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06 Jun 18:24

Why It Pays to Play Around - Issue 73: Play

by Andreas Wagner

The 19th-century physicist Hermann von Helmholtz compared his progress in solving a problem to that of a mountain climber “compelled to retrace his steps because his progress stopped.” A mountain climber, von Helmholtz said, “hits upon traces of a fresh path, which again leads him a little further.” The physicist’s introspection provokes the question: How do creative minds overcome valleys to get to the next higher peak?

Because thinking minds are different from evolving organisms and self-assembling molecules, we cannot expect them to use the same means—mechanisms like genetic drift and thermal vibrations—to overcome deep valleys in the landscapes they explore. But they must have some way to achieve the same purpose. As it turns out, they have more than just one—many more. But one of the most important is play.

I don’t mean the rule-based play of a board game or the competitive play of a soccer match, but rather the kind of freewheeling, unstructured play that children perform with a pile of LEGO blocks or with toy shovels and buckets in a sandbox. I mean playful behavior without immediate goals and benefits, without even the possibility of failure.

AN EASY GAME TO PLAY: Paul McCartney has said he dreamed…
Read More…
05 Jun 18:33

A Lack of Accountability at Artforum’s Panel on “Art, Activism and Accountability”

by O.K. Fox
Maitri

"The contradictions are becoming clear: an art institution famously bad at accountability decides to host a panel on the topic."

How Soon Is Now: Art, Activism and Accountability with panelists Claire Bishop, Tania Bruguera, Nan Goldin, Tobi Haslett, and Anne Pasternak, and moderated by David Velasco (photo by the author)

“When is art a space for improving the world, and when is it a cover for nefarious activities?” asked the press release for Artforum’s event How Soon Is Now: Art, Activism and Accountability, held at the New School last Thursday. Considering Artforum’s involvement in an on-going defamation lawsuit filed by former employee Amanda Schmitt against Knight Landesman, I find this question to be bonkers. Schmitt’s case, now being appealed, details the sexual harassment she experienced from her former boss, a partial owner of the magazine. The press release is almost too knowing; perhaps editor-in-chief David Velasco is making a nod to the criticisms of any transformations at Artforum being merely surface level.

I worked for Artforum International Magazine for four years in their circulation department, and held the same position as Amanda Schmitt. While I was not at Artforum while Schmitt was there, I was loudly opposed to their mishandling of Schmitt’s sexual harassment-related case, and was eventually encouraged by my supervisors to quit. Knight Landesman’s resignation as publisher did not change the fundamental problems at the publication; management continued to foster an unsafe work environment.

In fact, in the panel’s introduction, Velasco did reference his magazine’s issues with accountability, but decided to shelf it in the context of bygone problem addressed over a year ago: “Someone official asked me as we prepared this panel: ‘How can you point fingers?’,” he told the audience. “My answer is simple: I can’t. And right now that might be the best thing I have to offer.” With “accountability” firmly off the table, and the news cycle currently focused on the museums, it seems the audience is in for that typical, tired discussion contrasting “art” and “activism.”

Luckily, panelists Nan Goldin and Claire Bishop brought the fire. Goldin’s group PAIN (Prescription Addiction Intervention Now) has gotten several institutions to refuse all future Sackler funding, and is planning to work with Vocal New York, a grassroots organization that helps build power with people affected by the war on drugs, to hopefully make a difference in harm reduction as well: “We shamed some people, and we got museums to stop taking money. But, ultimately, PAIN is not just about shaming filthy rich bastards — it’s also about trying to address the crisis in a real way.”

During the panel, one of the panelists and director of the Brooklyn Museum, Anne Pasternak, was forced to reconcile with Elizabeth A. Sackler, founder of the Center for Feminist Art at her museum. Pasternak contended that there is such thing as a “good” Sackler, but Goldin says she believes they are all complicit. As a trans person in the audience, I was going mad, but my immediate thought was addressed when Goldin suggested Elizabeth A. could change her last name if she was really serious about severing ties with her family.

When Warren Kanders, the Whitney Museum of American Art board member and tear gas baron, was invoked by Goldin, Velasco asks the director, “Why do people join boards?” Pasternak admitted there is money and influence in the position, she also believed “they care about the mission of the museum” — as though those two reasons aren’t diametrically opposed. She declared the crisis at The Whitney “complicated” and refused to make a direct comment on the situation.

Claire Bishop, a British art historian, tagged in with a question about the protests led by the Brooklyn Anti-Gentrification Network aimed at Pasternak’s museum for hosting 2015 Brooklyn Real Estate Summit — but if you are still trying to find accountability at the “accountability” panel, keep looking. Pasternak’s response reads like a parody of liberal platitudes: “We have to look at the larger issues of how our institutions have supported or played a role in systemic injustices and that our institutions lean into this present moment and do better. We must do better, and that’s the conversation I’m most interested in.” For many, “doing better” would include an actual apology for hosting an expensive brunch for the real estate speculators responsible for the displacement of vulnerable populations the Brooklyn Museum is supposed to serve, but go off queen!

Excuse me for being rude, but I feel like we are stuck in a time loop. Is that what a complete lack of progress feels like? Again, from the panel’s press release: “How can artists and the systems that support them rise to the occasion? Are museums places of enlightenment, and if so, should they be held to higher standards than other organizations?” These are such basic questions that they are actually regressive compared to the institutional critique recorded at the first Open Hearing by the Art Workers Coalition in 1969. This is a losing framework that throws away the groundwork already laid out by historical leftist organizing.

What if art wasn’t a glorified tax write off for the wealthy and instead was treated as the public necessity we all know it to be? The contradictions are becoming clear: an art institution famously bad at accountability decides to host a panel on the topic. The people in positions of power at these institutions live extremely privileged lives. They are constantly rubbing elbows with the highest echelon power: your politicians, oil execs, Saudi royalty, all of the cartoon villain versions of rich people that are real and supporting the arts. Perhaps this is why the middle managers of the art world refuse to position themselves as part of the problem. We need them to understand their placement if they are serious about accountability. The globalized neoliberal hell market has fully realized the flexibility of art, but we can use that flexibility as well. We cannot hold those in power to account without a redistribution of that power. It will take risk and effort, but we can build institutions that are glorious examples of what an accountable workplace can look like.

Furthermore, redistribution from a third party bureaucracy is not sufficient; a certification or legal process are not sustainable forms of accountability. I am skeptical of Nan Goldin’s announcement of a board guidelines project with Hito Steyerl (Steyerl’s recent show, Power Plants at London’s Serpentine Sackler gallery, addressed PAIN’s demands by removing the Sackler name in its augmented reality feature). This idea is similar, as an audience member pointed out, to W.A.G.E.’s aestheticized testimonial process. Guidelines on a pretty website do nothing to address systemic power imbalances, especially without the people power to uphold them. These ideas are far too ethereal and individualistic to make a tangible impact.

Left out of the panel entirely were the major wins and expansion to art and cultural workers’ rights made by unions, and worker cooperatives (MEANS TV, The Glory Society). Workers need to take control, power must be evenly distributed, and there must be an outside movement to demand the same of all institutions. There is hope in new art workers unions being formed all the time, as well as in the important museum worker salary share document that has been circulating since Friday.

These are among the points I tried to synthesize in my comment to the panel, which I ended by saying; “To an editor-in-chief or museum director, $500 is a new shirt to you, but to your lowest-rung workers, it’s life or death.” That disparity allows exploitation to thrive, and it is incumbent on us to demand nothing less than a redistributed society.

Most importantly, I would like to thank writer Valerie Werder, one of the women named in the lawsuit against Landesman, for doing the extremely brave task an entire auditorium at The New School were too afraid to do, and directly call out Artforum’s complete failure to take responsibility for their role in harboring and covering up abuse of power.

“As you know, rather than taking accountability for harboring a known sexual harasser, Artforum moved to dismiss Amanda Schmitt’s lawsuit against the magazine,” Werder said. “She recently filed an appeal to the court’s decision to dismiss the case, and Artforum‘s response is due in two weeks. Does Artforum plan on finally taking accountability for Landesman’s sexual harassment of hundreds of people over many decades, or will the magazine move to dismiss Schmitt’s appeal again?”

These are the moments where change can actually happen, and was such a relief after such a sad display of liberal fecklessness. Artforum leadership owes Valerie Werder, all of the people abused by Landesman, as well as their former and current staff a proper response.

The post A Lack of Accountability at <i>Artforum</i>’s Panel on “Art, Activism and Accountability” appeared first on Hyperallergic.

04 Jun 23:17

Neil Gaiman Shut Down a Troll Who Whined About Good Omens’ “Forced Diversity”

by Kaila Hale-Stern

Good Omens and its diversity twitter trolls

Author Neil Gaiman (and attendant fans) had the perfect response to a Twitter user who complained about the diversity shown in the first few minutes of Good Omens’ TV adaptation.

Welcome to the Internet in 2019, where anything that’s not about you or your image of a thing is construed by a certain league of trolls as a direct attack by, I imagine, a dastardly multicultural queer lizard-person cabal bent on bettering representation in media.  This sounds like a rather exhausting way to go about one’s day-to-day existence. We multicultural queer lizard people are everywhere, and it’s useless to resist our agenda.

But it’s your loss if you turn off Good Omens because—in a program about an angel and a demon who are best friends in love, Sir Derek Jacobi as an absent God’s mouthpiece, stuck-up hosts of Heaven, and a cuddly hellhound—it’s just a little too much to imagine a diverse deviation from Westernized Biblical imagery.

The bit of early Good Omens that some people on Twitter took umbrage with is likely two-fold: first, Frances McDormand, a known woman, a confirmed female, begins the narration as the voice of God. Then there’s the Genesis sequence we see kick off the story. Adam and Eve are played by black actors, and these amassed affronts were a step too far by the fell reptilian forces of social justice.

That there would be people upset about a black couple playing the first man and woman on Earth—which is about as scientifically accurate as an interpretation of the Bible is likely to be—is sad and infuriating. If they’re angry about Frances McDormand as God, I have bad news for them regarding Alanis Morisette.

Imagine turning off the joyful experience that is Good Omens within minutes because the sight and sounds of casting diversity send you into a fit. The world must be difficult indeed for this sort of person to navigate. I can’t imagine it, but then again, I am but a humble lizard borrowing the shape of a person.

Good Omens co-author and adapter Neil Gaiman is closely engaged with his fanbase on social media, and the run-up to Good Omens has been no exception. So it’s not surprising that he saw this remark and was unwilling to let sleeping hellhounds lie:

It turns out that Gaiman has expanded on this theme in the past. In response to a question from /Film, he said:

Do you expect the black Adam and Eve to ruffle some feathers, since some devout people still assume they were white?

You’re talking here about a drama predicated on the idea that the antichrist might actually be a nice kid in which a demon and an angel are working against the orders of Heaven and incidentally Hell in order to stop the apocalypse from happening and save the world. On this basis, I think a black Adam and Eve is a nice way of letting anybody who would be significantly offended by any of those concepts know that they can stop watching this now. It is safe to turn off.

Then Good Omens fans arrived on the Twitter thread with snarky flaming swords in hand to do battle.

Really everyone else could now go home, since the fatal wound was delivered; but we have more delights in store.

Truly the whole thread in response to the troll tweet is a thing of glory, and I encourage you to peruse it. We end on perhaps the very best use of a fantastic reaction image in its long and illustrious history:

(via Neil Gaiman on Twitter, image: BBC/Amazon Prime Video)

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The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

04 Jun 23:14

Why is there so much antitrust energy for Big Tech but not for Big Telco?

by Cory Doctorow

I'm 100% down for the trend toward trustbusting, and I'm very glad to see it applied to Big Tech, because, like Tom Eastman, I'm old enough to remember when the Internet wasn't a group of five websites, each consisting of screenshots of text from the other four. I'd like to have that Internet again.

What's more, I think many of the Big Tech trustbusters are there because they understand the companies, the economic context, the promise and the peril of industrial concentration: people like Tim Wu, Elizabeth Warren, and Alexandria Ocasio-Cortez.

I think that the right wing case for busting up Big Tech is much less principled and much more parochial, driven by a desire to force the platforms to let their Nazis stay, and give far-right harassers extra leeway, while pwning the libs.

But that all said, Karl Bode raises an excellent point when he asks why there isn't the same kind of energy to break up the telcos, whose routinely deplorable behavior make them the most loathed industry in America, and whose monopolism has cost America its competitiveness.

Bode points out that Big Telco is the enemy of Big Tech, and has -- since the days of the Bell System -- sought to monopolize 100% of the profits from the use of its wires (the latest version of this being the Net Neutrality fight).

Bode sees Big Cable's hands working behind the scenes to manipulate and mainstream the debate over monopoly and Big Tech, using conservatives' distress at seeing the "free market" turn into a monopolized communications world that is increasingly hostile to them to get them to overcome their 40-year commitment to permitting monopolies (which are a godsend to the investor class, which is also the political donor class).

There may be some truth to that. Certainly, Big Telco is the consummate lobbying machine, second only to Big Military Industrial Complex, and they're very, very good at leading the political classes around by the nose. That said, I don't think Tim Wu or Liz Warren or AOC or Casey Newton or the Open Markets Institute arrived at their trustbusting ideas because they were duped by cable lobbyist. For one thing, they all want to break up Big Telco, too.

And that's the thing: even if Bode is right and there's a bunch of hidden Big Cable money pushing for the Big Tech trustbusting movement, they're playing a very dangerous game. Once the precedent is set that America is the kind of company that breaks up monopolies, they're not going to stop with Big Tech. Once the Overton Window is resized to allow trustbusting through, it's going to be very hard to slam it shut again.

Yet again, notice how telecom gets a free pass by the Trump administration? Notice how Silicon Valley is demonized, but telecom's surveillance and anti-competitive gambits see zero backlash? I don't think it's happenstance that this new Trump "big tech" antitrust push comes as big telecom has asked for just such a push to aid its own competitive agenda. A lot of folks on both sides of the political aisle who'd like to see more done to rein in "big tech" seem a touch oblivious to the possibility that this new antitrust push may not be entirely in good faith.

There's a good chance these antitrust inquiries into Google, Facebook, and Apple are little more than partisan fever dreams co-driven by telecom lobbyists, yet a lot of outlets and experts are acting as if market health and consumer welfare are genuine motivators. It's entirely unclear what the Trump administration did to suddenly earn this blanket trust, but as the net neutrality fracas made pretty clear, it sure as hell isn't its several year track record on coherent tech policy.

If 'Big Tech' Is a Huge Antitrust Problem, Why Are We Ignoring Telecom? [Karl Bode/Techdirt]

04 Jun 23:13

I assembled a Clockwork GameShell. It's very cool

by Mark Frauenfelder

Rob recently wrote about the Clockwork GameShell (an open source, Arduino-friendly, Linux-based handheld game console that runs all sorts of new and old video games). I got one this weekend and put it together. It took about an hour to assemble. Everything was modular and snap-together. No screws. It's very well designed. As I was putting it together I gained a lot of respect for the designer . The only tools I needcd were some flush cut clippers (to remove the plastic parts from the sprues) and some nitrile gloves (to prevent smearing the display and the clear plastic parts).

Here's the box:

And the contents:

Controller buttons and tightening pins on sprues:

Flush cutters came in handy for neatly removing plastic parts from the sprues:

Here are the sub-components inside their clear modular cases:

Fully assembled:

And a quick tour of the menu:

I'll write more about it after I use it for a while.

03 Jun 18:35

My Journey to Self-Love, Sponsored By the J.M. Smucker Company and Its Major Subsidiaries

by Grace Perry

Two years ago, I was at an all-time low.

Sure, I had everything on paper: the dream job, a loving partner, a gorgeous little apartment just a half-block from a bodega stocked with over seven flavors of Smucker’s jams, jellies, and ice cream toppings. But even with all those luxuries, I wasn’t happy. I was never satisfied, never present; I was so busy building the perfect life that I hadn’t given myself the opportunity to actually live it. I didn’t realize something that, now, is so obvious: self-love and real, lasting happiness go together like JIF creamy peanut butter and Smucker’s Squeeze grape jelly.

I vividly remember the moment I decided to change my life for the better. I was sitting on a bench in Union Square, having lunch with my lifelong friend, the Uncrustables mascot, a six-foot-tall, sealed, crustless PB+J pocket with crimped edges, eyes, and blue limbs. I offered Uncrustable a bite of my lunch, like I always do: “Want a dip from my JIF-To-Go creamy peanut butter cup? They’re ideal to share with friends and family.” Uncrustable does not speak, but gave me a look that communicated something I’ll never forget: “You’re always thinking of others,” said my dear friend’s wordless glance. “For once, why don’t you share the JIF-To-Go creamy peanut butter cup… with yourself?

Those words from Uncrustable the Uncrustables mascot lit a fire within me. I realized I’d spent so much energy shirking self-love that I’d barricaded myself from joy. I’d covered my true self in a Smucker’s Magic Shell topping that had created a candy-coated shell over my emotions, just like it does on ice cream: in under five seconds. I realized there was only one spoon strong enough to crack me open. And that spoon? Was me.

Change didn’t come overnight. As they say, life isn’t a Folger’s French Vanilla Instant Cappuccino Packet. Change comes in small increments, one ground of Folgers Classic Roast coffee at a time. But I cultivated small changes in my life, and stuck with them. Soon enough, I had a 38.4oz canister of self-love stored up, and ready to brew in an instant.

I began by practicing mindfulness on a daily basis. I slowed down, got out of my head and took in the sights and sounds of the wild, weird, wonderful city around me. I’d been so consumed about my career and the future that I never really smelled the magnolia outside my apartment, or really listened to the church bells down the block, or stopped to talk to my bodega guy, Ronnie, who told me of a three-for-one promotion on Meow Mix Paté Toppers with real whitefish topped with flakes of tuna now through June 30.

One of the hardest things I did on my journey was write a list of 10 things I loved about myself. My ex with whom I’m still close, Snaucrates the Snausages dog, is a bit of a self-love philosopher himself, and insisted I try it out. Now, I could write a million things I love about my friends, especially about Snaucrates. But, lovable things about me? I thought those were like pineapple-flavored Snausages: non-existent.

But I tried it out. I picked up what I thought was a pen but was actually a Snaw Somes! beef and cheese stick (I do not own a dog). Then I picked up a real pen and started writing: I like my hair. I like my sense of humor. I like the way my hands feel after I bathe them in Crisco for 24 hours straight. Soon, I discovered a whole laundry list of things I loved about myself! There are almost as many great things about me as there are recognizable brands that fork over a portion of their annual profits to their impressive and lucrative owners, the J.M. Smucker Company.

I even created a mantra. Every morning, I look in the bathroom mirror and say, “I am a jar of Smucker’s Orchard’s Finest Red Tart Cherry Preserves. I am a premium line of all-natural snacks perfect for everything from brunch with the gals to Thanksgiving dinner. And I deserve to be treated as such.” After 15 times or so, my partner inevitably knocks on the door and asks me if I’m doing “that thing” again, and you know what? I am. No shame.

Now, I thank myself every day. For the big things, like working hard enough to get that promotion; and the little things, like brewing my Dunkin’ At Home coffee in the comfort of my own kitchen, instead of going through the hassle of buying it at a Dunkin’ location. I root for myself. I give myself the space I need to really feel my emotions. I even spoil myself from time to time. (Trust me, your morning vitamin tastes so much better inside a Pup-Peroni Pill Pocket!)

I know I’m not perfect at practicing self-love. Far from it! I still have days where I get down on myself, where loving me for me seems less possible than zucchini bread sticking to a loaf pan that was thoroughly coated in Crisco before usage. But all I can do is try my best. That’s life. Or, as they’d say on the Smucker’s Canada website… c’est la vie.

22 May 20:15

Tim Cook Says His Era Has Failed by Over-Debating Climate Change

by msmash
Tim Cook told graduates at Tulane University that his "generation has failed" them by fighting more than making change on issues including immigration, criminal justice and, pointedly, climate change. From a report: "We've been too focused on the fight and not enough on the progress," the Apple chief executive said Saturday at the Mercedes-Benz Superdome in New Orleans. "You don't need to look far to find an example of that failure." He was referring to the Superdome, which sheltered thousands from Hurricane Katrina in 2005. He then criticized, without naming, politicians who raise doubts about climate change or its cause, a group that includes President Donald Trump. "I don't think we can talk about who we are as a people and what we owe to one another without talking about climate change," he said. Cook, 58, said the solution to climate change won't be found based on whose side wins or loses an election. "It's about who has won life's lottery and has the luxury of ignoring this issue and who stands to lose everything," he said. "I challenge you to look for those who have the most to lose and find the real, true empathy that comes from something shared," Cook said. "When you do that, the political noise dies down."

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22 May 20:12

How Realistic Are the Global Climate Change Targets? New Research Weighs In

by Thomas Hornigold

In 1896, Swedish scientist Svante Arrhenius pointed out that “the development of human industry” could introduce carbon dioxide to the atmosphere, trapping infrared radiation and warming the climate.

It took until 2015, when CO2 concentration had increased from 295ppm to 400ppm since Arrhenius’ time, for the Paris Agreement to set a target for the upper limit of warming that would be allowed: two degrees centigrade, with an aspirational target of 1.5 degrees centigrade. This level of warming, once considered the threshold for “dangerous climate change,” is now our goal. Even getting there won’t be easy.

A recent paper from Nature, in arguing that the 1.5C target is not yet impossible, demonstrated just how challenging it will be to hit that target.

1.5C Is (Probably) Possible, But Only Just

Imagine that, starting in 2019, all carbon-emitting infrastructure is phased out at the end of its lifetime. Any power plant that closes down, any car that breaks down or is sold, any plane, or any ship is either replaced by a zero-emitting alternative, or not replaced at all. Deforestation is stopped instantly (in reality, it’s still accelerating).

Any industry that currently emits carbon dioxide finds green alternatives or buries its emissions over the next few decades. Perhaps most dramatically, within a few years years all those methane-emitting livestock (cows and sheep) are either slaughtered, or their emissions are offset somehow.

If all of this is done, everywhere—and it would represent the most radical industrial transformation the world had ever seen—the paper argues we would have a 64 percent chance of hitting the 1.5C target.

Carbon Law: Exponential Reductions

This plan is not a realistic attempt to hit 1.5C; it’s just a demonstration that this is still physically possible. Most of the more realistic plans are based on Integrated Assessment Models, which take into account both climate and economic changes.

They also tend to lean more heavily on negative emissions, which would essentially entail creating an industry similar in size to the fossil fuel industry just to clean up its waste.

Some researchers have suggested a “carbon law”: halving emissions every decade, leading to an exponential decline in emissions and carbon neutrality by 2050 as carbon capture is ramped up. Carbon emissions would have to fall by six to seven percent. The record is 1.4 percent decline, set in 2009, mostly due to the financial crisis. Last year, emissions increased by 2.7 percent.

The IPCC’s 1.5C report, which has helped to trigger the recent and inspiring wave of climate activism, demonstrated that every fraction of a degree makes issues worse: extreme weather events become more frequent, agriculture becomes more difficult, and the risk of triggering harmful climate feedback becomes more and more likely. The closer we can get to these targets, the better.

Fair Share?

Behind these ambitious global goals, the situation for individual countries can be even harder. That’s the message from a new study published in Earth’s Future. The authors imagined that China, the EU28, and the United States all adopted the Carbon Law as national policy, slashing carbon emissions in half each decade and reaching carbon neutrality.

Even if this is done, the rest of the world must cut its carbon emissions to zero by 2020 (assuming no major negative emissions are deployed), or 2030 if negative emissions are permitted, to hit the Paris Agreement target of 2C.

Given that many of these countries, like India and Brazil, are developing economically and are likely to have higher energy demand in the future, this leaves them barely any room for that growth, unless it is all green growth.

The paper also notes that while renewables are getting cheaper than their fossil fuel alternatives and exciting technological breakthroughs are around the corner, deployment hasn’t moved the needle much. If you look at all the energy humans produce—including the large amounts that are wasted when fossil fuels are burned, converted into waste heat—then the renewable revolution from 2000-2016 means renewables account for just 2.6 percent of total energy.

The Paris Agreement is intended to operate by a “ratchet” mechanism. Rather than imposing top-down emissions targets for each country, countries are instead free to make their own pledges and decide their own levels of ambition. The aim is that, as mitigation efforts continue, countries will contribute more and more ambitious pledges to do their own part. This avoids the thorny issues of imposing rules on countries (with, presumably, fines or sanctions if they fail to meet their targets) and how to divide up the world’s remaining carbon budget.

Previous attempts at global climate agreements fell apart over precisely these issues. Issues of global equity in climate change are stark. After all, rich nations have profited the most from burning fossil fuels, contributed most to the problem, and in most cases still have the highest emissions in the world. At the same time, the impacts and damages are disproportionately felt by poorer nations. Rich nations are also in more of a position to act.

Yet when you look at the Paris Agreement goals set so far, divided up with some notion of fairness, it is arguably only developing countries that are pulling their weight.

Who Will We Be?

The road ahead is difficult, but there are tools at our disposal. As industries like transport and manufacturing become electrified, we lift those barriers that are slowing decarbonization. Energy storage and energy efficiency are also seeing rapid improvements.

But alongside rapid improvements in technology, we need rapid improvements in ambition. Wealthy, developed nations need to develop and share the technologies, and set the course, for the rest of the world to follow. This will include electrifying infrastructures, balancing supply and demand on new grids, pursuing energy storage, new and more efficient nuclear builds, as well as negative emissions and carbon capture and storage. We can no longer afford to debate which technology provides the solution. There are no silver bullets: we need them all.

It is ultimately a question of who we choose to be as a species. Will we clean up our own messes, or offload the responsibility and the damage onto future generations, or poorer nations? Will we use the enormous power and potential that we have—through science, and through the natural abundance here on Earth—to build something sustainable, collaborative, and joyful, or something destructive, competitive, and ultimately more painful for everyone? Each and every one of us can contribute to answering this question.

Image Credit: Serjio74 / Shutterstock.com

22 May 20:02

Scientists Go Back in Time to Find More Troubling News About Earth's Oceans

by Matt Simon
A clever study finds communities of foraminifera, a hard-shelled kind of plankton, have transformed dramatically since the Industrial Revolution.
22 May 14:36

Dream Seminar

by Tomas Tranströmer and Patty Crane
Illustration: Somnath Bhatt.

Four billion people on Earth.
And all of them sleep, all of them dream.
Every dream is crowded with faces and bodies—
there are more dreamed people than there are us.
But they don’t take up any space…
You might happen to fall asleep at the theater.
In the middle of the play, your eyelids sink.
A moment’s double exposure: the scene
up there is superseded by a dream.
Then there’s no scene anymore, there’s you.
The theater in its honest depths!
The mystery of the overworked
stage manager!
The interminable new rehearsals…
A bedroom. It’s night.
The dark sky flows through the room.
The book that someone fell asleep to
is still spread open
and lies wounded on the edge of the bed.
The sleeper’s eyes are moving,
they’re following the letterless text
in another book—
illuminated, archaic, quick.
A breathtaking commedia that’s printed
behind the eyelids’ monastery walls.
A single copy. It’s right here and now!
Tomorrow it will all be deleted.
The mystery of the great extravagance!
Obliteration…Like when the tourist is stopped
by suspicious men in uniform—
they open the camera, unroll his film
and let the sun kill the pictures:
so the dreams are blacked out by the light of day.
Obliterated or just invisible?
There’s an out-of-sight dreaming
always going on. Light for other eyes.
A zone where crawling thoughts learn to walk.
Faces and figures are regrouped.
We’re moving along a street, among people
in the blazing sun.
But there are just as many or more
we don’t see
who are inside the dark buildings
that rise up on either side.
Sometimes one of them goes to the window
and glances down at us.

The post Dream Seminar appeared first on Guernica.

20 May 22:02

Microsoft Wants To Apply AI 'To the Entire Application Developer Lifecycle'

by msmash
An anonymous reader writes: At its Build 2018 developer conference a year ago, Microsoft previewed Visual Studio IntelliCode, which uses AI to offer intelligent suggestions that improve code quality and productivity. In April, Microsoft launched Visual Studio 2019 for Windows and Mac. At that point, IntelliCode was still an optional extension that Microsoft was openly offering as a preview. But at Build 2019 earlier this month, Microsoft shared that IntelliCode's capabilities are now generally available for C# and XAML in Visual Studio 2019 and for Java, JavaScript, TypeScript, and Python in Visual Studio Code. Microsoft also now includes IntelliCode by default in Visual Studio 2019. IntelliCode has come a long way since May 2018, but Microsoft is only getting started. When it comes to using AI to aid developers, the company wants to help at every step of the way, according to Amanda Silver, a director of Microsoft's developer division. "If you look at the entire application developer lifecycle, from code review to testing to continuous integration, and so on, there are opportunities at every single stage for machine learning to help," Silver told VentureBeat. "IntelliCode is, very broadly, the notion that we want to take artificial intelligence -- and really machine learning techniques -- and allow that to make developers and development teams more productive. "IntelliCode is really only at the early stages -- authoring and helping to focus code reviews. But over time, we really think that we can apply it to the entire application developer lifecycle."

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20 May 21:02

The Physics of Mississippi Flood Control

by Rhett Allain
Louisiana's Bonnet Carré Spillway diverts some of the Mississippi's floodwaters. But it also offers up a wealth of good physics questions.
20 May 21:01

I Don’t Think a Woman Is Electable In 2020 Because Last Time Around the Female Nominee Only Got Three Million More Votes Than Her Opponent

by Tom Smyth


Our 3rd most-read article of 2019
(Originally published May 20, 2019)

- - -

Now don’t get me wrong, I love Elizabeth Warren and Kamala Harris. But as great as they and the other female candidates are, I think Democrats should be focusing more on a sure-fire nominee who can beat Trump. Electability should be our number one priority, and I’m just not sure if America is ready to embrace a female candidate yet — especially considering that Hillary Clinton only got three million more votes than Donald Trump in 2016.

After that shocking blow, it became very clear that the problem isn’t the antiquated electoral college system that gives disproportionate influence to whiter states, but rather the problem is the woman thing. Americans, excluding those 65.8 million who made Hillary Clinton the person with the second most votes ever, just aren’t yet ready to elect a woman president.

And the stakes are just too high this time around to risk it by nominating yet another highly qualified woman in 2020.

That’s why I think we need someone like Joe Biden, who’s a shining example of electability, and who has only lost two presidential elections before this one. Or even Beto O’Rourke, a person who can really unite people of all shades of white, and who is another pro at getting elected. And even though Bernie Sanders couldn’t unite Democrats the last time around, he surely will be able to unite the country better than any woman could.

After all, we have to play this smart, especially since Republicans decided to go with someone who is a traditional example of a highly electable candidate: a scandal-ridden reality television star. We have to bring our A-game and not risk it with these women who just bring decades of government experience and hundreds of pages of thoughtfully written policy to the table.

We need someone that people can see themselves getting a beer with, because drinking beer is one of the most important parts of being a president. And as everybody knows, women don’t drink beer because their lady stomachs can’t handle the enzymes because of their periods.

Anyway, we need someone likable, because that’s who gets the most votes. Just think of a student council election. Everybody goes for the lovable goof, not the high-strung nerd with a big, boring speech about all the things she wants to implement at the school to help the student body. The popular kid gets the votes, even if that means lunch prices rise and he forgets to book a DJ for the prom.

But, of course, some people want a candidate with “policy” who can represent people other than straight white men. To those people, I say there is a fine alternative: the vice presidency. That way we can sneak representation past sexist America like a Trojan horse, and then a supremely qualified woman can be relegated to doing photo-ops at ice cream shops or whatever else a vice president does. They won’t mind having to play second fiddle to a less-qualified man. It’s not like they’ve had to put up with this kind of thing since the beginning of time.

Another good compromise? How about instead of nominating a woman this election, we just have more fictional female TV presidents? It’s a win-win if you think about it. Women get some representation, and the Democrats can regain a real-life president. Plus, actresses like Sigourney Weaver and Diane Lane get some work.

Listen, I want a first female president just as much as the next guy. But now just isn’t the time. We tried going for it once and it didn’t work out. So maybe next time, or the time after that, or three or four times after that. I can’t commit to when exactly because who knows, the stakes might be just as high in 2024 or 2028 or the next half-dozen or so general elections in the future. Besides, there are probably going to be some fresh male faces that we should be seriously considering then anyway. You know, to promote progress within the party.

- - -

Read an interview with Tom Smyth about writing this piece over on our Patreon page.

20 May 20:58

'Game of Thrones' Recap, Season 8 Episode 6: The Endings We Choose to Believe

by Laura Hudson
HBO's drama will always have alternative interpretations, debates about its meaning, and revisionist histories—especially now that it's over.
20 May 16:34

A Nonjudgmental Look at Our Impulse to Share Images

by Emily Wilson
snap+share: transmitting photographs from mail art to social networks, 2019, installation view, San Francisco Museum of Modern Art (photo © Matthew Millman Photography)

SAN FRANCISCO — In Courtney Vionnet’s series Photo Opportunities (2005–14), blurry images of iconic sites, including the Eiffel Tower and the Taj Majal, look ethereal and classically beautiful. For nine years, Vionnet collected online photos of tourist destinations and combined them. She got the idea on a visit to the Tower of Pisa, where she noticed people standing in the same place, taking the same photo. The ghostly images in Photo Opportunities show the obsessive nature of photography and the desire to show we were there.

Corinne Vionnet, “San Francisco” (2006) from the series Photo Opportunities (2005–14) (San Francisco Museum of Modern Art, John Caldwell, Curator of Painting and Sculpture (1989–93), Fund for Contemporary Art purchase, © Corinne Vionnet)

The exhibition snap+share: transmitting photographs from mail art to social networks, at the San Francisco Museum of Modern Art (SFMOMA), reveals that although social media has amped up sharing photos, this urge is nothing new. Clément Chéroux, SFMOMA’s chief photography curator, points to On Kawara’s 1970s I Got Up . . . series, postcards sent stamped with, for example, “I got up at 9:15 a.m.” or “I got up at 8:55 a.m.,” which Chéroux compares to Snapchat and Instagram as a way to affirm our existence. Indeed, the exhibition starts off with a photo a French software engineer sent of his daughter right after she was born, disseminating it through his mobile phone and online network, and then swiftly transitions to the tradition of mail art from the 1950s and ’60s.

Philippe Kahn, Sophie Lee Kahn birth picture, first photograph shared instantly through a
digital camera, cellphone, and server with 2,000 people, June 11th, 1997 (image courtesy the
Lee-Kahn Foundation, © Philippe Kahn)
On Kawara, “I Got Up…” (1975) (Robert Harshorn Shimshak & Marion Brenner, © One Million Years Foundation, courtesy One Million Years Foundation and David Zwirner)

We cross the threshold from analog to digital when we encounter Erik Kessels’s 2011 piece “24HRS in Photos.” Kessels found about a million images were shared on Flickr in a day, and he wanted to show that physically. He printed out the photos, and they’re piled in the gallery with a path for the visitor to make their way through hundreds of thousands of images of pets, fireworks, and babies.

Erik Kessels, “24HRS in Photos” (2011) (courtesy the artist, © Erik Kessels)

Kate Hollenbach notes how technology affects us physically. Observing the intimate relationships we have with our smartphones and the emotional connection between people and their devices, Hollenbach programmed an app to capture herself every time she looked at her phone for a month. The result, “phonelovesyoutoo,” a display on three walls of a gallery of over 1,000 videos of her face on screen as she checks her mail, is mesmerizing and a little disturbing. On her website, Hollenbach writes that only her face is in the videos — sometimes puffy with sleep, sometimes with hair wet from a shower, sometimes wearing lipstick: “The context changes but the face mostly stays the same: it is a blank expression, a concentrating expression, the kind of vacant look reserved only for glowing screens.”

snap+share: transmitting photographs from mail art to social networks, 2019, installation view, San Francisco Museum of Modern Art (photo © Matthew Millman Photography)

Naturally, snap+share is filled with opportunities for visitors to share their own photographs. The show includes memes such as David Horovitz’s “241543903” (2009–ongoing) in which he invites people to put their heads in a freezer, snap a picture and upload it using the tag #241543903. A red freezer, complete with fake food, is in the gallery, summoning people to participate.

Eva and Franco Mattes, “Ceiling Cat” (2016) (courtesy Postmasters Gallery, New York, and
Team Gallery, Los Angeles, © Eva and Franco Mattes)

Cats are one of the most shared images online, with CNN estimating that in 2015 there were around 6.5 billion cat pictures floating around, and the final piece in the exhibit, Eva and Franco Mattes’s “Ceiling Cat,”(2016) is a three-dimensional sculpture of a cat’s head poking from a hole in the ceiling. This was inspired by a meme that went viral in 2006 with the tagline “Ceiling Cat is watching you.”

Some people see the cat as a metaphor for the internet — always watching. But rather than looking at the kind of images shared, the curators were more interested in the ways the digital has affected how they’re shared — from quantity and ubiquity to elements of surveillance. Visitors to the show mostly appeared delighted, gasping when they saw the cat peering down at them, happily sticking their head inside the freezer, and oohing at the masses of photos in Kessels’s piece. The exhibit doesn’t invite us to judge or to shake our heads at the addiction to phones and social media. Rather we observe the nature of images and the impulse to share. With or without our phones, we yearn for human connection.

snap+share: transmitting photographs from mail art to social networks continues at the San Francisco Museum of Modern Art (151 Third Street, San Francisco) through August 4.

The post A Nonjudgmental Look at Our Impulse to Share Images appeared first on Hyperallergic.

17 May 20:12

Gender inequity costs the United States $2 trillion in lost GDP

by Katica Roy

Everyone stands to gain if women are paid fairly and wealth is distributed more equitably. Not doing so means even rich people are losing out.

In the United States today, the top richest 400 Americans own more wealth than the bottom 60%. That is  about 150 million people. We haven’t seen this type of wealth concentration since the 1920s, right before the Great Depression.

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17 May 20:11

Dungeons & Dragons Will Stream a Massive Live Event Beginning Today

by Kaila Hale-Stern

Dungeons & Dragons fans are in for quite the weekend. D&D Live 2019: The Descent will stream 50 hours of D&D content straight into your screens and brains. The lineup that Wizards of the Coast has planned is unreal.

Starting at 2pm PDT (5 PM EST) today, May 17th, 2019, D&D aficionados can take part in the huge “immersive entertainment experience” that is The Descent, broadcasting live. Alongside live play, famous DMs, well-known creators, and actual rock concerts, this will be the place to get the “first glimpse of the 2019 storyline.” We’re promised that The Descent is even bigger and more ambitious than 2018’s Stream of Many Eyes. Around the world, work computers will cry out in joy as they are diverted to better purpose.

Watch everything through an embedded video dashboard, learn about the creators, and check out the full schedule for D&D Live 2019: The Descent at dnd.wizards.com/dndlive.

What does The Descent have in store? This programming looks packed and impressive, and would have absolutely blown my mind when I used to scour the web for D&D info back in the ’90s using Netscape Navigator:

D&D Live 2019: The Descent brings fans more than 50 hours of must-see entertainment and introduces an unforgettable storyline.

D&D Live 2019: The Descent features game designers, performers, Dungeon Masters and rock musicians. Fans can watch Relics & Rarities, led by DM and storyteller Deborah Ann Woll and featuring Matthew Lillard and Janina Gavankar.

D&D designers Chris Perkins, Jeremy Crawford and Kate Welch will lead a 4-part live D&D story played by performers such as Joe Manganiello, Taran Killam, Mica Burton, Jerry Holkins, Travis & Clint McElroy, Matthew Mercer, Anna Prosser, Jim Zub and Patrick Rothfuss.

Amazing D&D creators such as HighRollers, Rivals of Waterdeep, Girls Guts Glory, MonarchsFactory, Nerd Poker, The Sirens, Drunks & Dragons, WebDM, D&D Beyond, and more will be broadcasting via Facebook Live, Mixer, Steam, Twitter, YouTube and Twitch.tv/DND all weekend long. Watch music performed live by Chris Funk from the Decemberists and featuring performances by Cardioid, Library Bards, Jason Charles Miller, the Mountain Goats, and the Magic Sword on Sunday night.

Not only is this content awesomely inclusive, but I’m really loving that hardcore players and casual D&D dabblers alike can all watch for free and feel like they’re part of this event wherever they are. Wizards of the Coasts’ organization here and ease of accessibility makes me wonder why more Cons and fan events can’t manage to stream or at least provide more video coverage of their goings-on. Con passes have soared in cost (if you can even manage to get them), and the extreme hassle of getting into popular panels mean that for many fans, they never get to experience live celebrations of their favorite properties. The Descent seems like the polar opposite of this geek-world problem.

“I can’t wait to share what D&D has been cooking up for D&D Live 2019: The Descent,” said Nathan Stewart, Senior Director of Dungeons & Dragons. “I’ve been trying to spoil it for weeks but Greg Tito keeps shutting that down. All I will say now is that it’s going to be hotter than Nine Hells. You really need to tune in to find out why!” I mean, you guys got Deborah Ann Woll, the McElroys, and the Mountain Goats for a D&D fest. Do you think we’d be anywhere else?

D&D Live 2019: The Descent starts at 2 PM PDT May 17th, 2019 and runs through May 19th. Yes, you have plans and can’t make it out to drinks this weekend. You can watch live here and also follow the hashtag #DnDLIVE2019 on social media for pictures, reactions, updates, and general wizardry.

(via Wizards of the Coast, image: Wizards of the Coast)

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17 May 16:44

New Device Translates Silent Thoughts Into Speech

by Joel Hruska
AlterEgo-Feature

Researchers in multiple disciplines are making progress on technology that can translate silent micro-muscle movements into vocal speech, or even read the data directly from the brain. There's major progress being made in a critical, exciting field.

The post New Device Translates Silent Thoughts Into Speech appeared first on ExtremeTech.

17 May 16:40

Hewlett Packard Enterprise To Acquire Supercomputer Maker Cray for $1.3 Billion

by msmash
Hewlett Packard Enterprise will be buying the supercomputer maker Cray for roughly $1.3 billion, the companies said this morning. Intending to use Cray's knowledge and technology to bolster their own supercomputing and high-performance computing technologies, when the deal closes, HPE will become the world leader for supercomputing technology. From a report: Cray of course needs no introduction. The current leader in the supercomputing field and founder of supercomputing as we know it, Cray has been a part of the supercomputing landscape since the 1970s. Starting at the time with fully custom systems, in more recent years Cray has morphed into an integrator and scale-out specialist, combining processors from the likes of Intel, AMD, and NVIDIA into supercomputers, and applying their own software, I/O, and interconnect technologies. The timing of the acquisition announcement closely follows other major news from Cray: the company just landed a $600 million US Department of Energy contract to supply the Frontier supercomputer to Oak Ridge National Laboratory in 2021. Frontier is one of two exascale supercomputers Cray is involved in -- the other being a subcontractor for the 2021 Aurora system -- and in fact Cray is involved in the only two exascale systems ordered by the US Government thus far. So in both a historical and modern context, Cray was and is one of the biggest players in the supercomputing market.

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17 May 16:30

Sad survey: 60% of male managers are “uncomfortable” working around women

by Melissa Locker

There’s an increase in male managers saying they are uncomfortable spending time with junior-level women.

LeanIn.org and SurveyMonkey just released the results of a survey on the state of men and women interacting in the workplace in the age of #MeToo. The results are frustrating. The data reveals that 60% of male managers say they are uncomfortable performing common workplace activities such as mentoring, working one on one, or socializing with a woman. That’s a 32% increase over last year.

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13 May 21:58

Forget the Anthropocene: We’ve Entered the Synthetic Age

by Christopher Preston

One fact about our time is becoming increasingly well-known. No matter how far you travel, no matter in which direction you point, there is nowhere on Earth that remains free from the traces of human activity. The chemical and biological signatures of our species are everywhere. Transported around the globe by fierce atmospheric winds, relentless ocean currents, and the capacious cargo-holds of millions of fossil-fuel-powered vehicles, nowhere on Earth is free from humanity’s imprint. Pristine nature has permanently blinked out of existence.

These planetary changes have been characterized by geographers, geologists, and climate scientists as the end of one geological epoch, the Holocene, and the start of the next, the Anthropocene. In this newly designated ‘human age’, our species’ impact on the oceans, the land, and the atmosphere has become an inescapable feature of the earth. This idea that humanity has forced a geological transition is capturing people’s attention not just because changes in epochs are rare. It is attracting notice because our species is gripped by the idea that we possess planetary powers.

A second fact about our age is much less widely appreciated. We are changing how the planet works. It is not just that human activities have stained every corner of the planet. The simultaneous arrival of a range of powerful new technologies is starting to signal a potential takeover of Earth’s most basic operations by its most audacious species. From this time forward, technologies such as the gene-editing technique CRISPR and climate engineering will transform an already tainted planet into an increasingly synthetic whole.

This February, when the entomologist Ruth Mueller pried open a container of genetically modified mosquitoes in a high-security lab in the Italian town of Terni, she wasn’t just experimenting with a powerful new tool in biotechnology. She was implementing a change to the Mendelian laws of inheritance that govern all life on Earth.

The mosquitoes she released, each of them carrying a CRISPR-enabled ‘gene drive’ designed to spread through a group of mosquitoes, would test whether humans could successfully force a trait through the whole of a free-living population. The lab in which Mueller works has been carefully designed so that, for now, the change takes place on a limited scale and securely indoors. But gene drives can theoretically spread themselves unaided to any corner of the globe in which populations of interbreeding mosquitoes live. They change the genetic rules wherever they travel.

If the question is ‘How much does your research amend the planetary rules?’ the Mueller lab has plenty of company.

Early this summer, a research team from Harvard University will conduct the first field test of geoengineering the climate. They plan to use a high-altitude balloon to place reflective particles into the stratosphere above the arid landscapes of the US southwest. There they will examine how effectively the particles beat back incoming solar energy. Scaled up appropriately, the technology could in future be used to rewrite the planetary rules in a way that echoes the changes wrought by gene drives.

Anthropogenic climate change has already altered how heat moves through the system. As devastating as this is, up till now, climate change has never been a matter of intentional planning and design. Our species has never before attempted to calibrate what the sun will deliver. This thermal quotient has been baked into the physics of the solar system. Should a large-scale deployment of reflective particles into the stratosphere eventually happen, it will rewrite this equation in our own hand.

Technologies such as gene drives and climate engineering go a quantum leap beyond what stratigraphers were noting when they recommended renaming this epoch the Anthropocene. Accidental changes are entirely different from deliberate ones. David Keith, one of the researchers in the Harvard climate-engineering project, points out the huge difference between deliberately engineering something and simply making a mess. In the former, the sense of responsibility is much higher. Think of why murder is so much worse than manslaughter.

Unlike habitat destruction, carbon emissions, and other signatures of the Anthropocene epoch, the technologies being tested today are designed for consciously taking control of some of the key physical processes that shape our world. The bedrock laws of nature don’t disappear, of course, but they become subject to a deeper kind of manipulation. You could think of these as not simply ‘cosmetic’ changes but ‘metabolic’ ones. Charles Darwin, Gregor Mendel, and the conventions of atmospheric physics become subject to a delicate kind of renegotiation.

The crossing of this line represents radically new territory for both our species and for the planet. Nature itself will be shaped by processes redesigned and ‘improved’ by geneticists and engineers. We should call this transition the beginning of a ‘synthetic age’, a time in which background constants are increasingly replaced by artificial and ‘improved’ versions of themselves. This remaking of the metabolism of the earth strikes at the very core of how we understand our surroundings and our role in them.

Researchers, politicians, and people of all nations will split on the wisdom of crossing these thresholds. They are no doubt exciting prospects to some. But they are absolutely terrifying ones to others. Technologies this consequential must be subject to the fullest and most inclusive public scrutiny possible.

An Anthropocene epoch requires one kind of psychological adjustment. A synthetic age demands something considerably more.

The Synthetic Age: Outdesigning Evolution, Resurrecting Species, and Reengineering Our World by Christopher J Preston is published via The MIT Press.Aeon counter – do not remove

Christopher Preston

This article was originally published at Aeon and has been republished under Creative Commons.

Image Credit: pattara puttiwong / Shutterstock.com

13 May 21:48

Game of Thrones castmembers laughing, smirking or gritting their teeth when asked if they like the final season

by Rob Beschizza

"Best season ever!"

I understand that the "looking up and to the right" marker for deception is a myth, but I also suspect that Peter Dinklage knows this.

Previously: Stuff Happens In Game Of Thrones

13 May 21:14

Supreme Court Deals Blow to Apple in Antitrust Case

by Issie Lapowsky
In Apple v. Pepper, the Supreme Court ruled in a 5–4 decision that Apple's App Store customers have standing to sue the company for antitrust violations.
13 May 20:38

Chevron's global exploration VP talks changing landscape, new challenges after first year in role

by Joshua Mann
Liz Schwarze has been Chevron's vice president of exploration for a year now. Here's what she's learned and what she says is changing about the job.
10 May 17:50

New Leventhal Exhibition: America Transformed

by Jonathan Crowe

The Leventhal Map Center’s latest exhibition, America Transformed: Mapping the 19th Century, opened last Saturday and runs until 10 November 2019.

During the 19th century, the United States expanded dramatically westward. Immigrant settlers rapidly spread across the continent and transformed it, often through violent or deceptive means, from ancestral Native lands and borderlands teeming with diverse communities to landscapes that fueled the rise of industrialized cities. Historical maps, images and related objects tell the story of the sweeping changes made to the physical, cultural, and political landscape. Moving beyond the mythologized American frontier, this map exhibition explores the complexity of factors that shaped our country over the century.

As usual, there’s a comprehensive online version, which is peppered with acknowledgements of the very white, very settler-colonialist perspective of the maps on display. Which are, of course, justified, but as far as I can see they’re asterisks and asides on an otherwise unchanged exhibit.

10 May 16:37

Climate controversy, once just polarized, now becoming weird

Controversy over climate change has gone from hopelessly polarized to altogether weird.
09 May 19:24

The Evidence Is Strong: Air Pollution Seems to Cause Dementia

by Aaron Reuben
Air pollution is much worse for health than people had thought, increasing the risk of Alzheimer's significantly. Meanwhile, air quality is getting worse.
23 Apr 20:29

Energy Companies Should Recruit Where Google Does

Energy execs believe the industry has to be more proactive in going after the talent it wants.
23 Apr 18:59

We need to stop shaming women for wanting (or not wanting) to return to work

by Emily Oster

Women are often judged for choosing to stay at home, or for choosing to return to work. This is damaging and has to stop, argues one economist.

Nothing in the Mommy Wars takes on as much weight as the choice to return to work or not. A friend of mine has a son who was asked, “What kind of mom do you have? I have a stay-at-home mom,” to which my friend’s son responded, “Oh, I have a stay-at-work mom.”

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14 Apr 14:58

How The Rise of Skywalker Can Find Balance Between Star Wars‘s Legacy and the Future.

by Kate Gardner

Rey and Kylo Ren in 'Star Wars: The Last Jedi'

In the immediate Twitter aftermath of the title of the final Skywalker Saga film, The Rise of Skywalker, being released, I noticed some worries that the film would retcon The Last Jedi in some way, shape, or form. The use of Skywalker in the title, the return of classic villain Palpatine… it could seem as though director JJ Abrams is returning to the past and relying on that dreaded concept of fanservice to calm frazzled nerves after The Last Jedi.

I disagree, as much as my feelings on The Last Jedi are as conflicted as possible. After re-watching the trailer more times than was probably healthy and spending a day analyzing the title and trailer, I think this perfectly continues what both The Force Awakens and The Last Jedi started. It balances between the idea of the past as something that we should honor but move beyond.

The Force Awakens was all about those legacy feelings. Kylo Ren was fixated on emulating his grandfather Anakin Skywalker; he dresses like Darth Vader, complete with a mask, and speaks to the burnt Vader helmet as he begs his grandfather to show him what to do. On the flip side, the Skywalker saber calls to Rey; “that lightsaber was Luke’s, and his father’s before him, and now it calls to you” Maz Kanata tells Rey, before reminding her gently that the belonging she seeks is not behind her, but rather ahead. The entire film is about Luke Skywalker’s legacy and why it’s of paramount importance to find him and bring him back to the Resistance.

The Last Jedi subverts those legacy ideas by challenging the idea that Rey had to come from somewhere to be important. Kylo Ren, the child of Leia Organa and the grandchild of Anakin Skywalker, is the Dark Side incarnate; Rey, the child from nowhere is his equal in the Light. Luke Skywalker talks mockingly of his own legend and how he failed, and in a deleted scene Rey screams at him about how those legends meant something to her growing up.

In one of the later scenes, Kylo tells Rey to “let the past die… to kill it if you have to.” He says they must let it all die—the Jedi, Sith, and Resistance—in order to rule the galaxy. Rey rejects this, and later helps the Resistance escape as Luke Skywalker embodies his legend one last time to make the ultimate sacrifice. He says he will not be the last Jedi, but that might not be the case.

We’ve talked about Skywalker possibly being the new term for Force users in a previous post; it’s worth noting that in tie-in novel Thrawn: Alliances, it’s revealed that the Chiss alien species refers to their Force sensitives as Skywalkers. By taking on the name Skywalker as a mantle meaning “Force user” or even “hero,” Rey is honoring Luke and his life and sacrifice while moving past the binary of Jedi and Sith as a title. This isn’t to say there won’t be good and evil, but we might be abandoning the titles of the past in favor of something new.

Luke says in the trailer. “We’ve passed on all we know. A thousand generations live in you now. But this is your fight.” He also says “we’ll always be with you. No one’s ever really gone.” This to me is the balance between the legacy of The Force Awakens and Kylo’s line in The Last Jedi. Luke, and those who have come before, will always be with both characters and audiences, and their legacy will live on. But it’s also time for a new hero to rise, and a new generation to take charge. They cannot let the past fight their battles for them.

There is a way to tell a story about honoring the past while still learning and moving past it. The prequels was about Anakin’s inescapable destiny, and the originals about Luke and his father’s legacy. The key line in the originals is “I am a Jedi, like my father before me.” The sequels, which need to close out a saga about legacies, have to find a new take that isn’t either tragedy or following in one’s father’s footsteps. Something must change, otherwise we’ll get nine more films about the Skywalkers getting into mayhem.

The Force Awakens novelization opens with a poem from the Journal of the Whills, which reads:

First comes the day
Then comes the night.
After the darkness
Shines through the light.
The difference, they say,
Is only made right
By the resolving of gray
Through refined Jedi sight.

The first film ends on triumph, the second has a darker ending which has a light shining through in the form of Leia’s last line and the future of the Force being represented via a child on Canto Bight. Rey has learned so much on her journey, and now has the emotional maturity and tools to resolve the grey by doing away with the ideas of the past and seeing a future that her predecessors never would have seen.

Of course, I could be wrong and Abrams could find a way to retcon everything.. However, I have hope that the way this film seems to be headed, based on what little we do know, that it will be a perfect conclusion to the sequel trilogy and will have it’s own twists without necessarily undoing anything established in a previous film. Balance seems to be key, everyone.

(image: Lucasfilm)

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