Shared posts

03 Mar 18:52

Google Reportedly Preparing Android Wear for iPhone and iPad

by Joe Rossignol
Andrew

cool!

iPhone 6 Android WearGoogle is reportedly preparing to release an Android Wear app on the App Store for iPhone and iPad, according to French technology website 01net [Google Translate] (via iPhon.fr).

The report claims Android Wear with extended iOS support could be announced at Google's I/O developer conference in late May, although Google may push the agenda depending on sales of the Apple Watch.

Google may be interested in capitalizing on iPhone and iPad users that are not planning to purchase an Apple Watch when the wrist-worn device is released in April, the report adds. Last month, an unofficial video of an iPhone paired with Android Wear for notifications amassed over 300,000 views on YouTube.

Android Wear smartwatches such as the LG G Watch, Moto 360 and Samsung Gear Live are currently limited to pairing with smartphones running Android 4.3 or later, such as the Samsung Galaxy S5, HTC One M8 and LG G3. Pairing an Android smartphone and smartwatch requires the official Android Wear app on the Google Play Store.

While 01net is one of the largest technology publications in France, its exclusive report has not yet been corroborated by other sources and its veracity cannot be confirmed. But given that Google is generally more open about cross-platform compatibility, and has an existing portfolio of apps on the App Store, there is a possibility that Android Wear for iOS could one day be a reality.






03 Mar 17:24

The YotaPhone 2 and its awesome e-paper display are coming to the US

by Chris Welch

The YotaPhone 2, which ranks as one of the coolest and more novel Android smartphones in recent memory, is headed to the United States. Phone Scoop reports that the company plans to launch an Indiegogo campaign in the spring and make the phone available for around $600. Should that prove successful — and we have a good feeling it might — YotaPhone is also hoping to release the device through third-party retailers like Best Buy. The YotaPhone 2 will be able to run on either AT&T or T-Mobile with support for LTE. Early Indiegogo backers will receive exclusive incentives, but those haven't been finalized just yet.

From the front, YotaPhone 2 looks like any other Android phone, but it's the e-paper display around back that's earned the...

Continue reading…

28 Feb 02:12

Leonard Nimoy, Star Trek's Spock, has died at 83

by Alex Abad-Santos
  1. Leonard Nimoy, famous for his role as Spock in Star Trek, died at his home on Friday the age of 83.
  2. His wife Susan confirmed his death, stating that the cause was end-stage chronic obstructive pulmonary disease.
  3. He was hospitalized earlier this week because of severe chest pains.
  4. Nimoy had 134 acting credits to his name, but was also a movie director, producer, and writer.

Leonard Nimoy, the man who brought Spock to life on Star Trek, died on Friday. His wife Susan confirmed his death to the New York Times, explaining that end-stage chronic obstructive pulmonary disease was the cause.

The debilitating disease, which affects lung capacity, was attributed to Nimoy days as a smoker. Nimoy himself has voiced his regret over the habit and urged people to avoid smoking:

Don't smoke. I did. Wish I never had. LLAP

— Leonard Nimoy (@TheRealNimoy) January 11, 2015

While he has directing and writing credits to his name, Nimoy is most famous for bringing Spock to life on Star Trek. Though Spock is half-Vulcan, an alien race governed by logic rather than emotion, Nimoy brought a humanity to the character who often played the straight man to Captain Kirk and Dr. McCoy. And Spock's presence on the show explored issues of what it means to be human— something people could really relate to.

Nimoy was hospitalized earlier this week with reports of chest pains. Nimoy, according to the New York Times, is survived by his two children, stepson, six grandchildren, one great grandchild, and his older brother Melvin.


27 Feb 21:04

This dress color war is the perfect way to end a wonderful day on the internet

by Rich McCormick
Andrew

This really was quite fun.

And it's obviously blue and black.

Truth is subjective. One plus one equals three, the sky is green and the grass is blue, there are five lights.

The dress is white and gold.

The dress is blue and black.

The dress in question was posted on Tumblr earlier today by user swiked, who noted that her friends were unable to agree from a picture whether the frilly number was white and gold, or blue and black. They were, in swiked's words, "freaking the fuck out." Discussion quickly leapt to Twitter. Some users quickly made up their minds, their reality locked in place by their first viewing.

Continue reading…

27 Feb 18:10

Tesla co-founder says it's electric trucks, not electric cars, that matter

by James Vincent

Electric cars may help save the environment, but when it comes to saving money, electric trucks are where it's at. At least, that's the proposition from Ian Wright, one of the five original founders of Tesla and how head of his own firm, Wrightspeed.

His pitch is simple: companies should retrofit their gas-guzzling trucks to run on his range-extended, electric powertrains. These vehicles are pretty much running throughout the day, says Wright, burning up fuel and money. Converting them means that any savings on running costs and maintenance provided by electric innards are recouped much quicker than with regular cars.

A family car burns 600 gallons of fuel a year — a garbage truck uses 14,000 gallons

"Consumer automobiles don’t burn...

Continue reading…

27 Feb 16:36

Verizon trolls the FCC's net neutrality vote with a blog post written in morse code

by Ben Popper

Today the FCC voted to apply the Title II regulations of the Telecommunications Act to broadband internet services. The commission argues that it has updated the rules for our modern age, but opponents of the plan have countered that it relies on antiquated language meant for older technologies. Verizon, responding to the vote on its public policy blog, decided to take this argument to its logical extreme.

Continue reading…

27 Feb 14:31

I start using the clone tool in Photoshop to cover some flaws in a pictureClient: Oh, don’t use...

Andrew

lol

I start using the clone tool in Photoshop to cover some flaws in a picture

Client: Oh, don’t use the clone stamp!

Me: Why?

Client: Because I tried using it once and the results were just AWFUL.

Me: OK…

Client: Just select a good part of the photo, copy it, paste it over the bad part and then use erase to soften the edge.

Me: You do realize that that’s….oh never mind.

26 Feb 16:10

The simple reason Walmart & TJ Maxx are handing out raises — people are quitting

by Matthew Yglesias
  1. TJX, the owner of TJ Maxx, Marshalls, Home Goods, and Sierra Trading Post, announced plans to increase the wages of its lowest paid workers to $9 an hour.
  2. By 2016, employees who successfully hold down a job for 6 months will earn at least $10 an hour.
  3. Walmart announced a similar move on February 19.
  4. This is not just good news for the people getting a raise, but sheds important light on some key disagreements in economic policy.

The recovery is real

The dynamics here are not difficult to understand. Bureau of Labor Statistics data shows that workers in the retail sector are quitting their jobs at a much faster rate than they were a year or two earlier.

Retail jobs are great jobs to quit because in addition to the low pay, they offer little in the way of status or intangible rewards (see "What I learned from seven years in retail hell"). But for years, quitting was depressed by the bleak national economy. Now that the unemployment rate is only slightly high, people are eager to quit crappy jobs. Turnover and churn are bad for business, so major retailers are responding with higher pay to get people to stay on. And survey data from the National Federation of Independent Businesses suggests that small companies are ready to do the same thing:

Your pet theory is wrong

The past five years of sluggish job creation and weak wage growth have spawned a cottage industry of big-think about what ails the American economy. Maybe Obamacare crushed job creation? Maybe it's a "skills gap?" Maybe the Chinese stole our jobs? Or immigrants? Or robots?

It turns out that all of this is wrong. Back in the winter of 2008–2009, the country suffered a large collapse in aggregate demand related to the collapse of the housing bubble. From 2009 to 2014, political disagreements prevented the government from plugging the gap with gigantic fiscal stimulus, and timidity about "unconventional" measures prevented the Federal Reserve from doing so either. But all that time, the economy was slowly healing. And now it shows real signs of operating like normal. People try to quit the worst jobs around, and companies respond by trying to make the jobs better.

A virtuous circle toward utopia

(Jeff Shear/Getty)

Of course, that doesn't mean that the American economy is out of the woods. Inflation is currently below the Federal Reserve's 2 percent target. Forward-looking expectations of inflation are also below the Federal Reserve's 2 percent target. And both things have been true for years. Nonetheless, the Fed is seriously considering raising interest rates to slow economic growth and job creation as soon as June in order to head off hypothetical possible future inflation. Needless to say, if the Fed deliberately decides to slow the pace of job creation, then people's ability to quit jobs and score raises will vanish.

But if the Fed does the sensible thing and lets well-enough be, we could be poised for a virtuous circle. Even at $10 an hour, a gig at TJ Maxx is not a great job.

But increased pay for the very lowest-paid workers in America is an especially potent form of economic stimulus. These are people whose marginal dollar is likely to be spent on meeting critical household needs. That means that even as companies find themselves pressed to raise pay, they'll also have more customers and more revenue. That kind of bottom-up growth may not be as good for the stock market as the past five years have been, but it is a sustainable path to years and years of additional, consistent economic growth and job creation.

A long-term problem

One reason the policy conversation has been dominated by speculation about education and artificial intelligence rather than business-cycle management is that it feels more prestigious to worry about profound long-term problems than superficial short-term ones. But the long-term is, in a sense, just an endless series of short-term spells. And for about a generation, business cycle management in the United States has been dominated by NAIRU paranoia in a way that's led directly to sluggish income growth (NAIRU is sometimes called the "natural rate of unemployment" and refers to the jobless rate below which economists think inflation will start to take off).

The way this works is that the Fed worries that if unemployment gets "too low," workers will have excessive ability to extract wage increases and we'll get inflation. This isn't a totally absurd worry. But the Fed has been so worried about it that unemployment has been too high much more often than it's been too low. Naturally enough, during this period wages have stagnated and corporate profits have grown as a share of national income.

In this sense, the Walmart and TJ Maxx wage hikes tell us something important about the long-term future of the economy. Higher pay at rival companies will only encourage the employees of other retail firms to quit, increasing the pressure on others to raise pay.

Some retailers will respond to the new era of increased expectations by investing in technology to improve their workers' productivity. Others will be sufficiently wedded to a low-wage business model that they need to begin reaching out to people — ex-convicts, recovering drug addicts, the long-term unemployed — who are socially marginalized right now. Higher incomes for working class Americans will also create markets for new products, increasing innovation.

In other words, managing the business cycle better to keep the unemployment rate lower for longer isn't a distraction from the real sources of long-term prosperity. It's a vital piece of the puzzle, leading to higher wages and more rapid productivity growth. Higher pay at a couple of large retailers is just one small step, but it's an important one for policymakers to build on.

25 Feb 17:02

Paging Auric Goldfinger

by John Gruber

Josh Centers does some back-of-the-envelope math to estimate how much raw gold Apple might need for Apple Watch Edition production:

There are two conclusions we can draw from this scattering of data. The first is that Apple is about to take over the world. Not only will it be the most valuable company on the planet, but it will also be bidding for a third of the world’s annual gold supply, wreaking havoc on gold prices and doing who knows what to the global economy.

The alternative is that the esteemed Wall Street Journal is off on its Apple Watch Edition sales by an order of magnitude (or more). That would put the number at 100,000 per month, which seems more plausible.

I think the WSJ’s sources are deeply suspect on these production numbers. There’s no way Apple is planning on selling one million Edition models a month. That’s just nutty. Rolex sells only 600,000 watches a year.

25 Feb 03:36

PSA: Watch the gritty POWER/RANGERS short film starring BSG’s Starbuck

by Sam Machkovech
Andrew

NSFW for language. but this is awesome.

On Tuesday, Dredd film producer Adi Shankar and Torque Director Joseph Kahn posted the violent, vulgarity-laden sci-fi series reboot you never knew you wanted: The Mighty Morphin' Power Rangers are back. Well, kind of.

Katee Sackhoff, best known to sci-fi fans as Starbuck from last decade's Battlestar Galactica reboot, stars as Kimberly "Pink Ranger" Hart in a 12-minute short film that was posted to Vimeo and YouTube earlier this morning. (The Vimeo cut has since been pulled, and it was described as the "gorier" version, so, start hunting!) Titled POWER/RANGER—because that styling worked so well for FACE/OFF—the film sees Sackoff being interrogated by James Van Der Beek (who also apparently co-wrote) while he recalls the grisly fates of other Rangers. Karate, robots, guns, swords, and blood ensue, and the results are slick enough for us to feel weirdly comfortable recommending that you watch it.

Read 2 remaining paragraphs | Comments








24 Feb 17:41

How scientists rank drugs from most to least dangerous — and why the rankings are flawed

by German Lopez

There's a very common drug-policy talking point that's meant to convey the absurdity of the war on drugs: Alcohol is more dangerous than marijuana, even though alcohol is legal and marijuana is not.

Perhaps the biggest supporting evidence for this point is a 2010 study published in The Lancet that ranked alcohol as the most dangerous drug in the United Kingdom, surpassing heroin, crack cocaine, and marijuana. That study has drawn widespread media attention, appearing in outlets like the Washington Post, the Guardian, the New Republic, and here at Vox.

Although drug policy experts generally don't dispute the assertion that alcohol is more dangerous than pot, the study, led by British researcher David Nutt, is quite controversial. Experts see the rankings as deeply flawed, largely because they present the harms that come from drugs in a rather crude, one-dimensional manner. Even Nutt has acknowledged that the study is imperfect.

This may seem like a petty academic squabble, but it's quite important as researchers and lawmakers try to advance more scientific approaches to drug policy. Finding the best method to evaluate the risks of drugs is much more complicated than assigning numeric rankings.

What the UK analysis does

Nutt's analysis measures two different issues related to drug use in the UK: the risk to an individual, and the damage to society as a whole.

The individual scores account for a host of variables, including mortality, dependence, drug-related family adversities, environmental damage, and effect on crime.

Even if two drugs score similarly in Nutt's analysis, the underlying variables behind the scores can be completely different. For instance, heroin and crack cocaine are fairly close in the rankings. But heroin scores much higher for mortality risk, while crack poses a much bigger risk for mental impairment.

There's also some divergence within the specific categories of harm. Alcohol and heroin both score high for crime. But alcohol's crime risk is due to its tendency to make people more aggressive (and more prone to committing crime), while heroin's crime risk is based on the massive criminal trafficking network behind it.

The analysis doesn't fully account for a drug's legality, accessibility, or how widely a drug is used. If heroin and crack were legal and more accessible, they would very likely rank higher than alcohol. The harm score for marijuana would also likely rise after legalization, but probably not too much since pot use is already widespread.

Since the study only looked at drug use in the UK, some scores would likely vary if Nutt's team conducted a similar analysis in the US. Nutt said meth in particular would likely be scored as more dangerous, since its use is more common in the states.

Still, Nutt is confident that alcohol would be ranked most dangerous in the US. "I don't see how it couldn't be, really," he said.

What other drug experts say about the UK study

Drug policy expert Mark Kleiman discusses marijuana with Ezra Klein. (Joe Posner / Vox)

The drug policy experts I talked to about Nutt's study generally agreed that his style of analysis and ranking misses some of the nuance behind the harm of certain drugs.

Jon Caulkins, a drug policy expert at Carnegie Mellon University, gave the example of an alien race visiting Earth and asking which land animal is the biggest. If the question is about weight, the African elephant is the biggest land animal. But if it's about height, the giraffe is the biggest. And if the question is about length, the reticulated python is the biggest.

"You can always create some composite, but composites are fraught with problems," Caulkins said. "I think it's more misleading than useful."

The blunt measures of drug harms present similar issues. Alcohol, tobacco, and prescription painkillers are likely deadlier than other drugs because they are legal, so comparing their aggregate effects to illegal drugs is difficult. Some drugs are very harmful to individuals, but they're so rarely used that they may not be a major public health threat. A few drugs are enormously dangerous in the short-term but not the long-term (heroin), or vice versa (tobacco). And looking at deaths or other harms caused by certain drugs doesn't always account for substances, such as prescription medications, that are often mixed with others, making them more deadly or harmful than they would be alone.

Nutt acknowledges these problems, but argues that his analysis provides value to policymakers. "Anyone interested in alcohol and other drugs, from law enforcement to education and from health improvement to international policy, needs some measure that allows them to understand and communicate relative harms and risks," Nutt wrote in his 2011 response to critics. "I believe we have provided the best currently available analysis of an extremely complex multifaceted data set."

So is marijuana really safer than alcohol?

Three cups of danger. (Justin Sullivan / Getty Images News)

Marijuana is generally safer than alcohol. Drug experts broadly agree that individuals and society would arguably be better off if marijuana became the most accepted recreational intoxicant of choice instead of alcohol.

Health risks are just one way to measure whether marijuana is safer than alcohol. While pot doesn't seem to cause organ failure or fatal overdoses, alcohol kills more than 29,000 people each year due to liver disease and other forms of poisoning.

Alcohol and marijuana are both intoxicants, but one study from Columbia University researchers estimated that alcohol multiplies the chance of a fatal traffic accident by nearly 14 times, while marijuana nearly doubles the risk.

Alcohol's effects on behavior can also lead to more crime, while marijuana use appears to have little-to-no effect. Alcohol is a factor in 40 percent of violent crimes, according to the National Council on Alcoholism and Drug Dependence. But various studies found marijuana doesn't make users more aggressive or lead to crime.

But how much does all of this information really tell policymakers or the public? It would matter if marijuana ends up substituting alcohol once pot is legalized (since a safer substance would be replacing a more dangerous one), but the research on that is still early. And the argument that alcohol is more dangerous than illegal substances could be used as a basis for banning or strictly regulating alcohol just as easily as it could be used as a basis for legalizing or decriminalizing other drugs.

The question policy experts typically ask isn't which drug is more dangerous, but how marijuana and alcohol should be treated through policy as individual drugs with their own set of unique, complicated risks. That doesn't mean just legalization or prohibition, but regulation, taxes, and education as well.

"There's always choices," Keith Humphreys, a drug policy expert at Stanford University, explained. "There is no framework available in which there's not harm somehow. We've got freedom, pleasure, health, crime, and public safety. You can push on one and two of those — maybe even three with different drugs — but you can't get rid of all of them. You have to pay the piper somewhere."

Marijuana isn't perfectly safe

A marijuana plant. (Shutterstock)

Heavy drug use is never ideal — and marijuana is no different in this regard.

"The main risk of cannabis is losing control of your cannabis intake," Mark Kleiman, a drug policy expert at UCLA, said. "That's going to have consequences in terms of the amount of time you spend not fully functional. When that's hours per day times years, that's bad."

Caulkins of Carnegie Mellon University put it another way: "At some level, we know that spending more than half of your waking hours intoxicated for years and years on end is not increasing the likelihood that you'll win a Pulitzer Prize or discover the cure for cancer."

These problems are compounded by the perception that pot is harmless: Since many marijuana users believe what they're doing won't hurt them, they feel much more comfortable falling into a habit of constantly using the drug.

A lot of research has also linked adolescent marijuana use with a range of negative consequences, including cognitive deficiencies and worse educational outcomes. While it's not clear whether marijuana's role with these outcomes is cause-and-effect, experts generally agree that people younger than their mid-20s should avoid pot.

The research on other health effects of marijuana is inconclusive but should warrant some caution. One study linked the use of potent marijuana to psychotic disorders, but other studies suggest people with psychotic disorders may be predisposed to pot use. Research on whether smoked marijuana causes lung disease or cancer has yielded conflicting results, with studies that control for tobacco smoking finding no significant effect from marijuana on lung cancer risk.

All of this helps prove that marijuana isn't totally harmless — and some of its risks are likely unknown.

How we should evaluate drugs and the harm they do

Opioids, including prescription painkillers, have been linked to more deaths across the country, particularly Vermont. (Spencer Platt / Getty Images News)

There probably isn't a perfect way to evaluate and present all drug harms. Researchers will always need to balance making information simple and accessible for policymakers and the public with the inherent complexity of drugs and their effects. This makes the task of building scientific drug policies very challenging.

Some experts say the complexity of the issue should be embraced. Caulkins and Peter Reuter, a drug policy expert at the University of Maryland, suggested a model in which all the major risks of drugs are drawn out and each drug is ranked within those categories. So heroin would be at or near the top for mortality, alcohol would be at or near the top for cause of violent crime, and tobacco would be at the top for long-term health risks. But there wouldn't be a single ranking for all the drugs' harms. The idea is lawmakers could look at this model to help decide on an individual basis which policies are better for each drug.

But it doesn't seem like anyone is taking on this kind of approach — and Nutt's style of analysis remains popular around the world. Although Nutt couldn't get funding to do an analysis in the US or Canada, he said a similar study is being published later this year assessing drug use in several countries in Europe. The analysis may be flawed, but its simplicity and accessibility have won over many policy circles.

24 Feb 16:34

The new Pee-wee movie will be a Netflix exclusive

by Sean O'Kane

Come in, and pull yourself up a chair: the new, Judd Apatow-produced Pee-wee movie is called Pee-wee's Big Holiday, and rumors that it would be a Netflix exclusive have been confirmed. The production starts filming in three weeks, and John Lee (Broad City, Inside Amy Schumer, Delocated) will make his feature film debut as a director.

Netflix is starting to push for feature-length exclusives

Not only has Netflix become extremely successful at launching its own scripted series (House of Cards, Orange is the New Black) but it's also an attractive venue for existing projects looking for a home. Tina Fey's new project, The Unbreakable Kimmy Schmidt, was supposed to air on NBC but has since moved to Netflix and will debut on the streaming...

Continue reading…

23 Feb 19:26

This might be the worst argument against the Apple Car

by Matthew Yglesias

There are dozens of ways in which Apple's apparent effort to build an Apple-branded car could go wrong, but there's one argument against the idea that I'm hearing a lot of that really doesn't make sense. From Henry Blodget to former GM CEO Daniel Akerson to the LA Times to Yahoo Finance people are saying this won't work because the car industry is a "low margin" business in contrast to the fat margins Apple is used to earning most of all on its workhorse iPhone.

The misperception here is that Apple earns high margins because Apple operates in high margin industries. The truth is precisely the opposite. Apple earns high margins because it is efficient at manufacturing and firmly committed to a business strategy of sacrificing market share to maintain pricing power. If Apple makes a car, it will be a high margin car because Apple only makes high margin products. If it succeeds it will succeed for the same reason iPhones and iPads and Macs succeed — people like them and are willing to buy them, even though you could get similar specs for less.

Phones and PCs are low-margin businesses

Consider the smartphone industry, where Apple earns the lion's share of the profit and revenue. Apple earns 93 percent of all profits secured by handset manufacturers, with Samsung earning over 100 percent of the remainder left behind. Which is to say that if you look at the non-Apple portions of the smartphone industry, it's an exceptionally low-margin industry. Samsung is running a modestly profitable handset business based on enormous volume. Lots of players are losing money. Chinese upstart Xiaomi has a promising business built on handsets as a loss-leader for after-market services. By volume, the dominant software player in the smartphone industry is Google, which makes a phone OS that it gives away for free.

In other words, if Apple weren't already earning tens of billions of dollars in smartphone profits, people might look at this landscape and say it would be pointless for Apple to get into the market. How are you going to compete with zero-margin handsets and a free operating system?

Well, it's hard! But Apple pulled it off.

https://cdn0.vox-cdn.com/uploads/chorus_asset/file/3433774/mac_profits.png.CROP.article568-large.0.png

Apple isn't as successful in the PC industry as in the smartphone industry, but it's pretty successful and per Horace Dediu's chart above, the story about margins is similar. As of 2012, the non-Apple parts of the PC industry were very low margin and Apple earned high margins anyway. And since that time, the Mac has only grown as a share of the PC market.

Margins as a strategy

These existing profit margins are so anomalous that people have frequently proclaimed them to be unsustainable. Others have simply regarded them as unwise, arguing that Apple's long-term business would benefit from cutting prices to gain market share. But Apple is both fundamentally committed to this high margin strategy and good at executing it.

Will they be as good at executing it in the car space? Who knows.

But the logic that says Apple can't have a high margin car business would also say Apple can't have a high margin smartphone business. The reality is that earning profits in competitive industries is really hard. If you are looking for a guaranteed return, you need to be in a monopolistic industry (owning telecommunications networks or copyrights to popular comic book characters) rather than making consumer products.

Making an Apple-branded car is a big risk with a high chance of failure, but it's not qualitatively different in that regard from making an MP3 player or a smartphone. If it were easy to do these things profitably, everyone would do it and the profits would be competed away. Apple's entire success over the past 15 years is built on having defied those odds before, so you can understand why the company's executives might think they can do so again.

23 Feb 17:22

Stephen Hawking's research is more accessible than you think. Here's a guide.

by Joseph Stromberg

Eddie Redmayne won the Oscar for Best Actor for his portrayal of Stephen Hawking in The Theory of Everything — a film that tells the story of Hawking's personal life, his turbulent marriage, and his battle with ALS.

But as some critics have pointed out, the film is pretty light on Hawking's actual science.

This isn't a huge surprise. Even though Hawking is probably the most famous living scientist, his field — theoretical physics — is incredibly abstract and has little impact on our daily lives. "His research tells us about the profound nature of gravity, but it is intensely impractical," says Matthew Francis, a physicist and science writer.

Still, this impractical work is fascinating, and not nearly as inaccessible as you might think. Here, with a bit of help from a pair of scientists, is a explanation of Hawking's biggest contributions to physics — in basic English.

What is theoretical physics?

There are two types of physicists. Experimental physicists conduct real-world experiments that test predictions and theories (like the scientists working at the Large Hadron Collider, which was used to discover the Higgs Boson).

Then there are theoretical physicists — the researchers who come up with the predictions and theories that need testing. They do this with math, building off the models created by other physicists in an attempt to more fully understand the physical world.

Currently, physicists have largely boiled down the behavior of all objects so they can be described as the result of four fundamental forces: gravity, electromagnetism, the strong nuclear force, and the weak nuclear force. Everything that happens is the result of these forces.

The latter three forces can be described in terms of quantum mechanics (rules that govern the behavior of tiny particles at small scales), but at the moment, gravity can't. One of the "holy grails" of physics is to combine quantum mechanics and the force of gravity in a comprehensible manner.

"Hawking's biggest contributions have to do with the structure of gravity," Francis says. "Specifically, they've looked at how that structure needs to be modified when you include quantum physics."

What's this got to do with black holes?

An artist's depiction of a black hole. (NASA/JPL-Caltech)

One way to better understand the nature of gravity is to look at the places where it's strongest. That's where black holes come in.

Black holes occur when a massive star runs out of fuel — so it can no longer burn — and it collapses in on itself. Due to the extreme strength of its gravity, nothing can escape from it, not even light. This much was known before Hawking got involved.

But in the 1970s, Hawking and another physicist named Roger Penrose calculated that black holes are also instances of something especially weird called singularities — places where the strength of gravity effectively becomes infinite.

Another way of thinking of a singularity, says Peter Bokulich, a Boston University philosopher who studies astrophysics, is as "a tear in spacetime, or the edge of spacetime." If you were in a rocket and reached the singularity at the center of a black hole, you wouldn't be able to go any farther. No more spacetime. (You'd also be ripped limb from limb by the force of gravity, but that's a different matter.)

Hawking and Penrose also demonstrated that if you went back to the Big Bang, you'd hit the same sort of singularity. "That means if you go back 13.8 billion years, you come to the very beginning of time," Bokulich says. "Time doesn't extend past that. Before that, there is no such thing as time or space."

What's Stephen Hawking's biggest discovery?

Hawking's biggest contribution to physics also concerns black holes. It was thought that they sucked in absolutely everything — every trace of light and heat. But Hawking calculated that black holes actually do emit slight amounts of thermal radiation. In other words, black holes have a temperature — a very low one, but not quite absolute zero, as was previously thought.

"This was totally shocking to pretty much everyone," Bokulich says. "And this is what Hawking is really immortalized for. Two hundred years from now, this discovery will mean there are still footnotes about him in physics textbooks."

An artist's depiction of Hawking radiation being emitted from a black hole. (NASA)

Working with the physicists James Bardeen and Brandon Carter, Hawking made a number of other, related findings about black holes. One important one was that, apart from the volume lost by radiation given off, the content contained within a black hole can only increase, not decrease.

One reason these discoveries were so important were that they made it seem possible to unify our understanding of gravity with quantum mechanics. The same way virtually all other objects obey the laws of thermodynamics, it seemed that black holes obeyed their own laws of thermodynamics that were roughly parallel.

To some physicists, this hinted at an important underlying correspondence between black holes and other objects that could someday help us untangle the relationship between gravity and quantum mechanics. Despite some optimism, however, that still hasn't happened yet.

Has Stephen Hawking been involved in any big scientific disputes?

Yes — this black hole research actually got Hawking and other physicists embroiled in an interesting dispute.

The fact that black holes emit slight amounts of heat, Hawking realized, meant that the ones that aren't growing are dying — albeit very slowly. "If a black hole keeps emitting radiation for an extremely long time, it'll eventually go poof — no more black hole," Bokulich says.

This led to a conundrum called the black hole information loss problem. Previously, it was thought that physical information couldn't be destroyed. All particles in existence, in other words, either retained their original form, or if they changed, that change impacted other particles, so that the first set of particles' original state could be inferred at the end. For every piece of physical information that went into a system, a corresponding piece of physical information came out.

It's a weird idea, but you can think of it this way: if you take a stack of documents and shred them, the information present on the pieces of paper still exists. It's been cut into tiny pieces, but it hasn't disappeared, and given enough time, the documents could be re-assembled so that you'd know what was written on them originally. In essence, the same thing was thought to be true with particles.

The idea of black holes disappearing, however, threatened this idea. Because if particles get sucked into a black hole, and then the black hole vanishes after billions of years, the information present in those particles has vanished too. "Afterward, you don't know whether it was electrons, or protons, or dark matter particles you dropped into the black hole," Francis says.

So after Hawking's discovery that black holes could eventually disappear, there was dispute among physicists about how to resolve this issue. In 1997, Hawking and a physicist named Kip Thorne made a famous bet against another physicist named John Preskill. Hawking and Thorne argued that information really was getting destroyed, and Preskill argued that it wasn't, and our understanding of black holes was somehow flawed.

In 2004, Hawking admitted he was wrong, and posited that black holes somehow leak information about the particles they swallow. The wager had been the winner's encyclopedia of his choice, so to settle the bet, Hawking gave Preskill Total Baseball, The Ultimate Baseball Encyclopedia.

Are there other reasons why Stephen Hawking is famous?

(Bantam Books)

Yes. Even though these discoveries are hugely significant in physics, there are other physicists who've done work of similar magnitude, and none are household names.

Moreover, even within physics, Hawking's work is as abstract as it comes — so abstract that most of it can never be experimentally tested. "This is all really esoteric stuff. It's not stuff you learn in introductory physics," Francis says.

So why is Hawking so famous? Francis says there are a few aspects of his story that make it especially compelling.

One is his battle with ALS. The average life expectancy of someone diagnosed with ALS is two to five years. Hawking has not only lived more than 50 years with the disease, but has managed to produce truly groundbreaking scientific discoveries, even as he's confined to a wheelchair and forced to speak through a computer.

Additionally, Hawking's popular work — most notably, the 1988 bestseller A Brief History of Time — has dramatically increased his fame, bringing the topics of cosmology and physics to a broad audience.

Finally, the extreme abstraction of Hawking's field means he neatly fits many people's idea of a scientist. Unlike the vast majority of scientists, his work concerns the most profound and fundamental questions we have about the universe. And though he's done this work with other physicists, it's easy to imagine to imagine him as the quintessential lone scientist, a modern-day Albert Einstein. "It's a set of very appealing stories," Francis says.

Further reading

A timeline of Hawking's biggest scientific discoveries

The Columbia Journalism Review: Media Made Hawking Famous

Alex Abad-Santos' review of the Theory of Everything


Correction: This article previously said the area within a black hole can't shrink, when a more appropriate word to use is content, since we're not discussing a two dimensional surface.

23 Feb 16:25

These tiny ASCII animations live in your browser's address bar

by James Vincent

These animations created by developer Glen Chiacchieri might be the cutest example of ASCII art we've ever seen. Each piece is composed of multiple frames that are actually uniques URLs — click on one and your browser loads the pages in quick succession, turning your address bar into a flip book-style animation.

There's an option to make your own and even a tiny side-scrolling shooter that lets you control a spaceship as you tear across the interstellar reaches to battle it out with warlike aliens. (If you have an overactive imagination that is — otherwise it's mostly just squiggles and dots.)

this will spam your Internet history and possibly break your browser

Be warned though, Chiacchier's animations work best in Firefox...

Continue reading…

20 Feb 13:53

This is the first image of Jason Momoa as Aquaman

by Rich McCormick
Andrew

Oh wow. I think I'll be watching this movie for sure.

Aquaman has bulked up since the DC Comics superhero first started roaming the seas. Zack Snyder, who is directing the upcoming Batman v. Superman: Dawn of Justice, tweeted the first image of Jason Momoa tonight dressed as the underwater hero. Momoa, most famous for his role in Game of Thrones, looks like an ocean-dwelling version of Khal Drogo.

Continue reading…

17 Feb 19:32

Linux version dilemma: Linus Torvalds is “running out of fingers and toes”

by Sebastian Anthony
Andrew

Thoughts?

Linus Torvalds, creator and curator of the Linux kernel, has a quandary on his hands: should he stick to Linux's long-time tradition of massive, multple-decimal-point version numbers, or should he abandon them in favor of shorter, more easily distinguishable major versions?

The problem at hand is the imminent arrival of Linux 3.20. Unlike most major pieces of software, a new version of the Linux kernel is released every 10 weeks or so. In some cases, developers simply bump the major version number every time there's a big release, which is why we're now up to Chrome 40 and Firefox 35. The Linux kernel, however, has historically opted for a "conventional" scheme, which resulted in some incredibly long-winded version numbers such as 2.6.39.4.

Back in 2011, with the release of Linux 3.0, Torvalds said those "2.6.<bignum>" days were over—and now here we are, a few weeks away from the release of Linux 3.20, and it seems we're on the cusp of the Linux kernel assuming a much simpler version scheme. "I'm once more close to running out of fingers and toes," muses Torvalds, before going on to suggest that it might be time to skip 3.20 and jump straight to 4.0. In a poll attached to Torvalds' Google+ post, which had more than 24,000 votes at the time of publishing, 54% were in favor of numbering the next version of the kernel Linux 4.0.

Read 2 remaining paragraphs | Comments








17 Feb 17:52

Stop listening to podcasts at 1.5x

by John Lagomarsino
Andrew

For most audio books, I totally use 2x - just cause most readers talk sooo slooooow. When I listened to Serial, however, I did listen to it just at 1x. I tried 1.5x at first, but speeding things up screwed up the podcast. So for me, it's a case-by-case basis.

I love audio. And I want you to love audio, too. But I’m not sure you can, because of this habit you’ve got. I know you’re busy, and you have a lot on your plate, and there are so many shows to keep up with, but you need to stop listening to podcasts sped up to 1.5x. You need to open yourself up to love.

Open yourself up to loveRadio — like film, music, TV, theater, and dance — is a temporal art. It relies on the passage of time to play with anticipation, tension, and release. A good radio producer knows how long a thought will linger in a listener’s consciousness, and either grants her that time, or purposely denies it. A conversation between two hosts is riddled with pregnant pauses and interruptions designed to head off...

Continue reading…

16 Feb 18:17

This ‘Flow Motion’ Time-Lapse of Dubai is Insane

by Michael Zhang

Time-lapse photographer Rob Whitworth has taken the idea of hyperlapses to the next level with his latest video, “Dubai Flow Motion” (shown above).

It offers a tour of Dubai through the lens of Whitworth’s camera as it does seemingly impossible zooms through various perspectives, from the ground, into an airplane, to the top of the tallest building in the world, and then down to the bottom through the floors.

“I think I might be the first person to hyperlapse vertically down through a building, and the world’s tallest at that,” Whitworth tells us.

Many of the hyperlapses were indeed captured with a single take. To see for yourself, check out this extended cut from one of the scenes in the film. It shows how Whitworth actually followed a plane from its arrival to a suitcase arriving in the hands of a model:

Whitworth tells us that he used 3 cameras for this shot: one strapped to the baggage cart that was sent out to meet the arriving Airbus A330, one mounted to the suitcase to follow its unloading process, and one with Whitworth to follow the businessman.

baggagecart0

baggagecart

baggageclaim

“This was honestly one of the most complicated shoots I’ve worked on and everything had to be spot on the first time,” the photographer tells us.

The storyboarding phase for this project itself took two weeks to complete. Of course, there was also the tricky matter of getting all the permissions needed for all the various locations he needed to shoot from.

Here are some behind-the-scenes photographs Whitworth sent in:

gear2

gear

cockpit

hotel

mountedhigh

tripodsdesert

mountedcart

“Really this video was about creating an amazing storyboard that people would be interested in watching, and then working out how it could be possibly done,” Whitworth tells us. They worked it out quite well, if you ask us.

16 Feb 16:58

Fifty Shades of Grey easily passes the Bechdel Test

by Kelsey McKinney

Fifty Shades of Grey is a Hollywood anomaly, and not only because it features a line about butt plugs. It isn't a typical Hollywood movie because it treats women like people instead of plot devices or mere sex symbols. Anastasia Steele, the protagonist of the movie, may be sexy (kind of) but that isn't her entire purpose or personality.

We can argue about whether Fifty Shades of Grey is or is not "good for women," but at least it manages to pass the most basic test of gender equality we have for film — the Bechdel Test.

What is the Bechdel Test?

The Bechdel Test is a litmus test used mostly to determine whether women are present in a movie as fully human characters for the male characters to objectify. The term originated in 1985 in Alison Bechdel's comic strip, Dykes to Watch Out For. Bechdel herself says the idea for the test came from a roommate.

To pass the test, a film has to answer yes to three questions:

  1. Are there more than two named female characters?
  2. Do the two female characters have a conversation at any point?
  3. Is that conversation about anything other than a male character?

That's it.

While this seems like it should be a shockingly simple test to pass, very few films manage to do so. In a study of 1,794 movies from 1970 to 2013, Walter Hickey of FiveThirtyEight found that almost half failed it.

A chart of Bechdel test passing movies over time (538)

Of course, in real life, women have conversations about work, life, and a myriad of other topics that have nothing whatsoever to do with men. But in movies, those conversations are much rarer than they need to be.

Does Fifty Shades of Grey pass the Bechdel Test?

50 shades ana

Dakota Johnson poses at the premiere of Fifty Shades of Grey (Samir Hussein/Getty)

Fifty Shades of Grey is a movie about Ana, her life, and her relationship with a very rich man who likes to have kinky sex. As the movie focuses mostly on her relationship with Mr. Christian Grey, it would have been easy for the director and screenwriter (both women) to accidentally allow the movie to fail the test.

To be fair, Ana does talk about Christian a lot. She talks about him to her mother, and her best friend. Mostly, she talks about him to him. The majority of conversations in the movie are between Ana and Christian. But what makes Ana a believable character, and a fun one to watch, is that her personality isn't defined by her relationship with Christian. This movie easily passes the Bechdel Test. Here are a few examples I can remember:

  • Ana talks to her roommate about her classes
  • Ana talks to her mother about her college graduation
  • Ana talks to her roommate about finishing college and going out to celebrate
  • Ana talks to her roommate about making a sandwich
  • Ana's roommate talks to her about her valedictorian speech.
  • Ana talks to Christian's mom about dinner
  • Ana talks to Christian's mom about what she's studying

These are small moments, and none of them take more than two minutes of screen time, which isn't surprising because Fifty Shades of Grey is a story about love and a messy relationship. But these tiny moments matter. They make Ana a real character, and they make Fifty Shades of Grey a little more believable despite its moments of absurdity.

16 Feb 13:31

★ 60 Frames Per Second and the Web

by John Gruber

Faruk Ateş, in a thoughtful piece regarding the new Flipboard website, which, because it eschews the DOM and builds the entire layout using the HTML5 <canvas> element, is not accessible:

I’m also hopeful that Accessibility is the next big project to tackle for the engineering team. A 2.0 release, if you will.

But more than anything, I am dismayed.

I am dismayed that Accessibility was treated not even as a mere afterthought, but as something worth sacrificing completely for the sake of flashiness.

I am dismayed that Flipboard’s leadership chose fancy but ultimately irrelevant animations over function, over purpose.

And I am dismayed that people like John Gruber now think this solution by Flipboard is somehow “a scathing condemnation of the DOM/CSS web standards stack.”

When you build a website with traditional standard DOM techniques, you get accessibility “for free” more or less, and this is without question a good thing. I’ve been a proponent of accessibility for as long as I can remember. It does not follow, however, that what Flipboard chose to do is wrong.

It is true that Flipboard’s engineering decisions prioritize animation and scrolling performance above accessibility. That’s no secret — the title of their how-we-build-this post was “60 FPS on the Mobile Web”. It does not mean they don’t care about accessibility. My understanding is that accessibility is coming — they’re working on it, but it isn’t ready yet.

As I see it, the only things Flipboard could have done differently:

  1. Launch now, lack of accessibility be damned.

  2. Wait some number of additional months to unveil this web version, so that it could debut with better accessibility.

  3. Build the whole thing with standard DOM techniques.

Launching today (#1) does not postpone the eventual release of an accessible Flipboard.com (#2). Shipping is a feature.

If they had gone with choice #3, by their own admission, Flipboard never would have achieved 60 FPS animation and scrolling across all the devices they were targeting. You may disagree with their technical argument. Go ahead and build a Flipboard-esque website using the DOM to prove them wrong.

You may disagree that 60 FPS animation and scrolling is important. That’s a perfectly valid opinion — but it’s an opinion that is falling into antiquity. iOS raised the bar. We expect not just smooth scrolling and animation, but perfect animation and scrolling. A janky platform is now perceived by many as a junky platform. And complex animations and scrolling via the DOM are janky.

I stand by my remark that Flipboard being unable to use the DOM to achieve this design is “a scathing condemnation of the DOM/CSS web standards stack”. The standard DOM/CSS stack is great for many things. Going forward, though, it needs to be great for building designs with iOS-caliber animation, scrolling, and touch responsiveness. Not only is the DOM/HTML/CSS stack not great at that, it’s incapable of it.

Blinded by ideology, oblivious to the practical concerns of 60-FPS-or-bust-minded developers and designers, the W3C has allowed standard DOM development to fall into seemingly permanent second-class status. I almost tacked “on mobile” to the end of the previous sentence, but that shouldn’t be necessary. Mobile is all that matters going forward. The DOM has always been slow and cumbersome. CSS has always been an over-engineered, over-complicated academic exercise that largely ignores the practical needs and processes of working designers.

60 frames per second is not “would be nice”. It’s “must have”. And the DOM doesn’t have it. It’s not surprising that Flipboard’s workaround — the <canvas> element — was invented by Apple, as the basis for Dashboard widgets and potentially as the backdrop for the iPhone. But it’s damning that something Apple decided was too slow to serve as the basis for native iPhone apps is the best-performing backdrop for the mobile web.

13 Feb 17:19

Google and Mattel partner to bring back the View-Master as a VR headset

by Andrew Webster

The retro-styled View-Master is back — and this time it's been fused with virtual reality. View-Master maker Mattel has announced that it's partnered with Google to create a new version of the device that utilizes the company's Cardboard VR tech.

The original View-Master utilized a small, colorful reel, which users placed in the device to see images with a 3D effect. For the VR version, you'll need a smartphone running a custom Mattel app to recreate the effect (the device will also work with any other Cardboard-compatible app for more traditional VR experiences). The reels will still exist, however, and will be sold separately to provide different experiences, like giving you a view of Alcatraz or other iconic locations like a space...

Continue reading…

11 Feb 04:33

Camera flashes and laser pointers can crash the Raspberry Pi 2

by Rich McCormick
Andrew

whoops

The Raspberry Pi 2 is tiny, cheap, and surprisingly powerful, but the miniature computer apparently has a weakness — camera flashes. Earlier this week, some Pi 2 users found that their devices turned themselves off when photographed. When the Raspberry Pi Foundation started to look into the issue, it found that the kind of light emitted by a camera flash could cause the processor's core voltage to drop, turning the Pi 2 off.

Continue reading…

10 Feb 21:00

Wheel of Time is the sad lesson of what can happen when you sell the rights to your books

by Todd VanDerWerff

At 1:30 in the morning on Monday, February 9, a highly unusual program aired for a half hour on out-of-the-way cable channel FXX. Billed as Winter Dragon in some listings and The Wheel of Time in others, it was apparently a TV pilot for an adaptation of Robert Jordan's ridiculously popular Wheel of Time fantasy series.

You can watch it right now:

The Wheel of Time is of great interest to TV fantasy fans because it has the potential to be the next Game of Thrones. Its sprawling world and gigantic cast of characters make it the natural choice for any network that might want to get in on the epic fantasy action. Plus, the pilot starred well-known actor Billy Zane. Outside of some terrible computer special effects, the production values were solid. And it was based on a beloved book series.

So why on Earth was it airing at 1:30 am on a Monday on FXX?

The answer to that has very little to do with quality control and everything to do with how TV networks and movie studios handle adaptations of popular material. The contracts governing those adaptations create situations like this all the time.

The Wheel of Time has the potential to become the next Game of Thrones

Begun in 1990 and concluded in 2013, The Wheel of Time is a 14-book cycle (complete with a 334-page prequel published in 2004) that puts the epic in epic fantasy. A plot summary would be impossible. Suffice to say, there's good; scruffier, antiheroic good; and evil.

Book sales figures are hard to pin down, but as of 2007, the series had sold 44 million copies, making it one of the best-selling series since the heights of J.R.R. Tolkien.

Author Robert Jordan's skills with world-building resulted in a series that boasts an incredibly devoted fan community that would love a TV series or film adaptation. (Jordan died in 2007, and the final three books were completed by Brandon Sanderson from his notes.)

Thanks to the huge success of HBO's Game of Thrones, TV and film are hungry for grittier adaptations of fantasy novels, and Wheel of Time more than fits that description. Thus, an adaptation seems like an inevitability.

Or, rather, it would if a company that seemingly redefines incompetence didn't own the rights.

The company that owns the rights has been unable to get an adaptation made

A short-lived attempt to get a series version of Wheel of Time off the ground was first made by NBC in 2000. That attempt failed, and the rights were sold by Jordan's company, Bandersnatch Group, to Red Eagle Entertainment.

Red Eagle first exercised its adaptation rights with a comic book adaptation in 2005. In 2008, it actually got so far as to sign a deal with Universal to produce film versions of the books. (Remember Universal. Though it appears to have nothing to do with the FXX pilot, it will be important later.)

Significantly, if you go to Red Eagle's website, which hasn't been updated since 2009, it appears to be a company that exists solely to attempt adaptations of Jordan's books. It's done nothing else of note.

Wheel of Time films didn't materialize, to Jordan's anger and consternation. Yet Red Eagle retained the rights to the series through Wednesday, February 11, 2015, according to Jordan's widow, Harriet McDougal Rigney. For more on the lengthy adaptation headaches, check out this excellent timeline of Red Eagle's mismanagement of the property from Adam Whitehead.

Thus, the pilot appears to be a bit of a rush job, created to beat the February 11 deadline. It was filmed mere weeks ago, according to its director, then rushed to air. It has every appearance of being a last-ditch attempt by Red Eagle to retain the rights to Jordan's series.

Companies often make things just to keep adaptation rights

Most contracts between creators and those who buy adaptation rights to said creations have built-in expiration dates when the rights revert to the creator. These expiration dates vary, based on how much rights-purchasers wish to pay.

But these expiration dates also usually include a crucial caveat. If the person who buys the adaptation rights keeps making adaptations of the original property, the rights will usually stay with them.

Sony, for instance, owns the movie rights to Marvel's Spider-Man and all associated characters, so long as it keeps making Spider-Man movies. That's why the studio keeps rebooting the character, lest the rights revert to Marvel. Even with the recent deal to bring Spider-Man to Marvel movies, Sony is essentially renting out the character to Marvel Studios, as my colleague Alex Abad-Santos pointed out.

The practice of making something just to keep the adaptation rights is a time-honored one in Hollywood. Fox's Fantastic Four movie coming out in August 2015 is an example of a big-budget film made within a timeframe that suggests that the studio mostly wanted to retain its rights. Or look back at the 1990s to see a film produced by Roger Corman (among others) do exactly the same thing with exactly the same characters, thanks to the ultra-low-budget Fantastic Four film.

FXX didn't have anything to do with the show

Well, mostly. io9's Charlie Jane Anders called up the network and found that this pilot aired in such a late-night timeslot for exactly the reason you might suspect: somebody paid to air it there.

Will Red Eagle retain the rights to Wheel of Time?

It's not entirely clear. Since we don't have access to the contract between Red Eagle and Jordan's company, Bandersnatch Group (to which the rights would revert if Red Eagle lost them), we can't know for sure. But in that io9 report, Red Eagle sure seems to think it's lived up to its contract in order for its hold on the rights to be renewed. (It's not clear for how long that renewal would last, either.)

But you can bet there are lots of networks and studios slavering at the opportunity to turn Wheel of Time into a series, particularly since everybody in TV is looking for their own Game of Thrones now (to the degree that even Netflix is rumored to be adapting the video game The Legend of Zelda into a series). And Red Eagle has proved singularly unable to get this project moving forward. If a lawsuit can be filed, it almost certainly will be.

Rigney, Jordan's widow, said in a statement:

It was made without my knowledge or cooperation. I never saw the script. No one associated with Bandersnatch Group, the successor-in-interest to James O. Rigney, was aware of this.

Bandersnatch has an existing contract with Universal Pictures that grants television rights to them until this Wednesday, February 11 – at which point these rights revert to Bandersnatch.

I see no mention of Universal in the "pilot". Nor, I repeat, was Bandersnatch, or Robert Jordan’s estate, informed of this in any way.

Remember Universal? That reference to the studio may prove key. If, indeed, Bandersnatch's adaptation rights contract was with Universal and not Red Eagle, then whatever claim Red Eagle has to the property will fall apart. If that contract was with Red Eagle directly, however, or if Universal turns out to have funded this secret pilot, things will get more complicated.

Without seeing the contract, we can't know for certain. It seems possible, however, that Riley was under the impression that only Universal could attempt a TV or film version of Wheel of Time while Red Eagle maintained the rights as a completely separate entity. Thus, it would only have to produce the pilot and air it (though airing it in paid programming really stretched the definition of "airing") to maintain its rights.

But that's all speculation. Ultimately, this seems likely to shake out in the courtroom. The irony is that any lawsuit will likely stretch on long enough that Hollywood will move on to the next thing, no longer as interested in epic fantasies as it is right now. In that sense, the people who lose in this situation are all those fans, who seem less likely to see an adaptation of this book than ever before.

09 Feb 20:10

7 world-changing inventions people thought were dumb fads

by Phil Edwards

In 1879, Henry Morton, a leading scientific mind and president of the Stevens Institute of Technology, called one man's tinkering a "conspicuous failure." The man was Thomas Edison. The invention was the light bulb.

That was obviously wrong, and the light bulb turned out to be a solid invention. But Morton's statement was also revealing. Sometimes it's genuinely difficult to know whether new inventions will be duds or hits. Who knows — maybe our grandkids will come to love Google Glass, Segways, and Dippin' Dots.

Morton's pronouncement shows just how hard it is to predict the future. In his case, he didn't doubt that Edison's lightbulb was useful. His main objection was that there was no way to carry electricity long distances and get light bulbs in every home (even Edison couldn't figure that out on his own.) Forecasting the fate of a new invention often means forecasting broad social and technological changes — and that's incredibly hard.

With that in mind, here's a look at seven other important inventions — from the bicycle to nail polish to the answering machine — that had their doubters early on. There's a lot to learn from wrong predictions:

1) Bicycles: "The popularity of the wheel is doomed"

Critical mass, 1890s-style. (Leemage/Getty Images)

Today, we think of bikes as a major source of transportation, but they started out as a trendy fashion statement. That's why some critics were skeptical that they'd stick around (spoiler: they did).

Bikes had a rapid rise: on August 20, 1890, the Washington Post called bicycling a hot fad for fancy ladies and not just for the "bleached-haired, music-hall type" anymore (read: hipsters). The craze was driven by improved technology, as big-wheeled bikes became closer to the ones we use today. The bicycle's growth was so rapid that on February 29, 1896, the Washington Post called bicycling the national sport.

But then the fad faded. On August 17, 1902, the Post called bicycling a passing fancy, and experts declared "the popularity of the wheel is doomed." Critics thought bikes were unsafe, impossible to improve, and ultimately impractical for everyday use. On December 31, 1906, the New York Sun rendered its verdict: "As a fad cycling is dead, and few individuals now ride for all the good they claim to see in the pastime when it was fashion."

The Sun turned out to be wrong. Over the years, bikes acquired better tires, and sturdier frame. America's roads also got smoother. That made bicycles an increasingly practical option — and not just a passing fad.

2) Automobiles: "The prices will never be sufficiently low"

An early automobile racer. (New York Historical Society/Getty Images)

In 1902, the New York Times called the automobile impractical — and they had a few good reasons why. In the wake of the bike fad of the 1890s, reporters and analysts were wary of the "next big thing" in transportation. As one critic put it:

Automobiling is following the history of cycling with such remarkable closeness in almost every detail, both as a sport and an industry, that the question is often asked if the present period of expansion will be followed by a collapse as complete and as disastrous as was that of the cycling boom of a few short years ago.

The Times complained that the price of cars "will never be sufficiently low to make them as widely popular as were bicycles." It didn't help that some of the early proposals for an auto-centric transportation system were outlandish. In 1902, The Steel Roads Committee of the Automobile Club of America was angling for a steel highway system. Bizarre proposals like that made it harder to believe the car would ever make it big.

But it did. Once Henry Ford perfected the mass production of automobiles, the price came down and cars took off, eventually becoming the dominant form of transportation.

3) Liquid nail polish was a "strange and unique fad"

Nail polish shame: where it began. (Library of Congress)

In 1917, Cutex invented the closest thing to modern mass-market liquid nail polish. But it took a while for nail polish to hit the mainstream. In 1927, the New York Times reported on it as a "London fad," and the year before, writer Viola Paris took to the pages of Vogue to assess the new invention. "There seems to be some doubt," she wrote, "in the minds of a great many women as to whether nail polish is in any way harmful or, at least, not so good for the nails as the powder or paste polish."

As late as March 31, 1932, the Atlanta Daily World questioned how long colored fingernails could possibly stick around. "Dame fashion, whimsical and wayward as the wind," the paper snarked, "has so many strange and unique fads that her latest vagary, that of tinting the fingernails...has become quite popular."

Ultimately, nail polish wasn't just a passing fancy. Better manufacturing processes, a new age of mass marketing, and clear advantages over powders and pastes helped it stick around.

4) Talkies: "Talking doesn't belong in pictures"

Joseph Schenck, pondering the future, silently. (Hulton Archive/Getty Images)

In 1928, Joseph Schenck, President of United Artists, seemed confident about one thing: talking pictures were a fad.

He told The New York Times that "talking doesn't belong in pictures." Though he conceded that sound effects could be useful, he felt that dialogue was overrated. "I don't think people will want talking pictures long," he said, and he wasn't alone.

In 1967, actress Mary Astor recalled the mood when the silent era drew to a close. She wrote, "The Jazz Singer was considered a box-office freak," and that talkies were "a box-office gimmick." In an early talkie screening, she and her colleagues thought "the noise would simply drive audiences from the theaters... we were in an entirely different medium."

In the end, however, talkies proved out to be more compelling than the old mediums. Audiences adjusted, audio-recording technology improved, and a new generation of Hollywood bigwigs embraced dialogue.

5) Cheeseburgers: "Typical of California"

Actress Gwen Lee eats a burger in California in 1930. (Hulton Archive/Getty Images)

Most sources credit Lionel Sternberger with inventing the cheeseburger in 1934, though there's a lot of debate. Regardless of who came up with it, the notion of beef and cheese was initially regarded as a crazy California novelty rather than as a revelation.

The first time the New York Times wrote about cheeseburgers in 1938, they ranked the burgers as a Californian eccentricity, putting them third in a list along with nutburgers, porkburgers, and turkeyburgers. In 1947, a Times writer actually deigned to try a cheeseburger, albeit skeptically:

At first, the combination of beef with cheese and tomatoes, which are sometimes used, may seem bizarre. If you reflect a bit, you'll understand that the combination is sound gastronomically.

In the end, plenty of people agreed that the cheeseburger was "sound gastronomically." And once fast food chains — like McDonald's — included it on their menus, it was guaranteed a place on the American plate.

6) Answering machines: "In the beginning, it was pure yuppie."

In 1970, this machine was slick. (Science and Society Picture Library/Getty Images)

It didn't take long for people to see how answering machines could be useful. But when they were first introduced, it seemed like the telephone companies would squash them in favor of their own hardware and services.

In 1973, a story about the bourgeoning voicemail phenomenon noted that answering machines weren't even allowed in most homes. Robert Howard, a spokesman for the New York Telephone Company, claimed that illegally installed machines posed a hazard to line repairmen. Since the 1940s, most companies had banned them, and AT&T said "there is no need for the device."

Even once answering machines moved from quasi-legal purgatory in 1975, thanks to an FCC decision, the devices were still seen as a niche yuppie annoyance. That might be why it took until 1991 for the New York Times to reluctantly accept answering machines with a telling headline: "For Yuppies, Now Plain Folks Too."

The answering machine made it big because technology, laws, and telephone culture changed. Answering-machine technology became easier to manage and answering services faded away.

7) Laptops: "Was the laptop dream an illusion?"

1987's laptops were a work in progress. (Science and Society Archive/Getty Images)

In 1985, the New York Times reported on the tragic demise of a once promising trend — laptops, the newspaper said, were on their way out. From now on, airplane tray tables would hold beers and cocktails instead of computers.

The Times doubted the potential of laptop technology, and with good reason: they were heavy, pricey, and had poor battery life, all of which made it hard to imagine them becoming mainstream.

It was a reasonable complaint, but short-sighted:

The limitations come from what people actually do with computers, as opposed to what the marketers expect them to do. On the whole, people don't want to lug a computer with them to the beach or on a train to while away hours they would rather spend reading the sports or business section of the newspaper. Somehow, the microcomputer industry has assumed that everyone would love to have a keyboard grafted on as an extension of their fingers. It just is not so.

Laptops took a few more years to become practical, but technology improved enough that the laptop became lighter, more durable, and easier to use.

09 Feb 18:20

27 fonts* (give or take) that explain your world

by Danielle Kurtzleben

For every news story or advertisement you see, there is at least one writer who has agonized over every word. But a designer has also agonized over how those words look. Here at Vox, for example, a designer told me that the fonts you're reading now were chosen because they convey "openness, boldness, willingness to experiment, thoughtfulness and trustworthiness." This is a list that shows just how much thought goes into the look of letters.

*And before we begin, let's acknowledge that the title of this article is inexact: we tend to think of Times New Roman and Helvetica as fonts, but what you're about to read is a list of typefaces, categories of fonts, and letterings, among other things. These are all different words that refer to subtly different things. A more apt title might be "27 ways that letters themselves, and not what they say, explain your world." Pedants may cringe, but the point here is to show that it isn't just words that explain, change, and define our world. Often, it's how those words are presented.

  1. Blackletter

    OK, so we're already cheating. Blackletter is not a typeface, but rather is a category of typefaces, all of which are similar in that they have that formal, calligraphic, centuries-old look (as opposed to the other two major categories of Western type, italic and roman). Blackletter typefaces were the first printed using movable type — this picture is of the letters Johannes Gutenberg used to print his Bible. According to the Harry Ransom Center at the University of Texas, it was created to look like the scripts used in handwriting manuscripts. If you look at a page of printed blackletter, you'll find that the tall, thick strokes and thin sideways strokes (especially when all squished together) can be near impossible to read. However, that's only to our modern eyes, which are more used to more uniform, open letters. Back in the 15th century, this was normal and much more readable.

  2. Jenson

    Printers in the Italian Renaissance, along with artists and writers, shrugged off the "monastic" blackletter and embraced humanism, as type designer Mike Parker writes in his history of type on the Font Bureau website. Nicolas Jenson is credited with being one of the first to print with roman type — a simpler, more open (and more recognizable to our modern eyed) style of writing than blackletter. These earliest roman fonts, like Jenson's, are also called humanist fonts, and according to Parker were based on ancient Roman capital letters and a relatively easy-to-read handwriting style called Carolingian miniscule.

  3. Caslon

    Caslon dates to 1722, when it was designed by British type designer William Caslon. His typefaces became popular throughout England and the rest of Europe ... which makes it all the funnier that it is the typeface of the first printings of the Declaration of Independence, as McSweeney's pointed out in a 2009 article. The font had widespread use in revolutionary-era America (Ben Franklin did much of his printing in Caslon) and became so popular that in 20th-century printshops, McSweeney's writes, printers often said, "When in doubt, use Caslon."

  4. Baskerville

    Ben Franklin may have loved Caslon, but he also admired Baskerville — and was a pen pal of its creator, English type designer John Baskerville, who in fact created his typeface to improve upon Caslon. In a letter to Baskerville explaining the "prejudice" against his font, Franklin told Baskerville of a "connoisseur" of typefaces who complained that Baskerville's typeface was "blinding a nation." Franklin, ever the joker, brought a Caslon specimen out and presented it as Baskerville. Hilarity ensued: the Baskerville critic failed to recognize it as Caslon, and proceeded to complain about its "proportions." But Franklin was merciful and spared the critic the embarrassment of being told he was (as they said in those days) totally full of it.

  5. Julian Nitzche (j.budissin) / Wikipedia

    DIN 1451

    If you've ever been to Germany, you've seen DIN. The sans-serif typeface family is named for the Deutsche Industrie Normung, the German standardization organization. Germany adopted DIN 1451 for its road signs in 1936. In 1995, according to MOMA, type designer Albert-Jan Pool revived DIN, adding new weights and characters, creating the typeface FF DIN.

  6. Danielle Kurtzleben

    Times New Roman

    You can probably spot this one just by looking at it. The typeface most people know as the default for Microsoft Word (and that countless college professors forced you to use) is in fact far older than any computer operating system. The London Times unveiled it in 1932. The Times had challenged type designer Stanley Morison to create a new typeface for the paper, after Morison had criticized the newspaper for the crime of being "out-of-touch with modern typographical trends," according to the New York Public Library. Morison created Times New Roman to be easily legible but also efficient — it allowed the paper to squeeze more text onto a line, in part because Morison reduced the tracking (that is, the space between letters).

  7. Danielle Kurtzleben

    Wingdings

    Wingdings is another one most of us know thanks to Microsoft Word. Designed in 1990 and 1991, Wingdings were originally named "Lucida Icons, Arrows, and Stars," according to Microsoft, and were intended to accompany the Lucida typeface. It's true that Microsoft created the font specifically to include computer symbols (diskettes, printers), but little typographical ornamentations like these are nothing new. Wingdings is what's known as a dingbat font, and the use of dingbats goes back centuries. Dingbats are often also called "printer's ornaments," and they have long been used as spacers between paragraphs and chapters in books and magazines.

  8. Comic Sans

    Comic Sans conveys a manic, forced sense of happiness from garage sale signs everywhere. But it was created for a reason: typeface designer Vincent Connare explained to The Guardian last year that he created Comic Sans for the very appropriate purpose of filling a little cartoon bubble with text. In the 1990s, Microsoft Windows had a character named Microsoft Bob — a cartoon dog who tried to help users (sort of like Word's over-eager Clippy). Originally, Bob's words appeared in Times New Roman, which looked wrong to Connare. He designed Comic Sans, and a monster was unleashed upon humanity.

  9. Helvetica

    This list just wouldn't be complete without Helvetica — not only is Helvetica everywhere; it also has an entire documentary devoted to it. In that film, design writer Rick Poynor explains that Helvetica was born of the "idealism" and "sense of social responsibility" among designers in the post-World-War-II period. That idealism, combined with a need for "rational typefaces" for things like official signage, helped Max Miedinger and Eduard Hoffman create Helvetica in 1957. And because of its simple, clean look, the font has become pervasive. In 1989, for example, it became the official font of New York City Subway signage, but it has also been used in countless logos.

  10. License Plates

    To be fair, there are a lot of license plate typefaces out there. But when you're thinking about the old-school, embossed plates, these are the four main designs they follow, according to Leeward Productions, a custom license plate maker whose website is an online repository of almost obsessively detailed license plate research. States use different fonts (there's no federal regulation of what states have to use on their plates), but those old license plate fonts almost all fall into four broad categories: semicircular, oval, squareish, and hybrid. The letters, designed by draftsmen and engineers, tend to therefore have uniform line thickness and geometric shapes — straight lines, circular curves. As more and more states move to flat plates — the ones with the letters printed on the metal instead of stamped into it — you'll see these styles of letters slowly disappearing. Today's flat plates also generally have fonts that fall into one of these categories as well, Leeward writes — see their site for a rundown of where old fonts and new fall in the classification system.

  11. 608 vs 708 captions

    This might be the biggest cheat on our list, as it doesn't cover a typeface so much as a system that started allowing for all sorts of new typefaces. As the technology changed for TVs, from analog to digital, so did the way closed captions were presented. In the industry, this was known as the change from 608 to 708 fonts. In the 608 captioning system, characters were typically in all-caps and were white, on a black background. But no longer. 708 captioning made it so that captions could be in different typefaces, as well as different colors and on different parts of the screen.

  12. Clearview and Highway Gothic

    You might not know Highway Gothic by name, but you've seen it, millions of times. This is one of the typefaces used widely on road signs in the US, and as of 2003 was the only font on highway signs. But in 2004, the Federal Highway Administration gave "interim approval" to a new typeface, Clearview, meaning states could start adopting it if they wanted. Clearview was developed in part as a way to make signs more readable without simply making the Highway Gothic type bigger (and therefore having to buy bigger signs).

  13. California Braille

    Braille letters are always some permutation of two dots across, three dots tall. But different authorities and organizations have different standards. This is a picture of California's standards for braille signage — according to the Braille Authority of North America, California was the first US state to develop its own braille standards for building signage. Different Braille letter types are characterized by the measurements between dots and characters — California's braille, for example, is 0.1 inches dot to dot in a cell, with 0.2 inches between letters. But there are lots of other standards from country to country and from situation to situation (pharmaceutical packages vs. signs, for example) for different Braille letters. It might not quite be a "font" or "typeface," but it's at the very least closely analogous — it's a change in how big, how broad, how squat, how tall a Braille letter is.

  14. The D'Nealian Letters

    Remember these letters? They may have been hanging at the front of your classroom when you were in grade school. The D'Nealian writing method was designed as a way to help students transition to cursive writing more easily — D'Nealian letters are slanted and have those little tails on them, in theory making it easy for a student to simply connect the letters she already knows when she starts to learn cursive. This was a big change from other handwriting methods, like the popular Zaner-Bloser method. While Zaner-Bloser features straight-up-and-down letters that require more strokes and also have students lift the pencil midletter. This was a big debate for people in one camp or the other, but the bigger fight right now is simply whether to teach cursive or not. Common Core standards say nothing about cursive, so some states have decided that they will set their own laws to require cursive learning again.

  15. MICR

    If you ever look closely at the bottom of your checks (that is, if you even use them any more), you see the routing and account numbers are printed in an odd, blocky font. That's MICR (here in the US, to be more precise, it's MICR E-13B), and it's designed in that odd, blocky way to be machine-readable but also human-readable, unlike, say, a barcode. MICR stands for magnetic ink character recognition — the font is printed with magnetic ink. That means even when it is written or stamped over, machines can still read it.

  16. Bell Centennial

    Bell Centennial was created in the 1970s for phonebooks, and specifically to address problems with the printing of those books. If you look closely at the letters, you'll notice little notches where the strokes meet each other. Those are "ink traps," meant to deal with the combination of the thin ink used to print phone books and the cheap paper they're printed on, MoMA explains. Leaving those notches allows the ink to fill in the spaces and make the letters look full and correct when they are printed.

  17. Retina

    The Wall Street Journal commissioned Retina for use in its financial tables, according to MoMA. As with Bell Centennial, the letters have those notched "ink traps" to ensure that the letters will still be readable on poor-quality paper — particularly important because the letters in financial tables are tiny, and a tiny smudge or over-blotch of ink could make a word unreadable.

  18. Mercury

    Another news-industry fix, this time from the New Times chain of newspapers, which printed nationwide. In 1999, MoMA explains, the Times sought out a new typeface to deal with a problem: printing newspapers in different climates. They wanted a font they could print in varying degrees of boldness without the letters shrinking or growing, which makes paragraphs shorter or longer and can mean reformatting entire pages. Mercury was the answer. It was also designed to be space-efficient, meaning more type on a page.

  19. Verdana

    Typefaces like Mercury, Retina, and Bell Centennial were designed specifically for physical, printed products. Verdana, on the other hand, was designed specifically for the computer screen. Designer Matthew Carter created it for Microsoft in 1996 with the goal of legibility on a computer screen in mind. To do that, he made sure of a few things: one was that adjacent letters, even when bolded, never touched (meaning they wouldn't bleed into each other). Another was a large x-height, as well as large counters — the open spaces inside an a or an o. And he made sure that similar-looking letters, like a lowercase L, 1, and i, all were distinct, according to MoMA.

  20. Romney campaign website via Wayback MachineRappdems.org

    Mercury Display v. Gotham Slab Serif

    When you see the Mercury Display typeface next to Gotham Slab Serif, you just might feel like it's 2012 again. That's because Mercury Display (in combination with Whitney) was the typeface chosen by the Romney campaign, while Gotham Slab Serif was the Obama campaign's font of choice. The Obama team, in fact, asked a type foundry to create that typeface for its logo. Typeface is important to a campaign, and can subtly convey certain messages about a candidate — McCain in 2008 used Optima, which is, not coincidentally, the typeface used on the Vietnam Veterans Memorial.

  21. Catull

    Yeah, it's a yellow circle. But if you are ever on the internet, you know this is more than a circle — it's the first O in the Google logo. This is not an example, then, of a font or typeface but of a custom lettering that Google created, based on the Catull typeface. This is an illustration of how a letter becomes way more than a letter — when we see a particular color and arrangement of letters enough and associate it with a brand enough, we see not a yellow Catull O but a tech behemoth.

Credits

Correction: This article originally credited the NY Times, not the London Times, with the creation of Times New Roman.
06 Feb 15:29

The Ubuntu phone is real and going on sale next week

by Vlad Savov
Andrew

Not really what was proposed originally....

It's been a long road, spanning more than two years of adversity, but Ubuntu finally has a smartphone to call home. It's called the Aquaris E4.5 Ubuntu Edition and is built by Spanish company BQ. This little-known manufacturer of tablets and e-readers is adapting one of its Android handsets to run Ubuntu and selling it for €169.90 (just over $190) in a series of flash sales across Europe. It's an unusual way to release a phone: followers of the @ubuntu and @bqreaders Twitter accounts will be the first to be alerted any time the Aquaris E4.5 UE becomes available to buy.

Continue reading…

06 Feb 15:22

9 myths you learned from playing Oregon Trail

by Phil Edwards

Millions of kids grew up playing Oregon Trail on their computers. They stocked up on oxen, hunted for buffalo, and watched their most beloved family members die of dysentery. It was a joy (and you can play the game online here).

But how much did that game resemble the real-life Oregon Trail, which took as many as 400,000 settlers to the West from the 1830s to late 1860s?

To find out, I called up two historians: Tim McNeese, chair of the history department at York College and author of Oregon Trail: Pathway to the West; and Laura Woodworth-Ney, provost at Idaho State University and author of Women in the American West.

Their verdict? In a lot of ways, the way you played the game was surprisingly accurate. Some of the more popular Oregon Trail strategies we all loved as kids — like starting out as a banker or stocking up on oxen — would have worked out well on the real Oregon Trail. But other strategies — like hunting for thousands of pounds of buffalo — would have been far more dangerous than the game suggested.

Here are nine myths you learned because of the way you played the game:

1) Not everyone used oxen. Some people used handcarts.

Spending cherished time with an ox. (Internet Archive)

The game: At the start of Oregon Trail (the game), most people stocked up on yokes because traveling with a team of oxen was the only option.

The reality: On the actual Oregon Trail, oxen were the best choice for traveling, and they were quite common in 1848, when the video game was set. "Oxen are more durable and cheaper to purchase than a horse or mule," McNeese says. "Your oxen would eat anything, and nobody was tempted to steal them. You rotated them out."

That said, not everyone took oxen on the trail. There were horses, mules, and sometimes even stranger forms of transport. Woodworth-Ney notes that the Mormon Trail carried the Mormon handcart pioneers of 1856-1860, who lacked the money for traditional wagon teams and used handcarts instead. Hundreds died pulling all of their belongings behind them in handcarts (a harrowing journey that makes it the perfect Oregon Trail sequel).

2) Traveling at a "grueling" pace was less fun than it sounds

Spending time with oxen. (Internet Archive)

The game: In Oregon Trail, you set the pace to "grueling" so that your wagon could finish ahead of your friends. It usually took a toll on your party's health, but it did let you finish the game before lunch.

The reality: Unfortunately, this may be the biggest misconception born from years of playing Oregon Trail. The ride out west wasn't a solitary affair where each family set its own pace, tapping the space bar until they reached their new home. People almost invariably made the trip in wagon trains. While a wagon train leader might make a decision for the group, he'd have to do so with the full party's consent.

And even where there were small wagon trains, they'd usually bump into other travelers quickly. The Oregon Trail was a mass migration that, in its later years, was almost a traffic jam. "The trail is littered with stuff," McNeese says. "You'd have to be a complete moron to lose the trail."

As for the "grueling" pace? Woodworth-Ney notes that the journey was more about following instructions than blazing a trail. "Mostly, you're trying to follow the guidebooks available after the earliest era," she says. "They give some indication of how fast you have to move before dinner. They're trying to do this in an orderly fashion, but it varies by train. The ones that are in a big hurry start to have problems."

Unlike in the game, most wagon train leaders didn't have much control over how fast they went. "Weather, geography, and topography set the pace," McNeese says. "It's pretty easy going in the Midwest, but it gets harder later."

3) You wouldn't have randomly forded a 40 foot deep river

Fording a river in Oregon Trail. (Internet Archive)

The game: You decided to ford a 52 foot deep river so you could see your wagon tip over. You would caulk your wagon during a hurricane if it meant saving $5 on a ferry ride.

The reality: In real life, settlers were part of a wagon train, and that meant any fording, caulking, or ferrying decisions were made by more than one person. And, unlike in the game, the decision whether to caulk or ford was almost never a guessing game.

"It was usually a group decision," McNeese says. "There's somebody who's leading the wagon train who knows the lay of the land. It gets more rote later, and they know where they're going to cross. It's rarely a situation where complete neophytes are saying 'When do we cross? And where?'"

That said, fording could be dangerous, even if you weren't a kid killing time in computer lab. Water heights affected the safety of a ford, and spring's high water levels made it a particularly delicate time to cross the river.

4) You couldn't kill thousands of pounds of buffalo

One of your countless hunting trips. (Internet Archive)

The game: If you needed food, you went out and killed thousands upon thousands of pounds of deer, bear, and buffalo. You carried home a tenth of it, and then you went out and did it again.

The reality: "It depends on the era," Woodworth-Ney says. "Early on, there's hunting on the trail, but after the 1850s, there's just not much livestock because they've essentially been hunted out. By the 1860s, the decline of the bison is starting to occur as well."

Hunting was also a lot harder — and more dangerous — than simply pressing a space bar to shoot. "You've got to go off the trail to find wildlife," McNeese says, and that entailed unnecessary risk. "You don't want to get somebody out there who's lost. You get in the middle of the trail to go hunting, it's real easy to get disoriented and not know where you are.

Many of the hunters were more likely to shoot themselves in the foot than take out a black bear. "A lot of people carrying guns didn't normally carry guns," adds McNeese. "A lot of these folks had a gun on a farm to scare game away, but a lot of people didn't even know how to use a gun."

5) Dysentery was much, much worse than a punchline

Dysentery: kind of a pain. (Internet Archive)

The game: When you played, somebody in your party always died of dysentery. Always. It was so common it's become a meme.

The reality: Dysentery was a terrible, debilitating disease that usually resulted from bad water. The most common symptom was diarrhea with blood, and that led to severe dehydration and death (but that doesn't fit as well on an ironic t-shirt).

While cholera also ravaged the population, dysentery was a systemic threat. Oregon Trail historian and veteran Francis Parkman even wrote that it was "too serious a thing for a joke."

Woodworth-Ney notes that dysentery fit the medical hazards of the era. It was already a problem in the 19th century, and poor trail conditions only exacerbated the risk.

"Dysentery covers a wide range of health issues that resulted from poor sanitation," she says. "There's a misconception that these people are by themselves, but at the height of the trail, these campsites are very crowded. There aren't a lot of well-watered places to camp. The places that do have water become congested with people, and they were spreading these diseases through the water."

6) No one got a funny headstone with curse words when they died

Dummy: he lived a good life. (Internet Archive)

The game: You wrote headstones for your family members, who always happened to have obscene names. Later, your classmates would see them and giggle. You learned death was a great opportunity to use curse words.

The reality: Death on the trail was common — the Bureau of Land Management says 20,000 to 30,000 people died on the trail. Gravestones, however, were not.

"Traditional gravestones were almost nonexistent," McNeese says. "If someone died of a disease that's communicable, you want to bury them as soon as possible and keep the train moving. You covered over the gravesite with rocks so wolves wouldn't dig up your mom and chew her up." If you did make a grave, a wagon would probably run it over.

Woodworth-Ney says there are some examples of notable graves, but they were the exception rather than the rule: "It was unusual for them to go back and mark it with a stone marker later. They would have been marked with wooden crosses instead."

7) Native Americans didn't really want your sweaters

A Native American guide, ready to trade for your stylish threads. (Internet Archive)

The game: Native Americans helped guide you across the rivers, usually in exchange for some cool clothes.

The reality: Travelers probably traded with Native Americans for ammunition, guns, and alcohol, not sweaters.

During the trail's peak, Woodworth-Ney notes that trade was more common than conflict. Early on, travelers did receive help with water passage, fresh water, and food. "There was lots of trade," she says. "Travelers wanted food and horses, and tribal people were approaching wagon trains for ammunition and guns. This is a heavily armed migration."

As time passed, however, the relationship between Native Americans and travelers frayed. Tribes had fewer resources and the trails were so well-developed and familiar to settlers that native people were of less use. During the cattle drives of the 1860s and 1870s, violence between settlers and Native Americans became the norm.

8) The rafting trip at the end of the game was insane

The game: You usually had an option to travel more boring trails or go on an insane rapid-ride. You always chose the rapids, learning lifelong lessons about vacation planning.

The reality: As is often the case with Oregon Trail, something that was fun in the game would have been incredibly risky in real life. "It's very dangerous," McNeese says. "You wouldn't want to put mom and kids on the raft and make it work. It would be very desperate for that to be the end of your trip — if you capsized, you're cooked."

9) Starting out as a banker was even better than you realized

The game: Most people chose to be a banker because they were lazy. People who chose to be a farmer wanted to rack up points.

The reality: Being poor was much worse than you realized. It cost a lot to go on the Oregon Trail, and starting out as a banker would have been helpful. If you were too poor to stock up and set up a nest egg, you might not have hit the trail at all.

"It's expensive," McNeese says. "Six months of food, a serviceable durable wagon. A lot of people who failed started with crummy wagons."

Woodworth-Ney says: "It's not the poorest Americans that are taking that journey. The Oregon Trail saw wealthier families, while the California trails see more economically diverse travel." It took a fair amount of money to head west. If you were poorer, you probably would have headed to California instead, if you even made it that far.

Further reading: The history of the Oregon Trail game goes back all the way to 1971, when roommates Don Rawitsch, Bill Heinemann, and Paul Dillenberger dreamed up a way to get kids interested in history (the definitive story of the game is a fascinating read). They had a consistent commitment to creating an accurate game — even if kids weren't always committed to playing it that way.

05 Feb 21:51

The internet is full of men who hate feminism. Here's what they're like in person.

by Emmett Rensin

Some men have always been wretched. It only took the internet to make it obvious.

Women — some women, at least — have always known. For all the sense that we are in a generation finding a new voice, it may be more accurate to say that we are in a generation where an old voice has finally found volume.

Volume brought consequences. Organized intimidation is now fair game for anybody audible to the mob, and everyone is audible online. The most public victims of last year's Gamergate rage — women like Anita Sarkeesian, Zoe Quinn, and Brianna Wu — were not radicals. Very few of the women who have found themselves violently threatened on the internet are. To view Sarkeesian's Feminist Frequency videos after reading accounts of her harassment is to be surprised chiefly by how uncontroversial her analysis feels. She points out that the video game industry caters to men; women, when included, are typically set dressing, as victims of violence or sexual reward. Is any of this truly in doubt? Is any of it more radical than a new voice reciting an old liturgy?

Yet she was harassed as if she'd proposed revolutionary insurrection, and so during the last week of August, Sarkeesian, an ordinary woman with a message so innocuous that a sane world might deem it obvious, was forced to flee from her home.

As it happens I'd spent several nights in August with one of her antagonists. He claims he's not the kind to send explicit threats, and he wasn't involved in Gamergate. He's just a man who takes a dim view of Sarkeesian, he says, and hasn't been afraid to tweet her about it. He doesn't think much of feminism in general, or at least of what he says feminism became once the voting and the jobs and the abortion rights were sorted and the word became a dog whistle for "self-pity and sexism toward men." His name is Max — although it isn't, of course — and he is a men's rights activist. I found him because I wanted to know what these men were like, not on Reddit or on Twitter or on any other forum where they are actively engaged in their cause, but in ordinary life — relaxed, after having a few, and without a keyboard to take it out on.

"I'll make you a bet, hundred dollars," Max tells me the first night we hang out. "If both of us stood up on this table right now and started yelling what we think about feminism, somebody might tell you to shut the fuck up. But they would lynch me."


Men's rights activism has been in the undercurrent of American culture since at least the 1970s and has been largely explicit in its role as a backlash against feminism. The movement has neither a central platform nor any acclimated leaders, but the central themes are consistent: It is men, not women, who are oppressed. Men are required to enter the selective service; women are immune. Men typically lose their children in otherwise equal custody disputes. Men are expected to work dangerous and difficult jobs in construction and agriculture. Beyond these overt disadvantages, they claim more subtle systemic disrespect from a culture increasingly focused on what they take to be feminine values, from emotional expressiveness to total sexual and reproductive liberation. When they vary, it is in extremity, with some merely decrying the "anti-male" attitude of feminism and others seeking, for example, to reverse the criminalization of marital rape.

When I met him, Max lived in the River North neighborhood of Chicago. River North is — at 70 percent white in a city where the white population is 32 percent and declining — one of the few places one can live in the Chicago where it is still possible to avoid even a vague awareness of the city's racial and cultural dynamics. I found Max on Reddit, on a forum largely devoted to making fun of teenage leftists on Tumblr. It was only good luck that he lived in my city and was willing to talk.

In the popular imagination, men's rights activists are "neckbeards": morbidly obese basement dwellers with a suspect affection for My Little Pony. But Max is remarkably unassuming in appearance, handsome enough and normally tall; equally imaginable in board shorts and a snapback as he is in the sort of graduation suit one wears to a first post-collegiate interview downtown. He was raised in St. Louis, one of two children. (He has a brother, younger: "He goes to school in Seattle. Kind of a hippie.") His parents are alive and married. Before Max was born, his father was a unionized carpenter in Newark, New Jersey, part of a long line of the same until the 1980s came around and Max Sr. followed the dawn of management consultancy into a white-collar job and the Midwest suburbs. When Max came to Chicago in 2006, it was for college ("not the first in my family to go to college but the first to go at the normal time" — that is, at age 18). Four years after graduating, he has a solid entry-level job at an area financial institution. "Plenty of women work there," he offers in the middle of a preliminary biographical rundown. "They're getting paid the same as me." We had not yet begun discussing politics.

Max fits in with the crowd at the faux-Mexican bar where we spend several nights in August. Eight-dollar tequila shots; polo shirts tucked in or dress shirts tucked out of pre-faded jeans; groups of guests emitting an oscillating screech from every booth. "This is just, like, my neighborhood place," he tells me the first time we walk in the door. Not the kind of spot he'd "hit up" on a Friday, or where he'd look for what he insists on calling "action."

"These girls here are a little ... eh," he said. "Could be fun. Definitely annoying." (Distinguishing them from the similarly well-highlighted, halter-topped women he shows me on Facebook as examples of what he's "into" requires some capacity for discernment I do not possess.)

He has a different-colored polo on all three nights I see him.

Max was not a member of Gamergate proper. This isn't terribly uncommon: Men's rights activists exist who disdain that particular episode, if not for its virulence then for its celebration of men who prefer Dungeons and Dragons to Monday Night Football. Similarly, there are Gamergate activists who remain stubbornly committed to the idea that they are ethicists of video game journalism, wholly detached from "men" as a generalized political class. But these vagaries — the specific grievances of Gamergate, the sort of person who self-applies "MRA" versus the sort who prefers some other acronym — are merely symptoms of a broader male sense of victimhood. It is this victim complex I intend to tell you about, not the particular schisms between reactionaries. I am interested in the style of man who makes all such factions explicable. The kind who has in these last decades felt the theoretical foundation of his inherited supremacy begin to crumble and gone into defensive crouch, lashing out at every grain of sand that shifts beneath his feet.

Some section of men have always jealously guarded their privilege, but we are for the first time seeing what happens when that same section begins to lose the assumption of its divine right. It isn't that they're monsters. Max is this kind of man, and he is not some fountain of malevolence. He is the mildest kind. I spent August with a well-adjusted man in a polo shirt who would never think to hurt someone except in self-defense, but he comes from a pot where new anger is boiling. And at least one of the bubbles so far was named Elliott Oliver Rodger, the 22-year-old man who went on a shooting spree last year near the University of California Santa Barbara — an act he said was the result of being rejected by women.


"I'm not one of those guys who's obsessed," Max tells me on our first night together. "Like, yeah, I comment on articles. I'm on Reddit — which, by the way ... it's not, like, a hub for MRAs or anything. There are plenty of feminists on there — but I do that and I tweet and stuff. But only a few hours a week max, and most of it is just reading the news."

He says this, I think, to distinguish between himself and the common, not-altogether-inaccurate conception of men's rights activists as sexually frustrated loners with too much time on their hands. But the caveat comes with some regret, as though Max wishes he were more involved in fighting the good fight. "Like, I didn't go to that big men's rights conference earlier this summer, but ..." The thought is interrupted by the arrival of his enchiladas, a subsequent discussion of our waitress's outfit, and some thoughts on "the market forces" and "basic social realities" behind it that he thinks I might be interested in.

(She is wearing what I can only describe as a perfectly ordinary outfit for a waitress: white blouse, black jacket, black pants. Max has a more elaborate take: "It's like halfway between modest and revealing. Adjust for social morals and it's, like, Victorian. She wants dignity. She wants to be chased. Same time. And fine, that's how it's always been, but I bet she'd say, ‘I didn't wear this for you!' Like: yes you did. Not because she wants to sleep with me. It's to get tips. But when you go out later, it's to attract a guy. And there's nothing wrong with that, you know?")

The discussion is not terribly dissimilar from or any less agreeable than one between any two men at any bar like this bar, except that Max is a new kind of reactionary (and I know this) and I am a lefty feminist writer who takes a dim view of his politics (and Max knows this as well). I'm not surprised to learn that those politics took shape in high school.

"When I was, like, 10 or whatever I'm sure I would've said I was a feminist if I'd known the word," Max says. "My mom says she's a feminist. And I guess in the way my mom means it, I still am. But she doesn't know how it is now. For her, feminism means ‘everybody is equal,' but if you said that now, these social justice warriors on Tumblr would call you a sexist and garbage and tell you to die. But I didn't realize that at first. I thought feminist meant ‘women should be able to vote and have jobs,' which I'm obviously cool with."

Max says he wasn't terribly unpopular in high school, but read more than was socially viable — most of it on the computer. ("No girlfriend," he says. "What else are you going to do when you're 15?") Contemporary social media didn't exist in the way-back of 2002, so Max spent his time on forums dedicated to a single topic or else loading the full homepages of magazines in lieu of direct links to stories. "People our age are lucky we got that," he says. "I think it helped us learn to seek out information on our own and not just ‘like' what's popular." (Max is 28.)

(Shutterstock)

Max became interested in the usual gateway drugs of men's issues: paternity rights, the selective service, requirements that mothers sue for child support before seeking state assistance. The term "men's rights activist" wasn't one he encountered in those days; he still says he prefers thinking of himself as a "humanist."

"Putting ‘men' right in the name is a deliberate response to feminism, I think. Because feminists claim to be about everybody, but really they're about women first. So [the MRA name] is kind of trolling them, I guess."

I ask him if it's such a bad thing for feminism to be primarily concerned with the interests of women. "Maybe a hundred years ago," he says, "But, like, in 2014? Women have all kinds of advantages that men don't."

Such as?

"I just don't like this us versus them."

This, Max says, is why he has been a capital-letters MRA since at least 2010. But he is aware of the broad brush he's self-applying, and there are several things he's quick to say he isn't. He is not a Pick-Up Artist, he says. He is not a Red Piller. He is not a "Man Going His Own Way." These distinctions are important within the labyrinthine network of reactionary masculinity movements, and confusing one with another is as easy and potentially treacherous as similar conflations between factions of the left. I don't imagine tribalism pays much mind to politics. It's only that when Max closes his laptop he reenters the world heir to every privilege the nation can afford. The variously maligned social justice activists he makes fun of on /r/TumblrInAction have no such refuge.


There are some other things Max is proud to be. He is an outspoken atheist and an active libertarian. The contours are the same: a proactive anticlericalism and a distaste for regulatory apparatus couched in a vague sense that this distaste constitutes a moral stance.

This trinity is not uncommon. A survey taken last year of the Men's Rights subreddit found that 94 percent of their membership identified as "atheist" or "religiously indifferent." Another, broader study of the men's rights movement on Reddit found that 84 percent identified as "strongly conservative," with particular policy preferences along a libertarian, not traditional, bent. For those of us hailing from the nominal left, these associations have at times felt unnatural: right-wingers using the rhetoric of social justice to argue for the traditional status of men, all the while eschewing, in a way more typical of the left, the patriarchal religious institutions that have classically underpinned these values. When Max speaks about one ideology, he can hardly help bringing in the others; for him, they are all related, distinct expressions of the same worldview.

On our first night I ask him if there was ever a God in his life. We have ventured at last into a deliberate political conversation. "This is God right here," he says after slamming down a shot of Fireball.

He is surprised that I want to discuss religion and politics, but not disappointed. He seems eager to get into these subjects.

"I think religion is probably one of the biggest threats to society," Max says. "I think feminism and statism and all of that — it's not explicitly about God, but it's definitely the same religious impulse, you know?"

For Max, religion is something of a starter pack for a lifelong indoctrination into Big Lies. "I know it isn't realistic or anything, but I think if we got rid of religion, that whole kind of way of thinking about things, where you just subscribe to what you're told, where you believe these ridiculous statistics about women or in stuff like the wage gap." (Max has a very long explanation of the "wage gap myth," one that seems cobbled together from multiple readings of a few different blog posts.)

"I just think [the willingness to believe anything] starts when you're a kid with Jesus, and it sets you up to be that way your whole life about everything. When I was a kid I would have called it ‘conformist,' but that sounds kind of lame, right? But that idea."

He orders us another round and continues on with what has become a familiar line from men's rights activists (or "new atheists" or libertarians): the explicit claim that they are the last remaining purveyors of reason. "They just won't use logic"; "I'm just arguing logically"; "I'm only interested in evidence": You can't scroll down a comment section without flashing past a few of these, and they are tribal markers, not real claims. "I mean, it's ridiculous that these people go on about how I have so much power because I'm a white dude," Max continues. "Like, Americans would rather elect a gay Muslim philanderer president than an atheist. Libertarians are treated like a joke. If you think people are mean to feminists on Twitter, you should see the stuff people say about MRAs. Or just, like, you know, 'Die, white-cis-scum, die.'"

He laughs, but it feels deliberate. Otherwise he might sound like he was getting worked up.

After a pause: "Like, if I'm 'privileged,' I'm privileged to have had parents who encouraged me to think for myself." Max says this in a tone more serious than his usual dorm-room bull session affect. But the smile comes back quickly: "I guess I'm oh-so-oppressed then, huh?"

For all his derision toward the "professional victimhood" of feminists, there's something a little less than sarcastic in Max's own sense of oppression. Hard-pressed as the social justice left is to admit any advantage, the West these last decades has seen the rhetorical value of victimized stance. The irresistible cudgel of "I am oppressed and this is my experience and you cannot speak to it because you do not know" is valid enough, of course, especially in those cases where ordinary enculturation does not provide natural empathy toward some suspect class. But it is a seductive cudgel, too, especially alluring when it can be claimed without any of the lived experience that makes marginalization a lonely-making sort of suffering. American Christians are "persecuted" now; men are the ones being "squelched" by feminism; white Americans are the victims of "reverse racism." The "victim card" is a child of the '70s, and 40 years out, who wouldn't use it, no matter how disconnected from reality? We are typically aghast when reactionaries accuse the maligned of perniciously employing this rhetorical immunity, but they are not wrong to see how the trick might be exploited. The irony is only that they know this possibility in virtue of their own projection.

For all Max's talk of equal opportunity ("It isn't the same as equality of outcome!" he quotes), for all his dismissal of those who blame institutional inhibitors of happiness ("Structural oppression might as well be Jesus. He's there! You just can't see it! But trust me! I'm a priest of Tumblr and we can see it, you stupid heathens!"), for all his casual derision toward the very notion of groups who might be justified in feeling that the world was not made for them, he is entirely possessed by the idea that it is men like him who bear the true brunt of society's hatred and that it is they, not the feminists or the statists or the faithful, who see the true extent of this structural injustice.

For Max, it is all a crusade. The struggle against the church, the state, the women. It is a battle about genuine issues: issues maligned by a majority too easily beholden to the prevailing taste consensus. The stakes are high and immediate, persuasion by comment section possible and, moreover, important because the trouble with most people is that they "haven't really thought about it for two seconds." The whole trinity flows from this sense of displacement. Libertarianism follows from recognizing of a colluding party system within a power-hungry state too quick to shut down big questions. Men's rights activism follows from the bizarre misapprehension (fueled by a disconnect between the opinions of visible intellectuals and the average populace) that feminism has reached suffocating heights of power. He is a rebel with one cause in three bodies, and the pushback — from friends, from me, from the nation's opinion apparatus itself — only therefore fuels his indignation toward a society too willing to neglect inconvenient truths about the world.


In activist circles of any kind, it is common to hear that injustice is a kind of sight that cannot be unseen. All of it seemed so hyperbolic until I started noticing it. Now I notice it in everything. The "it" is typically some kind of institutional bias: the ways in which women are routinely encouraged to defer to male judgment; the way in which race, without overt malice, permeates even simple American interactions. Before, we were post-gender and post-racial, without need of an Equal Rights Amendment, on track toward total marriage equality. Then you hear something, or live it, or read it, or see. The world today is now more like history, and the motives of the people in it are more suspect than before.

Reviewing my notes from my first night speaking with Max, I become more confident that his life is some strange inversion of the same epiphany. One day, he is comfortable as a man and comfortable with what masculinity means in the world. The next, he can see behind the veil, and all that goes away. Social justice through a mirror, darkly: Men are the ones subject to genuine oppression, the ones whose issues are taken as uninteresting and unimportant. They are the ones taking terrible jobs and being drafted; committing suicide at incredible rates; losing their children, their spouses, and their homes while nobody else seems to care; shouting in the wilderness while a feminist majority squelches their dissent.

I am not the first to notice this. Last year, John Herrman noticed the same inversion in the Awl. "A great number of men, online and off, understand feminism as aggression," he said, "They feel as though the perception of their actions as threats is itself a threat. In other words, they too believe that unsolicited public attention is inherently aggressive, but only when that attention takes the form of criticism, and only when it comes from women. They live this belief on the streets, where they are nearly unaccountable, and argue it online, where they are totally accountable."

Looking at my notebook, one observation, underlined at the time, stands out: "Max says he needs online MRA communities because on normal internet, he gets shouted down and talked over." A different kind of activist might call that a safe space.

If men's rights activism has a Gloria Steinem, a kind of central activist figurehead, it is Paul Elam, the founder and publisher of A Voice for Men. The website is one of the oldest and, if there is such a thing, most respected hubs for MRA activity. Elam and his staff do, at the very least, engage in genuine advocacy on behalf of men. Moreover, they don't typically stray past boorishness and into outright campaigns of harassment, although I cannot help feeling myopic in citing this fact as some kind of high water mark amongst the MRA set. I send him an email, and he writes back quickly. We arrange a call.

Like Max, Elam sees his issues as a crusade, his atheism as important, his politics as moral in their antisocialism. He was a substance abuse counselor by trade. It was in this context that he began to see. He remembers the first time, working for a men's treatment facility in Houston, waiting in the hall with an invited speaker, a woman about to go in and address the clientele.

"I was standing outside the group room and we were waiting for her to go in, just chatting for a moment about our work," he says, "And just before going into the group, which she was being paid quite a bit of money to do, she says, 'One of my favorite things in the world is to take men's macho bullshit and shove it down their throats.' I saw a lot of this in the treatment field," Elam says, "It's just she said it in such a particularly stark and direct way. At that point I thought, Something needs to be done about this."

The trouble continued. "I went to the administration about that particular incident," Elam explains. "And everyone who worked at that facility looked at me like I was nuts and said, 'What's the problem?' That's how pervasive this issue is."

Elam could see the truth. Nobody else could see. While the issues of paternity rights and the destruction of the family would come later, Elam's transition from counselor to pseudo-civil rights hero grew naturally out of his prior life.

He recites a litany of charges against modern psychotherapy, its anti-masculine focus on effusively articulated feelings. If one dismisses for a moment the bizarre unreality of men subject to brutal gendered discrimination, it doesn't sound terribly different, in sense or scope of conspiracy, than the complaints of feminist academics so often mocked by men of Elam's kind.

"If you want to bet that this woman identified as a feminist, I can tell you for a fact that she did, and she wasn't the only one who talked that way in that field.

"I do think that is abusive," he tells me, "when you send the message to your clients that they are either failing or succeeding based on your expectations of a stereotype." Through a mirror darkly: Elam says it is his group, not organized feminism, that is earnestly engaged in destroying traditional gender roles. It reminds me of a Pascal aphorism from the Pensées: "How is it that a lame man does not annoy us while a lame mind does? Because a lame man recognizes that we are walking straight, while a lame mind says that it is we who are limping."

Elam isn't without his objectivity. Unlike Max, he knows, for example, that his position is a rare one. Elam is not convinced that most people (normal people; the women in his office, if there were women in his office) take his crusades as common sense and only don't say so out of fear. His manner gives rise to a suspicion that he has been lonely a long time, not in the literal way, but self-consciously stranded in a shrinking section of the world. He is committed in part to his work because if more ground is lost, he will be lonelier still. If more ground is lost, there may not be room at all. Men are suffering, he says. He is suffering, but he doesn't say that outright.

All of it breeds a certain paranoia, one I encountered in all the men I spoke to. A feeling likely justified by the ordinary reaction to men's rights activism, that outsiders, especially outsiders writing for mainstream publications, are not to be trusted. That they agreed to speak to me at all remains surprising, especially in Max's case: He is friendly, willing to sit down, but insistent that his identity be protected. He seems, like so many zealots, to believe at once that he is righteous and vital and also that speaking out under his own name will bring unsavory consequences beyond his willingness to suffer.

At one point during our conversation, Elam says: "I'm just going to be frank with you, I've been through countless interviews with the media." As a result, he says, he understands why I need to ask him questions from a "mainstream" (read: feminist) sensibility, but "in a society that when we even try to talk about the issues, people are screaming bloody hell, trying to shut us down, calling us hatemongers and everything else, trying to silence us — that seems to me to be a very skewed point of view from which to be questioned." Despite this, he is nothing but polite. Indeed, none of the men I spoke to about these issues are anything but friendly, almost eager to persuade. I suspect that this is because I am, despite everything, a straight white man. To Elam, and to Max, I am a heretic, but I am not an infidel. I can still be saved.


I see Max again a few nights after our first meeting. I relate some of my conversation with Elam, and Max is quick to echo his bafflement. "I mean, people keep saying we're full of hate. We're just these angry, hateful dudes, you know? Like, we can't get laid, we hate women, all of that. And we come back with statistics, like rational argument, like an actual debate and are like, ‘No, listen, here's this and this and this with men' and here's, like, the logical fallacy in your argument, and they just call you, like, a cis-het shitlord and move on."

There's a temptation, brought on by the claustrophobia of extended conversation, a bit by empathy, and a bit by drink, to be taken in by the spirit of the argument. Men face certain social difficulties idiosyncratic to our sex, and while they are not systemic in the way that women's issues are, nor half so severe, I find it easy to sympathize with Max's frustration. In the bar, insulated as we are, when he begins talking about "just wanting human rights," I can only see his face, hear the exasperation in his voice, connect, instinctively, to that face and voice in part because they are well-mannered and in part because they are like my own. In that moment I can, if I like, forget that these issues, legitimate enough on their face, are carried out from a place of one-upmanship, that their expressions, except in rare cases, are solely as debating points, hurled between invective and harassment and the oldest hack tropes about women's bodies and choices. I can forget those things, if I like. I'm only a heretic.

A presentation at last summer's International Conference on Men's Issues. (Fabrizio Costantini/For The Washington Post via Getty Images)

"I know this is like, almost a Fox News cliché way of saying it, but feminism and a lot of this stuff has been, like, a fundamental transformation of American society. We can't even see how far it's gone yet," he says. "I just think it's important to be wary of that and point out when you think things are getting too far from the truth."

He is almost starry-eyed while saying it, his voice quieter, slightly higher. Sincerity isn't quite the word so much as it's performance. Max knows how to tone the romantic's innermost profundity. Perhaps he doesn't do it consciously, but he's stealing from the movies all the same. At once ideological, forceful to the point of edgy outsider charm, and eminently reasonable, asking only for a consensus over what any fool can see. It isn't surprising that this seduces so many young men.

It's all terribly reasonable, until it isn't. This night corresponds with a particularly bad episode of police misconduct in Ferguson, and at some point we stop talking about the plight of men to watch a news live stream on my phone. Max's reaction is immediate: "This is crazy," he says a few times. "It's police brutality. I know people who say this isn't about race, but I don't get it. Like, this is obvious racism." A promising sign, but then, after a minute, "Man, feminists wish the cops treated them like this. Then they'd actually be oppressed." There's always another shoe with Max.


"Okay," I say about halfway through our second night. "Let's pretend for a minute that I take all of your issues seriously." ("How good an actor are you?" he interrupts, laughing.) "Let's say I believe men are maligned, women are taking advantage of them and profiting from it. And I believe all of this and I come to you, a men's rights activist, and say I want to get involved and help. Shouldn't I be concerned that a lot of people on your side don't seem to be doing legal or political work so much as sending death threats?"

No, Max says. The extreme behavior is mainstream in feminism these days, not in the men's rights movement. Elam claims much the same thing. Speaking about the men's rights conference he organized last summer, he explains, "Feminist activists have come out and pulled fire alarms, harassed attendees, interrupted and protested. When we had a conference on men's issues in Detroit, there was a demonstration, pressure on the hotel to shut us down. We eventually had to change venues. How much of what is really going on are you paying attention to, sir?"

Max never asks me that question outright, but I can hear it, minus the "sir," beneath a lot of what he says. I ask about the harassment of feminists — of women in general, on the street, in their homes, by classmates and strangers. How much is he paying attention to, for that matter? He shrugs it off. "I don't really see any of that stuff," he says. "I mean, I'm sure it happens? But it's not, like, organized, anyway. Guys catcalling don't have meetings to plan it."

(Years ago I was standing on a metro platform with a woman I knew. It was around 3 in the morning; we'd walked a mile to our train. She says it's the first time she's gone that stretch of road without being catcalled. I ask why. The answer is obvious. She says most men won't do it if the woman looks like she's with her owner.)

Other headlines coincide with our time together. James Foley is beheaded by ISIS; the ceasefire between Israel and Hamas breaks down. Max blames both on religious extremism and says he can't understand why "the good Muslims" don't denounce terrorism.

Extreme behavior is a sore spot for any movement, and nobody is more forgivable than one's own. Max concedes that some MRAs and associated activists go too far. "Some people doxx feminists and call their houses," he tells me. "That isn't cool. You can criticize these people, you can try to debate them, but threats are way out there."

So does he denounce the violent elements on any of his forums? He has tweeted unkind things to feminists. Does that encourage the ones who cross the line?

"What's the point?" Max asks. "I mean, it's only a couple guys, really. It's super fringe. They're not going to stop just because I say so." He fiddles with his burger. "You just have to develop a thick skin and try to ignore it. The feminists. Me. All of us. You know? Just ignore the crazy shit."

Near the end of our call, Elam had this to say: "Of course there's anger out there. I've never seen a social movement, including women's liberation, the black civil rights movement, gay rights, that did not involve some anger. So this whole idea that oh my god they're angry is rooted in the very misandry and the very bigotry that we're trying to address."

Perhaps Elam is simply more self-aware than Max is, but it is difficult to hear them talk this way and maintain credulity. It all sounds a little I'm maligned, and I'm oppressed, and society is too backward for the revolution I'm bringing, but I don't say so.


I ask Max if he has a girlfriend. Yes, he says, that they've been seeing each other a few months.

A couple of weeks go by. Vague plans had kept Max busy on the weekends; I've traveled out of town to report another story. It is September now, and we are sitting in Max's apartment.

His having a girlfriend is curious. Earlier in the evening, Max had told me (or rather had paraphrased, perhaps unconsciously, from a dozen articles and frat house bull sessions) that the base tragedy of feminism was the transformation of American women. Their entitlement. Their schizophrenic affect toward the dominance of men. Even the ones who are not feminists have been spoiled by the culture. Like "male allies" in the eyes of internet feminists, ostensibly uncorrupted women are valuable but often suspect.

At any rate, he likes this girl. She might be "marriage material," he says.

"Are you surprised?" he asks.

"By what?"

"That I have a girlfriend."

"No." I look out the window and consider that the view of the skyline alone might be worth a night in bed with a proverbial can of paint.

"Yes you are. Come on. You don't think women could possibly respect themselves and want to be with some evil sexist pig like me."

He is teasing me. Joviality is one of Max's preferred diffusion tactics. Taking on a deliberately inflated voice when directly addressing our differences is designed to produce an effect whereby we might wink at one another: We are both metacognizant, we both know the clichés about the other side. It isn't entirely ineffective. Max is naturally charismatic, and I am not surprised he has a girlfriend, only that he wants one. He looks down at his phone and smiles. Something on Twitter. He types. I wonder what kind of charisma he's employing there.

(Shutterstock)

"I thought American women were all ruined," I say.

"Not all of them. You know what I mean. Just a lot. And you can never know. So it's hard to trust or invest in anybody long enough to find out."

"This girl isn't a feminist, though, I assume?"

"No. That you can see a mile away."

"So she's more traditional?"

"No. I'm not, like, looking for a housewife."

That Max is not seeking a 1950s fantasy is important to him. He asks me to say so explicitly.

"She's just cool," he tells me. "She doesn't have time for that social justice warrior stuff. She's in law school."

He shows me a picture. I'm not much for intuiting whole personalities from photographs, but I agree she has a look, an irrepressible appearance of sincerity without the usual attendant inexperience. She's capable. It's in her brow line, somehow.


Before meeting with Max for the third time, I'd placed another call to a more public face of men's empowerment. This time it was to Daryush Valizadeh, a writer popularly known as "Roosh V." He made his name as a Pick-Up Artist, one of the professional sort, a peddler of the best underhanded "one weird trick"s for seducing any woman. He is the author of more than a dozen self-published books, each of which offers tips for picking up the women in a country he has visited (the best way to exploit the insecurities of Poles evidently diverges at a book's length from the ideal manipulation of Norwegians).

Roosh is the owner of a website as well: Return of Kings, with the tagline "For Masculine Men." What dignity Elam's A Voice for Men retained does not interest Kings; this is a site that revels in its aggression. Looking late last year, without venturing past the first page, I found the following headlines: "Street Harassment Is a Myth Invented by Socially Retarded White Women"; "Twitter is Partnering with SJWs to Prevent Women from Facing Consequences"; "5 Lines That Potential Wives Cannot Cross." (I am particularly haunted by number five: You have left your old family and joined mine.) This is not a men's rights magazine but something more pure: an expression of rage, admittedly proudly, against the prevailing tide of feminism.

"I think there are two problems going on right now," Roosh told me. "First: If you're a man, society has no role for you except ‘listen to what women want.' Second, related, is that culture is telling men to hate themselves."

Of the three men I talk to, Roosh is by far the most charming. He has none of Elam's middle-aged weariness, nor the irregular intensity of cadence that makes one think of sandwich board prophets. What Max possesses in natural charisma, Roosh has given a practiced sophistication. He is funny and acutely aware that this goes much further in building rapport with a potentially hostile journalist than Elam's bitter complaining about "countless interviews" gone wrong ever could.

Roosh's story is typical for the movement. He sees a culture laid to waste by contemporary values, by feminism and the left. The decline is existential, robbing not only men but women of purpose and therefore happiness.

"There was a study. It said that women are less happy now than at any other time," he says. (He's referring to "The Paradox of Declining Female Happiness," an influential 2009 paper published in the American Economic Journal.)

"This was based on surveys; I don't know how accurate it is. But you see women who are addicted to their phones. They're having to work in a job that, let's be honest, is a glorified way to push paper. Do they feel happy? Do they seem happy?"

I suggest that happiness is fungible and that paper pushing may be a genderless misery.

"Are you telling me that a woman now is actually happier working for a boss in a corporate office who can fire her just because the quarterly report was bad, more so than serving her husband in a comfortable home?" he says. "I don't buy it. I just don't buy that women or anyone is amazingly happy because they can buy a new iPhone every year. If we define happiness by being a consumer zombie, then yes, maybe that's right. But anyone who has chased that knows there's no gold at the end of that rainbow."

He doesn't make a bad sophomore-year Marxist, Roosh.

I repeat this sentiment to Max at his apartment. He says it sounds a little "lefty," but he gets the drift. "Yeah, sure," he tells me, "but, like, people are adults. They can make their own choices about what to buy." (Max and I have this conversation while playing his new Xbox. He points out after about an hour that he has only put out games specifically criticized by Anita Sarkeesian).

"I thought Roosh V. was more of a pick-up, screw-the-family, get-laid sort of dude," Max says.

As did I.

For all his writing about how to sleep with multiple women, Roosh says it would be better the old way. The way where men had one partner and women had one partner. But, he adds, "It's easy to look back into the past and extract the best things that they did, and hope and wish that we had that. Of course, as humankind marches on, we can never pick and choose. So I'm thinking, what is the best deal that a man can do where he doesn't get screwed, where he doesn't have his life ruined, where he doesn't get imprisoned for something like a false rape accusation?"

In Roosh V.'s ideal world, there would be no need for men like Roosh. He claims no deep biological imperative beneath his seduction tactics. Only a culture falling apart in the West, marriages dying as women are no longer beholden to the pillars of its stability. Hooking up, going out, getting laid: These are just distractions, perhaps the best distractions still available, and Roosh fancies himself pragmatic.

I hang up the phone thinking this is all a bit more fatalistic than I'd thought.

Relating this all to Max in his apartment, I wonder what his girlfriend thinks of all of this.

"Do you talk to her about your views?" I ask.

"Uh. Not as such," he says. This is a peculiar construction for anyone, especially for someone with Max's instinct for putting others at ease.

"Are you afraid to?"

"No," he says, "No, of course not."

In the elevator a moment later: "I mean, don't get me wrong, she knows where I stand."


In June of last year, Time's Jessica Roy attended the first annual men's rights conference outside Detroit, a conference Elam was central in organizing. Among the litany of predictable observations — the destructive politics, the hostility and rage, the incomprehensible self-pity — Roy reported encountering a feeling she did not anticipate.

"What I didn't expect," she writes, "was how it would make me feel: sad and angry and helpless and determined, all at the same time. Moreover, I didn't expect to talk to so many men in genuine need of a movement that supports them, a movement that looks completely different from the one that had fomented online and was stoked by many who spoke at this three-day conference."

When Max and I were children, we would have looked the same. Middle-class, semi-suburban, precocious, with stable families and access to college-prep education. We might have had similar opinions too. Max comes from a family of nominal Democrats; he was one himself to the extent a child can be, and still is to the extent that he voted for President Obama in 2008 before switching to Gary Johnson in 2012. We aren't so different now, really — except in our work, our politics, our culture, and our fundamental outlook. This occurs to me on our first night together. When did the divergence begin? It is a question I have asked before, of high school classmates now married, of old friends, of a teenage drug dealer I knew who by 19 had been declared technically dead on three separate occasions.

So what happened? Social media came, perhaps. Max sees our age cohort as the last without all its information curated by Facebook or Twitter. This is true, but because of this we were also the last insulated, without conscious effort, from the inevitable exposure to marginalized voices brought by social media. Talk to high school students now: they've heard critical theory about gender and society and race that many of us even slightly older did not hear until the world made us. They accept it as obvious, not revolutionary. The difference between Max and me is whether we take this to be a bad thing. We were different: Max and I were both adults or nearly so before it became clear that we were living in a time when no matter how we felt about it, the theoretical foundation of our privilege was, if not nearly crumbling, at least suspect even to the mainstream.

Normative male dominance is a legacy best disposed of, but that does not mean it is not the norm, or that its loss, especially to those raised to expect its constant comfort, is not a precious and frightening possibility. For some, even little tremors are enough to set you on uncertain footing. Some stumbling men get angry, even when they've got a girlfriend, a finance job, and a million-dollar view of River North. They turn to the crusade. They cast themselves the victims. This should not surprise us. Some men, some small but loud and dangerous number, will become violent by instinct, threatened by any rustling in the trees.

Out with the bad, but Roy puts a finger on the absence: What good will come in after it? What kind of movement will support kings reduced suddenly to paupers? This is not our first concern, of course. It's not something that lends itself to sympathy or pity, but it should provoke some empathy.

At one point in our conversation, Roosh pauses for a minute, then says this: "When you teach men to hate themselves without giving them a role model, without giving them a masculine idea of who to be ... how can we be surprised that men are just lost? They are completely lost right now, and no one is doing anything to solve this problem."


Months after my last encounter with Max, I was in a bar in Chicago explaining this story to a friend. Gamergate had escalated. Sarkeesian had just appeared on the Colbert Report. "So is this guy Max one of these people making bomb threats?" my friend asks. I don't think so, I say, but I don't know. He was nice to me, but...

I decided to call. I walk outside and reach him; by the sound from the other line, he, too, is at a bar somewhere. He says hold on to somebody beside him, and a moment later is outside, too, on some other street in some similar part of the city.

He says no, he's cut it out with tweeting angrily at feminists. It's gone too far, he says. He likes debate, and maybe when things calm down he'll get back into it. Are you afraid of how this is all making your movement look? I ask. He says no: These guys are weird video game nerds anyway, they're just upset, they aren't fighting for a real cause beyond their own hurt feelings.

I ask if he feels bad about acting out in the past. If he regrets anything he said to anyone online, if he thinks he is part of the reason that ordinary women have been fleeing from their homes.

"I don't know," he tells me. "I don't feel great about it. Seriously, dude, I was thinking about when we were hanging out, and I don't think it's the best way to persuade people, on social media and stuff, you know?"

Sure. Then why did he do it at all?

"I don't know, man. You know. It's all so quick. You see something and it bothers you and you feel annoyed and, like, without thinking about it, you just, like, lash out a bit. Shitty Facebook comment or tweet or whatever. We've all been there. You're, like, right then, pissed or whatever. It's just an in-the-moment thing. You feel bad about it the next day."

"You do?"

"Sure."

"Do you apologize?"

"For being critical? No, I mean, they were still wrong."

Emmett Rensin is the deputy editor of Vox First Person.


First Person is Vox's home for compelling, provocative narrative essays. Do you have a story to share? Read our submission guidelines, and pitch us at firstperson@vox.com.

05 Feb 21:37

I was running social media for a small, but nation-wide, retail chain. They hadn’t updated their...

I was running social media for a small, but nation-wide, retail chain. They hadn’t updated their marketing in several years, and came to me to help bring in younger consumers, since their current customers tended to be retirees.

After going through six weeks of writing drafts, making edits, and getting approvals, we were finally ready to start posting - only two weeks behind schedule. A few days after I started posting content to their channels, I get a frantic phone call:

Client: All of the Facebook posts you’ve made need to be deleted, immediately.

Me: OK, I’ll pull everything down now. What seems to be the problem? I thought everything had been approved.

Client: Yes, but we decided that the messaging was too off-brand. It sounds too “young,” and we think it might scare off our current customers.

Me: According to my documents, you’ve already approved and signed off on the entire campaign several weeks ago, we’ve already started running ads on Facebook and Twitter with this messaging.

Client: Those ads need to stop, too. Just because we’ve approved something doesn’t mean we’ve read it. From now on, you need to double-check everything we approve, to make sure it fits the brand outline we provided.

The project ended a few months later, when a higher-ranking manager at the client’s company contacted us to let us know that the person that hired us had failed to get approval to outsource social media before signing the contract.