Shared posts

13 Oct 08:59

Signal kommer ta bort SMS-stödet

by Lars A
Signal kommer ta bort SMS-stödet

Meddelandetjänsten Signal kommer ta bort möjligheten att skicka och ta emot SMS och MMS från sin Androidapp. Som anledning anger Signal att SMS-stödet inte längre är rimligt eller vettigt.

Företaget utvecklar resonemanget i sitt blogginlägg och nämner tre specifika anledningar: prioritet av säkerhet och integritet (SMS är okrypterade och relativt osäkra), att gränssnittet ska vara tydligt och lättförståeligt, samt att användare inte ska råka ut för oväntade SMS-avgifter.

Endast användare som utnyttjar Signal som standardapp för SMS påverkas av förändringen. Den skaran behöver byta till en annan SMS-app, exempelvis Google Messages.

13 Oct 07:05

please disclose something significant these bits are driving me crazy

Do you know what the broadcasters do to showrunners who disclose significant things? They don’t just kill us. They make it so we have never existed. And our shows vanish with us. Hit shows like Headless Joe, Too Many Godmothers, Crab Hand Roll Mysteries and Where are my Knees? are now lost to the world, because their showrunners couldn’t keep secrets. You don’t want that to happen to me and Good Omens.

06 Oct 10:52

You Saw Nothing

By Xentee
Keep it shut or die.
05 Oct 07:22

The Big Idea: Mur Lafferty

by John Scalzi

Master storyteller Mur Lafferty is back, and in her new novel Station Eternity, she confronts the question of what would really happen if the one thing that always happened around you, was the one thing you wish would never happen…

MUR LAFFERTY:

I am of Generation X, and grew up with Murder She Wrote, watching Jessica Fletcher solving mysteries in her Angela-Lansburiest way. And even though we loved watching those mysteries, one joke became common: Jessica Fletcher was clearly the most successful serial killer in history. Why else would she conveniently “be around” to solve murders that frequently happen around her? 

As I got into more and more murder series, every story had the same thing: an amateur sleuth would happen across a murder and then solve it. Sometimes in a “sexy, exciting” way, like Miss Fisher, or sometimes in a “gentle, wholesome, eat your strawberry-scones” way, like Father Brown or Miss Marple. Midsomer Murders was the exception as those folks were homicide detectives, but their cozy English county had a per capita murder rate 248 times higher than England and Wales

The amateur sleuth is a trope, but it’s accompanied by another trope: no one ever mentions how it’s weird that murders always happen around our sleuths? They don’t even have to wander far from home before encountering a body–but if they do go on vacation, people die then too. I hadn’t found anyone that addressed this obvious thing.

It also bugged me how the protagonists in these stories are well liked among friends, if not local law enforcement. I always thought if Jessica Fletcher came visiting, people should run screaming. 

But if that happened, it would suck. Life would be really lonely. And so Mallory Viridian was born. 

In classic amateur sleuth style, Mallory is conveniently around for murders, and almost always solves them. Unfortunately, because of this, she is not a popular person. She can’t keep a job, so she makes a living novelizing her cases. She has no friends. Most of her family is dead. She stays away from her neighbors. Forget about a love life. And she’s terribly lonely. 

But hey, I’m a science fiction writer, so I like to solve problems with outrageous spacey stuff. I was inspired by these mystery stories but also Babylon 5*, and I wanted a space station with a lot of aliens who don’t think much of humans and weren’t too keen on them visiting en masse. 

But they’ll take an ambassador. And someone who asked for sanctuary. And someone with a really weird, murdery problem. So Station Eternity, a sentient space station, allows three humans aboard to live among species like alien hive minds and rock folks with surprising abilities. Among her new community, Mallory hopes whatever makes murders happen around her applies only to humans. 

When writing, the hardest thing I had to puzzle out was the actual murder magnet curse/ability. If I directly addressed the “murders happen around this person” effect, I needed to address why it happens. It took a lot of editing, and of course I’m not going to spoil it here, but I hope I stuck the landing. 

What I loved about this project was exploring the fish out of water story. Having only three humans on a station presents problems; even small issues like finding a hairdresser or dentist, or realizing that even with auditory tech to translate language, our humans can’t read alien script or body language. It’s challenging to create aliens that both are alien and also characters that readers can relate to, but a fun challenge. 

Station Eternity is my nerdy love letter to these classic cozies, using aliens and space to understand their most persistent, unspoken, trope. I hope folks find it fun and appropriately murder-filled.

* J Michael Strazynski wrote for Murder She Wrote and created Babylon 5. If anyone can get a copy of Station Eternity into his hands, I’d be much obliged. 


Station Eternity: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit the author’s site. Follow her on Twitter.

29 Sep 07:25

Tea Rex

By Edesigns
cute baby t-rex drinking tea
27 Sep 09:06

Why Are American Airlines Flights Being Haunted by Bizarre Groaning Noises?

by Lucas Ropek

The flight from LAX to DFW did not go as planned. Emerson Collins, an actor from Los Angeles, remembers the noises started before the plane even took off: strange grumblings, a weird sound like somebody was on the verge of throwing up. They were coming from the plane’s loudspeaker. Flight attendants assured…

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26 Sep 08:00

Vote Sauron

By Fanfabio
Vote Sauron
26 Sep 08:00

Historical Dates

Evidence suggests the 1899 transactions occurred as part of a global event centered around a deity associated with the lotus flower.
26 Sep 06:35

The Witcher Prequel Blood Origin Releases This Christmas

by James Whitbrook

Elven Michelle Yeoh will be the gift worth opening from under the tree this year.

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22 Sep 10:17

Jensen Ackles Says The Winchesters Isn’t Going All Back to the Future On Us

by Vanessa Armstrong

We’re only a few weeks away from The Winchesters, the Supernatural prequel about Sam and Dean’s parents, premiering on The CW. For those of us well-versed in the original show, it might seem that the past has already been addressed in the original. That’s not the case, says Jensen Ackles, producer on The Winchesters who also played Dean on the mothership series.

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In an interview with Entertainment Weekly, Ackles along with his wife Danneel and showrunner Robbie Thompson delved into the details of the new show, including how it brings something new to the Supernatural universe without changing what’s come before (or after, within the timeline of the two series).

“A lot of people are like, ‘Hang on, are you changing the lore? Is this like Back to the Future, where Dean and Sam are going to start to disappear in the picture?’ It’s not,” Jensen said. “We obviously don’t want to change anything that was experienced on what we lovingly call the mothership.”

“You can’t recreate Supernatural, you just can’t,” Thompson said later on in the article. “What we wanted to do with this show was shine a light on new corners of the Supernatural universe.”

Danneel also acknowledges that having Supernatural fans immediately jump on board for The Winchesters is a “big ask,” but asked fans to give the new show a try. “Everybody who’s involved in this project loves this show. We have lived this show for 15 years; it’s a family member. So just trust us that we’re going to take care of it.”

You can read more about the show, including the introduction of its ensemble cast, at the EW link above.

The first thirteen-episode season of The Winchesters premieres Tuesday, October 11 on The CW.

20 Sep 13:16

is crowley a gemini? and is aziraphale a virgo? yes.

If it makes you happy. I’m not sure that you can have a star sign if you were created before there were stars, though.

16 Sep 12:01

U.S. Safety Agency Warns People to Stop Buying Male-to-Male Extension Cords on Amazon

by Matt Novak

Electrical extension cords are tremendously useful for powering devices when your gadget’s power cord isn’t long enough to reach an electrical outlet. Normal extension cords have a so-called male plug that goes into the wall and a female plug at the end where you can plug in your device. There’s absolutely no reason…

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12 Sep 06:09

IT'S SIMPLE

By elenalodir
ROCK PAPER SCISSOR LIZARD SPOCK. It's Simple: Scissors cuts paper, paper covers rock, rock crushes lizard, lizard poisons Spock, Spock smashes scissors, scissors decapitates lizard, lizard eats paper, paper disproves Spock, Spock vaporizes rock, and as it always has, rock crushes scissors.
10 Sep 07:26

Chicon 8 Reveals Anonymous Death Threats Were Made Against Two Program Participants

by Mike Glyer
The Chicon 8 committee stated today that prior to the 2022 Worldcon they received threats to murder two program participants, one of whom has gone public. Last week, shortly before the start of the convention, Chicon 8 received an anonymous … Continue reading →
10 Sep 07:19

September 9, 2022: The Stargate Update is that there is no update which, indirectly, may be an update.

by Joseph Mallozzi

The guys at The Popcast dropped the following Stargate-related video today.

So I thought I’d address it.

Now I want to preface this blog entry by making it clear that the topic of discussion is Stargate, and Stargate alone.  Although the new Lord of Rings series is referenced in the video, I am in no position to comment on it given that I haven’t watched the show.

Also, before we get started, I want to give a shout out to the Popcast channel that does a fantastic job of covering science fiction in general, but also produces Stargate-focused videos that are as entertaining as they are insightful.  Give them a follow and subscribe at The Popcast.

Alright.  A little background first –

Stargate aired its final television episode in May of 2011 with Stargate: Universe’s “Gauntlet”.  At the time of its production, we were operating under the likelihood that we would receive an order for a third and final season – but that ended up going away like the Stargate: Extinction Atlantis movie and that 11th season of SG-1 for Apple before it.  The franchise had produced three movies and 17 seasons of television (over 300+ episodes!) over its 14+ year run, making it one of MGM’s most valuable I.P.’s.  And, even though the consecutive production run had ended, we all knew it was only a matter of time before Stargate came back, in one form or other.  I assumed sooner than later.  That was over eleven years ago.  So let’s go with later.

One thing that  has become very clear in that time is the resilience and enduring spirit of the existing fanbase.  Over a decade since its last episode aired, Stargate continues to regularly trend on social media (as most recently as last week, in fact).  The fandom is still very much out there, still very much eagerly – somewhat wearily after all this time – awaiting the franchise’s return.  I can’t help but point out what a wonderful thing this is – to have an existing worldwide fanbase ready and willing to not only watch your new show, but support it online, ready to make tremendous noise in the lead-up to launch.

But – eleven years.  I suppose it’s not that surprising it’s taken this long.  And I’m sure the existing fandom had something to do with it given a creative misstep could risk alienating and losing them, turning passionate vocal supporters into equally passionate and vocal detractors.  But I’ve always held that problem is easily addressed by offering viewers the best of both worlds – for new fans who know nothing about Stargate, a fresh start series that is simple to jump aboard and watch without being privy to past shows; for the existing fanbase, an in-canon series that offers the prospect of Easter eggs and guest spots from familiar faces.  Guys, they’re the same show!  And who knows.  Maybe there’s even the option of going the new Star Trek route and offering multiple Stargate shows.  Something for everyone.

I was heartened, back in 2018, to hear that SG-1. Atlantis and Universe co-creator Brad Wright was in discussions with MGM about a franchise relaunch.  I wasn’t privy to the details of the development, but I do know that a deal was finally closed and Brad did write a pilot script.  The script was written for a specific potential home, went through a couple of drafts – and then, as so often happens in Hollywood, personnel changed and things went radio silent.  Understand that, in this business, radio silence is never a good sign.

Eventually, the MGM sale to Amazon was finalized and Brad’s script, I assumed, made its way there.  Months ago.  And still, radio silence.

All three shows are now available on Amazon Prime as of September, and that’s a very good sign.  An even better sign would be for Amazon to reach out to Brad and either move forward on his pilot or scrap it and ask him to come up with something else.  As I mentioned, the pilot I read was written for a specific potential home – but now, Amazon is the NEW potential home.  If they’re not feeling the existing script, I’m sure Brad would have no problem hearing them out and going back to the drawing board for a new take.  Which is what I hope will happen.  Eventually.

Of course, there is the possibility that Amazon decides to go another way.  Yes, Brad Wright was instrumental in turning the Stargate into MGM’s most successful television franchise and having him at the helm would ensure a series that would appeal to new viewers while delighting longtime fans.  Like I said, the best of both worlds.  But executives don’t always proceed along a logical path.  All too often, the flashiness of a hot commodity (the YouTuber with 10 million followers!  The writer who wrote that blockbuster!) is simply too hard to resist.  Other times, it’s a desire to ensure a show’s tone and themes are attuned to the prevailing zeitgeist, thereby crafting a series that merely echoes the ideas of every other show rather than standing apart.  It rarely ends well and I’m hoping Hollywood comes to that realization.  Again, hopefully sooner than later.   In the meantime…

I’m not privy to any of the internal decision-making,  but I am disappointed its taken this long for Brad to hear word.  Still, it could just be a matter of the studio’s go-slow approach.  Maybe logical heads will ultimately prevail.  Nothing is for certain.  Except for one thing of course.  Whatever form the new Stargate show takes, whoever is behind it, fandom will let their voices be heard LOUD and LONG.

The post September 9, 2022: The Stargate Update is that there is no update which, indirectly, may be an update. appeared first on Joseph Mallozzi's Weblog.

08 Sep 04:52

Hi Mr Gaiman, You might not remember this, but you spoke at UC Santa Barbara back in 2010 as part of their Arts & Lectures series. Before your lecture, you first had dinner with some donors, their son, and their son’s new girlfriend. That girlfriend was me. In our nervousness, bf and I only brought my set of books for you to sign, so you signed them to both of us. We joked that now we had to stay together forever, for the books. Well, our daughter turns six next week and we’re about to celebrate our 10th wedding anniversary. Thank you for your books, one of the first things we ever bonded over.

That put a big smile on my face. I’m glad.

07 Sep 06:09

Two Bits of Book News

by John Scalzi
John Scalzi

Book News Bit #1: The Art of Love Death + Robots, which features the art of some immensely talented people, and also a foreword by me, is now on sale in the US (it’s been out in the UK for a couple of weeks). If you dig incredible art from amazing talents, you’ll want to check it out. Here’s the information on the publisher’s site.

Book News Bit #2: Tor/Macmillan have revealed the title of my upcoming book, and have included a little blurb on what it might be about. Click here to find out! And as always, for any question you might have at this early stage (very early indeed, as I am still writing it), there’s the New Book FAQ, your question will probably be answered there. If it’s not answered there, it’s very likely my answer at the moment is “dunno, we’ll see.”

In all, a pretty decent day for Scalzi-related book news!

— JS

07 Sep 04:40

Daemon Targaryen, Westeros' John Wick

by James Whitbrook

House of the Dragon, following in the footsteps and long shadow of its predecessor, wasted no time in giving itself a meaty battle scene this week. But its first major skirmish marked a noted difference—beneath the blood and guts, a sort of grimly hilarious mythos plays out.

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06 Sep 11:17

YouTuber Solves Mystery of Weird TV-Movie in 1990s Family Photo

by Matt Novak
Oakfairy

Gillar särskilt slutklämmen på artikeln. ;)

Will Sloan, a movie podcast host in Canada, first posted an old family photo online in 2016, asking if anyone knew what cartoon was playing on the TV in the background. Oddly, nobody on the internet could figure it out. But someone finally cracked the case on Monday after six long years.

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06 Sep 04:52

I'm Only Dead On The Inside

By Bridgewalker
This is a cute ghost who is alive and happy on the outside but dead on the inside. Perfect for Halloween.
06 Sep 04:48

How House of the Dragon Did GRRM's Least Favorite Game of Thrones Scene Right

by Rob Bricken

HBO hasn’t been shy about trying to take the heat away from Amazon’s very popular Lord of the Rings: The Rings of Power premiere, including a literal and figurative scorcher of a battle scene in last night’s episode. But it turns out House of the Dragon’s third episode, “Second of His Name,” has an arguably more…

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30 Aug 08:29

Eric Kripke Says Supernatural Was Inspired by Neil Gaiman's Sandman

by Linda Codega

Last Friday, Rolling Stone released a feature on Neil Gaiman, an impressively extensive interview that covered the author’s storied career, starting in the ‘80s, when a then-26-year-old Gaiman began writing The Sandman for Vertigo comics. During the interview, he related how he succeeded in an attempt to tank a Jon…

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30 Aug 08:16

House of the Dragon, Ep. 2 Explainer: Opening Credits, Targaryen Exceptionalism, and Dragonlore

by Tyler Dean

Welcome back to our ongoing discussion of House of the Dragon! Tor.com has been kind enough to let me spend this inaugural season doing a bit of a deep dive into some of Martin’s lore and how the show deviates from, builds off of, and informs our understanding of Fire & Blood, the history of House Targaryen, and the fate of the Iron Throne. Having been reading and re-reading books about Westeros on and off for the last twenty two years, I’m excited to see how this next chapter of the Game of Thrones saga brings more of the world of A Song of Ice and Fire to life, and there are plenty of key references and history to dig into in Episode 2, “The Rogue Prince.”

A Game of Fire and Blood

First of all, we have our new title sequence! It’s somewhat surprised to hear Ramin Djawadi’s opening theme from the original series and not a riff on it, but the visuals provide some new bits of intricate visual storytelling. Done in the same game-board style of the original series, these new titles move us through a stone model of the ancient city of Valyria—similar to the one that King Viserys (Paddy Considine) agonizes over in his chamber. The camera weaves throughout the increasingly Escher-esque model as first a trickle, then a rivulet, then a veritable torrent of blood flows through game-pieces and past murals depicting significant moments of Targaryen history in Westeros. I can give you a rundown of the major moments I spotted, though a few remain opaque to me:

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  • The sequence begins with a game-piece depicting the Doom of Valyria with golden dragons and a cracked, black cityscape consumed by silver flames. The Doom, which was referenced in the first episode as well as throughout the original series, is Martin’s analogue of the sinking of Atlantis, where the Fourteen Flames (the volcanoes that dotted the Valyrian peninsula in Essos) erupted at once, shattering the landmass and wiping out all of Valyria proper save the Targaryens, Velaryons, and a few scattered descendants in the Free Cities (then colonies of the Freehold).
  • The blood then runs down past a bas-relief depicting what appears to be the Field of Fire–the most decisive battle of Aegon I’s conquest of Westeros. It was the only time during the conquest that Aegon and his two sister-wives Rhaenys (the namesake of House of the Dragon’s “Queen that Never Was”) and Visenya all rode their dragons (Balerion the Black Dread, Meraxes, and Vhagar—more on her later) into battle, immolating the armies of King Loren Lannister of the Westerlands and King Mern Gardener of the Reach. While there would be other important battles during the conquest, the one that extinguished the line of Gardener kings and brought about the surrender of the Lannisters is why most Westerosi lords refuse to challenge the might of the Targaryen dynasty outright.
  • The blood rushes by a game-piece showing a dragon with a spear through its eye. I am fairly certain this represents the death of the dragon Meraxes and her rider, Aegon I’s beloved Queen Rhaenys at the hands of a Dornish scorpion bolt. The death of the Queen and her dragon were signs of the Targaryen dynasty’s inability to conquer Dorne which remained “unbowed, unbent, and unbroken” even when, one hundred and eighty seven years after Aegon began his conquest, the last of the seven kingdoms was brought under Targaryen rule through marriage rather than military campaign.
  • The blood then passes by a game piece with the Targaryen crown and another whose symbol is unclear to me before splitting into nine separate streams. This mostly likely represents the progeny of Jaehaerys I (Michael Carter) and Good Queen Alysanne who had nine children survive to adulthood and produce the succession crisis depicted in the opening scene of the previous episode. We can see the blood flowing across the walls and ceiling, as the ramifications of naming Jaehaerys’ most direct male relative as his heir cause fractures and doubts that are still very much at play during the timeline of the show.
  • One of these streams passes by another Targaryen crown and the Moon and Falcon sigil of House Arryn—representing King Viserys and the now deceased Queen Aemma (an Arryn daughter).
  • The blood coalesces around three interlinked loops of Valyrian steel—perhaps standing in for Rhaenyra and the necklace she was given by her profligate uncle Daemon in the first episode.
  • The blood flows past a mural of a dragon rampant over a number of sigils of Westerosi lords including the Lannister lion, Baratheon Stag, the Tower of Hightower, and perhaps the seashells of House Westerling (bringing to mind Ser Harrold Westerling of the Kingsguard, played in House of the Dragon by Outlander and The Hobbit’s Graham McTavish).
  • The opening titles end with the various rivers of blood emptying into a fiery pit over which floats the three-headed dragon of House Targaryen.

You can watch the whole sequence here:

There is a lot to unpack here. On an obvious level, the blood is a reference both to royal blood (which is passed from monarch to heir and is spilled in violent conflict) and to the Targaryen house motto, “Fire and Blood.” The blood in that phrase is in reference to the blood of Old Valyria which sets the Targaryens apart as slightly inhuman—the last scions of a dead civilization far more advanced than any others in the known world.

That Valyrian blood is also the basis for the Doctrine of Exceptionalism—an article of the Faith of the Seven that holds that, because of their origins in Valyria, with different roots, heritage, practices, and traditions that set them apart—Targaryens are allowed to practice sibling and close-cousin incest as a way of keeping their all but extinct bloodline pure. Martin explains in Fire & Blood that the doctrine is the result of a hard-won Targaryen charm offensive against a church rightly horrified by practice but that it results in an enduring perception that the Targaryens are, in the words of Rhaenyra, “more like gods than men.” The original series got away with focusing on incest through the Lannister twins, Jaime and Cersei, who assured one another that they had a right to the practice because the Targaryens had paved the way for it. But while their affair is painted as a liability to their reputation (and their children are illegitimate heirs as a result of it), during the events of House of the Dragon the Doctrine of Exceptionalism is very much still in play. This series is going to have an uphill battle selling us on a world where Targaryens are exempt from the incest taboo as a result of their magical heritage.

Finally, the blood of Old Valyria is not just symbolic of a lost heritage. Martin often describes the Valyrians as having dabbled in blood-magic, even going so far as to have characters suggest that practicing forbidden arts led to the Doom itself. In Game of Thrones, the Targaryens are an all but extinct line who the majority of characters on the show remember only for a horrific legacy of madness and destruction. In House of the Dragon, the Targaryens are at the height of their power and the links to Valyria are ever present. Viserys I’s model of the city is a major focal point of this second episode and having the opening titles show the blood of the dragon moving through that model reminds the viewer that Valyria was only destroyed about two centuries prior and its blood magic, dragon-mastery, and wonders aren’t so very remote in this era.

Screenshot: HBO

Dragonlore

Finally, this series is not just about Targaryens but about the dragons they ride, and “The Rogue Prince” gives us some insights into how they operate. While Viserys speaks with Laena Velaryon (Savannah Steyn) in a wildly uncomfortable interview as he considers a future marriage, she mentions that Viserys was the last person to ride Balerion, the Black Dread before he died. In turn, Viserys explains that Balerion was the last living creature who remembered Valyria before the Doom. Martin has Archmaester Gyldayne chronicle this in Fire & Blood, making Viserys himself the last tenuous link to Old Valyria and a sort of endpoint for Targaryen exceptionalism. Balerion (along with Vhagar, Meraxes, and Syrax) was named for a Valyrian god and his skull is shown on House of the Dragon as a sort of cult object, appearing in the previous episode surrounded by candles as Viserys tells Rhaenyra about Aegon’s Dream of Ice and Fire.

This mystical, worshipful attitude is a recurring theme in Martin’s books as dragons are continually shown to be something more supernatural and strange than simply large, fire-breathing reptiles. Martin implies psychic bonds between a dragon and its rider. They also have unnatural births. This episode hints at that with the Dragonkeepers quickly taking Dreamfyre’s stolen egg from Rhaeynra and placing it in a hot brazier. Dragon eggs are hatched with fire magic and often with sacrifice (more fire and blood). In the original series, Daenerys’ three eggs are old enough to have been fossilized but hatch when she places them on Khal Drogo’s funeral pyre. This series seems more than willing to engage with the occult weirdness of Martin’s dragon lore, something I am very much here for…

The aforementioned conversation between Viserys and Laena also references Vhagar, whom the showrunners have (delightfully) chosen to make the subject of a bit of a mystery. Laena intimates that Vhagar is missing, being too large and uncontrollable for the Dragonpit. Viserys tells us that the Dragonkeepers believe she has made a nest somewhere on the coast of the Narrow Sea. Fire and Blood is told from Archmaester Gyldayn’s bird’s-eye view and that book often lacks the specifics and details that this show seems more than willing to fill in. In this particular case the intractability and prodigal nature of the last of the dragons of Aegon’s Conquest feels like a perfect set up to have her reappear at a spectacular, opportune moment (perhaps during the War for the Stepstones that seems to be teased on the next episode). Viserys also suggests that dragons get lonely. This inscrutability and inability to read their moods (as both animals and strange magical portents) is one of the hallmarks of Martin’s take on dragons and something that will hopefully be explored in detail in this series.

That’s it for this week. So much more to talk about as the series progresses. The tease of Craghas Drahar, the Crabfeeder, and his absolutely wild costume design is sure to be a fascinating point going forward. What other details struck you in this week’s episode, and what are you hoping to see as the season continues to unfold?

Tyler Dean is a professor of Victorian Gothic Literature. He holds a doctorate from the University of California Irvine and teaches at a handful of Southern California colleges. He is one half of the Lincoln & Welles podcast available on itunes or through your favorite podcatcher. His fantastical bestiary can be found on Facebook at @presumptivebestiary and his article “Exhuming M. Paul: Carmen Maria Machado and Creating Space for Pedagogical Discomfort” is forthcoming in Victorian Studies.

26 Aug 08:51

She-Hulk Episode 2 Had Some Big Reveals—Here's What the Head Writer Said About Them

by Germain Lussier

Once again, the second episode of She-Hulk had some really excellent connective tissue for fans of the Marvel Cinematic Universe. New characters and situations are introduced that not just explain where and when the show is happening, but tease what’s going to come next.

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25 Aug 09:36

Mole-cule

By TaylorRoss1
Cute mole as a molecule
25 Aug 09:36

Killer Llama

By damglynn
Llamas are dangerous!
25 Aug 09:36

In memory of when i cared

By edsonramos
in memory of when i cared
25 Aug 09:35

Is the story circulating tumblr about how “Coraline,” got published - what with the publisher’s eight year old daughter, Morgan, and all - actually true? (Btw, I love your books and read Coraline as an eight year old as well. I loved it! Terrifying, definitely, but also one of the best books I’ve ever read)

24 Aug 19:39

Batgirl Directors Can’t Access Their Film, Meanwhile, Batman Director Inks Giant Deal With Warner Bros.

by Vanessa Armstrong

Things are still getting shook up in the DC film universe in the aftermath of the Warner Bros. and Discovery merger. After the shocking news that the new company, led by CEO David Zaslav, is shelving Batgirl (news that one of the directors found out during his wedding), we find out that those directors couldn’t even see their movie one last time.

In an interview with the French outlet SKRIPT (via Entertainment Weekly), Batgirl directors Adil El Arbi and Bilall Fallah shared that they have nothing to show from their work on the movie. “We have nothing,” Fallah said. “Adil called me and said, ‘Go ahead shoot some things on your cellphone.’ I went on the server and everything was blocked.”

Buy it Now

El Arbi was equally distraught with the news, especially since some of that footage included the return of Michael Keaton as Batman. “We were like ‘fucking shit! All the scenes with Batman in them!’” he said. “Shit!”

The directors also said that Warner Bros. said they didn’t axe the movie because of talent concerns. “They told us it was a strategic change,” El Arbi said. “There was new management, and they wanted to save some money.”

In a recent quarterly earnings call, however, Zaslav strongly implied that Batgirl didn’t meet his standard for what a DC film should be. “We’re not going to launch a movie to make a quarter and we’re not going to put a movie out unless we believe in it,” the CEO said.

Another Batman project that has been pushed off the production train is the animated series, Batman: Caped Crusader. Warner Bros. greenlit the show backed by Bruce Timm, J.J. Abrams, and Matt Reeves in May 2021. Caped Crusader along with five other series, including Merry Little Batman, were axed by Warner Bros. Discovery yesterday, though all projects are reportedly still moving forward and looking for another platform besides HBO Max to stream on.

Warner Bros. Discovery is far from out of the Batman game, however. According to Deadline, The Batman director Matt Reeves signed an overall first look film deal with Warner Bros. Pictures, which includes a sequel to The Batman with Robert Pattinson attached to once again play the sad Bat. The Penguin spinoff Reeves is working on also still appears to be moving ahead, so there will still be DC projects in the future, just as long as they meet Zaslav’s purported standards.

24 Aug 19:37

Plex-användare uppmanas byta lösenord efter dataintrång

by Lars A
Plex-användare uppmanas byta lösenord efter dataintrång

Plex-användare bör byta sina lösenord då deras inloggningsuppgifter och e-postadresser kan ha blottats efter ett dataintrång. Enligt utvecklaren finns inga tecken på att de krypterade lösenorden har exponerats, men de uppmanar ändå användare att byta lösenord för säkerhets skull.

Ingen annan data ska ha läckt ut och Plex skriver att betalningsuppgifter inte lagras på deras servrar. Utvecklaren berättar samtidigt att säkerhetsluckan har upptäckts och täppts till. Runt 20 miljoner människor använder Plex för att strömma sina egna film- och musikbibliotek.

Yesterday, we discovered suspicious activity on one of our databases. We immediately began an investigation and it does appear that a third-party was able to access a limited subset of data that includes emails, usernames, and encrypted passwords.