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05 Apr 13:47

Hannity on Rutgers: I Was Hit With a Belt, I Turned Out Okay

by David
Hannity Defends Rutgers Coach: 'My Father Hit Me With a Belt, I Turned Out Okay!'

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Fox News host Sean Hannity and conservative pundit Michelle Malkin on Wednesday both defended a former Rutgers basketball coach who verbally and physically abused his players, both saying that they had received plenty of spankings and "turned out okay."

On Wednesday, Rutgers announced that the school had fired coach Mike Rice after ESPN revealed video tape of him kicking players, throwing balls at the heads of players and shouting homophobic slurs like "fucking faggot" and "fucking fairy."

Hannity, however, said that the coach "maybe" should have stopped physically abusing the players, but he was just "trying to get the best out of them."

"I'm watching this and I'm thinking, 'I don't like it' -- he kicked one player there -- but on the other hand, I kind of like old-fashioned discipline," the Fox News host explained. "I mean, have we become that politically incorrect? These are adults, they don't want to play for that team, they can leave."

"Sports is a rough world," Malkin agreed. "The problem isn't so much that there are consequences for hate speech -- and I think there should be -- the problem is that the left is so very, very, very selective about when it chooses to manufacture outrage and when it doesn't."

"He's trying to bring the best out of them, put discipline in that team, raise their game, force them to focus, push them become champions and that takes intensity," Hannity continued. "It's like a drill sergeant. Are we now going to fire drill sergeants because they get in the face of cadets? Is that next on the list of politically incorrect things we can't do?"

"I certainly agree that political correctness has run amuck," Malkin replied. "I think there should be scrutiny of people who blow the whistle on these kinds of things."

"I can understand, stop hitting them, maybe," Hannity opined. "But I like the intensity, I like the drive, I like that he's pushing those kids and he runs a tight ship. Maybe we need a little more discipline in society and maybe we don't have to be a bunch of wimps for the rest of our lives."

As the segment closed, it devolved into a discussion of Hannity and Malkin's personal experiences with giving and receiving spankings.

"My father hit me with a belt, I turned out okay!" the Fox News host exclaimed. "Except in the minds of liberals."

"Same here!" Malkin said. "Oh, I certainly did. And with more than a belt. I'm sure the left thinks we are warped minds."

"That's a good thing," Hannity noted. "If they liked me, I'd feel that things are really bad."

"Well, I have to tell you, I'm much better at administering spankings now than receiving them," Malkin concluded.

Michelle Malkin likes giving spankings

05 Apr 13:37

VIDEO: "Dragon's Crown" Gameplay Trailer Paints a Pretty Picture

Darylsurat

BREASTS.

Atlus to release side-scrolling brawler in North America this summer


Dragon's Crown—the gorgeous side-scrolling brawler from Vanillaware, the folks responsible for Odin Sphere and Muramasa: The Demon Blade—is coming to North America courtesy of Atlus, and a new trailer shows off more of the multiplayer beat 'em up's beautiful action. Check it out after the jump.

05 Apr 13:36

VIDEO: Latest "Hyakka Ryouran Samurai Bride" Anime Promo

Darylsurat

BREASTS.

Bishoujo versions of historical warlords and martial artists reconvene in April 2013


Ink splash censorship and bishoujo versions of historical martial artists and warlords return to TV this April in Hyakka Ryouran: Samurai Bride. Check out the latest TV promo after the jump.

05 Apr 13:33

Guide to the Injustice Roster: Explaining Comics to People Who Don’t Read Comics Part 3

by Gavok
Darylsurat

This is another patented Gavok post where he does the best job one can do when explaining something impenetrable, but it ultimately highlights how impenetrable it all is.

Also see: his posts explaining Chikara Pro in full detail since he knows the full continuity of that

THE FLASH

Alias: Barry Allen?
First Appearance: Showcase #4 (1956)
Powers: Fastest dude ever, heals quickly, can vibrate himself through matter, can vibrate into different realities, with the assistance of the Cosmic Treadmill he can travel through time, is able to lend his powers to others
Other Media: Appeared on many cartoons, had his own live-action TV series in the 90′s, appeared on Legend of the Superheroes (a failed Justice League spinoff of the 60′s Batman show) and the live-action Justice League of America TV movie, was kind of a big deal in Daddy Day Care

Warning: the history of the Flashes involves some time travel fuckery and in a lot of these cases, I’m just as confused as you are.

The Golden Age Flash was Jay Garrick. Maybe five people care about him and they’re all mad I just said this. Moving on.

Barry Allen (you know, from Catch Me If You Can) became the Flash in the 50′s. He was a forensic scientist who got splashed with chemicals while being shocked by lightning. That gave him the powers to run super fast and he decided to be altruistic with it, naming himself the Flash after his favorite comic book hero. He garnered one of the best rogues galleries in comics, got himself a sidekick in Kid Flash (his nephew Wally West, who got his powers in a similar way) and a fiancé in Iris West.

One of his villains was Professor Zoom, who looked identical to Flash except for having a reverse color scheme. Zoom was from the future and had powers and an appearance that were just like Barry’s because he was a huge Flash fanboy who went insane. Jealous of Flash’s relationship with Iris, Zoom killed her by vibrating his hand through her head. Barry tried to move on and later got engaged to another woman, but when Zoom attempted to meddle in that, a threatened Flash ended up breaking his neck and killing him. Flash was put on trial for murder and it got really weird because it turns out Iris was really from the same future era as Zoom and she was alive there somehow, so he ran to the future and spent some time with her.

Flash returned to the present during the big Crisis on Infinite Earths event. It’s there that he faced down the villain Anti-Monitor and ran circles around his big world-destroying master weapon, destroying it via vortex. The stress on running faster than he had ever run and being unable to let up tore Flash apart and caused him to painfully decay as he powered on, screaming that he had to save the world one last time. He ruined Anti-Monitor’s plans, but at the cost of his own life. Kid Flash discovered the empty red tights – the only thing that remained of Barry – and swore that he would take up the mantle and make him proud.

Coincidentally, it’s said that when Barry died, he ran so fast that he turned into a bolt of lightning that went back in time and zapped himself to give him superpowers. This ties into a concept they created for the Flash called “the Speed Force”. It’s like the Force from Star Wars… but for speed. It explains why speedster characters like Flash don’t succumb to physics, like having their feet torn apart by friction or needing to eat a million calories a day. Speedsters even have their own personal Grim Reaper called Black Flash.

Wally became the Flash and there was some definite backlash. People were mad that Barry was dead and insisted he be brought back immediately. They did a story called the Return of Barry Allen where Barry made his big return and the two Flashes worked together. It was an awesome fakeout, as Barry-Flash left Wally-Flash to die. We found out that it was Professor Zoom on his initial run to the past, too late to meet Barry, but discovering that he was destined to turn evil and be killed by his hero. Zoom went completely nuts and Wally-Flash had to take him down.

Speaking of Barry, Marvel did a pretty funny thing around that time where they had a race between all the speedster Marvel superheroes like Quicksilver, Quasar and a ton of fast guys you probably haven’t heard of. Towards the end of the race, a blond, unshaven man appeared out of nowhere, wearing only tattered, red spandex. He outran everyone else and couldn’t remember who he was or how he got there. All he could recall was that his name sounded like “Buried Alien”. Rimshot.

It had always been established that Wally was slower than Barry, but through that Return of Barry Allen story he discovered that he unconsciously held back out of respect for Barry and was able to shatter those self-imposed limits. Wally’s lengthy run as Flash showed him develop as a character. Over the decades, he went from being the brash asshole teen sidekick to one of the most pure-hearted and well-rounded characters of the DC universe. Wally also had one of my favorite badass moments in comics history, involving immortal villain Vandal Savage.

Savage had created a Lady Flash as a henchwoman and betrayed her by emptying a gun at her stomach at point-blank range. She was horrified that he’d do this, but he was more shocked to find that not a single bullet landed. She was fast, but not that fast. Flash appeared about twenty feet away, opening his hand to reveal the bullets. “But I am. I could have stopped them fifty feet away… two miles away… ten miles away! I can always stop you Savage, even if you live another ten thousand years!” He grabbed the barrel of the pistol and stuck it an inch away from his own head. “Care to try another six? I reloaded the gun for you.” Savage lost his nerve and backed off.

Through convoluted time travel, Flash got a new sidekick character in Barry’s grandson from the future Bart Allen. Known as Impulse, he was a speedster with ADD, which made him incredibly entertaining. Unfortunately, when they added him into the Teen Titans, writer Geoff Johns decided to make Bart lose much of his sense of humor after Deathstroke shot him in the kneecap. He did away with the Impulse identity and became the new Kid Flash.

They introduced a new Zoom, who didn’t feel that Flash was a good enough hero because he didn’t understand the concept of tragedy, so he’d give him a hand. He caused Flash’s wife Linda to have a miscarriage via snapping his fingers and knocking her back with a sonic boom. Months later, through more convoluted time travel, Flash stopped this from happening and his wife suddenly became nine months pregnant with twins.

DC ruined a good thing once Infinite Crisis happened. One of the big villains was Superboy Prime, a whiny and dangerous alternate universe Clark Kent who depending on you ask was either the most annoying little shit in comics or the most amazing supervillain in years. I’m in the latter group. Only the speedsters were able to give him any trouble at first, so Flash and Kid Flash dragged him into the Speed Force to contain him (yes, it’s apparently a place too… Listen, it’s comics). They also brought in Linda and the babies so they could all be together. Later in the story, an unidentified Flash returned to Earth to warn everyone that Superboy Prime got loose. During the final battle, he attacked the violent teenager and Superboy Prime fearfully yelled, “Get away from me, Bart!” Yes, they had been stuck in the Speed Force for so long that Bart was now an adult.

With Wally and his family still one with the Speed Force, Bart became the new Flash. It was a tremendous failure and they actually killed him off after just over a year. Then they brought Wally back and centered his new series on trying to raise his teenage speedster children. This series also bombed and was canceled soon. In the event story Final Crisis, they brought Barry Allen back. This annoyed a lot of people because unlike the likes of Superman and Batman, Barry’s death was a perfect sendoff instead of a simple shock value cash-in. He died heroically and was remembered as a paragon of virtue. He was boring when he was alive, but in death, he was the perfect Uncle Ben-like inspiration character for Wally and Bart. By bringing him back, they were practically ruining his image because there was nowhere to go but down.

Oh yeah, Bart came back to life too, again thanks to convoluted time travel.

Barry’s new series only went for a year or so because of Flashpoint happening. In it, he went back in time to save his mother’s life from when he was a child and doing so caused massive changes throughout history. Upon undoing the mistake, he altered reality and caused the big DC continuity reboot. With the reboot, they did away with the existence of a handful of characters. Wally was one of them. In the post-Flashpoint world, there never was a Wally West. I’m sure you can understand that fans are really annoyed by this.

Luckily, the current Flash series is an amazing read. It’s co-written by the artist Francis Manapul, who does some groundbreaking stuff with the art. The main difference, outside of Wally’s disappearance, is that Barry isn’t romantically involved with Iris and is instead in love with one of his coworkers.

Flash had his own live-action series in the 90′s where he was Barry. In the Justice League cartoon, he was Wally. Both shows featured one of his villains the Trickster, each time played by Mark Hamill. Notable on the cartoon, other than how they went an entire season without Flash outside of a group shot with no dialogue, was how they did an episode where Flash and Lex Luthor switched minds. The joke was that Flash’s voice actor Michael Rosenbaum played Luthor on Smallville. On the run from the rest of the League, the Luthor-minded Flash hid out in a bathroom. He decided that at least he could find out the Flash’s secret identity. He unmasked in front of the mirror and glared blankly for a moment.

“I have no idea who this is.”

GREEN ARROW

Alias: Oliver Queen
First Appearance: More Fun Comics #73 (1941)
Powers: Peak physical condition, super accurate aim with arrows
Other Media: Currently starring in his own show. Also featured on many cartoons, mainly in supporting roles. Recurring role on Smallville.

Early on, Green Arrow wasn’t just a concept similar to Batman. He WAS Batman, just wearing Robin Hood’s hand-me-downs. He was so blatantly Batman it was ridiculous. A rich playboy as a swashbuckling vigilante with no powers, a teen sidekick, an Arrow Car and an Arrow Cave. It made sense that the Batman: the Brave and the Bold cartoon would use that to play up a long-lasting rivalry between Batman and Green Arrow.

Oliver Queen was a billionaire due to inheriting his family’s fortune. He was more of an adventurous guy who found his calling when stranded on an island. He taught himself how to use a bow and arrow, was really good at it and, in one of the later versions of the origin, used it to foil some evil drug smugglers. Then he decided to fight for the little man when he wasn’t playing up the business side of his life.

Arrow was the first superhero to join the Justice League after it had already been established. He also got his own episode of the original season of Superfriends, back when it was extra dorky with Marvin and Wendy around. When the Superfriends were captured, Arrow was called up, regarded as a reserve member of the team.

In the 70′s, they finally made the Emerald Archer more than just a Batman ripoff by having him lose his fortune and become super liberal. In the Justice League, he and the conservative Hawkman were constantly at each other’s throats, bordering on outright hate. While Green Arrow had yet to get his own series by this point, he and Green Lantern got a well-regarded team-up series based on them touring the country and arguing their ideologies. While remembered fondly, it didn’t sell too great and lasted about a year. It also gave us a memorable storyline (and hilarious cover) where Arrow discovered that while he was on this big road trip, his sidekick Speedy had become addicted to heroin. While he kicked the habit, “Speedy does drugs” became one of those character stigmas that he could never get past, not unlike “Iron Man is a drunk” and “Giant Man beats his wife”.

Arrow had his own series in the 80′s, going into the 90′s that was extremely darker, having him straight-up murder people. I seem to recall once seeing a sequence where he and Deathstroke went around shooting dudes. Though it was pretty funny because at the time Arrow was wearing an eyepatch and other than the hair color, he and Deathstroke looked completely identical. When the series hit 100 issues, they did a story where Arrow was on a plane and had his arm stuck in a huge terrorist bomb. Superman came to save him and said he could cut off his arm with heat vision, but Arrow refused. He’d rather be dead than useless. The plane exploded and Arrow died.

A new Green Arrow appeared in the form of Connor Hawke, a bastard son of Queen. While an amazing archer and martial artist in his own right, Connor was very different from his father in the sense that he was a Zen Buddhist and was awkward around women while Oliver was a loudmouth man-whore. Connor’s series lasted three years before cancelation, but he did take over his father’s spot in the Justice League.

Oliver was brought back from the dead in a new series written by Kevin Smith. In a story that I’ll expand on in the next entry, Hal Jordan became all-powerful and crazy and tried to make amends for his actions by resurrecting his good friend via a couple specks of Oliver DNA still stuck in Superman’s tights. Oliver refused to return, as he was content with existing in Heaven. Hal instead created an empty shell body of Oliver Queen that had his skills, memories and personality, but no soul of his own. During the climax of the story, a crazed cultist villain was preparing to take over the soulless body while Connor was nearby, being overcome by an army of demons. The body of Oliver begged Oliver’s soul to come down from Heaven and rejoin him so to stop this guy, but the soul refused because he was happy and wanted to be left alone. The body pointed out that he could tell that Connor was definitely their son, to which the soul agreed to, making him finally accept what he had to do. Oliver’s body and soul were whole once again, he teamed up with his son and took out the bad guys.

For a long while, the original Speedy had changed his name to Arsenal, as he was too old to be Arrow’s sidekick. He also had a daughter with Teen Titans supervillain Cheshire. The new Speedy was a girl named Mia Harper, who was revealed to be HIV positive. This was because she was being written by Judd from the third season of the Real World and that fit in well with his usual writing ticks.

During the One Year Later storyline, Oliver Queen had become Mayor of Star City. That lasted for a short while until he had to resign due to scandal. He moved on to finally getting married to his one true love Black Canary and they had their own joint comic series for a bit. Then DC fucked up the Arrow family with one of the worst one-two combinations of bad comics in years: Cry for Justice and the Rise of Arsenal.

Cry for Justice was a badly-written miniseries based on Prometheus (an evil Batman counterpart whose criminal parents were shot dead by the police) mutilating and killing a bunch of heroes, then blowing up Star City. Arsenal’s daughter was one of the casualties. Green Arrow ended up tracking down and killing Prometheus in the final scene, which caused Black Canary to divorce him. He also got put on trial, which made no sense, because Prometheus’ hideout was in another dimension… so…

The Rise of Arsenal was just about Arsenal dealing with the loss of his arm at Prometheus’ hands and more importantly the loss of his daughter. He had his arm replaced with a cybernetic attachment, but spent the entire comic sulking, being unable to get a boner, lashing out and getting back into heroin. The most infamous scene of the comic was when after snorting some heroin in an alley, Arsenal saw a gang of Prometheuses coming at him and he beat them all up. Something that I guess can happen when you’re strung out on heroin. He hugged what he believed to be his daughter, but then we saw that he was just holding a dead cat while standing around a bunch of unconscious homeless people. It’s still one of the inadvertently funniest comic pages of all time.

So yeah, the Green Arrow family was one of the better reasons for there to be a company-wide reboot. Unfortunately, Green Arrow still got it pretty bad. Green Arrow became a younger, clean-shaven and generic hero who lacked any of the charm that his pre-Flashpoint self ever had. Of the New 52 comics that came immediately after Flashpoint, Green Arrow’s got the worst reviews and that says a lot. Only now are they starting to try and fix that because his new TV series is kind of popular and they should really try to take advantage of that.

GREEN LANTERN

Heads up: This is probably going to be the lengthiest profile of the 24 just because there’s a buttload of stuff to talk about.

Alias: Hal Jordan, Parallax, the Spectre
First Appearance: Showcase #22 (1959)
Powers: Wields a ring that allows him to create solid constructs out of green light powered by willpower, flight and other neat bells and whistles
Other Media: Other than the recent movie, various Green Lanterns showed up on a ton of cartoons, including starring in two animated movies, showed up on Legends of the Superheroes and the Justice League of America TV movie

The Golden Age Green Lantern was Alan Scott, a hero with a magic green ring that didn’t work on wood. He had a couple kids named Jade and Obsidian with Obsidian being one of the first openly gay characters in comics. After Flashpoint, DC created a new series Earth 2 that rebooted all the Golden Age characters into younger, more modernized versions. Alan is the Green Lantern there, but he seems to have inherited his now-nonexistent son’s homosexuality. So if you heard the media talk about how Green Lantern is gay, they’re talking about the one from another universe that nobody’s reading.

The Silver Age reboot made it that the Green Lantern Corps is an intergalactic police force headed by a bunch of tiny all-powerful blue guys in space called the Guardians. After their attempt to police the universe with robots went REALLY BADLY, they instead started sending out laser rings to the most courageous beings space had to offer. The rings get their charge from a giant green Power Battery on the planet Oa, where the Guardians live.

Considered of the best Lanterns was an alien named Abin Sur. Gravely wounded in battle, he crash landed on Earth and his ring sought out maverick test pilot Hal Jordan to be his replacement. This was a big deal to the Corps because they never had an Earthling wield a ring before. Hal was given the power to create constructs and weapons built by his own willpower and imagination, but his powers didn’t work on anything yellow. They didn’t explain this for over 40 years. They just had it out there because overly-powerful old school superheroes really needed some kind of kryptonite.

And old Green Lantern really was overpowered. He’d pull off shit that made no sense. I remember this time when the Justice League fought an unstoppable monster called the Shaggy Man. The entire team couldn’t take him down, so Hal just stared at him and focused the ring REALLY HARD until Shaggy Man was shrunken down to six inches. I never understood that.

Hal’s main love interest was his boss Carol Ferris, who would at times be possessed by her own cosmic trinket and wreak havoc as Star Sapphire. In case something were to happen to Hal, he had two backup Earth Green Lanterns in angry black guy John Stewart and angrier white guy Guy Gardner. Hal also had an Eskimo mechanic friend named Thomas who he referred to as “Pieface” because comics used to be pretty racist without realizing it.

Speaking of weird shit people like to poke fun at, Hal once had a thing going on with a Green Lantern named Arisia. Originally, the idea was that she was like 14 and she magically turned herself into an adult, which allowed her to be in a relationship with Hal despite him jokingly referring to himself as a “child molester”. Later, they covered for it by insisting that in terms of her race’s physiology, she’s mature enough to drink because 14 is like 25 in yellow elf alien years, so it’s totally fine. Man, what were they thinking?

The late-80′s-into-early-90′s was a special time for Hal because they started drawing him with these rocking gray hair tufts. I miss those so much. Other than that, the series wasn’t doing so well and they needed to shake things up. With the Death and Return of Superman going on, DC decided to toss away the plans for Green Lantern’s series and instead do the ever controversial storyline Emerald Twilight.

During Reign of the Supermen, villains Mongo and Cyborg Superman blew up Hal’s home of Coast City. Hal helped fight the villains off, but back in his own book, he stood in the smoking crater of Coast City and sulked. He started to lose his mind a little and decided to make green constructs of the entire population to help himself cope. The Guardians saw that he was violating one of their policies and ordered him to march into their office. Hal got pissed and flew to Oa, beating up any Lantern that got in his way and stole their rings. Then on Oa, the Guardians sent arch-nemesis Sinestro after Hal because Sinestro was considered the lesser evil. Hal snapped his neck. Then Hal’s good buddy Kilowog tried to stop him. Hal vaporized him. Then he stole away all the energy in the Power Battery, killing all but one Guardian, and became an armor-wearing uber-Lantern called Parallax.

In other words, he went from Anakin to Vader in just three comics. Fans. Were. Mad. It’s one thing to kill off a guy, but to have him suddenly go full-on nuts and kill his coworkers is out of the question. It led to the creation of the Hal’s Emerald Advancement Team (HEAT), a bunch of fans with too much time on their hands who actually bought advertisement space in Wizard Magazine to petition that they make Hal Green Lantern again and do away with this Parallax nonsense.

Regardless of the gnashing of the fans’ teeth, the surviving Guardian Ganthet came to Earth and gave the one remaining Green Lantern ring to the first person he saw. That turned out to be Kyle Rayner, a cartoonist in a Nine Inch Nails t-shirt. As far as replacement superheroes go, he’s one of the all-time best. Instead of using his ring to hit aliens with force beams and giant fists, Kyle would use his creativity and manifest, say, a 2-story-tall football player to punt his enemies. Also, the yellow weakness was inexplicably gone.

The early issues of Kyle’s run were pretty infamous for having supervillain Major Force take Kyle’s girlfriend, kill her and shove her into a refrigerator. Blogger-turned-one-day-comic-writer Gail Simone named her site after this by coining the term “shoving women in refrigerators” or “fridging” for short. It meant killing off or doing something horrible to a woman for the sake of getting a rise out of the male heroes or pushing their story forward. Coincidentally, it’s the same complaint a lot of people have about Lois Lane’s treatment in the Injustice storyline.

Parallax teamed up with another hero-turned-villain Monarch to use time travel to make the world in their image with Parallax hoping to bring Coast City back. That failed and Parallax became obsessed with becoming Green Lantern again. He realized his error and spent his days either fantasizing about the good old days or hunting down Cyborg Superman for what he did. When he did find Cyborg Superman, he tore him to pieces with green constructs of every single victim of Coast City.

In the event story Final Night, an alien creature called a sun-eater was – you guessed it! – eating the sun, plunging Earth into eternal night. Kyle sought out Parallax to help him. Parallax thought hard about what step to take and spent his final hours saying his goodbyes and making amends with former friends. Then he flew into the sun and used all of his great power to reignite it at the cost of his own life. Due to his mixed behavior, Hal ended up in purgatory.

DC has a character named the Spectre, the manifestation of God’s wrath who gets credit for every biblical plague-type thing that ever happened. He’s like Freddy Krueger, but he kills bad people while they’re awake. The Spectre needs a human host to work right and his host Jim Corrigan moved on to Heaven. Hal ended up becoming the new Spectre in hopes that he could redeem himself. It was an interesting time, but the Hal-Spectre concept didn’t quite work as well as DC had hoped.

In the mid-00′s, writer Geoff Johns took over for Green Lantern with a miniseries called Green Lantern: Rebirth, where he’d finally bring Hal back into the picture. In it, he explained away his actions in a rather clever way (that still succeeded in annoying readers, but whatever). There was this big, yellow, cosmic being named Parallax who was like a space god of fear. The Guardians overpowered him and shoved him into the Green Power Battery for imprisonment when the universe was young. That’s why the rings never worked on yellow, which was synonymous with fear: because Parallax was poisoning the punch. Being inside the power source, Parallax got his claws into Hal from the inside and influenced his actions over the years before turning him into a villain. Those hair tufts were a side-effect, or something.

The story ended with the resurrections of both Hal Jordan (sans gray tufts) and Sinestro plus a scene where Hal punched Batman. Batman fans weren’t happy with that either because nobody is allowed to punch Batman ever. A new series began with Hal as the main Green Lantern of Earth and Johns has been writing the series ever since, only finally leaving the title in a couple months from now. Meanwhile, the comic Green Lantern Corps would feature the likes of Kyle, Guy and John as well as the other aliens. Kilowog came back too somewhere along the line.

The whole “Parallax is a giant evil space bug that made Hal Jordan evil” thing worked as a foundation to a run that’s made Green Lantern one of the two most popular titles in DC’s last decade. At first it was just talked about how the Green Lantern ring was run on willpower. Then that Sinestro’s yellow ring was run on fear. Then they introduced an entire Lantern spectrum. Star Sapphires (whose cosmic creators fixed the flaw that made its hosts go crazy) were Violet Lanterns with the power of love. There was a Corps of Blue Lanterns with the power of hope. Red Lanterns driven by rage. Indigo Lanterns fueled by compassion. Then there’s Larfleeze, the lone holder of the Orange Lantern, as orange is the color of greed and it wouldn’t make sense for him to share that power with anyone. Larfleeze is like Space Gollum and he rules.

The one problem with the Lantern side of the DC Universe is how everything’s a big deal. It isn’t like other comics where your hero would fight his villain of the week a few times over then face a major universe-changing event. Green Lantern has been constantly going from major crossover to major crossover with no rest. The Green Lanterns are beating the Sinestro Corps? Forget that shit, there are more Lantern colors to deal with now! Wait, forget that! Now we have Black Lanterns overtaking the universe with zombies! No time for that! What the hell is the White Lantern and what does it want? Forget I mentioned that because one of the Guardians is evil and is going to kill us all! Oh, wait, now ALL the Guardians are evil! The Guardians are the least of our problems because the never-before-mentioned First Lantern is back and he’s going to rearrange reality out of his own demented selfishness!

Recently, Hal was banished from the Green Lantern Corps for killing the evil Guardian Krona. He saved the day in his actions, but he still killed a Guardian and that’s against the rules. Stuff happened and now he’s been crammed inside a Black Lantern ring, making everyone believe he’s dead. The newest Green Lantern of Earth is Simon Baz. Simon is an Arab-American and upon that announcement, thousands of dumbasses made the same joke of, “Ha ha, Green Lantern is going to be a terrorist!” Come on, son. Don’t be gross.

In a hilarious meta reveal, Simon was introduced as being wrongfully charged with committing a terrorist act. So art was imitating life. Simon wears a mask to hide his identity since he’s a public enemy and he carries a handgun with him at all times. Lots of people laughed at how this made no sense when he has the most powerful weapon in the universe, but it makes an awful lot of sense when you realize that one in three Green Lantern stories features a scene where the hero runs out of juice in his ring and has to fend for himself. Having a sidearm might not be the worst idea.

Regardless, everyone who reads comics knows that Guy Gardner is the best Green Lantern.

HARLEY QUINN

Alias: Dr. Harleen Quinzel
First Appearance: Batman: the Animated Series, Episode 7: Joker’s Favor (1992)
Powers: Peak physical conditioning, fantastic acrobatic abilities, immunity to toxins
Other Media: “Other” in relationship to what, exactly?

Harley is different from the other 23 characters in this game. She didn’t make her debut in the comics, but was instead created for Batman: the Animated Series as Joker’s faithful assistant. Even in comics, she first appeared in the tie-in for the cartoon. She was simply such a popular character that they had to incorporate her into comic continuity. Yet to this day, they refuse to give Ned Beatty’s Otis character from Superman his own comic spinoff. Has Kevin Smith named any of his kids after Bob the Goon? Come on!

There are slightly different versions of Harley’s origin, but they mostly tell the same story. She was Harleen Quinzel, a psychiatrist who wanted to do some sessions with the Joker. Despite the danger, it’s understandable. The possibility of successfully treating the Joker would grant you an automatic Nobel Prize and you’d make your mark on the world. Harleen was taken in by Joker’s charm and ended up becoming putty in his hands, eventually dedicating herself to standing by his side.

My favorite take on it came from Harley’s own comic series. Joker didn’t need to charm her because she was already into him. Joker realized that she was actually flirting with him during their initial session and thought it was hilarious. As par for the course, he started strangling her, but instead of gagging and struggling, she just looked up at him and gave a blissful, loving smile. Joker was disturbed by this and backed off, figuring that there were possibilities in this while reassuring her that he was only joking about the choking bit.

Despite Harley’s love for the Joker, there’s been very little indication that he regards her in any other way than a simple tool that he has to sweet talk when he isn’t abusing her or giving her orders. The two have had their separations now and then, though Harley seems to always find her way back. In fact, if you were to measure all of Harley’s comic appearances, you’d probably find that she’s teamed up with Poison Ivy far more often than the Joker. Ivy also injected Harley with some stuff that gave her minor superpowers, like her immunity to most toxins.

Harley had her own comic that was about her leaving the Joker’s side, mainly after he tried having her killed to get her out of his hair. Harley tried to make her own mark as a criminal with her own gang of misfit henchmen. The series ended with her taking part in an adventure where a little girl she had rescued got chemicals splashed into her eyes. She was told that the kid could be saved with some surgery, but it would be a costly operation and it would have to be immediate. Cut to that little girl being permanently blinded because Harley couldn’t bring herself to part with her stolen money. The guilt ate at Harley and made her realize what a broken, terrible person she was. And so, she surrendered herself to Arkham Asylum because she deserved to be there.

Another team-up with the Joker ended with Harley shooting him in the chest due to how Joker had become more cruel and demonic than actually humorous. Plus he tried to kill her again. From there, Harley spent a lot of time in the anti-hero game. She briefly joined the Secret Six, but her mercenary career didn’t last long. During a parade, she accidentally got their client killed, so she snuck off into the massive crowd and got the hell away before she could be punished.

She was one of the main characters in Countdown to Final Crisis but… You know what? We don’t need to talk about Countdown to Final Crisis. Nobody ever needs to talk about Countdown to Final Crisis. Take my word on this one.

She spent some time hanging out with Catwoman and Poison Ivy as the Gotham City Sirens, but turned on them towards the end of the series. She was planning on breaking into Arkham to murder the Joker for all the abuse he’s put her through, but then he convinced her to rejoin his side and help take over the asylum.

After Flashpoint, Harley’s design changed significantly. No longer wearing a jester outfit, she now resembles a Suicide Girl with half-red and half-blue hair along with a revealing outfit of the same color scheme. She’s constantly changing her demeanor from jovial to sexual to downright sadistic. She’s one of the main characters in the series Suicide Squad, where she’s shown an attraction to team leader Deadshot. Her connection/obsession with the Joker is still there, but she’s only worked with him one time since being introduced. Again, the situation left a bad taste in her mouth and she’s currently against ever working with him, partially because he once again tried to kill her.

Harley is one of the few villains from the animated Batman universe to get a real “where are they now?” conclusion. The Batman Beyond movie Return of the Joker showed her as falling down a deep hole, presumably to her death, although the authorities didn’t find a body. At the end of the movie, she appeared as “Nana Harley” and yelled at her no-good granddaughters who were working with the Joker. When Warner Brothers had the movie cut to pieces and edited into oblivion to garner a PG rating, they made sure Nana Harley’s dress was recolored black and red so really drive it home that she didn’t die.

HAWKGIRL

The Hawkpeople. Dear God, what a clusterfuck.

No kidding, you might want to skip this one because it’s easily one of the most complicated backstories in DC.

The original idea was that Shiera was the reincarnation of an Egyptian princess who started dating Carter Hall, an archeologist who turned out to be the reincarnation of her Egyptian husband. Carter discovered a mystical metal called “the ninth metal” (later just “nth metal”) that allowed him to fly. He became Hawkman and sometime later, Shiera got into the action by being Hawkgirl. So far, so good, right?

Then they did the Silver Age reboot and reintroduced the couple as Katar and Shayera Hol, two married police officers from the planet Thanagar who wanted to check out how Earthling cops do their thing. They joined the Justice League and at one point Hawkgirl changed her name to Hawkwoman. Also, the nth metal was explained as being a special metal from their homeworld. Again, so far everything is easy to follow.

Crisis on Infinite Earths happened and the Hawkpeople remained the same. Two cops from space who lived together on Earth. DC released a 3-issue miniseries called Hawkworld that was meant to be an origin story for how officers Katar and Shayera met on Thanagar. Thing is, it sold really well and got a lot of good buzz. It sold so well that DC decided that instead of making it a miniseries, it would be an ongoing and they’d continue churning out more issues about their adventures. But that wasn’t enough. In order to really push sales on it, they’d need to incorporate it into present continuity so they could do crossover stories. Therefore, Hawkworld was no longer an origin story about the past. It was an origin story about the present!

“But wait, that doesn’t make any sense, sir! We’ve already shown Hawkman and Hawkwoman a bunch of times since Crisis. They joined Justice League International for a while and showed up in our big event Invasion!”

“Eh… I don’t know. Let’s say it was Golden Age Hawkman and Hawkgirl all along.”

“What? That doesn’t make sense either!”

“Cripes, I don’t know… Okay, how about this? It was an evil Thanagarian and some Earth woman pretending to be Hawkman and Hawkwoman all along? Why am I even asking for your approval? Make it so!”

“Yes, sir!”

So that happened. Then when they did that Zero Hour story to make sense out of everything, it only proceeded to muddy things up even further! So much that the Hawkman property became “radioactive” or “toxic”, terms reserved for characters so fucked up due to bad writing and killed sales that writers aren’t even allowed to touch them. In the series Starman, the main character was told by a fortune teller all sorts of future adventures he’d get in, but in a later issue, she corrected herself and said that the whole “fighting alongside Hawkman” bit was an oversight on her part. When Grant Morrison took up writing the Justice League, he wanted to introduce a new Hawkman in the form of an angel, but DC didn’t even want Hawkman’s name to be mentioned in any way, so he called the character Zauriel.

Hawkman and later Hawkgirl/woman did make a return eventually. Here is the actual continuity of what’s what after Zero Hour. I’m just going to refer to all the Hawkgirl/Hawkwoman characters as Hawklady for something resembling simplicity. Okay. Ready? Let’s do this.

Hawkman A and Hawklady A were humans who fought crime during the World War II days thanks to the use of nth metal. They were in the Justice Society. Many years later, Hawkman B and Hawklady B hung around Earth. Hawkman B was really a spy from the planet Thanagar and he married an Earth woman and used brainwashing tactics to make her think she was also Thanagarian. Hawklady B remembered the truth, came clean to the Justice League, Hawkman B killed her and flew back to his home planet.

Hawkman C came to Earth with Hawklady C, both of them cops from Thanagar, though not married. Hawkman C and Hawklady C fought crime together and even helped save Earth when Thanagar tried to take over. Then in the Zero Hour storyline, Hawkman A, Hawklady A and Hawkman C all merged into one being: Hawkman D. Hawklady C threw her hands up, yelled, “DONE!” and quit the superhero business to become an Earth cop.

Hawkman D went crazy and was banished away. He exploded into the three souls. Hawkman C’s soul went to the afterlife and Hawkman A was resurrected, starring in his own critically-acclaimed series. The soul of Hawklady A jumped into the body of young woman Kendra Saunders. Kendra retained her own memories, but had Hawklady A’s reflexes and skills. She became Hawklady D. Hawkman A had the hots for her, but Hawklady D was like, “Gross! I’m not your wife, sicko! Get away from me!” But she sort of had the hots for him too. Eventually, Hawklady A’s soul left the body and went off to the afterlife. Hawkman A, Hawkman B, Hawklady C and Hawklady D went off to fight a big space war where Hawkman B and Hawklady C were killed.

Then the Green Lantern-based event Blackest Night happened. In the first issue, Hawkman A and Hawklady D were attacked and killed by some space zombie versions of the Elongated Man and his wife Sue. Elongated Man and Sue ate their hearts and turned them into space zombies. At the end of the story, a dozen superheroes and villains were inexplicably resurrected by the power of the White Lantern and that included Hawkman A and Hawklady A.

The hard part is over! Thank God! Back to just two characters with no overlap!

Hawkman and Hawkgirl had a big role in the bi-weekly series Brightest Day, which dealt with their many reincarnated lives over the centuries. The series was a bunch of lead-up to how a handful of the resurrected characters from Blackest Night were meant to represent the four elements. Hawkman and Hawkgirl were wind, Martian Manhunter was earth, Firestorm was fire and Aquaman was water. Together, they resurrected Swamp Thing. For some reason, Hawkgirl remained in her wind elemental form, meaning once again, Hawkman’s lost his eternal love.

Thank God for the Flashpoint reboot because instead of Katar Hol and Carter Hall being two completely different guys with similar names and the exact same superhero gimmick, they made it so that Hawkman is alien Katar Hol who is using Carter Hall as his fake Earth name. Hawkwoman has shown up as a villain based on misunderstanding and has already been killed off.

They will be introducing a new Hawkgirl into the Earth 2 comic soon.

I have no idea who the Hawkgirl from Injustice is supposed to be. I figure it’s just Shayera Hol because that’s who she was on the Justice League cartoon, the only reason anyone cares about her. Ah, Justice League. A cartoon where her story was simply that she was an alien spy who went and turned on her race when they attacked Earth. So simple. It makes some of the brain pain go away.

Cool thing about that cartoon: Marvel has a team called the Defenders, which is like a grouping of loner characters who somehow coexist as a unit together. In Justice League, there was an odd grouping of characters who were only placed together for the sake of being a gigantic Defenders reference. Aquaman as Namor, Dr. Fate as Dr. Strange, Solomon Grundy as the Hulk, Amazo as the Silver Surfer and Hawkgirl as a mix between Valkyrie and Nighthawk. Grundy always referred to her as “Birdnose”, which is exactly what Hulk’s nickname for Nighthawk was. Similar Posts:

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01 Apr 17:28

The Earth Defense Command Wants You

by d. merrill
Darylsurat

Project A-Kon: the template for anime conventions then...the template for anime conventions now...



My thanks to Derek Wakefield, Meri Davis, Logan Darklighter, Jeff "Dynamic Do-All" Blend, and Steve Harrison for their assistance in preparation of this article, which originally appeared a few years back on starblazers.com.



Once upon a time, one of the major anime fandom groups in the United States was based in Dallas, named after the military organization in Star Blazers, and made up of space battleships devoted to defending the Earth in the early 2200’s. This is their story.

Star Blazers fandom in Texas came out of the early 80s with a salute and a table of organization thanks to roots in both high school R.O.T.C. and Star Trek fandom.  Derek Wakefield was still in Denton high school when a January 1982 rerun of Star Blazers sparked the decision to turn his embryonic science-fiction club into a dedicated Star Blazers fan organization.  Derek had experience in fandom, being a SF fan introduced to the national Star Trek organization “Star Fleet Command” by the flight commander of his school’s Air Force Junior ROTC class.

(Derek) I was already a raving SB fan by that time. However, I was of the belief I was probably alone in that conviction. As such, a general SF theme seemed to be a safer bet.  Once SB returned to the airwaves in Jan 82, I opted to throw caution to the wind.

As a result of Derek’s organizational fervor and love of Star Blazers, American anime fans would not only get a Yamato-themed fan club with a slightly militaristic bent, but the genesis of the longest-runningcontinuously operating anime convention in the United States. 



Derek’s new SB club attracted attention through flyers in local comic shops and a publicity blitz at “Star Con”, a Dallas area SF convention.  In the meantime Derek was in contact with Westchester Films, who put him in touch with Mike Pinto of the Star Blazers Fan Club in New York.  Not seeing eye to eye with Pinto on several issues, Derek would build his Star Blazers club – the Earth Defense Command – in the spirit of the Star Fleet organization he’d previously been involved with; meaning, a naval-type organization with chapters serving as “ships”, chapter heads as “captains”, and a hierarchical structure based on the Earth government military as seen in Star Blazers.

(Logan Darklighter) There was an awareness of The Star Blazers Fan Club (SBFC) in the northeast at the very beginning (…). To be honest, one of the reasons (though most definitely not the main one) that Derek started the EDC was in part because he had been a member of SBFC and the leader of that club, Mike Pinto, rubbed him the wrong way on something. I don't even know if Mike Pinto was even aware of the EDC at the time, or if he had any antagonism towards Derek. I just know that Derek had some mild antagonism towards Mike when the subject ever came up. And even that antagonism was mild. More of a rivalry of sorts. "We can do better than them" sort of thing.

(Mike Pinto) My problem with the EDC was that I felt that what set Star Blazers apart was that it wasn't a mere cartoon aimed at kiddies, and was in fact a serious science fiction epic that could be watched by adults just like re-runs of Star Trek or the Star Wars film. So my modeling a club and giving everyone faux titles like "Captain" was just down right silly! How were we going to win over fans to anime if they came across a closed fandom where everyone pretended they were in the show. Certainly Star Trek fans didn't do this, and I was going to be damned if this lot ruined anime for generations to come!PS: Of course keep in mind that in 1980 I was just 15 years old, so the topic of a teen watchin' cartoons was a pretty sensitive one.

  
August 1983 was the date of the first convention dedicated to Japanese animation in America –the fabled Yamato Con at the Harvey House in North Dallas. Coordinated by a shadowy Dallas figure known only as "Bobb", Yamato Con surfaced in 1983 and again in 1986. The same organization sponsored another show with the name Ani-Magic. At the first Yamato-Con, the big attraction was an entire series of Star Blazers shown back to back, and a Yamato film screened in the original Japanese.  The EDC was organized enough to attend and distribute flyers. 



(Derek)The EDC had nothing to do with that event (other than showing up, putting out EDC flyers, and taking advantage of the co-mingling of SB fans). However, the con and the establishment of a SB fan base in the area did coincide during the same time period.
 
(Logan)The very first convention held in the local area that was all Star Blazers oriented was called Yamato-Con. And that was where I joined up with the EDC. I won the model contest there. Mostly by default, as I was practically the only entrant! (But I think I would have won anyway, with my meticulous cut-away model of the Yamato. Which I still own, BTW)

By the early 1980s Japanese animation was an undeniable part of American popular culture.  Anime – “Japanimation” or “Japanime” as it was then known - was carving out its own fandom niche alongside Star Trek, Doctor Who, and other media fandoms.  Audiences enjoyed Star Blazers, Battle Of The Planets, the Jim Terry “Force Five” package of super robot cartoons, and reruns of earlier shows like Speed Racer and Astro Boy, as well as a steady infiltration of toys and model kits marketed to an America hungry for science fiction in the post Star Wars era.  Anime comics, manga, model kits, LPs and other merchandise were available at SF conventions and the cooler comic shops, and fan organizers were already beginning to marshal their forces on a regional and national level to create the anime fandom of the 80s and beyond. Though shrouded in obscurity, Yamato Con’s existence is proof of Japanese animation’s impact in early 1980s America.



At Yamato Con, the star attraction was a copy of Be Forever Yamato with commentary provided by Jeff Blend.  In the audience was Meri Davis, who would later go on to head not just the EDC but also Project A-Kon, the first continuously-operating Japanese animation convention in the United States. As she puts it, “I heard Jeff translating Be Forever Yamato from the front of the room, and realized there was a lot more to the genre than just the series we'd seen on TV.”

Jeff and Derek and the burgeoning EDC would become the go-to guys for showing Yamato and any other anime at any Dallas area science-fiction fandom social event.

(Jeff Blend)There was a convention being held downtown.  The actual con was being held in an underground parking garage (that’s what they thought of Sci-Fi fans, I suppose).  Anyway, the convention had agreed to allow us to show this Yamato stuff.  They basically roped off a section of this garage with bedsheets to form a room that held maybe twenty chairs.  We showed a multi-generation copy of Be Forever Yamato with no subtitles (in those days, there was no such thing as subtitled pro copies – and we watched and liked it, damn it!  We had fun trying to guess the plot and making up our own dialogue – a non-parodied version of MST3K, you might say).  If I recall, we didn’t do too bad with the results – we certainly had people curious, some even stuck it out to watch.

United in their love for Star Blazers, Meri and Derek would join forces. The EDC began to have regular meetings, screen anime at SF conventions (particularly Larry Lankford’s Dallas Fantasy Fair), and reach out to anime fandom on a national level. At its late 80s peak the EDC had chapters in several states and a membership in the 300-400 person range. The primary means of communication and participation for members outside the Dallas “Metroplex” area was the fanzine NOVA and the newsletter WHISPERS OF ISCANDAR. The EDC would also publish an interim newsletter (“Sunburst”), an all-comics companion to NOVA titled SHONEN WILDSTAR, and SASHA'S SOLILOQUY, a collection of fan art. 



Dues to join the EDC started off at $5 a year and were adjusted upwards to $7, $8, and $10 (as of 1993).  Members were promised quarterly issues of NOVA and WHISPERS.  In practice, both fanzines appeared roughly twice a year.  NOVA began as a 8.5 x 11-sized magazine, spent a few issues as a digest, and returned to the full-page format for the remainder of its run.  Early articles included synopses of the various Yamato films and TV series, with notable exceptions being articles about Mobile Suit Gundam and fan fiction including Logan Darklighter’s epic saga “Between Galaxies”, one of the earliest Star Blazers fanfics. Robotech fever struck NOVA #8 (1986) with a Macross feature and an interview with Carl Macek. By the next issue of NOVA, characters ranging from Lupin III to Eve Tokumatsuri to Captain Harlock paraded across the pages.



My own involvement with the EDC started with a flyer I picked up at an Atlanta Fantasy Fair in the summer of 1984.  I came home from the convention astonished that fans of Star Blazers existed beyond myself and my friends, and that there were enough of them to start a fan club.  After sending my membership check off to Texas, my next contact with the EDC was a telephone call from Derek asking me if I was interested in becoming head of my own EDC chapter in the Southeast.  Boy, would I!

I really didn’t give the naval organization of the EDC much thought.  It was a Star Blazers club, that’s all that mattered.  I would have joined the Masons, a clown college or the Communist Party if they’d promised me Star Blazers fandom.

The EDC always was faced with the disinterest the majority of its members held towards the paramilitary organizational “warship = chapter” thing.  Most EDC members were there for the anime fandom; the zines and the meetings and copies of Be Forever Yamatowere most important. Reading the newsletters from the 1983-1985 period, several motifs are evident; difficulty in printing and distribution of fanzines, problems in starting chapters and keeping chapters active, and a general frustration at trying to fit the square peg of military task-force-based organization into the whatever-gets-us-anime round hole of fandom.

(Meri) I remember as the secretary of the EDC, typing the fanzine (Nova) and the newsletter (Whispers of  Iscandar) at work when nobody was looking (or staying late to sneak copies using trash paper to try to save a buck…)  



In the days before the desktop publishing revolution, producing fanzines was, let’s be honest, a tremendous hassle. Text had to be typed out on an old-fashioned typewriter. Typos were corrected with white-out.  Spaces for illustrations were created by judicious use of the tab key or the carriage return.  Headlines and logos had to be hand-drawn, or lettered using rub-down Letraset type.  Once ready to print, you had to find a copy machine.  In the days before Kinkos assumed dominance, photocopies were expensive, difficult to find, and varied widely in quality.

Then came the tedious business of typing out address labels, putting zines in envelopes, and schlepping the whole mess to the post office, who would proceed to lose a third of the mailing and mangle the remainder.  It was a struggle for a local fan club with 20 or 30 members; producing and mailing out a 60 page magazine to hundreds of people was a Herculean task.

As the 80s progressed, the EDC would ditch the more unwieldy military appellations and concentrate upon its core competencies – fanzines with plenty of fan art and fan fiction and whatever anime news could be gleaned from primary and secondary sources, backed up with convention anime screenings and a tape distribution service that provided the lifeblood of anime fandom, anime on videotape.

The only other national anime club - the C/FO – would eventually splinter into dozens of independent anime clubs.  However, with a core group of dedicated Dallas area fans enthusiastic about the medium and willing to work hard to bring anime into the spotlight, the EDC proved a central organization could play a role in anime fandom.

(Meri) I remember carting vid recorders and tapes to Ft Worth for their chapter meetings in a local rec center (long drive, big clunky equipment) and taking our own TV, vid recorder (this was the day of the top-loading VHS recorders that weighed a ton) and tapes to meetings in rec centers in Dallas monthly for a long time.

(Logan) Based on our rep that we made, the EDC ran the "Japanimation" rooms at the Dallas Fantasy Fairs and a couple of other local conventions. We were pretty tightly organized too. We had a set schedule of people there to run the machines and even to provide color commentary and explanations for what was happening on-screen when there were no subtitles, which were rare back then. We sometimes had people reading from a script translated from various sources in order to allow people to get the gist of the story. It was all rather intensive.



The man MOST responsible for keeping these operations all organized and running like they should was Jeff Blend. He did SO much work that he became known, somewhat jokingly, but always with great affection, as "the Dynamic Do-All" (in reference to the machine shop in the lower part of the Yamato where they made all the spare parts for the ship).



I REALLY want to stress this - Jeff Blend was THE go-to guy in the local fandom. Derek Wakefield and later Meri were good at organizing "the big picture", but if you wanted something copied, if you wanted the scripts, if you wanted the raw information, if you wanted something DONE. NOW. You went to Jeff. And he worked with everybody, regardless of fan politics. (…)  Jeff deserves more recognition for what he accomplished for fandom. Much more.

After a few years Meri was editing all the EDC publications and a crew of talented people were handling the operations of the club; Guy Brownlee would provide slick artwork for NOVA and act as convention liason; Jeff Blend continued to function as the “Dynamic Do-All”, collating all the translated information he could get his hands on and copying hundreds of hours of anime per month for anyone who asked. Logan Darklighter and Lee Madison provided hundreds of pieces of anime fan art for NOVA and related publishing projects.  Tommie Dunnam, JP Reader,  Max McArn, Tim Collier, Bud Cox, Lynn Hayes, Kenneth Mayes, Pat Munson-Siter, Bruce Lewis, James Staley, Robert Jenks, Edith DeGolyer, and scores of others worked tirelessly in the ranks of the EDC. 

 The slightly vindictive SDF Ft-Worth newsletter; YUKI, published by the Southeast chapter

Not without problems, however; whenever there are fans there are fan politics, and the Dallas area’s hothouse environment and the long history of fandom in the area meant that opportunities for drama and troublemaking were never far off.  A feud with the San Antonio C/FO club is now shrouded in the mists of time, but it caused real distress among the participants.  The Fort Worth chapter of the EDC splintered off into its own organization and published a newsletter seemingly for the sole purpose of complaining about a Ft. Worth convention and asking what was holding up the latest issue of NOVA.  At one point the head of another anime club attempted a hostile takeover of the entire EDC organization.  The situation resembled the fan feuds of today, minus the lightning quickness provided by our modern high-speed internet.

Over time the focus of the EDC shifted away from Star Blazers and towards Japanese animation as a whole. By 1987 issues of NOVA frequently featured articles on new OVAs like Iczer One, television shows such as Robotech and Saber Rider, fan fiction from Lensman and Voltron, and articles on older series like Speed Racer and Gundam as well as newer fare like Megazone 23 and Wings of Honneamise.  Artwork and comics included work from professionals like Ben Dunn, Colleen Doran, Tim Eldred, Dave Sim, the Waltrip brothers and Mike Manning, not to mention scores of amateur fan artists of every skill level.

fan art by Ken Mayes from NOVA
 The focus away from Star Blazers alienated some of the older fans, in particular Derek Wakefield, who would resign from the EDC in 1987, but the growing appeal of and  appreciation for the entire medium of Japanese animation was undeniable.  It would be years before Japanese anime fan culture in America would become sophisticated and knowledgeable enough to factionalize. Ironically, American anime fandom gained that sophistication and knowledge in part due to the convention anime screenings, the fanzines, the tape traders and the culture of the EDC and its staff and contributors. 

It’s this skilled group of EDC staffers that in 1990 would create Project A-Kon  - a anime-themed convention in Dallas aimed squarely at the audience the EDC had been cultivating for most of the 1980s.

(Meri) A-Kon started when a group of EDC'ers were at a general SF show (Star One in very late 1989) sat around talking with the head of the local Dallas EDC chapter Robert Jenks, who was going to permanently move out of state). The wish went out that 'gee everybody else has a convention, I wish we could put on an anime con before Rob has to leave' and (I) talked with the heads of Star One who gave tips, advice and hints on how this could be done (although way more expensively than first thought), and  proposed it to the group at the next EDC meeting the following month. A group of longtime EDCers including Edith DeGolyer, Guy Brownlee, Steve Treiber (who first proposed the name Project: A-Kon as a double pun on the words = it was a Project: (to put on an) Anime Convention (switching the C for the Japanese K),and playing off of  Project: A-Ko the anime show, which was still popular and new) and several others stepped up to run various departments, as they had already been working at other shows in various capacities over the years.

In addition to being an EDC staffer and a Project A-Kon volunteer, Robert Jenks would start his own Dallas anime convention, AnimeFest, which continues to this day.

Project A-Kon took off, computer networks began to take the place of print fanzines, and the new availability of Japanese animation in the American home video market began to replace the fan distribution system.  The need for a national anime fan club diminished at almost the same rate as the enthusiasm of the members shifted from fan club activity to convention planning.

(Logan) Ultimately, what killed the whole concept of the club - ANY club, not just the EDC - was how irrelevant fan clubs were becoming with the much more ready availability of films and merchandise and Anime Conventions themselves. And of course, then there was the Internet. With people able to communicate over the internet, what (was the) need of fanclubs and their printed newsletters? If you can get your info and tapes from conventions or even ordering straight from online, who needs to go to someone distributing tapes?

 By 1993 the EDC would be absorbed within the Project A-Kon organization. Without TV reruns or a home video release Star Blazers had ceased to be a “gateway” to anime fandom and certainly wasn’t popular enough to build a national fan club on, and anyway, the whole idea of a national anime club was fast becoming irrelevant.  As the 90s ended, anime conventions replaced anime clubs as the primary focus of fandom in just about every major metropolitan center in the United States.  The Earth Defense Command vanished not with a wave-motion bang but with the noisy buzz of anime convention crowds and computer modems.

Most EDC organizers continue to participate in anime fandom; Meri still runs Project A-Kon, attended by 14500 people last year.  Derek spearheaded the Yamato APA “Starsha” for several years and is still involved in Yamato fan fiction projects.  Jeff Blend continues to enjoy anime, particulary Rozen Maiden and Romeo X Juliet, as well as Avatar The Last Airbender.  Logan Darklighter describes himself as more of a manga fan these days. EDC chapter heads and members around the country went on to fill anime fandom with their own zines, clubs, conventions, and blogs.

The EDC is now merely a fond memory, but for a decade it was on the forefront of America’s anime fandom culture. Those involved look back warmly on print fanzines, narrated video rooms, fan feuds,  13th generation copies of Yamato The New Voyages with the video glitch when Iscandar explodes… but for all its hassles, the EDC was part of a tightly knit group of true believers working for a better tomorrow, or at least a tomorrow with more anime in it.  The success of Japanese animation in America today is a testament to that vision. 

  EDC promotional artwork by Guy Brownlee
29 Mar 13:55

VIDEO: Don't overlook Mark Briscoe

by figure4@ix.netcom.com (Bryan Alvarez)
Darylsurat

A cogent argument from cogent people who make cogent posts on Twitter

28 Mar 18:29

The Higher They Fly, the Harder They Fall

by Gavok
Darylsurat

Let's see how close to pre-Google Plus Reader this thing is. Test number one: sharing links in such a way that people can quickly divide shared links by person.

Yesterday, my badminton partner Chris Sims wrote a piece on the weekly comic tie-in Injustice: Gods Among Us, based on the upcoming game by Netherrealm Studios. For the most part, he and I disagree on it. I think it’s a fun series while he considers it one of the frontrunners for worst comic of 2013. The one thing we do agree on is the dire first three issues, though he certainly minds it a lot more.

The series tells the story of how Superman comes to take over the world in the name of the greater good, ultimately leading to a DC version of Civil War. Through the first three issues, we see the Joker devise a situation where after he shoots Jimmy Olsen in the head, he kidnaps Lois Lane and tricks Superman into killing her. He does this by dosing Superman with Scarecrow fear gas laced with kryptonite so that Superman thinks Lois is Doomsday and shoves her into orbit. And it turns out Lois is pregnant too. Then Joker blows up Metropolis. When in custody, Joker’s questioned by Batman and they argue over Superman’s integrity until the Man of Steel busts in and angrily puts his fist through Joker’s chest.

The whole “fridging of Lois” thing is what made me aware that the comic even existed, but I didn’t care to read it until seeing some panels from the fourth issue, where Green Arrow keeps Harley Quinn in custody himself so that Superman doesn’t execute her as well. Even Sims admits that that’s a well-written bit and has some positive things to say about the issues that follow. And yes, while I claim the series is worth checking out, I mainly mean AFTER the Joker plot.

That said, the discussion on the matter made me realize a state of comics that nobody really touches on. As unfun as Superman being tricked into killing his wife and unborn child is, I’m not all that offended by it because “fridging” or not, it’s a step that the writer kind of had to make based on years upon years of righteousness. It’s a fucked up thing, but it’s the double-edged sword that comes from the purity of comic book heroes. It definitely could have been pulled off better in this story, but it’s a necessary trope.

It makes me think about something Grant Morrison’s talked about during his Batman run. Over the decades, the way the Joker has been written has evolved into something nasty, both in the character’s context and in the writing context. He went from being a goofball obsessed with “boner crimes” to a man who’s killed more people than polio. He went from flying around in a clown-faced helicopter to cutting his face off and having it reattached like a Halloween mask. The explanation is that by figuring out the Joker and his crimes, Batman puts a cage over him. Joker has to think bigger and more twisted to escape the cage and Batman puts a bigger cage around that. It escalates and the next thing you know, Joker’s chopping his face up.

Every now and then, a writer will play with a superhero’s refusal to kill and see where that goes. Sometimes it leads to a hero deciding at the last second, “No, I can’t do that.” Sometimes they’ll be totally ready to do it until getting interrupted and realize later that it’s probably for the better. Then there are times when they really go through with it. Whether it’s a good story or a bad story, I don’t envy the writer who has to set up that plot development because you’re forced to go over the line.

When I think of superheroes who strictly don’t kill, the four who pop into my head are Superman, Batman, Spider-Man and Daredevil. Each and every one of them has had at least one story that shows just what it would take to make them kill. Most of the time it’s a non-canon story that can get away with it easily (ie. Injustice) while other times it’s a canon story meant to be part of the bigger picture of the serial storytelling.

The Marvel two on that list aren’t too hard to shove, all in all. Marvel characters are about being down-to-earth, after all, and while Spider-Man and Daredevil are virtuous dudes, there’s still a limit. For Spider-Man, it’s about taking out a loved one. In canon, he was fully prepared to hunt down the Kingpin and kill him once Aunt May flatlined, but since that got retconned away via deals with the Devil, he never followed up on it. In various What If comics, they’ve had him kill the Red Skull for executing Aunt May, kill the Kingpin for having Mary Jane killed (she took the bullet for Aunt May in this scenario) and one issue even looked at him beating the burglar to death for Uncle Ben’s murder instead of bringing him in.

Oh, and there’s that kicking rad What If by Jeff Parker where Wolverine convinces him to become his partner in making the world a better place via black ops. He shoots a bullet out of his wrist. It’s nifty.

Daredevil had a couple kills in What If on the Kingpin. The first suggested that he was fully planning on killing Kingpin during the events of Born Again, only to get his ass handed to him. In the What If, he’s smart enough to pickpocket a guard’s gun and bypasses the fight. In another story, Karen Page doesn’t die and her near death experience drives Matt to discover that Kingpin sold out his identity, leading to murder out of outrage. In both instances, Daredevil gets shit on because it’s comics and that’s what seems to happen to him 9 out of 10 times.

Which brings us to Daredevil’s in-continuity killing of Bullseye. After years of writers turning a good comic into a monthly look at how depressing they can make this poor guy’s life and mixing that with Bullseye blowing up an apartment building in Hell’s Kitchen, Daredevil finally has enough and executes a defenseless Bullseye. Then they reveal that he was possessed by a demon or something because you can’t have him go on to continue swashbuckling against crime unless you pull the “Parallax Defense” and blame someone else.

The characters in DC aren’t quite as human and sometimes come off as more cartoony in their ideals. Batman wants to kill the Joker SO MUCH but he won’t because it’s a slippery slope to him and once you pop, you just can’t stop. The Joker’s killed thousands and Batman won’t kill him. The Joker tortures James Gordon and cripples Batgirl and Batman won’t kill him. The Joker murders Robin and Batman won’t kill him.

In the Elseworlds story JLA: The Nail by Alan Davis, he decides to write a story where Batman is finally driven to kill the Joker for the sake of adding distrust to a superhuman community that lacks Superman. But how do you do that? If poisoning a load of boyscouts won’t do it, what will? Davis has to reach down deep and goes into really disturbing territory where the Joker – armed with some Kryptonian tech – tortures and tears apart both Robin and Batgirl while forcing Batman to watch it all unfold. When Batman gets free, he’s seen on live TV snapping the Joker’s neck in a fit of rage. With the deaths of his sidekicks and his moment of weakness, Batman endures his biggest failure in any continuity and the rest of the series – as well as the sequel, Another Nail – is about him getting by through the help of his remaining allies.

I still remember someone telling me that he thought Batman killing the Joker there was out of character. I mean… what more do you want before you can accept it as a thing that he would do?! You can’t build stories on this being a possible thing and then insists that it’s impossible no matter what angle you use.

Even Jeph Loeb of all people knows that Batman has a limit. If Joker had omnipotence and tortured Batman to death on a daily basis, I’m sure Batman would think, “I really want to kill that guy.”

Those are two extreme instances to set the ball rolling, especially compared to the Marvel heroes. Superman’s side of this is a little more unique. He has killed before, exposing Zod and friends to kryptonite out of fear of what they’d do if they ever came to Earth. There was also Whatever Happened to the Man of Tomorrow where he killed a demonic Mr. Mxyzptlk. Those were both instances where he had to protect the world and felt horrible about his actions afterwards.

The status quo of Injustice demands something more from Superman. Not only does he have to kill, but he has to feel vindicated so he can continue. The plot demands that Superman become a dictator, so how do you go about that and let it make sense? The Justice League cartoon was able to get by by simply having Lex Luthor kill Flash, but that plays by different rules.

Wait, you know, now that I think about it, Justice League did once have its own scene where Superman accidentally killed Lois.

No word on if she was expecting during this dream sequence.

As well-meaning as he was, Superman was basically a fascist dictator in Kingdom Come. In order to position him in that spot, Mark Waid had to cut Superman’s tether to mankind, which was Lois. Fittingly, this was done by having the Joker murder both her and Jimmy. It’s unsure whether or not Superman would have killed him, but Magog sure did and Superman got all pissy about it. Then again, as much as Waid loves Superman, he probably wouldn’t have.

Joe Kelly once did a story about Lois dying. Sort of. In his story arc Ending Battle, Superman came home from a long day of fighting so many bad guys to find Manchester Black standing over a dead Lois. This was all a mind trick done by Black to test Superman and to his shock, Superman passed by swearing he’d send Black to prison for the rest of his life. So killing Lois won’t make Superman flip the fuck out on that level. You have to go even darker because that’s what’s been established.

And there you are. What else is there left to do? If your intention is to write a story where Superman rules the world with an iron fist and Batman has to stop him, you can’t just go from A to C without proper justification. Something bad has to happen. You have to crack some eggs for this omelet and thanks to years of showing just how pure-hearted and unbreakable Superman is in these situations, you have to crack some disgusting and nasty eggs because anything less doesn’t work.

One might say, “Then simply don’t write a comic where _____ kills a dude in the first place.” But why not? Because it’s a bad comic? It doesn’t have to be. What If Daredevil Killed the Kingpin and JLA: The Nail were both very good. Just because something is taboo doesn’t mean you should never try to mess with it. If not, we wouldn’t have gotten Winter Soldier or the Last Temptation of Christ. You don’t know if you don’t try. If these characters are defined by their limits, then sometimes we have to peer into a world where those limits are broken. If the hero always wins, what would it look like if they lost? They never die? Well, what if they did? They’ll never kill? Something would change their mind, even for just an instant, else how can we identify with them?

It’s superhero fiction. There are no limits. If I can believe a man can fly, I can believe that he can be imperfect.

You know what? I just realized a fifth hero who is pretty big on the “no killing” rule. Wally West as the Flash. You know why he’s able to have stories that don’t show him killing? Because he never actually makes a big deal about it, so we don’t give a damn. You can’t lose if you don’t play.Similar Posts:

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28 Mar 14:31

My Little Pony: Friendship is Magic Has Manga in the Works

Darylsurat

Go read the comments for this. GO READ THE COMMENTS FOR THIS.

Manga in Pucchigumi magazine — home of Tamagotchi, Barbie, Stitch, Pretty Rhythm titles
28 Mar 13:31

Anime World Order Show # 113 – No Girls Allowed, These Girl Media Topics Are For Men Only

by animeworldorder@gmail.com (Anime World Order)
We thought we would be able to line up some guests to do the next review we had planned. That didn't work out, so we're recording this IN HASTE. Clarissa had a grad school conference to attend and thus couldn't make this recording. Daryl has articles overdue...and thus, is here! As such, Gerald is telling everybody the (bad) news and reviewing Gdgd Fairies. Visit www.animeworldorder.com for full show notes and supplemental links.
26 Mar 14:09

"Sailor Moon" Fan Zine Kickstarter Shut Down Due to Copyright Dispute

Project raised $8,500 for a zine planned to feature over 60 pages of color artwork from other 45 remarkable contributors


Here's an example of why there isn't much of a doujinshi scene in North America, particularly not in regards to print doujinshi. Sailor Moon fanzine "Moon Power" was looking good. It raised over $8,500 in Kickstarter crowd funding. It was set to feature some really interesting tribute art from some really interesting artists. Unfortunately, pre-orders have been halted after Kickstarter pulled the fundraiser due to a copyright claim. More after the jump.

25 Mar 18:39

To his friend while discussing the choosing of one's battles....

by MRTIM
Darylsurat

For the record, maybe the only one of those that was any good was the Darwyn Cooke Minutemen one because it was a stealth prank on the practice of publishers doing things like Before Watchmen in the first place