Scott Lord

Mystery

Scott Lord

Tags: Scott Lord

Silent Film Scott Lord silent Film

I spoke to Reverend Booker this morning and he smiled at my analysis that he delivers the same sermon three times on one SUnday and I mentioned that we might look at the different time slots to compare how they were delivered. Unfortunately, the service that Donna and I attend most regularly has been condensed with the other two and cancelled. So please accept my personal thank you for that time slot and its more contemporary Christian music. This service and the next was to mark our twelfth anniversary of living together. I can count over six pastors that we have been blessed with during the years during that time slot, and to be honest, I do well with Reverend Booker's theology at present. So thank you, and if you need a book on Theology, Donna will be either upstairs in the service or at her desk in the Libarary checking out or shelving books. I included today's service above as an exception to her diary as the music may be changing due to the new church policy of combining seperate services.
I'd write more but the service is presently on our television and Donna is singing./br>
I also hope that I am accurate as a student in wishing a meaningful Shavuot, the time of giving and perhaps recieving the Torah on Mount Sinai. In any event, it signfies entering a sacred covenant with God and a being present to the Promises of God. The speaking of the Ten Commandments aloud is a revelation, perhaps a theophany.

Scott Lord

Scott Lord

Scott Lord

Scott Lord

Scott Lord

Silent FIlm

Tags: Silent FIlm

Silent FIlm

Tags: Silent FIlm

Mystery Silent Film

Mystery Silent Film

Mystery

Scott Lord Mystery

Mystery Silent Film

Silent Film Mystery

Mystery Silent Film

Silent Film Mystery

Mystery

Mystery

Scott Lord Silent Film MYSTERY

please add this additional feautre:


Scott Lord

In her autobiography entitled "Screen Acting", it is invigorating that actress Mae Marsh remains steadfast to her subject- just that, the silent film actress in front of the camera acting, perhaps more so than Lillian Gish in her autobiography. As part of the integrated instances autobiographical reminiscence sprinkled sparingingly within, Marse briefly casts a fond, but brief cursory glance at some of her films, "Yet no pictures I will ever make will be dearer to me than say...... The Escape, Hoo Doo Ann, The Wharf Rat, ect...". The films "Hoo Doo Ann" (five reels) and "The Wharf Rat" (five reels) were both filmed during 1916 for Triangle Films, the former with a photoplay by producer D. W. Griffith, the later with a photoplay by Anita Loos. Mae Marsh that year also starred in "Wild Girl of the Sierras" (five reels) scripted by Anita Loos and co-starred with Robert Harron in "The Marriage of Molly-O" [D.W. Griffith) and "Child of the Paris Streets" (Lloyd Ingraham). Mae Marsh appears prominently with Robert Harron in the 1916 film "Intolerance" directed by D. W. Griffith, the titles of which were written by Anita Loos.
Silent Film
D.W. Griffith