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02 Mar 19:47

20 Cool Things Leonard Nimoy Did Other Than Star Trek

by Lindsey Weber
Rachel

He directed Three Men and a Baby?! Mind slightly blown.


Perhaps Leonard Nimoy will be best-remembered as Spock, Star Trek's kindhearted half-Vulcan. And that would probably be enough. But Nimoy was more than his pointed ears: He wrote poetry, directed films, appeared onstage, and sang Lord of the Rings parodies. The man contained multitudes, to put it mildly. Here is but a small sample:  

He directed 1987's Three Men and a Baby
(Which was the top-grossing film of that year, by the way.)

... And 1988's The Good Mother:

He played Tevye in Fiddler on the Roof at the Atlanta Opera House in 1974.
There are sadly no recordings or videos currently on the internet.

He was the narrator in the 1999 cult video game Seaman.
Dreamcast's Seaman was a beloved pet simulator gone wrong. You could birth, raise, and chat with your half-human-half-fish abomination. You could also hear Leonard Nimoy as the narrator, his soothing voice perhaps drowning out your frustrations over your Seaman's disobediance. 

He could speak and read fluent Yiddish, and was a huge supporter of the Jewish community. 
In fact, the famous Spock tribute comes from a specific experience watching men in prayer — their hands creating the shape of the Hebrew letter "shin."

He was a deft and thoughtful photographer.
"In general, we are sort of conditioned to see a different body type as acceptable and maybe look away when the other body type arrives," he told Terry Gross in a 2007 interview with "Fresh Air" on his photography book The Full Body Project. These photos were praised by the New York Times for capturing women "fleshy and proud, celebrating their girth, reveling in it." To see some of the work, go here. (Naturally, they are mostly NSFW.)

He voiced Galvatron in 1986's Transformers: The Movie, as well as Sentinel Prime in Transformers: Dark of the Moon ... 

... And made a notable cameo on The Simpsons.
Read Simpsons showrunner Al Jean's remembrance.

He played a lawyer defending a robot in the 1995 reboot of The Outer Limits ... 

... And the villainous Dr. William Bell on Fringe

He was the (beloved!) voice of the opening segment at the Boston Museum of Science’s Mugar Omni Theater.
This one's for Boston kids only. Perhaps none of us can forget his rendition of "Who Put the Bomp" during the Omni Theater's soundcheck. 

He released five (!) albums with Dot Records. 
Leonard Nimoy was a wonderful songwriter — take track twelve off 1967's Leonard Nimoy: Mr. Spock's Music From Outer Space, "Highly Illogical": "Double barreled carburetors rush you anyplace / But you never can find a parking space." But he would show off his lovely baritone by singing covers of the likes of Creedence Clearwater Revival's "Proud Mary" and Johnny Cash's "I Walk the Line":

... And paid tribute to nerd culture with songs like, "The Ballad of Bilbo Baggins," a tribute to Lord of the Rings fans. 

He served as a sergeant in the United States Army from 1953 to 1956.

He and John de Lancie started Alien Voices, performing science-fiction novels in the style of radio plays.
You can still hear a bunch of the productions. Here they are doing one called "First Men on the Moon" with a special guest appearance by William Shatner. 

He published several volumes of poetry and two autobiographies.
Nimoy's poetry included the collections Will I Think of You, Come Be With Me, and A Lifetime of Love: Poems on the Passages of Life — a few selections can be read at the HyperTexts. His second autobiography, 1995's I Am Spock, was a follow-up to his first, 1975's I Am Not Spock, which at the time confused Star Trek fans into thinking he wasn't interesting in playing Spock any longer. (He was! He just had some deeper thoughts about the whole thing.) 

Who could forget this Saturday Night Live cameo? 
He joins Chris Pine and Zachary Quinto. 

And this wonderful Bruno Mars video for "The Lazy Song": 

And this one for the 1984 Bangles song "Going Down to Liverpool": 

He made this adorable ad for Audi with Spock 2.0, Zachary Quinto.
(Yes, this kind of counts as Star Trek-ian, but we'll let it slide.) 

He hosted In Search Of ... , a pseudo-documentary series about paranomal phenomena. 
Topics included: UFO Captives, Bigfoot, Killer Bees.

He has his own special day in his hometown of Boston, Massachusetts.
In 2009, Mayor Thomas Menino proclaimed November 14, 2099 Leonard Nimoy Day. Here he is accepting his proclamation: 

Read more posts by Lindsey Weber

Filed Under: leonard nimoy ,r.i.p. ,tv

28 Feb 23:26

TV Review: The offspring of Breaking Bad and House, Battle Creek is more doctor than meth cook

by Erik Adams
Rachel

I liked both. Win-win for me!

Battle Creek began as a pilot script by Breaking Bad’s Vince Gilligan, though it technically wasn’t written by “Breaking Bad’s Vince Gilligan”: The tale of mismatched law-enforcement agents Milton Chamberlain (Josh Duhamel) and Russ Agnew (Dean Winters) came together while Gilligan was fresh out of The X-Files writers’ room. The humble police procedural was developed for CBS in 2002, then dusted off by the network in the wake of Walter White’s last stand. Though Gilligan retains an executive producer credit, today Battle Creek is in the care of House creator David Shore, and traces of that “Sherlock Holmes in a hospital” drama are all over this series: the jaundiced sense of humor, the complex group dynamics, the misanthropic male protagonist butting heads with the stern female authority figure. It’s a new look for CBS that resembles the old-look Fox of the mid-’00s, when House ...

12 Feb 22:18

James Franco to Star in Hulu Adaptation of Stephen King’s 11/22/63

by Josef Adalian
Rachel

I like James Franco until he goes and gets involved with something I REALLY love and have high hopes for. Not the casting I want.


The streaming wars continue to escalate: James Franco has signed on to star in 11/22/63, Hulu’s previously announced nine-episode adaptation of the Stephen King novel. 

He’ll also be a producer on the project, which is from J.J. Abrams’s Warner Bros. TV–based Bad Robot Productions. Franco will play the central character in the show, a time-traveling English teacher named Jake Epping who heads back to 1963 on a quest to halt President Kennedy’s assassination. While 11/22/63 will be Franco’s meatiest TV role since 1999’s Freaks and Geeks, he’s done plenty of small-screen work since becoming a movie star, including guest turns on General Hospital, 30 Rock, The Mindy Project, and Nick at Nite’s Hollywood Heights. Though Hulu has produced some solid shows in recent years — most notably Hotwives of Orlando and the Seth Meyers–produced animated comedy The Awesomes 11/22/63 represents the streamer’s first big prestige play, along the lines of Netflix’s House of Cards and Amazon’s Transparent

Read more posts by Josef Adalian

Filed Under: james franco ,hulu , ,stephen king

10 Feb 19:08

Uma Thurman Shows Off a New Look at 'The Slap' Premiere

by Just Jared
Rachel

(Sorry Richard, I keep sharing from my favorite celebrity gossip site today.) Is this mislabeled?! That does not look like Uma Thurman. Is she going to take the same shit that Renee Zellweger has to put up with?

Uma Thurman Shows Off a New Look at 'The Slap' Premiere

Uma Thurman keeps it sleek while arriving at the premier of her new show The Slap held at The New Museum on Monday (February 9) in New York City.

The 44-year-old actress was seen posing with her co-stars Thandie Newton and Melissa George.

PHOTOS: Check out the latest pics of Uma Thurman

Uma recently chatted about enjoying this stage of her career more after her kids have grown up.

“I actually find work can be quite relaxing,” Uma shared to Britain’s Stylist magazine. “When the children were little I wasn’t able to work like I did before. So now, when I do it’s very much like, ‘This is good, this is my time.’”

FYI: Uma is wearing Chopard jewels.

10+ pictures inside of Uma Thurman attending The Slap premiere…

10 Feb 18:48

Who Is Beck? Meet the Big Grammy Winner Here!

by Just Jared
Rachel

Am I old?

Who Is Beck? Meet the Big Grammy Winner Here!

Since Beck won the Album of the Year award at the 2015 Grammys, the phrase “Who Is Beck” began trending across Twitter.

Beck, aka Beck Hansen or Beck David Campbell, a 44-year-old musician, had some stiff competition for the prize. He was up against Beyonce, Pharrell Williams, Ed Sheeran, and Sam Smith.

- Most importantly – Beck is an accomplished musician who has released a ton of albums! Among them include Golden Feelings (1993), Stereopathetic Soulmanure (1994), Mellow Gold (1994), One Foot in the Grave (1994), Odelay (1996), Mutations (1998), Midnite Vultures (1999), Sea Change (2002), Guero (2005), The Information (2006), Modern Guilt (2008), and finally, his Grammy winning album Morning Phase (2014).

- He’s also had 40 singles from his numerous studio albums.

- Over the years, he’s won 5 Grammy awards. Two in 1997, one in 2000, and two this year. He’s been nominated for 16 Grammy awards throughout his career.

- Beck has also won 6 MTV Video Music Awards throughout his lengthy career.

Check out pics of Beck from the 2015 Grammys and his performance with Chris Martin.

06 Feb 17:56

Family fake-kidnapped 6-year-old to teach him to mistrust strangers

by Cory Doctorow
Rachel

"And that's why you don't trust strangers"

The Troy, MO family of a six-year-old boy staged a kidnapping in which they terrorized him and made him believe that he would be sold into sex slavery, because they wanted to convince him not to be so "nice" to strangers. Read the rest

05 Feb 15:24

German Government Using a Battlestar Galactica LARP to Train Future Diplomats

by Stubby the Rocket
Rachel

As a casual nerd, I know what LARPing is! Thanks, Supernatural!

Battlestar Galactica larp Germany Projekt Exodus

A recent trend has seen European live-action roleplaying games, or LARPs, set at actual locations that play into their source material—for instance, the Harry Potter LARP College of Wizardry set in a Polish castle. Germany is going a step further with Projekt Exodus, a roleplaying experience with an educational aspect.

For five days, 80 aspiring diplomats will (according to Projekt Exodus’ website) “analyze the narrative structure” of the 2003 Battlestar Galactica reboot and, through playing out characters and scenarios inspired by the television series, will explore and build on themes including government, ideology, and freedom. Projekt Exodus is funded by the German Federal Agency for Civic Education, which promotes political and media literacy.

[Read more]

Read the full article

04 Feb 03:40

New Lands’ End CEO Sees Company As A ‘Global Lifestyle Brand’

by Laura Northrup
Rachel

No...I love and need my Lands End. I can't get priced out of buying this stuff :(

When you think of “Lands’ End,” you probably don’t think “high fashion.” Yet the brand has hired Federica Marchionni, the president of Dolce & Gabbana USA, to be the company’s new CEO. Will Marchionni be able to turn Lands’ End into a global luxury brand and help it find a more profitable identity after breaking off its 13-year relationship with Sears?

Sears purchased Lands’ End in 2001, before the department store merged with Kmart to create Sears Holdings. While it seemed like a nice idea that a famous mail-order brand could set up mini-stores in Sears locations and perhaps draw Lands’ End customers in to try things on and return or exchange items. Sears spun the brand out as a separate company last year, and it still lacks an identity in its post-Sears era.

It’s difficult for the company to find its own identity when its offline presence is still inside Sears stores, just as it was when the companies were still together. Yes, officially the new company rents that space, and they announced vague plans to leave the Sears nest at the time of the spinoff, but that would be an important first step.

Marchionni has a background in selling pricey items to wealthy people: after working for major electronics companies, she took executive jobs at Ferrari and Dolce & Gabbana. Her goal with Lands’ End is to take the company’s heritage as a “classic American brand” and transform it into a “global lifestyle brand.”

New Lands’ End CEO comes from Dolce & Gabbana [CNN]

30 Jan 16:49

Season One Volume One of ‘Outlander’ Is Coming to the Netflix DVD Plan

by Sarah Ksiazek
Rachel

You're tricky plan to get me in the Dean Winchester fan club makes me not even care if you all watch this stupid Outlander show anymore. There are more important things to fangirl over. Well played.

I was just checking my queue for my Netflix DVD queue and noticed that Outlander has a March 2015 date next to the title in the “Saved Titles” section.  There will be two discs for the eight episodes.  So if you don’t have premium cable and you don’t want to buy the DVDs, here is the cheapest avenue for those in the USA.  I would bet that Outlander will not be a part of the Netflix Streaming.  So upgrade your Netflix plan, or wait until March and take advantage of a free trial if you have never subscribed to Netflix.

Netflix

 

Update (2/3/2015): Outlander has now left the Saved Titles section and moved to the “DVD Queue” section of your Netflix list.  The DVDs will be available on March 3, 2015.

Netflix Queue

Source: Netflix

29 Jan 22:14

How to Win at Rock-Paper-Scissors

by Hannah Keyser
Rachel

Dean should read this.

Considered in a vacuum of perfect randomness, rock, paper and scissors are all equally viable and equally strong options when playing a good old fashioned game of Rock-Paper-Scissors. Therefore, if you were playing against a computer that approached each game with a fresh batch of absolutely no human emotions or expectations, your best bet would be to play each option exactly one-third of the time. But since you're probably not playing against a computer (right?) you have to take into account your opponent's conditional response—or, how previous events will shape his or her behavior.

To examine this, researchers at Zhejiang University in China had 360 students, broken into 60 groups of six, play 300 rounds of Rock-Paper-Scissors (over the course of a presumably very monotonous couple of hours). Their findings are represented by a series of increasingly complex graphs and equations here, but if you're concerned about the practical application of winning trivial hand games, check out this video produced by the nonprofit Mathematical Sciences Research Institute.

The video details two key findings from the study that help you decide what to play next after an initial game of Rock-Paper-Scissors. In each game, there are two possible outcomes: you win, or you lose. Since we are trying to predict what the other person will do, it helps to consider this from their perspective: they win, or they lose. If they win, they are statistically more like to re-play whatever they just won with than the other two options, and you should react accordingly. So, if you play paper and they beat you with scissors, chances are, they will play scissors again—so in order to win you should play rock.

Let's consider the other option—that they lose. In this case, they are more likely to behave in the next game as you did in the previous scenario, which is to say, play the thing that beats the thing they lost to. Knowing this, you should play the thing that beats the thing that beats the thing they lost to (you follow?). Or, if you play rock and beat their scissors, they will most likely play paper, assuming you will repeat rock, so in turn, you should play scissors. Since there are only three options, you can simplify this by just playing what they played the previous round.

Just hope your opponent didn't also get a look at this study.

28 Jan 17:29

The Patriots: Out-and-Out Liars? Or Just Outliers?

by Jay Livingston, PhD
Rachel

“The League became suspicious when a Patriots player scored a touchdown and instead of spiking the ball he just folded it and put it in his pocket.” lol.

I’m not saying that the Patriots are out-and-out liars. But they are outliers.

The advantage of an underinflated ball, like the eleven of the twelve footballs the Patriots used last Sunday, is that it’s easier to grip. Ball carriers will be less likely fumble if they’re gripping a ball they can sink their fingers into.

We can’t go back and measure the pressure of balls the Patriots were using before the Colts game, but Warren Sharp (here) went back and dug up the data on fumbles for all NFL games since 2010.  Since a team that controls the ball and runs more plays has more chances to fumble, Sharp graphed the ratio of plays to fumbles (values in red squares in the chart below) along with the absolute number of fumbles (values in blue circles). The higher the ratio, the less fumble-prone the team was.

1

One of these things is not like the others.  That’s what an outlier is. It’s off the charts. It’s nowhere near the trend line. Something about it is very different. The variables that might explain the differences among the other data points – better players, better weather or a domed stadium, a pass-centered offense – don’t apply. Something else is going on.

As the graph shows, when the teams are rank ordered on the plays/fumbles ratio, the difference between one team and the next higher is usually 0-2, there are only two gaps of 5 until the 9-point gap between #3 Atlanta and #2 Houston. From the second-best Texans and to the Patriots there’s a 47-point jump.

Sharp also graphed the data as a histogram.

1 (4)

It’s pretty much a bell curve centered around the mean of 105 plays-per-fumble. Except for that outlier. And the chart shows just how far out it lies.

The Patriots play in a cold-weather climate in a stadium exposed to the elements.  Yet their plays/fumble ratio is 50% higher than that of the Packers, 80% higher than the Bears. They have good players, but those players fumble less often for the Patriots than they did when they played for other NFL teams.

Usually, the statistical anomaly comes first – someone notices that US healthcare costs are double those of other nations – and then people try to come up with explanations.  In this case, it wasn’t until we had a possible explanatory variable that researchers went back and found the outlier. As Peter Sagal of “Wait, Wait, Don’t Tell Me” said, “The League became suspicious when a Patriots player scored a touchdown and instead of spiking the ball he just folded it and put it in his pocket.”

UPDATE, Jan. 28: Since I posted this, there has been some discussion of Sharp’s data (“discussion” is a euphemism – this is sports and the Internet after all). If you’re really interested in pursuing this, try Advanced Football Analytics  or this piece  at Deadspin “Why Those Statistics About The Patriots’ Fumbles Are Mostly Junk,” (to repeat, “discussion” is a euphemism, and if you more strongly voiced views, read the comments). One of the difficulties I suspect is that a fumble is a rare event. The difference between the teams with the surest grip and the most butterfingered is about one fumble every couple of games.

Cross-posted at Montclair SocioBlog.

Jay Livingston is the chair of the Sociology Department at Montclair State University. You can follow him at Montclair SocioBlog or on Twitter.

(View original at http://thesocietypages.org/socimages)

27 Jan 15:17

A Softer World: 1196


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27 Jan 14:30

How to Finally Get Through Your Seemingly Endless Netflix Queue

by Patrick Allan
Rachel

I've been watching the same show for 6 months now; the end is in sight....Also, I finally deleted Archer. That albatross is gone.

How to Finally Get Through Your Seemingly Endless Netflix Queue

Netflix is great at providing a lot of things to watch, but sometimes it seems like there's almost too much. If you have a hard time actually getting to the things on your list—or find yourself watching the same things over and over—these tips can help.

Read more...








25 Jan 00:30

The $72 Amazon Prime Deal is Live, Even For Existing Subscribers!

by Shep McAllister, Commerce Team
Rachel

Gulp. Guilty of both.

The $72 Amazon Prime Deal is Live, Even For Existing Subscribers!

As promised, Amazon is selling 1-year memberships to Amazon Prime for just $72 right now (down from $99) in celebration of the 72nd Annual Golden Globes. Plus, everyone can also stream the award-winning Transparent for free today, even without a membership. I've watched it, and can't think of a better way to spend a lazy Saturday.

Read more...








22 Jan 15:41

Exciting New Fashion for Men: Crocheted Shorts

by John Farrier
Rachel

I'm closing up shop. No reason to keep trying.

Good news, everyone! You can look like these handsome fellows, thanks to Etsy seller Schuyler Ellers. His exclusive Lord von Schmitt line includes these colorful crocheted shorts which give you the dangerous, rakish look that so many women find attractive. They're form fitting, too, so you can show off all of your curves--and you know that you want to. So slip on a pair and go get 'em, Tiger.

-via Ace of Spades HQ

23 Dec 14:37

SI Review: Rudolph the Red Nosed Reindeer

by D'Lane Compton PhD

Sure to be a classic!

The tale begins with a baby calf named Rudolph born to what is assumed to be a typical reindeer family.  Immediately we recognize that this is no typical Hollywood tale. As we all know, male reindeer lose their antlers in late fall, but female retain throughout the Christmas season. By making Rudolph, Donner (the head of the family), and all of Santa’s reindeer female, the film makes a strong departure from the androcentric status quo.

IMG_4657

The new baby girl fills the house with joy until the parents discovered the calf to be quite queer—Rudolph had a red nose that glowed. Initially ashamed, Donner drew on a very functional and literal cover-up of mud and clay to hide the nose. It is believed this was for the good of the calf as this story was set in a pretty cruel place—a place where even Santa was unkind and unaccepting of differences.

Spring training comes along with masculinity classes for Rudolph. This was a highlight of the story for me. It was nice to see time was taken to demonstrate that gender is socially constructed and masculinity is learned. Girls can do anything that boys can do and our young protagonist was exceptional, even best in the class.

However, the mud and clay would be an impermanent fix. Rudolph’s glowing nose was revealed during play and the names and bullying began. In fact the bullying was even legitimated by the coach. With such an unaccepting family and community, Rudolph runs away.

IMG_4664

Meanwhile, in (one of) Santa’s workshops, an elf named Hermey was having a Jerry McGuire day. Hermey, perhaps the most relatable character to mainstream American society, was questioning the system. Hermey wanted to do what made him happy. He wanted to be a dentist. Working in an assembly line factory with long hours and no dental was not living the dream. Hermey decides he is a Dentist and also sets out alone.

Unsurprisingly, Rudolph and Hermey run into each other on the path out of town, also called loneliness. After a day in the polar wilderness they meet another queer named Yukon Cornelius who is always in search of gold or silver.

The three misfits then encounter the abominable snow monster. “Mean and nasty,” he “hates everything about Christmas.” Clearly, his teeth and wide reaching claws are designed to compel compliance with the social order.  White, male, and against magic for the masses, this character is clearly intended to represent the kyriarchy, the system meant to uphold the intersecting oppressions of class, race, and gender. The movie’s central challenge is set: smash the kyriarchy.

IMG_4662

The group initially retreats, only to find themselves on The Island of Misfit Toys where they are greeted by a flamboyant Charlie-in-the-box. It is here Hermey and Rudolph begin to dream of having an accepting place and we see the strong desire for a community. Surely, if dolls with low esteem, pink fire trucks, and trains with square wheels can be free of oppression, they can too.

Emboldened, the trio now returns to kill the kyriarchy. Using the never fail logic that bacon trumps all meats, Hermey makes like a pig to get the abominable snow monster’s attention. Once the snow monster steps out of the cave, Yukon knocks him out by dropping a boulder on his head; Hermey pulls out all his teeth in a symbolic and literal de-fanging.

IMG_4663

Yukon pushes the monster off a cliff, but he falls, too. This is the most symbolic part of the tale, as the group has bonded together to kill the kyriarchy but not without some loss. The message is clear: if we build alliances, we can take down the power elite, but there will be sacrifices.

I will not ruin the end of the tale for you, only to say that Rudolph does in fact save Christmas, but it is by demonstrating value to the man—Santa. Once Santa sees Rudolph and his misfit friends as an asset he de-identifies at least slightly with the kyriarchy. For now, Christmas town was a cheerful place. A small battle had been worn.

Overall, Rudolph the Red Nose Reindeer gets two thumbs up!

It is sure to become a classic tale of systems of oppression and privilege, stigma, and the struggle for self-acceptance. In Rudolph, difference can be good. It was quite progressive with its message advocating inclusivity, alliance, and dissent against systems of power. I love the commentary on the lack of queer community organizing and the role of misfits in fighting capitalism and the power elite. It took on some hot button issues in nuanced ways, especially the policing various classes of citizens and the importance of open carry laws.

It also took some big risks related to casting. It was gender progressive and, outside of the binary, we have at least two characters that blur sex categories. Clarice, for example, presents as feminine and female pronouns are employed with her, yet she has no antlers in late winter. While Hermey dresses like the male elves, but he has swooping blonde hair and a small nose like the female elves.

For years to come, Rudolph will no doubt be a wonderful conversation starter for both awkward and fun winter gatherings alike.

D’Lane R. Compton, PhD is a lover of all things antler, feather, and fur. An associate professor of sociology at the University of New Orleans with a background in social psychology, methodology, and a little bit of demography, she is usually thinking about food, country roads, stigma, queer nooks and places, sneakers and hipster subcultures. You can follow her on twitter.

(View original at http://thesocietypages.org/socimages)

18 Dec 17:18

Stephen Colbert Was Late Night’s Most Passionate Book-Nerd

by Boris Kachka
Rachel

Yes.


“It was the most warped author interview on television,” says Jonathan Karp, the publisher of Simon & Schuster’s flagship imprint. “The more stupid the question was, the more intelligent the conversation became.”

The Colbert Report ends its run today, but yesterday was its last “ordinary” show, and its last guest was, of all people, a fiction writer (Phil Klay, an Iraq veteran whose story collection, Redeployment, won this year’s National Book Award). It was a reminder, as Stephen Colbert prepared to slough off his idiot character for good, of his strange, honorable service to literature. In addition to everything else the show has accomplished since launching in 2005, it might have been TV’s most effective servant of books.

For nine years, Colbert enlisted roughly two writers a week into a bizarre form of theater, the Dick Cavett shadow-play today’s America deserves. It was intellectual combat repeated as farce — and a Trojan horse for the promotion of good books. Everyone in publishing prays that it survives Colbert’s move to CBS.

Not since Oprah’s Book Club has any one personality been able to sell copies in six-figure increments, and, well, Colbert didn’t come close, either. An especially good Report interview might have as strong a sales impact as an appearance on The Daily Show, but Colbert wasn’t a “tentpole asset” on Stewart’s level, per one head of publicity. (Either could easily mean a 5,000-copy spike but not too much more.) Yet Colbert had more actual writers on than his mentor — not just politicians flogging books. “Stewart gets the head of state,” says Little, Brown editor Reagan Arthur. “Colbert goes more for the person who’s writing about the head of state.”

He also punched far above his weight. Network shows have much higher ratings, but the authors they feature — from early morning to late night — barely make a Bookscan blip. “The caliber of author that will even get onto Letterman or Fallon is going to be a best-seller anyway,” says another publicity head, “and these days, even the morning shows don’t do what they once did.” The Colbert Bump, on the other hand, is real, if not always spectacular. “What’s extraordinary is that even interviews that are completely absurd and barely touch on the books have this spike to them,” says Riverhead publicist Jynne Martin, who handles repeat Colbert guests Junot Díaz and Steven Johnson. She can’t say that about Good Morning America. “There’s an unbelievable trust in his instincts — $26.95 worth of trust. Hardcover books cost a lot of money.”

But for many authors and editors, it wasn’t just about money. Colbert producer Emily Lazar, who booked the writers, had a long producing career with CNN, CBS News, and Charlie Rose (and is married to political writer Jonathan Alter); her taste drove the author interviews. “In a culture that has reduced literature down to a market or celebrity function, Colbert provided one of the few public spaces of deliberation for writers on mainstream television,” says Junot Díaz. “It was a comedy show that was deadly serious about putting writers in front of its audience, deadly serious about reminding people that literary culture is at the center of both a healthy democracy and a healthy public discourse.”

That discourse was often well disguised, sometimes at the expense of writers more accustomed to the bookish pace of Leonard Lopate or Terry Gross. “It’s the quickest four or five minutes of their life,” says Penguin Press publicist Elisabeth Calamari. “Some are better at it than others.” Avid Colbert fans are by now familiar with his backstage admonitions to guests, some variation on: Think of that character I play as your drunk idiot uncle. Your job is to dissuade me, earnestly, of my idiotic assumptions. That isn’t always an easy thing to do.

“I was struck with terror at the idea of going on Colbert,” says Billy Collins, the popular and TV-friendly two-time U.S. Poet Laureate. “He’s a very slippery character.  A number of people told me, 'Just be yourself,' and my response was, 'Well, he’s not being himself!'” Collins prepared by watching other Colbert interviews. “A lot of guests come out with a defensive posture,” and that didn’t seem to work. “I just gave him a lot of room to do his shtick,” he says. It went far better than expected; they even read a poem together on the air. “I had a spinal tap once, and it’s actually completely painless, but the anticipation of it is nerve-racking.”

Three-timer George Saunders calls the Colbert pulpit “a terrifying privilege. It shines a light on who you are — the weaknesses in your way of thinking, the little conversational feints you hide behind, the things you are counting on no one ever calling you out on. In the end, I felt like the best approach was just to trust Stephen. If he wanted to take down a guest, he could do it easily, but he never does that. My sense was that his audience loved it when the gloves came off and both Stephen and his guest were really going for it and having fun.”

No one has been more game than historian Doris Kearns Goodwin, a four-time guest and the butt of a running gag: Colbert makes a bizarre sexual reference, followed by, “Once again, my apologies to Doris Kearns Goodwin.” She’s still regularly stopped on the street by strangers sharing the latest dirty joke — “which has only added to the fun for me.” As for the appearances, “The first time, I kept telling myself I was doing this for my kids, who were thrilled, and that it would soon be over no matter what. But midway through the first interview, I began to realize I was actually having fun.” It helped, she says, to sit back “instead of waiting anxiously to put in some line of my own.”

Colbert is most beloved among book folks for taking a stance this year in the dispute between Amazon and his own publisher, Hachette, which caused his and other books to be all but blacklisted from Amazon’s website. Sherman Alexie, who was active in the cause on social media, had already been talking to Hachette CEO Michael Pietsch (who declined to comment for this story) about finding a debut novelist whom he could help to overcome Amazon’s potentially career-crippling delays. Of the half-dozen Pietsch sent him, Edan Lepucki’s California stood out. “I was just gonna do it on my own,” says Alexie. “Edan would have sold 40 more copies.” Instead, he plugged it on the Report, and California, with an initial 12,000-copy print run, hit No. 3 on the Times best-seller list. There are now 65,000 copies in print.

When Colbert had Lepucki herself on, she had no problem following the producer’s instructions: “Don’t be glib, just be sincere and grateful.” Determined to put Lepucki on the Times list, producers asked Alexie and at least one other publisher for advice. Alexie suggested focusing on Powell’s, the large Portland independent, so Lepucki traveled there and signed 10,000 copies. The crusade didn’t just benefit her (or Stephan Eirik Clark, whom Lepucki recommended in turn). Like Colbert’s 2011 Super PAC stunt, it dragged corporate tricks out from under the news cycle and into the light of day. “The skit reached millions of people in a way that our measured response did not,” says Authors United’s Douglas Preston, adding that it led more writers to sign on with him against Amazon.

Book people are split, but hopeful, on whether Colbert can bring the same publicity to writers on a network show. Emily Lazar refused to comment, via Comedy Central, on whether she’ll follow Colbert to CBS, but a couple of her friends in publishing said it was highly likely. Even if Colbert keeps the number of guests constant, they might be on past midnight, speaking to a watered-down, less literate audience and a host who’s given up the magnetic persona Alexie calls “Dick Cavett and George Carlin with a couple teaspoons of Barry Goldwater.” Alexie adds, “I’m certainly worried about it. Based on the authors that have been on late-night TV, for Colbert to bring on writers like he has would be revolutionary.”

Saunders is more optimistic. “My hunch is that he’ll be just as funny out of character,” he says. “I think he won’t be afraid to go deep either, and it wouldn’t surprise me if he pioneered a new, more expansive kind of TV-book interview. His intelligence is so acute and adaptive, I think the new format will bring out sides of him we haven’t seen before.”

Read more posts by Boris Kachka

Filed Under: stephen colbert ,tv ,the colbert report ,george saunders ,phil klay ,doris kearns goodwin ,junot diaz ,looking back

16 Dec 20:08

Newswire: Disney wants more Indiana Jones, has to get through this Star Wars thing first

by Eric Rovie
Rachel

Flames, flames on the side of my face...

In a case of “there’s no time like the present except maybe the distant future,” Disney has decided they would like another film in the Indiana Jones series, but not until after they have all of this “new Star Wars” business squared away. When Disney acquired the rights to Lucasfilm for $4 billion in 2012, they immediately set to work on Star Wars: The Force Awakens, putting the other Lucas properties on the back burner. But Disney chairman Bob Iger has also addressed the possibility of pumping new life into the Indiana Jones franchise, according to Variety’s Marc Graser:

Disney’s Bob Iger: “We’d love to make another Indiana Jones movie but we’re pacing ourselves right now,” launching Star Wars first.

— Marc Graser (@marcgraser) December 10, 2014

Given the massive response to the Star Wars: The Force Awakens trailer, we can assume that ‘pacing ourselves’ means ...

16 Dec 20:00

49 Stars, Musicians, Authors, and Other Celebrities Say Farewell to Stephen Colbert

by Vulture Editors
Rachel

I'm tearing up at work! Not cool.


Stephen Colbert's reign as character-in-chief of The Colbert Report ends this week. To send him off, Vulture enlisted the help of celebrities, authors, journalists, actors, and other notables who have appeared on the show, or are just huge admirers, to recount their memories of one of the greatest TV characters of all time: Irish Wake–style! The voices below demonstrate that Colbert — man and character alike — had no lack of fans and friends. Colbert's new gig, host of The Late Show, won't begin until summer 2015. In the meantime, enjoy this look back at his remarkable run.

James Franco
I was on the show a few times. Each time we talked about Tolkien, and Colbert schooled me in Middle Earth lore. That guy must read The Silmarillion every night right after he reads Dick Cheney’s memoirs. The second time I went on, I tried to stump him with some arcane Tolkien trivia. I asked him to name at least two of the Valar, the undergods of Middle Earth. Without blinking, he said, “Would you like Manwë, lord of the wind, Mandos, king of the underworld, Varda, queen of the stars ...?” We got along very well because I always appreciated his playful irreverence. I had no need to outplay him; I was happy to go along on his crazy ride each time. It was art. Colbert could do or say absolutely anything because it was all through the mask of his character, even though everyone was in on the joke. The character gave him license to speak the truth through its opposite: satire.

Ben Affleck
He and Jon Stewart literally created a form of entertainment that didn’t exist before, and that’s a really rare thing in entertainment. Usually — like we did [with] Good Will Hunting, it was part Searching for Bobby Fischer and part Little Man Tate — you borrow from movies. These guys actually invented something, which was a comedy show that still took the news seriously and still was really provocative. That in itself is extraordinary. And what was even better is that they were great entertainers, had great writers. Colbert will be very, very successful.

Jennifer Garner
What made his show special was his hair. Mm-hmm, and how it seemed to float all in kind of one piece, as if carved out of a plastic.

Jon Stewart
I view us as kind of a block, as one entity. But the good news for me is I still get to be friends with him.

Neil deGrasse Tyson
I appeared about 13 times on The Colbert Report — I think more than any other guest. Living just three miles from the studio, at some level, I was surely just an easy date. It was far and away my hardest interview in any genre. There's nothing like it on television or anywhere else. It took prodigious brilliance to pull it off. Stephen Colbert has it. And he did it.

Sarah Silverman
I have so many favorite moments, and I'm going to say one that probably won't ultimately be my favorite, but when he spoke about his mother passing, it was a genuine moment. That's not what's brilliant about him, but, it was really special to me. I thought it was beautiful, and I just think he's a really special person.

J.J. Abrams
I was abjectly terrified [to be on the show]. In my first appearance, we had pretaped a bit in which we both had to interact with a Romulan Stephen Colbert (whose name was St’eE’pha’n Kh’olber’T). As if I didn't love him enough already. He is obviously such a different personality in actual life — but you can't approach him that way on camera. The key for me was to remember that he is brilliantly funny — and that the last thing I needed to worry about was being funny. Stephen does all the heavy lifting. Its point of view [was what made it special]. The show had its rules, but they would bend and break them all the time. Knowing that Stephen usually felt the opposite of what he was saying — through some of the best writing ever on TV — was an added pleasure.

Jeff Goldblum
What can you remember from being on the show?
Watching every show as I have (TiVo season pass). And then being there in the flesh, it was like a dream, the best time I'd ever had in my life!

Does a specific memory or moment jump out?
Playing "the circumciser," meeting Neil deGrasse Tyson, and, during the interview, playing table football with Stephen with his cunning piece of origami that he fashioned spontaneously!

What was it like interacting with the character?
His character is so deeply, humanly, hilariously truthful, and uniquely, wild-heartedly musical. The experience was like a hot peach pie cooked in heaven's kitchen!

What made The Colbert Report so special?
The consistently top-notch writing, directing, and brilliance of its star (underlying conviction, passion, and bravery; rare intelligence; comic genius)!

Ben Stiller
[His show] was energizing. It was just fun because you're in a crazy, sort of high-intensity ping-pong match. It’s great.

Ken Burns
I certainly remember my very first time: I actually came in and was watching a rehearsal of something he does frequently on the show, where he holds opposing points of view and has essentially an argument with himself, and just switches from one camera to another, and the camera changes the Chroma so his shirt looks a different color, his tie looks like a different stripe. And you realize when you watch TV, a cut is a cut, but when you’re there live, you realize the extraordinary gifts of this comedian. He’s obviously one of the greatest intellectual geniuses because he’s playing everything opposite himself, and he’s so quick, but I think we don’t appreciate that he’s such a great physical comedian in the sense that Buster Keaton was a great physical comedian. I was just stunned watching this. Then I went on. In my segment — the very first time I was on — he started suddenly drifting away. He pays really close attention when you’re there, and he’s nodding and waiting to ambush you and waiting to put you in an uncomfortable situation; all [of a] sudden, he started drifting away. I sort of ground to a halt. And he said, “While we’ve been talking, I’ve made a documentary film.” And then he cued it, and apparently the booth had captured sepia images of the two of us talking, and he made a spoof of The Civil War, with narration and first-person voices. I’ll never forget for as long as I live, “While we were talking, I made a documentary film.” It just cracked me up.

And that’s the thing about him. He’s a genius. So extraordinary in every way. And I think we have to appreciate it even more: He’s doing it backward. It’s like writing your name in a mirror with the opposite hand. He plays this right-wing buffoon, so everything is in the context of that, and yet he has to — at the same time — sort of challenge you, but also undercut his own arguments at every single step. It’s brilliant theatre to watch, and he does it day in and day out. I have interacted with him offstage several times. He is, unlike most people with a show like that, someone who comes to the dressing room and says, “Hello.”

I’ve also interviewed him out of character for a couple hours on the stage of the 92nd Street Y, and I’m very happy to report that he was as funny then, if not funnier, being his “real self,” and that really bodes well in the wake of this Irish Wake that resurrection is entirely possible, and he is the perfect person to take over the immense shoes of David Letterman in The Late Show. I think he’s an amazing human being. He has to be himself on late night, and that self is so extraordinary that I think people will be very, very surprised and pleased by how he does it.

Seth Meyers
I’m always so impressed how he uses the character to find comedy in the questions. I think that’s just such a genius element of that show. I knew [former head writer] Allison Silverman for a long time, I was her roommate in Amsterdam, and I just know both of them to have the most incredible minds. I feel like when that show started, a lot of people wondered if they could keep that ball in the air for as long as they did, and I’m just so impressed that they did. Also, as a fellow Northwestern graduate, I guess I’m not that impressed because I knew he could pull it off. I feel like he goes into interviews because of his character, there’s comedy, and the guests don’t have to provide the comedy. They get to inform and educate, and the character Stephen Colbert gets to keep it interesting by finding jokes.

Ryan Reynolds
I love Stephen Colbert. I love everything that he’s done. He’s a huge trailblazer, so to see him go, to depart that character, is a little sad. I’m going to miss it. I do find myself mocking his jog everywhere. I do that sort of false-humility jog to the kitchen every once in awhile. He’s just been on point for so long, it’s really quite impressive.

Patrick Stewart
He’s interviewed me, but I’ve also appeared on his show doing a sketch, and both of them were delightful. I'm such a great admirer of him, his work, and what he stands for, what he represents. It wasn’t like work, it wasn’t even really like being on a talk show. It was having a conversation with a very smart and entertaining person.

Michael J. Fox
I don’t know if people really appreciate how brilliant he was. To be able to ask a question, think of an answer, and then convert that into his character and put it back out in an instant. I don’t know anyone else who can do that. So I hope he can maintain a certain aspect of that on the new show. I just did his show once. It was so fun because he was helping me plug my book, and it clearly didn’t fit with the show that night, but he is just such a mensch; he was determined to find a way to get me and my book on the show.

Jon Hamm
He’s great and will keep being great.

Neil Gaiman
I remember two things about his show. One was his briefing to me before I went on, where he said, "Look, my character is an idiot. Do whatever you have to do. Just assume you have like an idiot cab driver in the front who is going to keep talking, and it’s your job to set him straight." And then I remember the moment where the conversation wandered over into Lord of the Rings, and suddenly Colbert the character left and Colbert the person broke cover. That was on air. It was just a wonderful, it was a really wonderful conversation about children’s literature and about books. His whole thing was, why was I, an English person, winning a major American award. But it also just went into lovely, strange places. It’s a wonderful thing, watching Colbert breaking character. I thought it was a delight. His willingness to have pretty much anybody. The idea that it was welcoming, it was embracing. And also his willingness to talk to anybody on their own terms and let us hang ourselves with our own words. Whether he’s playing an idiot or not, he’s incredibly smart, incredibly fast. It’s a wild ride, you’re on it and you hold on. You try not to fall off.

Baz Luhrmann
I love Stephen Colbert. I think he's the fastest mind on television. Not only is he extraordinarily funny, but he is able to make searing political points. And the speed at which he calculates things on his feet. My memory of being on it, two things [were] brilliant. He came backstage to prep me, and he came back and he said, "Now, I’m in this character," because I guess he thought I’d never seen the show. I watch it myself, and my children were giant fans of the funny man, and they were only like 10 and 8. He came back, "Now, I play this character, and he’s kind of" — what he’s trying to say is he’s kind of right-wing and blah blah blah. And I went, "So are you out of character now, Stephen? Or are you in character?’" Because he was fast and he was funny and he said, "No, no, I’m out of character." And I said, "Okay, so what are you doing, warning me [of] the concept of the show" — which I just thought was so brilliant, because he seemed as bright-eyed and as smart and as quick backstage as he is in character, you know.

What I learned was, the No. 1 rule is: Don’t try to outwit him or outsmart him. Just try and be as straight as you can. Tell you what, I wasn’t very good, but I saw that wonderful nun. She’s the best I’ve ever seen because she was equally robust in her mind and she just kept powering through as if it were anyone on the street. She just held her credibility and didn’t try and cross swords with him, didn’t try and engage with his double entendres. He’d drop a double entendre and she’d go, "Yes, but that’s the grace of God! Can’t you see, Stephen?" There are witty people, but it’s the speed of the wit.

What I can say is that character will be dearly missed. I think it’s the right thing to do, because to be stuck in one character all your life, you know — we all love it, we’ll all be nostalgic, we’ll all miss him, but it may not be the healthiest thing for him. It’s mixed feelings. I mean, stars, we want to infantilize them: We want them to remain the same forever. They go out and do something risky and daring and different and we go, yeah, yeah, I know you’ve gotta do that, but can you go back and do the, you know, the early funny stuff? So I’ll miss him. I’ll miss the show. I’ll miss the character. That’s if it is a character. 

David Cross
I think they were wise to ditch that thing that I did on the show. I mean, it was always fun, but it just made the show too fake. And I think they were smart to just have real people on there and just to — because I only did it like three times. I love Stephen personally. He's a really brilliant, passionate, smart guy, and he's a good, decent person. I do remember one time I was having dinner with him at Frank's on Second Avenue, and it had one of those big mirrors that was hanging kind of at an angle on the wall; it was part of their decorative thing. And I'm sitting there talking to him and he's just looking past me, kind of in a frozen smile, looking about 30 degrees above me. And it took me a minute to notice it, and I'm sitting there talking about stuff and he's not even looking at me, he's just smiling, and I turned around and I saw him looking at himself in the mirror on purpose. And that's my fondest memory of Stephen Colbert. He committed to the bit.

Alec Baldwin
Of course everyone is speculating what's gonna happen to him once he stops playing that character and he has to play himself. But I think he'll be fine. I think he's a tremendously talented guy, so it's all going to work out in the end.

Darren Aronofsky
He was unbelievably sharp. He was like, so fast, so quick, so on, so connected. Just locks right in. I was just so impressed. And, you know, it’s like one of those things where whatever it was, two minutes turns into three seconds, and you’re like, Oh, it’s over, and that’s it. But it was great.

Cyndi Lauper
Oh my God, the first time I was on his show, they said to me, "Well, you know he’s going to say this and that." I think I was there for Kinky Boots, but I was just talking to him and I realized that I was forgetting things to say. And even in his character, he was trying to remind me, trying to tie together my sentences for me. And I thought, Oh my God. He’s an incredibly sweet fellow. We did some Christmas song last year: That was so funny.

Anna Wintour
It’s not the end of an era. It’s the beginning of something new and wonderful, hopefully.

Dan Savage
I don't remember when I was on the show for the first time — pot is legal here in Washington State — but it was after Stephen Colbert's historic appearance/performance/exorcism at the White House Correspondents' Association Dinner. It was a breathtaking, ballsy performance, the room was hostile, the president was clueless, and Stephen didn't break a sweat. If I may use a cliché: He spoke truth to power, and he was hilarious and impolite and scalding and charming, and those of us watching at home — those of us deep in despair after six years of George W. Bush — were cheering.

So what I remember most about being on Colbert, that first time, was getting to thank Stephen in person for that performance. He acted like it was no big deal, but … it was. It really was. Pure catharsis. I made him break character once — don't remember what I said, exactly, but he broke character and covered his face with his cards. I've been on the show six or so times, and that's the moment people always talk to me about: "You made Stephen break character!" That felt like playing a tennis pro and actually winning a set. It was like talking to your bigoted drunk uncle at Thanksgiving — but without the venom. There's no malice in Stephen, and somehow there's none in his character. He gives new guests a little speech letting them know that, in character, he'll probably say offensive things. I think he was always particularly careful with gay guests, since "Stephen Colbert" says insanely homophobic things. I think we clicked — me and "Stephen Colbert" — because that stuff doesn't offend or faze me, and I like my bigots like Homer Simpson likes his homosexuals: flaming. Stephen — the real Stephen — is a genius, first and foremost, but his character, this right-wing blowhard, was the best way to send up O'Reilly and Hannity and the rest of the right-wing blowhards. Stephen took their toxic politics and their self-regard as a starting-off point and added just a touch of cluelessness and something both of those men lack — charisma. Colbert demonstrated that agreeing with them — or pretending to agree with them — was the deadliest way to satirize them.

Jeremy Piven
I don't think people realize how hard it is to do what he does. He kind of reinvented the form. He stays in character and hosts and improvises flawlessly on a daily basis. There are so many great moments, like when he interviewed Steve McQueen about 12 Years a Slave and was somehow coming from this strangely, awkwardly racist point of view. He plays the heel in order to set up people, and he gave McQueen, who basically made a flawless, brilliant movie, a chance to play the straight man and speak eloquently about the movie. I'm just really going to miss him. Recently, when he had Obama on, that was a slam-dunk.

James Corden
I love the man. He’s been very kind to me because we’re both going to be in this weird two hours of TV. We’ll try our best, you know. We’ve had a lot of chats about how I’ll be a counterpoint to his show and et cetera. He’s amazing. He’s just the best. He’s smart, funny, bright. He’s incredibly handsome. That’s it.

Cedric the Entertainer
I love Colbert. He’s very funny, very witty. I did a little guest spot one time, and I just showed up as me, and it was very funny. He’s just so quick-witted and one of the best. He has great energy and I remember him welcoming me. I look forward to him taking over The Late Show

Joanna Coles
I loved that he spoofed the right wing. I love that his character was brilliantly drawn. I think now we’re ready to move on, because he came from the Bush era. And it’s like retiring a ventriloquist dummy, and he’s moving on from the character. I’m excited that he’s doing that. His interviews were really good.

Jason Jones
I don’t think we are losing Stephen Colbert because Stephen Colbert is not too far off of who you think Stephen Colbert is. He’s not an idiot conservative, but he is a showman, he is a great entertainer, he is a great interviewer. I don’t think it gets better than standing beside President Bush and saying, "People compare him to going down on the Titanic; he is more the Hindenburg." The balls, the cojones, to be able to say that to the president of the free world is pretty gigantic.

Doris Kearns Goodwin
I remember waiting in the green room the first time I was on, wondering what in the world I was doing there and yet somehow within moments of sitting down, I found myself talking and laughing with this crazy character as if I had known him for years. The best part of interacting was to imagine he was a guy who had just sat next to me in a bar and was railing on about political topics in an impossible way, but was so funny that I couldn’t wait to join in at every turn. One memory that stands out is when he posed the following question: George Bush, great president or greatest president. I took the fifth. He then said “I’ll see you in Guantanamo!!!” Lincoln once said that laughter was the “joyous, universal evergreen of life.” Colbert’s humor provided precisely that!

Questlove
Once, when the show came to Philadelphia and it was the Roots and Michelle Obama. And we decided we were going to do "The Star-Spangled Banner," Jimi Hendrix-style. And when my guitar player decided to bash the guitar, a piece of the wood came flying right for my forehead. And I had to be all cool, but I was bleeding.

Toby Keith
The very first time I was on there, I really didn't know what the show was about. My publicist had put me on there, and I knew going in that it was a comedy thing, but I didn't know for sure how serious it was, but I was locked, loaded, and ready to go. It was really neat how innovative and creative it was. I like to see people do their own thing, and he was very personable to me. And he's always treated me really nice, so I came back several times. And I don't do very many shows. We've had some great moments on there one-on-one, but probably the biggest moment was getting to do the Christmas special because it was so bizarre, so fun, and I love that kind of spontaneous stuff. There's not a whole lot of rehearsing to it. It's just, here's A and here's B and this is where we're going and this is where we're starting and let's get there the best we can. Gotta let him be him, and the rest of it will fall into place for you. He's a wacky, original, innovative kind of guy. And he's brilliant. There was nothing else out there like it.

Rachel Dratch
I was in the touring company when he was on Main Stage at Second City, so I watched and admired him. He was always very smart. Like he wrote this song about the Balkans' conflict. That was the finale of the show.

The Decemberists guitarist Chris Funk
I was told in advance not to look at Mr. Colbert's hands. However, from the first handshake, I couldn't help it, and I thought, Wow, those really are indeed big hands. Mind you I was about to enter what was described to me as a guitar battle, and everyone knows the bigger the hand, the bigger the guitar chord. As I engaged in a guitar battle with Colbert, I'd like to debunk the theory that Stephen's injury wasn't real during our melee, the blood, et cetera. In reality, Peter Frampton (his eventual proxy in light of said injury) was a high-end, "spare no expense" automaton on loan from Madame Tussaud's in Time Square. Therefore, one may conclude, I won. However, I know this piece's design is to wish the man well despite my seemingly bitter reveal, which, sadly, I am unable to do years later. Having done many of these shows, I really got the impression firsthand that Colbert was engaged in concepts and scripts from the ground up and beyond. He seemed to thrive on last-minute rewrites to get the biggest laugh possible.

Chris Matthews
I wanted to create a “visual” — something distinctive — the first time I was on the show, so I put Steve in a full-Nelson grip — arms under his, then up around his neck. He responded by going ethnic, offering a reward for anyone who could send him a picture of me eating potatoes. It’s a surreal experience watching the first part of the show knowing he’s going to be running across the stage to you. The trick to the show is making your case no matter how idiotic Steve’s response. You have to look into his eyes when he’s in character and not let it throw you. I think he’s one of the really good people in the business. I stop just short of loving the guy. His values come through even as he plays a benighted passenger in the right-wing clown car.

Rosie O’Donnell
I watched the Report every night. I loved the Toni Morrison one, when she was on recently. Yeah, she lifted his cards and said, “Can I read the questions?” And he said, “Yes.” And it was absolutely beautiful. It was about race and love and life, and she was talking about how she had just finished reading her own book, Beloved, and she’s like, "It was actually pretty good." I just thought it was such a touching interview and so important with what was going on — and so beautifully delivered.

Morgan Spurlock
I remember being so nervous the first time I was on his show, in fact, I think I was more nervous than when I went on O'Reilly! When I went on his show to promote the Greatest Movie Ever Sold, he came to meet me in the dressing room in his Doritos jacket.  He said he didn't want to be out sponsored, it was fantastic.  It was one of the most fun and memorable experiences I've ever had on a show.  It was hilarious and intimidating. The hard part was keeping a straight face while he took the piss out of you.

Ronan Farrow
I actually think he goes in and out of character. The interesting thing about what Stephen Colbert did was creating that character, but I still feel like there are a lot of moments where he lets himself shine through. I think that’s what resonated with people. He comes off as sincere and he’s just so earnest. That’s what the audience loves about him. I mean, that’s what was so great about him when I was on the show. We had a sincere exchange about both growing up in big families. We talked about Catholicism. And afterwards, I remember saying to him, I get a sense of who you are and the character you’ve created. I told him that I was impressed, and he said, "Yes, I’m terrific." So his character resurfaced, and that was so genius. People love an anti-Establishment poke in the eye. He calls out b.s. in a relatable and really clever way. I’m still struck by the editing. He did long interviews, and everything was cut down so beautifully. The show was fine-tuned in just such a smart way.

Matthew Weiner
It was fantastic in many ways. It’s such a great character. It’s such a great construct. My whole experience there as a fan of the show was just exciting. I also love being made fun of, so maybe I’m the wrong person to ask. But I’m a huge fan, and I’m going to miss him terribly, and I’m excited to see what he does next. He’s fully in it. He’s so sharp and so quick. The interesting thing is that you think it’s all prepared, which it is, obviously, and he’s been doing it, but he can react on the moment in a way that is so sharp. The attitude is so consistent. And he is so smart.

Gloria Steinem
At first it was unsettling to talk to someone I didn't know was also playing a role very different from himself. It took awhile to sense the kind person and very smart person under the bombast. The first time, I was on with Jane Fonda — we were there to talk about the Women's Media Center that we had just co-founded with Robin Morgan — we discovered that we were doing a cooking show and making an apple pie on camera. I have to say we managed to convert each step of pie-making into a political point, but we only won out when Jane unexpectedly kissed Colbert on the cheek — and he totally lost his character for a few seconds. When I was on with him alone, I had the feeling that his artificial self was setting me up so I could say what his real self would have said. We were sitting close to the audience, so I could also feel how in tune they were with him and his ability to make serious points with parody. Ever since an extremist right-wing took over the machinery of the Republican Party, the country has seemed to be divided into two warring parts, even though opinion polls show a majority for progressive issues. The Colbert Report took the fear out of this dangerous division and added laughter instead. 

Cheap Trick's Robin Zander
He asked Cheap Trick to play the show's theme song. And when he invited us to be on the show: his talent … oh my God … the talent! I consider his character to be a personal friend, and our interaction is personal. 

Cheap Trick's Rick Nielsen
I love the fact that Stephen Colbert personally called about writing the theme song before the very first Colbert Report ever aired. I sure hope he calls me again! The man is a genius on many, many levels — and that's on the level.

Melinda Gates
I remember our conversation about family planning. It’s not always easy talking about sex. Stephen made it harder, but in so doing, he actually made it easier. I was trying to explain why giving women the ability to decide if and when to get pregnant changes the future for a family. And Stephen just kept making sex jokes. Instantly, any political controversy about contraceptives sort of got put to the side, and I was able to make my point clearly. Even before I’d gone on the show, Stephen had a running gag about the Stephen and Melinda Gates Foundation. He likes to come up with schemes that involve him and our money. So the first time I was on the show, he scolded me for missing so many board meetings of our pseudo-foundation. In the end, we used the Stephen and Melinda Gates thing to raise money for DonorsChoose.org, a charity that both he and I support. So it worked out great. Even though I still haven’t attended any meetings. I asked everybody I could think of for advice about how to be funny on the show, and they all said the same thing: “Don’t try. Let Stephen be funny.” So the entire time I was up there, I had a little mantra: Don’t be funny. Be deadly serious. Don’t be funny. Be deadly serious. Stephen has a way of stripping away all the preconceptions people bring to tough issues and letting you talk about them with unusual clarity. The second time I was on the show, he said, “Sell me on helping other people. Why?” It’s totally in character for him and totally ridiculous, but actually, it let us have a real conversation about generosity, which can be a difficult topic to bring up if you don’t want to sound preachy.

Al Roker
It was great theater. He’d take a position, and by creating this incredible character, could lampoon it. What was great on both sides of the aisle, everybody got skewered by him. It really was brilliant. It’s going to be interesting to see who Stephen Colbert really is coming up because we know this character.

Mario Batali
You know what, it’s like climate change, the changing of the guard: It’s gonna happen slowly, and then all of a sudden, you’re going to realize everyone is different. I like Colbert, I like Larry [Wilmore], I like everything that’s happening. I think it’s a new, vibrant world and they’re shaking things up. As much as I love Letterman and Leno, the new world is going to be even more interesting. I’m looking forward to it.

Ben Folds
What struck me about Stephen Colbert was how intelligently considerate he was in briefing us on how his character might abuse us. He struck me as a pretty brave and resourceful human in having created a space and vehicle for himself to be so expressive and provocative. He was really kind and earnest, and I love that he's explored this Colbert character so thoroughly and is moving on. I think the upcoming, more literal version of himself will be successful in ways nobody is quite prepared for. The other thing I walked away with was regret that he didn't feel good about his performance of my song "Best Imitation" that we did together. He was great and just didn't feel it should be released. I understood, but it was better than he realized.

Wendi Deng
His show is really funny, and I'm going to miss him.

Simon Doonan
Well, I'm not that sad that the character is ending because I will always remember him from the early days, performing in David Sedaris's plays.

Emily Bazelon
At the end of a segment about my book, which is about bullying, Stephen offered me a plate of tater tots and asked if I wanted to throw them at him. I said no. They cut this bit when the show aired, but my kids were backstage watching the taping, and my younger son still can't understand why I missed my chance to whip tater tots around the room on TV. I also remember the small dog who sometimes runs around backstage and the warm toilet seat in the bathroom. It's like home, only better.

Donald Trump
I think he’s going to do well. He’s a smart guy, very talented, very funny. He’s going to be playing a very different character. David Letterman is a friend of mine, I’ve been on David Letterman so many times. He’s great — David Letterman — and I think Stephen is going to do really well. We’re going to have to see the character, nobody knows the character yet, but he’s very smart and I think he’s going to pull it off very well.

Reporting by Sean Fitz-Gerald, Ericka Goodman, Allegra Hobbs, Noah Hurowitz, Marcus Jones, Bennett Marcus, Jenna Marotta, Meg Miller, Trupti Rami, Heather Schwedel, Renata Sellitti, Jamie Sharpe, Alyssa Shelasky, Joshua David Stein, Katie Van Syckle, and Kara Warner.

Read more posts by Vulture Editors

Filed Under: stephen colbert ,comedy central ,tv ,cbs ,the late show ,in memoriam ,you will be missed

16 Dec 15:22

Jonathan Strange Meets Georgette Heyer: Pan Macmillan Acquires Zen Cho’s Regency Fantasy Sorcerer to the Crown

by Tor.com

Zen Cho

Pan Macmillan has acquired the UK rights to Sorcerer to the Crown, the start of a new trilogy from debut author Zen Cho.

Pan Macmillan's Senior Commissioning editor Bella Pagan is excited for the trilogy, saying “Sorcerer to the Crown is warm, clever and witty. I just adored the characters, their dilemmas and the lively world Zen Cho has created. It’s very special and I just can’t wait to share this wonderful book with as many readers as possible.”

[Regency London and High Magic!]

Read the full article

15 Dec 16:28

Last Week, A Sea of Fog Completely Filled the Grand Canyon

by John Farrier

Last Thursday, visitors to the Grand Canyon in Arizona witnessed a spectacular event: the enormous valley filled up completely with fog. Natasha Greiling of Smithsonian explains that this event is known as a "total cloud inversion." That's when cold air becomes trapped in the bottom of the canyon beneath a heavy layer of warm air. This occurs once every few years at the Grand Canyon during unusual conditions.

Fortunately, the National Park Service staff who work at the canyon were ready. They took some amazing photos, as well as a time-lapse video of the event, which you can see below. It looks like the canyon is filling up from the bottom. 

-via Ace of Spades HQ

14 Dec 00:33

Watch This Damn Fine Fan Made Video For The TWIN PEAKS 12 Days of Christmas

by Eric Diaz
Rachel

And a body, dead, wrapped in plastic.

Way back in 1990, at the height of popularity for David Lynch and Mark Frost’s seminal cult TV series Twin Peaks, Los Angeles-based alternative rock radio station K.R.O.Q. gathered together members of the cast to record “The Twin Peaks 12 Days of Christmas” for the very first ever K.R.O.Q. Christmas album.

The song, which featured series cast members Kyle MacLachlan (FBI Agent Dale Cooper), Dana Ashbrook (Bobby Briggs), Kimmy Robertson (Lucy Moran), Jack Nance (Pete Martell), and Frank Silva (Killer BOB) was filled with in-jokes and references to the show’s storylines, and was a true treat for the series’ hardcore cult of fans. The song was so popular during the holiday season it was still played on the the radio station several years after the show went off the air, no doubt to the confusion of listeners who were wondering just what the heck this weird song about donuts and owls was they were listening to.

Now, some twenty-four years later, a fan by the name of Mary Hütter has made a proper video for the song and posted it on YouTube using footage from the television series, the alternate European version of the pilot episode, the theatrical film Fire Walk With Me, and even some of the deleted scenes from the movie which finally were released this year, now officially known as “The Missing Pieces.” Twin Peaks is currently going through a spike in popularity due to the show’s availability on Netflix and the recently released Blu-ray set, coupled with the recent announcement that the show would be returning with all-new episodes on Showtime in 2016. Who knows…maybe next year the re-united cast can record an updated version of the 12 Days of Christmas? In the meantime, which the video for the original song below. Oh, and the song contains pretty massive spoilers for the series, so if you haven’t seen the show yet…well, you were warned.

HT Welcome To Twin Peaks

12 Dec 18:07

What Car Should You Buy? Take This Quiz

by Jason Torchinsky on Car Buying, shared by Whitson Gordon to Lifehacker
Rachel

M5. (I cheated)

What Car Should You Buy? Take This Quiz

Selecting and buying a new car isn't easy. That's why, before resorting to the traditional but unreliable method of reading otter entrails, we at Jalopnik would like to invite you to try using this quiz, which harnesses the power of the Jalopnik Mainframe (located in Dale Earnhardt, Jr's Sex Bunker) to use math and stuff to find you the right car.

Read more...








12 Dec 16:58

Remarkable collection of 18th and 19th century pocket globes

by Andrea James
Rachel

WANT. (the video was pretty cool as well)

sothebys-pocket-globe Sotheby's currently has auctions for several beautiful pocket globes from the 1790s and early 1800s. If you have a few grand lying around, one of these 2.5-inch to 3.5-inch beauties could be yours. Read the rest
09 Dec 22:52

Heather Boggs's The Shining Hats

by John Farrier
Rachel

Love this. Why can't I be this creative?

Heather Boggs of Madision, Wisconsin knits hats with patterns that reflect the costumes and scenery of Stanley Kubrick's iconic horror film The Shining. She does an excellent job of matching wardrobes, carpets, and paint schemes that appear in the Overlook Hotel and the people who survive in it.

Her model doesn't quite have the Sad Etsy Boyfriend look, but his showmanship really brings out the tone of these crafts.

-via Geek Crafts

04 Dec 18:25

Fidget ring that's also a city-specific sundial

by Cory Doctorow
Rachel

Fidget ring! I didn't know they had a name. I love mine. This one's pretty cool too though.


Glashütte's Nomos rings are clever little fidget-rings that act as sundials: you adjust the little sliding rings to the correct date, turn it to the sun, and the shadow cast by the little ring tells you the time. Read the rest

04 Dec 02:37

Great Job, Internet!: Here’s everything Stephen Colbert has pulled from under his Colbert Report desk

by Marah Eakin
Rachel

I was there live in the audience when Ham Rove was first introduced. :'(

Fans of The Colbert Report know and revel in the show’s longtime running jokes, whether it’s the appearance of Esteban Colberto and his chicas or chat of Sweetness, his longtime lover and/or handgun. One of the show’s most subtle gags is the existence of what seems to be a whole other world, complete with Starbucks, under Colbert’s desk. And thus, with the show’s demise quickly approaching, Comedy Central has put together a supercut of all the weird shit Colbert has pulled from under his desk over the past nine years, from adorable puppies to recurring “character” Ham Rove.


03 Dec 19:45

If I Saw a Spider That Size, That'd Be My Reaction Too

spiders,yikes,gifs,Cats

Submitted by: anselmbe

Tagged: spiders , yikes , gifs , Cats
03 Dec 04:22

Christmas Candy Corn Is A Real Thing

by Laura Northrup
Rachel

On principle, No.

candy corn caneThis spring, we shared the weird but not completely illogical news that candy marketers were pushing candy corn during unexpected new holidays. Brach’s markets red, white, and blue Independence Day candy corn, for example. Another company sells pastel candy corn for Easter with the theologically troubling name of Jesus Promise Seeds. Naturally, for Christmas, you can buy red, white, and green corn.

Jelly Belly makes a version that they market as “reindeer corn,” which does have a certain logic to it. You can only buy it directly in 10-pound quantities, probably because reindeer are very large animals that can eat huge amounts of candy in one sitting. Candy Blog reports that Reindeer Corn has existed since the ’90s, and the idea is only new at candy corn powerhouse Brach’s.

The Brach’s version is called Candy cane corn, which is flavored with peppermint oil and that Candy Blog’s Cybele compares favorably to the filling of a peppermint patty, or a nice after-dinner mint. If it’s peppermint-flavored, why does it have to be labeled candy cane corn when there are no candy canes anywhere to be found? That is one of the great mysteries of marketing, we suppose.

Brach’s Candy Cane Candy Corn [Candy Blog]

02 Dec 02:17

The SUPERNATURAL Rewatch Project: Carry On, My Wayward FYAers

by Amanda Klase
Rachel

5 seasons in. Time for a rewatch.

The SUPERNATURAL Rewatch Project: Carry On, My Wayward FYAers

Actually, false. If the CW ever dares to cancel Supernatural, there won’t be peace. There’ll be rioting in the streets and I'll be leading the charge because a life bereft of Sam and Dean Winchester is a life half-lived.

But don’t fear the reaper quite yet, darlings. Ten seasons in and Supernatural is still going strong. If you’ve somehow missed this cultural phenomenon, FYA is here to catch you up on the past nine years of our army-surplus wearing, emotionally-repressed heroes as they blaze through podunk towns hunting every supernatural creature on God’s green earth (up to and including God).

Let’s get started by drinking like we have Winchester-sized Daddy Issues.

THE OFFICIAL FYA SUPERNATURAL DRINKING GAME

Take a drink every time:

•  Dean or Sam flashes a badge and passes for federal law enforcement despite being clad in denim and/or flannel

•  A demon possesses some hapless schmuck

•  The camera gives tight artistic focus to blood being splattered

•  Dean enjoys a cheeseburger

•  Sam purses his lips passive aggressively

•  Either brother picks a lock

•  Someone employs a Titan of Classic Rock as an alias

•  The Glorious and Faithful Impala is damaged in the line of duty

1x1: "Pilot"

The Road So Far, Extended Tragic Backstory Edition:

Once upon a time, in small town Kansas lived a family called Winchester. There’s a Mama. A Papa. A cutie-pie toddler named Dean, and his little brother Sammy.

Life is all Midwestern goodness until late one night a sinister man appears in Baby Sam’s room. Mama Winchester rushes in to save her boy. The next thing you know, Papa Winchester finds her glued to the ceiling over Sam’s crib, suppurating wound slashed across her belly as a halo of flames engulfs her body.

Heartwrenching. But also kind of metal! This will become a theme.

Flash forward twenty-two years. Sam is all grown up and DELIGHTFULLY tall. He’s got it all—a Stanford education, an upcoming law school interview, and a hot girlfriend in a naughty nurse costume.  But that’s all put in jeopardy when his estranged brother Dean shows up. He breaks into Sam’s house, kicks his butt, demands free beer, and leers at his girlfriend. Sam purses his lips passive aggressively (drink).

Not cool, bro.

Dean explains how Papa is missing on a “hunting trip.” Though he’s adamant he’s done with the monster-hunting life, Sam reluctantly agrees to help track Papa down, so long as he’s back in time for his law school interview.  Priorities!

Monster of the Week: The Woman in White

Enter some hapless schmuck! A teen drives down a lonely road, talking on his cell. He hangs up on his girl, eager to pick up a pretty hitchhiker because he is a bad boyfriend and also is probably blind because, c’mon man, THAT LADY IS FLICKERING IN AND OUT OF EXISTENCE. Once they arrive at the abandoned shack she says is hers, she sadly informs him she can’t ever go home. Just when things start to get emo, she vanishes, only to reappear in his backseat. Blood splatters against the windshield as the teen dies screaming (drink).

Dean and Sam stroll onto the crime scene in flannel shirts and jeans, posing as U.S. Marshals. Boys, boys. Even renegade U.S. Marshal Raylan Givens wears a coat and tie.

I shot people I like more for less.

But the on-duty cop seems to buy it (drink), and shares theories. The Winchesters visit the local public library to do research, which would be sexy on its own, but then they get into a slap fight over who has the best database search-fu and I was clinically dead for three minutes because it was so sexy. 

Sam has superior research skills. Thanks, Stanford!

During further investigation, many exciting things happen! The Glorious and Faithful Impala is possessed by the ghostly hitchhiker and driven straight for our heroes! No less than two locks are picked (drink)! Dean is callously cheated out of a cheeseburger when arrested on his way to a diner, and then claims to be Ted Nugent! Note: Do not drink. Ted Nugent does not count as a Titan of Classic Rock.

While Dean ingratiates himself with the local PD, Sam discovers why the hitchhiker, aka The Woman in White, can’t seem to go home. On the night of her suicide, she drowned her own children after discovering her husband had been unfaithful. Now she’s an angry spirit, trolling the highway for men with cheating hearts so that she may rip them out.

It’s cool, lady. Everyone needs a hobby.

Sam and Dean are coordinating via cell when suddenly the ghost appears in the Glorious and Apparently-Not-So-Faithful Impala’s backseat and takes possession of the car. After taking Sam to her house, she straddles him in the driver’s seat, playing out what would likely become a recurring fantasy of most viewers. Sam, eager to show off his Pre-Law skills, claims that the ghost can’t kill him as he is not unfaithful to his beloved. The ghost overrules his objection, planting her decomposing maw on his lovely face. Just as she plunges her arm into his chest, Dean appears, shooting out the Impala’s window (drink) and distracting the ghost long enough for Sam to put the car in gear and drive it straight into the shack (drink).

Inside, water drips down the stairs. Two ghost children appear. They grab the Woman in White, saying “you’ve come home to us, Mommy,” in a way that reminds me to stock up on contraceptives. They embrace her, sucking her down to hell amidst the best special effects that a 2004 budget cable show could muster.

Brotherly Angst Quotient: High

Dean taunts Sam for his desire to go to law school and live an “apple pie life”, which considering how much Dean likes pie seems to be kind of a “people in glass houses” situation. Sam is judgy about everything in Dean’s life from his credit card scamming to his collection of “mullet rock” cassettes. Can these two work together?

They’ll have to learn. When Sam returns home after the case, he finds his girlfriend skewered on the ceiling, engulfed in flames like his dear departed Mama. It’s a terrible bookend to the opening scene and one that I didn’t see coming. The brothers stand silently outside Sam’s apartment, watching his hopes for a new life burn away. Sam says they have work to do.

I can’t wait to watch them do it!

Where in the World is Papa Winchester?: Dean finds his father’s journal, along with a note pointing to Blackwater Ridge, Colorado.

How Drunk Are We?: Mildly. This episode was light on demon possession and cheeseburgers, so there’s only seven drinks by my count.

Soundtrack: "A Gift to the World" by Loveless

Not classic rock and kind of lame, but there you have it. It gets better.

The Quotable Winchesters: “You know what they say, Sammy. Driver picks the music. Shotgun shuts his cakehole.”

Moment Most Likely to Inspire Troubling Fan-Fic:

Not only do the brothers wrestle, Dean refers to Sam as “Tiger.”

Notable Cameo:

Adrianne Palicki, aka Wonder Woman, aka Tyra from Friday Night Lights playing the role of Sam’s poor doomed girlfriend.

Next week: The best monster ever, aka Wendigo, claws its way into our hearts.