

lindeloftweets

And, in a MTV-hosted Q&A, the topic of the gratuitous underwear scene came up again, with Lindeloff responding,

Q: OK, down to the nitty gritty. I feel like I have to start with the biggest mystery/conversation that’s surrounded the film from the get go. Why is Alice Eve in her underwear at one point?

Lindeloff: Why is Alice Eve in her underwear, gratuitously and unnecessarily, without any real effort made as to why in God’s name she would undress in that circumstance? Well there’s a very good answer for that. But I’m not telling you what it is. Because… uh… MYSTERY?

Obviously, there is no good answer, which is why it’s a “mystery”. Maybe the flick’s creators were surprised to hear such outcry over this scene? That wouldn’t be all too surprising since scantily clad women with little to no effect on a film’s plot is the trend. A recent study by the University of Southern California Annenberg School for Communication and Journalism has shown that speaking roles for women in films have reached a five-year low, with men receiving over 70% of the speaking roles. And, as if that weren’t depressing enough, over 30% of female roles are usually depicted with at least some exposed skin or wearing sexually-revealing outfits. It’s a sorry state of affairs, and I’m sad Star Trek has to be included. Especially as a series that’s broken countless gender and racial stereotypes over its long history.

And would things have been better had the men of the Enterprise been given equal treatment? For me? Yes. Where was the scene of Kirk, McCoy, and Sulu stripping off their wetsuits? Y’know, Enterprise may not have been very good Star Trek, but I’ll give them credit for showing the whole screw, men and women, in their skivvies while in the decontamination chamber after an away mission.

Apparently there was a shirtless scene for villain Benedict Cumberbatch, but it never made it into the film. Why’s that, Lindeloff?

As for the shirtless scene… we scripted it, but I don’t think it ever got shot. You know why? Because getting actors to take their clothes off is DEMEANING AND HORRIBLE AND…

Oh.
Right.
Sorry.

My point, exactly.

What did you think of Eve’s revealing scene? Were you bothered by it? Did it come off as unnecessary?

Sources: IGN, MTV via The Mary Sue, Girl Talk HQ

18 May 23:33

Mass Effect Cover Cross Stitch

by Starrley

samarin stitched the cover of the first Mass Effect game. The measurements are 134 w x 84 h, with 3940 stitches and 31 colors. I love the way this looks on black Aida.

via[TheSpriteStitchForum]

15 May 20:24

NeedleLite Lighted Knitting Needles and Crochet Hooks

by Haley Pierson-Cox
needlelite_knitting_needles_01Like to knit in bed/in the dark/in the car/around a bonfire? NeedleLite knitting needles are the needles for you!

Read the full article on MAKE

14 May 18:45

Unconventional Modernism: M House by Marcel Luchian Studio

by Caroline Williamson

Unconventional Modernism: M House by Marcel Luchian Studio

Marcel Luchian Studio designed the minimalist M House in Singera, a town in the Republic of Moldavia. Composed of unconventional forms, the residence’s concept design also does a brilliant job of marrying materials with a combination of glass and concrete, both inside and out.

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

The house’s structure is made up of two off-center forms, one on top of the other, steering clear of a traditional box-like design. The overhang from the second floor provides exterior coverage below, perfect for when it’s raining.

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

The two stories also contrast in color, with the darker shade being on the bottom.

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

The project is being presented at the third edition of the GIS Architecture Expo Conference.

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

The interior continues the harmonious use of light and dark materials with dark polished floors alongside white and neutral-toned furnishings and walls.

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Unconventional Modernism: M House by Marcel Luchian Studio in architecture Category

Renderings by Marcel Luchian Studio, courtesy of v2com.net.



14 May 09:14

Hidden Hotline: Only Kids Can See this Lenticular Message

by Urbanist
[ By WebUrbanist in Design & Guerilla Ads & Marketing. ]

lenticular poster

Children already at risk may also risk further abuse if they are seen to be seeking help, hence this twist on lenticular printing – a message that reads one way to tall adults, and another to small minors.

lenticular help message

The ANAR Foundation needed a way for potential victims to read their communication secretly (including the unspoken visual content – bruises on the portrait), without alerting those accompanying them on the street.

lenticular secret hidden message

Shifting from one perspective to the other slowly reveals an increasingly different image as well as additional text, including the helpline phone number.

Lenticular images are often used to create dynamic billboards that shift as people walk or drive by, but this variant flips the typical format on its side and gives it a higher purpose than mere marketing.

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[ By WebUrbanist in Design & Guerilla Ads & Marketing. ]

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