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09 Jun 15:42

A Glam Apartment Inside a Technicolor Building in Ibiza

by Vy Tran

A Glam Apartment Inside a Technicolor Building in Ibiza

Tropical locations usually conjure up color palettes of blues and greens but this property includes all the colors of the rainbow. Designed by French architect Jean Nouvel, the Las Boas building is an urban jungle that boasts unbeatable views of the island of Formentera and old town Ibiza. It exists primarily as a residential complex but the Creamhotel has added one of building’s apartments to their Ibiza vacation rental portfolio, calling it the Ibiza Glam, which means you can stay at this technicolor, tropical paradise the next time you’re visiting Ibiza.

The 2-bedroom, 2-bathroom apartment features all the amenities you’d have in a regular hotel, such as access to the infinity pool and communal areas, spa and fitness center, 24/7 security, free wifi and cable. A table designed by Jean Nouvel lives in the living room and inside the bedroom, you can unwind on luxurious beds by Nolteni & Cassina. From the living room, you can open up the sliding windows to take in the balcony and the building’s curvaceous exteriors that were inspired by feather boas (hence, the name!).

Within walking distance, you’ll find yourself at the island’s top clubs and restaurants: Patcha, Lio Cabaret, Cipriani, and Blue Marin.

What: The Ibiza Glam
Where: Paseo Juan Carlos I, 27-29, 07800 – Ibiza
How much? Rates start from $690/night
Highlights: This is an exclusive vacation rental that’s situated right inside the Las Boas building in Ibiza. Inside, modern interiors and pop art decor.
Design draw: Outside, the building’s technicolor curves are inspired by feather boas and lined with local vegetation and landscaping. Architect Jean Nouvel sought to bridge nature with architecture with this curvaceous design.
Book it: Visit the Ibiza Glam

08 Jun 17:04

Cover Story: Aziz Ansari Is Still Searching

by SRIDHAR PAPPU
A hit Netflix show. A best-selling (and scholarly!) book. A powerful “S.N.L.” monologue. Can you blame him for wanting to hide?
07 Jun 19:35

James Comey's Opening Statement on Trump, Annotated

by Elaine Godfrey

Updated at 4:08 p.m. ET

Less than 24 hours before former FBI Director James Comey is scheduled to testify on Capitol Hill, the Senate Intelligence Committee posted his prepared opening remarks on its website Wednesday. In them, Comey, who was fired by President Trump in May, describes in detail their various interactions and conversations—offering what appear to be direct quotes from the president. “I need loyalty, I expect loyalty,” Trump said at a private January dinner, according to Comey’s testimony.​​​

To add context, we’ve annotated his expected statements below.


Chairman Burr, Ranking Member Warner, Members of the Committee. Thank you for inviting me to appear before you today. I was asked to testify today to describe for you my interactions with President-Elect and President Trump on subjects that I understand are of interest to you. I have not included every detail from my conversations with the President, but, to the best of my recollection, I have tried to include information that may be relevant to the Committee.

January 6 Briefing

I first met then-President-Elect Trump on Friday, January 6 in a conference room at Trump Tower in New York. I was there with other Intelligence Community (IC) leaders to brief him and his new national security team on the findings of an IC assessmentThe assessment concluded that the Russian government had ordered a cyberattack that was intended to help Trump win the presidency. The meeting occurred a few hours after then-President Barack Obama received a briefing on the classified report. concerning Russian efforts to interfere in the election. At the conclusion of that briefing, I remained alone with the President Elect to brief him on some personally sensitive aspectsThe sensitive aspects of the report involved allegations that Russian operatives had compromising information about Trump. Those allegations came partly from memos compiled by a former British intelligence official, which were later published by BuzzFeed. of the information assembled during the assessment.

The IC leadership thought it important, for a variety of reasons, to alert the incoming President to the existence of this material, even though it was salacious and unverified. Among those reasons were: (1) we knew the media was about to publicly report the material and we believed the IC should not keep knowledge of the material and its imminent release from the President-Elect; and (2) to the extent there was some effort to compromise an incoming President, we could blunt any such effort with a defensive briefing.

The Director of National IntelligenceJames Clapper served as the director of national intelligence from August 5, 2010 to January 20, 2017. asked that I personally do this portion of the briefing because I was staying in my position and because the material implicated the FBI’s counter-intelligence responsibilities. We also agreed I would do it alone to minimize potential embarrassment to the President-Elect. Although we agreed it made sense for me to do the briefing, the FBI’s leadership and I were concerned that the briefing might create a situation where a new President came into office uncertain about whether the FBI was conducting a counter-intelligence investigation of his personal conduct.

It is important to understand that FBI counter-intelligence investigations are different than the more-commonly known criminal investigative work. The Bureau’s goal in a counter-intelligence investigation is to understand the technical and human methods that hostile foreign powers are using to influence the United States or to steal our secrets. The FBI uses that understanding to disrupt those efforts. Sometimes disruption takes the form of alerting a person who is targeted for recruitment or influence by the foreign power. Sometimes it involves hardening a computer system that is being attacked. Sometimes it involves “turning” the recruited person into a double-agent, or publicly calling out the behavior with sanctions or expulsions of embassy-based intelligence officers. On occasion, criminal prosecution is used to disrupt intelligence activities.

Because the nature of the hostile foreign nation is well known, counterintelligence investigations tend to be centered on individuals the FBI suspects to be witting or unwitting agents of that foreign power. When the FBI develops reason to believe an American has been targeted for recruitment by a foreign power or is covertly acting as an agent of the foreign power, the FBI will “open an investigation” on that American and use legal authorities to try to learn more about the nature of any relationship with the foreign power so it can be disrupted.

In that context, prior to the January 6 meeting, I discussed with the FBI’s leadership team whether I should be prepared to assure President-Elect Trump that we were not investigating him personally. That was true; we did not have an open counter-intelligence case on him. We agreed I should do so if circumstances warranted. During our one-on-one meeting at Trump Tower, based on President Elect Trump’s reaction to the briefing and without him directly asking the question, I offered that assurance.In his letter firing Comey, Trump thanked the FBI director for “informing me, on three separate occasions, that I am not under investigation.”

I felt compelled to document my first conversation with the President-Elect in a memo.Comey is known for keeping records. Matthew Miller, a former top Justice Department spokesman, noted last month that Comey “leaves a protective paper trail whenever he deems something inappropriate happened.” To ensure accuracy, I began to type it on a laptop in an FBI vehicle outside Trump Tower the moment I walked out of the meeting. Creating written records immediately after one-on-one conversations with Mr. Trump was my practice from that point forward. This had not been my practice in the past. I spoke alone with President Obama twice in person (and never on the phone) – once in 2015 to discuss law enforcement policy issues and a second time, briefly, for him to say goodbye in late 2016. In neither of those circumstances did I memorialize the discussions. I can recall nine one-on-one conversations with President Trump in four months – three in person and six on the phone.

January 27 Dinner

The President and I had dinner on Friday, January 27 at 6:30 pm in the Green Room at the White House.On May 11, The New York Times reported that the president asked Comey to pledge his loyalty during a private dinner. The White House disputed the account. And in an interview with NBC News’s Lester Holt, Trump provided a different account of the dinner. He had called me at lunchtime that day and invited me to dinner that night, saying he was going to invite my whole family, but decided to have just me this time, with the whole family coming the next time. It was unclear from the conversation who else would be at the dinner, although I assumed there would be others.

It turned out to be just the two of us, seated at a small oval table in the center of the Green Room. Two Navy stewards waited on us, only entering the room to serve food and drinks.

The President began by asking me whether I wanted to stay on as FBI DirectorThe FBI director is appointed by the president for a 10-year term. James Comey had only been in the position since 2013. , which I found strange because he had already told me twice in earlier conversations that he hoped I would stay, and I had assured him that I intended to. He said that lots of people wanted my job and, given the abuse I had taken during the previous year, he would understand if I wanted to walk away.

My instincts told me that the one-on-one setting, and the pretense that this was our first discussion about my position, meant the dinner was, at least in part, an effort to have me ask for my job and create some sort of patronage relationship. That concerned me greatly, given the FBI’s traditionally independent status in the executive branch.

I replied that I loved my work and intended to stay and serve out my tenyear term as Director. And then, because the set-up made me uneasy, I added that I was not “reliable” in the way politicians use that word, but he could always count on me to tell him the truth. I added that I was not on anybody’s side politically and could not be counted on in the traditional political sense, a stance I said was in his best interest as the President.

A few moments later, the President said, “I need loyalty, I expect loyalty.”On May 11, The New York Times reported a similar account. I didn’t move, speak, or change my facial expression in any way during the awkward silence that followed. We simply looked at each other in silence. The conversation then moved on, but he returned to the subject near the end of our dinner.

At one point, I explained why it was so important that the FBI and the Department of Justice be independent of the White House. I said it was a paradox: Throughout history, some Presidents have decided that because “problems” come from Justice, they should try to hold the Department close. But blurring those boundaries ultimately makes the problems worse by undermining public trust in the institutions and their work.

Near the end of our dinner, the President returned to the subject of my job, saying he was very glad I wanted to stay, adding that he had heard great things 4 about me from Jim Mattis, Jeff Sessions, and many others. He then said, “I need loyalty.” I replied, “You will always get honesty from me.” He paused and then said, “That’s what I want, honest loyalty.” I paused, and then said, “You will get that from me.” As I wrote in the memo I created immediately after the dinner, it is possible we understood the phrase “honest loyalty” differently, but I decided it wouldn’t be productive to push it further. The term – honest loyalty – had helped end a very awkward conversation and my explanations had made clear what he should expect.

During the dinner, the President returned to the salacious material I had briefed him about on January 6, and, as he had done previously, expressed his disgust for the allegations and strongly denied them. He said he was considering ordering me to investigate the alleged incident to prove it didn’t happen. I replied that he should give that careful thought because it might create a narrative that we were investigating him personally, which we weren’t, and because it was very difficult to prove a negative. He said he would think about it and asked me to think about it.

As was my practice for conversations with President Trump, I wrote a detailed memo about the dinner immediately afterwards and shared it with the senior leadership team of the FBI.

February 14 Oval Office Meeting

On February 14, I went to the Oval Office for a scheduled counterterrorism briefing of the President. He sat behind the desk and a group of us sat in a semi-circle of about six chairs facing him on the other side of the desk. The Vice President, Deputy Director of the CIA, Director of the National Counter Terrorism Center, Secretary of Homeland Security, the Attorney General, and I were in the semi-circle of chairs. I was directly facing the President, sitting between the Deputy CIA Director and the Director of NCTC. There were quite a few others in the room, sitting behind us on couches and chairs.

The President signaled the end of the briefing by thanking the group and telling them all that he wanted to speak to me alone. I stayed in my chair. As the participants started to leave the Oval Office, the Attorney General lingered by my chair, but the President thanked him and said he wanted to speak only with me.My colleague Adam Serwer spoke with former Justice Department officials last month who said that Sessions should have stayed in the room, if the account described in the Comey memo was accurate. “It’s inappropriate for the president to have a conversation with the FBI director about any criminal investigation, let alone involving his campaign and his close associates,” said one former high-ranking official. The last person to leave was Jared Kushner, who also stood by my chair and exchanged pleasantries with me. The President then excused him, saying he wanted to speak with me.

When the door by the grandfather clock closed, and we were alone, the President began by saying, “I want to talk about Mike Flynn.” Flynn had resigned the previous day. Michael Flynn resigned from his post as Trump’s national-security adviser after media reports revealed that he had misled Vice President Mike Pence about his conversations with the Russian ambassador. As my colleague Rosie Gray reported, Flynn’s brief tenure continues to haunt the White House. The President began by saying Flynn hadn’t done anything wrong in speaking with the Russians, but he had to let him go because he had misled the Vice President. He added that he had other concerns about Flynn, which he did not then specify.

The President then made a long series of comments about the problem with leaks of classified informationPresident Trump has been focused on addressing leaks since his first weeks in office. In February, my colleague David A. Graham reported that Trump was determined to “change the focus away from the substance of the leaks and to their provenance.”—a concern I shared and still share. After he had spoken for a few minutes about leaks, Reince Priebus leaned in through the door by the grandfather clock and I could see a group of people waiting behind him. The President waved at him to close the door, saying he would be done shortly. The door closed.

The President then returned to the topic of Mike Flynn, saying, “He is a good guy and has been through a lot.” He repeated that Flynn hadn’t done anything wrong on his calls with the Russians, but had misled the Vice President. He then said, “I hope you can see your way clear to letting this go, to letting Flynn go. He is a good guy. I hope you can let this go.” I replied only that “he is a good guy.” (In fact, I had a positive experience dealing with Mike Flynn when he was a colleague as Director of the Defense Intelligence Agency at the beginning of my term at FBI.) I did not say I would “let this go.”

The President returned briefly to the problem of leaks. I then got up and left out the door by the grandfather clock, making my way through the large group of people waiting there, including Mr. Priebus and the Vice President.

I immediately prepared an unclassified memoThe New York Times reported this on May 16. of the conversation about Flynn and discussed the matter with FBI senior leadership. I had understood the President to be requesting that we drop any investigation of Flynn in connection with false statements about his conversations with the Russian ambassador in December. I did not understand the President to be talking about the broader investigation into Russia or possible links to his campaign. I could be wrong, but I took him to be focusing on what had just happened with Flynn’s departure and the controversy around his account of his phone calls. Regardless, it was very concerning, given the FBI’s role as an independent investigative agency.

The FBI leadership team agreed with me that it was important not to infect the investigative team with the President’s request, which we did not intend to abide. We also concluded that, given that it was a one-on-one conversation, there was nothing available to corroborate my account. We concluded it made little sense to report it to Attorney General Sessions, who we expected would likely recuse himself from involvement in Russia-related investigations. (He did so two weeks later.)Attorney General Jeff Sessions announced he would recuse himself from the investigations into Russian interference on March 2.The Deputy Attorney General’s role was then filled in an acting capacity by a United States Attorney, who would also not be long in the role. After discussing the matter, we decided to keep it very closely held, resolving to figure out what to do with it down the road as our investigation progressed. The investigation moved ahead at full speed, with none of the investigative team members – or the Department of Justice lawyers supporting them – aware of the President’s request.

Shortly afterwards, I spoke with Attorney General Sessions in person to pass along the President’s concerns about leaks. I took the opportunity to implore the Attorney General to prevent any future direct communication between the President and me. I told the AG that what had just happened – him being asked to leave while the FBI Director, who reports to the AG, remained behind – was inappropriate and should never happen. He did not reply. For the reasons discussed above, I did not mention that the President broached the FBI’s potential investigation of General Flynn.

March 30 Phone Call

On the morning of March 30, the President called me at the FBI. He described the Russia investigation as “a cloud”On May 19, The New York Times reported that Trump told Russian officials that firing FBI Director James Comey eased “great pressure” on him. that was impairing his ability to act on behalf of the country.
. He asked what we could do to “lift the cloud.” I responded that we were investigating the matter as quickly as we could, and that there would be great benefit, if we didn’t find anything, to our having done the work well. He agreed, but then re-emphasized the problems this was causing him.

Then the President asked why there had been a congressional hearing about Russia the previous week – at which I had, as the Department of Justice directed, confirmed the investigationComey said the investigation had begun in late July. My colleague Russell Berman reported at the time that other Republicans were also concerned about “the cloud” that would hang over the administration once Comey confirmed the investigation. into possible coordination between Russia and the Trump campaign. I explained the demands from the leadership of both parties in Congress for more information, and that Senator Grassley had even held up the confirmation of the Deputy Attorney General until we briefed him in detail on the investigation. I explained that we had briefed the leadership of Congress on exactly which individuals we were investigating and that we had told those Congressional leaders that we were not personally investigating President Trump. I reminded him I had previously told him that. He repeatedly told me, “We need to get that fact out.” (I did not tell the President that the FBI and the Department of Justice had been reluctant to make public statements that we did not have an open case on President Trump for a number of reasons, most importantly because it would create a duty to correct, should that change.)

The President went on to say that if there were some “satellite” associates of his who did something wrong, it would be good to find that out, but that he hadn’t done anything wrong and hoped I would find a way to get it out that we weren’t investigating him.

In an abrupt shift, he turned the conversation to FBI Deputy Director Andrew McCabe, saying he hadn’t brought up “the McCabe thing” because I had said McCabe was honorable, although McAuliffe was close to the Clintons and had given him (I think he meant Deputy Director McCabe’s wife) campaign money. Although I didn’t understand why the President was bringing this up, I repeated that Mr. McCabe was an honorable person.

He finished by stressing “the cloud” that was interfering with his ability to make deals for the country and said he hoped I could find a way to get out that he wasn’t being investigated. I told him I would see what we could do, and that we would do our investigative work well and as quickly as we could.

Immediately after that conversation, I called Acting Deputy Attorney General Dana Boente (AG Sessions had by then recused himself on all Russia-related matters), to report the substance of the call from the President, and said I would await his guidance. I did not hear back from him before the President called me again two weeks later.

April 11 Phone Call

On the morning of April 11, the President called me and asked what I had done about his request that I “get out” that he is not personally under investigation. I replied that I had passed his request to the Acting Deputy Attorney General, but I had not heard back. He replied that “the cloud” was getting in the way of his ability to do his job. He said that perhaps he would have his people reach out to the Acting Deputy Attorney General. I said that was the way his request should be handled. I said the White House Counsel should contact the leadership of DOJ to make the request, which was the traditional channel. He said he would do that and added, “Because I have been very loyal to you, very loyal; we had that thing you know.” I did not reply or ask him what he meant by “that thing.” I said only that the way to handle it was to have the White House Counsel call the Acting Deputy Attorney General. He said that was what he would do and the call ended. That was the last time I spoke with President Trump.

07 Jun 19:13

Vladimir Putin: I don't have bad days because I'm not a woman

by Shaun Walker in Moscow

Claim made in interview with film-maker Oliver Stone, who was granted rare access to Russian president over two years

Vladimir Putin does not have bad days because he is “not a woman”, and would rather not shower next to a gay man because he wouldn’t want to “provoke him”, he has revealed in a documentary by the film-maker Oliver Stone.

The Russian president’s comments came in series of interviews with Stone on topics ranging from geopolitics to gay rights and Edward Snowden.

Continue reading...
07 Jun 17:32

Top 10 Beautiful Bookshelves

by The Design Files

Roundup

Top 10 Beautiful Bookshelves

by Lucy Feagins, Editor

Another ROUNDUP for you today. This particular theme is close to our hearts – beautiful bookshelves!

We’ve pulled together 10 of the most beautifully ordered bookshelves and expansive home libraries from our archives for your viewing (and pinning!) pleasure.

 

The Sydney home of Lee Mathews and family, including EPIC home library, complete with library ladder. Photo – Sean Fennessy for The Design Files.

The Prahran home of architect Susannah Lempriere (of Kennedy Nolan), her husband Philip Messenger (of meal delivery service The Meal Messenger). The dining room doubles as a library in their compact home. Photo – Annette O’Brien. Production – Lucy Feagins / The Design Files.

Some of Susannah and Phillip’s many collections are displayed on the bookshelf in the dining Room. ‘Chook’ painting by Joanna Braithwaite, ‘Picking Grapes at Loxton North’ by Ian Abdulla and ‘Houses’ by Nick Howson. Photo – Annette O’Brien. Production – Lucy Feagins / The Design Files.

The impressive reference library at architect John Wardle‘s Collingwood studio. Photo – Eve Wilson for The Design Files.

Slimline mid-century inspired shelving in the Cairns home of architect/builder Jesse Bennett and Anne-Marie Campagnolo, an interior designer. Photo – Sean Fennessy.

The Northcote belongs of artist, curator and author Tai Snaith and Simon Knott of BKK architects ‘The bookshelves are a major part of our home – we love books and have a lot of them,’ tells Tai. Her library is also dotted with artworks traded with fellow artists. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Tai Snaith‘s perfectly curated bookshelves, dotted with artworks traded with fellow artists. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The Balaclava home of Melbourne artists Meredith Turnbull and Ross Coulter. The bookshelves are shared between volumes and an array of art pieces. Photo – Sean Fennessy, production – Lucy Feagins / The Design Files.

The floating, open-ended bookshelf in my (Lucy’s!) former home in Brunswick. Photo – Eve Wilson for The Design Files.

The North Melbourne home of interior designer Amanda Lynn and her husband Leon Levine. ‘The clever bookcase design incorporates a comfy window seat, a favourite of our cats Ting and Buster, as it captures the morning light,’ mentions Amanda. Photo – Annette O’Brien. Production – Lucy Feagins / The Design Files.

Ad-hoc shelving in the stairwell of Poppy Lane and Scott Gibson – a great use otherwise wasted space. Photo – Annette O’Brien. Production – Lucy Feagins / The Design Files.

An accumulation of books is something to be proud of. That must be why so many of us collect books (and magazines) and refuse to part with them, even if we never intend to revisit their pages again. There are few things we hold on to indefinitely with such fervour.

But a lifetime’s worth of reading material requires a serious storage solution. The good news is, done right, a well-loved home library is the perfect addition to any interior – an endlessly versatile backdrop lending colour, detail and authentic personality to a room.

In the case of Lee Mathews (whose stunning lofty warehouse apartment we shot so long ago I am not even sure if she lives there anymore!) – the bookshelves MAKE the space. These impossibly expansive shelves provide the perfect backdrop to an interior filled with industrial furniture, vintage collectibles and eclectic details.

Of course, bookshelves can be used for much more than just books. Artist Tai Snaith curates her dark timber pigeonhole shelves with museum-like precision, whilst architect Susannah Lempriere hangs paintings even on the front of her shelves, maximising every inch of wall space in her tiny home.

There are endless opportunities to incorporate clever shelving into contemporary interiors, and you don’t necessarily need an entire wall at your disposal. Hallways and stairwells can present the perfect opportunity for ad-hoc shelving (as seen in the Eltham home of Poppy Lane and Scott Gibson) whilst bookshelves built around windows and doors invariably become the talking point of a room.

Floating shelves are popular for their weightless appearance (like the ones in my old house in Brunswick!) – though, truth be told, without structural uprights, they’re not the strongest option.

Seamless integrated shelving is the sleekest way to house a large library. We love the in-built cabinetry at the Lyon Housemuseum in Kew, with a custom library ladder for easy access – Adult-life goals right there!

The first-floor library inside Corbett and Yueji Lyon’s Lyon Housemuseum in Kew. Artwork (to left) Janenne Eaton’s ‘Sing the Sallors,’ 1990. Photo – Eve Wilson, Production – Lucy Feagins / The Design Files.

07 Jun 17:31

The Frost House

by The Design Files

International Homes

The Frost House

by Lucy Feagins, Editor

OK we’re breaking our own rules today. USUALLY we only feature Australian homes. Today, however, we’re featuring a truly remarkable home in Indiana, USA.

The Frost House’ is home to Melbourne-raised technology development director Karen Valentine, and her American partner, Bob Coscarelli, who is a commercial photographer.  With a shared passion for mid century design and architecture, Karen and Bob are proud custodians of this very special home.

(Thanks to Bob for sharing his own photographs for this story!)

 

The iconic Frost House was built in 1958 in Indiana, USA. It is not a commissioned, architect designed home, but rather a prefabricated home built of aluminum with baked enamel finishes. Photo – Bob Coscarelli.

Karen Valentine, who was born and raised in Melbourne, and her husband, American photographer Bob Coscarelli, consider themselves fortunate to be custodians of this home, which they purchased in 2006. Photo – Bob Coscarelli.

The house is named after the original owners and occupants for over 50 years, Dr. Robert Frost and Mrs. Amelia Frost. ‘Because we purchased the house with many of the original pieces of artwork, lamps, along with all the furniture, we felt obliged to not change much – and frankly it really was comfortable so didn’t need to change much,’ tells Karen. Photo – Bob Coscarelli.

The pair are both avid architecture enthusiasts. Bob’s first job in Chicago (where they met) was working for the renowned architectural photography studio Hedrich Blessing. The acoustic tiled ceiling of their home makes it quiet and the well-proportioned rooms mean there is no wasted space. Photo – Bob Coscarelli.

Bob and Karen replaced the flooring, which included nine different styles of carpet and linoleum! Today it’s predominantly terrazzo tiles, as seen here in the living room. Before moving in and by sheer coincidence, they already owned these Knoll Parallell Bar Chairs in tan, which compliment the cream versions that were already here. Photo – Bob Coscarelli.

In addition to the beautiful terrazzo tiles throughout the home, Bob and Karen replaced selected floorings with carpet and added some rugs. Photo – Bob Coscarelli.

Upon moving in, they also re-painted all of the interiors strictly in the original colours. ‘I guess you can say we are just trying to curate the home compliment was was already there – without disturbing it too much,’ tells Karen. Photo – Bob Coscarelli.

As part of their restoration of this unique home, the plumbing has been repaired throughout. Photo – Bob Coscarelli.

The kitchen with all its original appliances in working order (!). Just look at those matching (non)white goods! Photo – Bob Coscarelli.

Most of furniture pieces throughout the home are original production designs from Knoll Inc, all featuring their original upholstery. Photo – Bob Coscarelli.

When Karen and Bob walked into the home for the first time, she explains, ‘everything was like the plastic covers have just been peeled off freshly delivered new furniture… and for them to ALL be Knoll – it’s insane – “Knoll for days” around here!’ Photo – Bob Coscarelli.

Some of the couple’s favourite design books – Karen and Bob even honeymooned in a Frank Lloyd Wright cottage! Photo – Bob Coscarelli.

Banksy, Karen and Bob’s adored lab-setter-cross rescue dog in the guest bedroom. Photo – Bob Coscarelli.

Karen and Bob have plans to add a pool to the side lot, though we’re thinking it might not get much use in winter, when this exterior shot was taken! ‘They just don’t make homes like this anymore, and the colour palette is amazing – it is bright but it seems to work without being ostentatious, it is timeless,’ they tell. Photo – Bob Coscarelli.

Karen Valentine has mid century architecture in her blood. Melbourne born and raised, her grandfather was a builder in Bendigo, who built over 750 (!!) mid century homes over his career, the majority of which are still standing today. After studying at Deakin University, Karen moved to Canada many years ago, later settling in Chicago. It was here, in 2003, that she met her husband Bob Coscarelli – an American photographer. The pair were married in 2004, and honeymooned in a Frank Lloyd Wright cottage.

With a shared passion for modernist design, it seems inevitable that Karen and Bob would eventually become custodians of their own mid century home. That’s exactly what happened, after the pair purchased this truly remarkable house in Indiana last year.

In fact, the move to Indiana wasn’t exactly planned. ‘We were looking close to Lake Michigan for a mid-century house that we could do some modest renovations to and have a weekend shack’ Karen explained. When a real estate agent sent them the listing for the The Frost House, everything changed!

‘Although it was not in the area we were looking at – we fell off our chairs!’ recalls Karen. The pair immediately put in an offer on the home, and within days they had purchased it – sight unseen! ‘You can pick the MCM home but you can’t pick the location’ Karen says.

The Frost House is named after the original owners and occupants of this house for over 50 years, Dr. Robert Frost and Mrs. Amelia Frost. It was designed and engineered by Emil Tessin (son of the Legal Guardian for Florence Knoll), and manufactured by Alside Homes Corporation (Akron Ohio), who invented and patented the pre-fabricated aluminium panelling used to construct the house. In fact, the home was the sales model for this particular pre-fab system, and was purchased by its original owners with all the display furniture included! Naturally, Karen and Bob have retained each and every piece of furniture from the original collection – nothing has been removed or even reupholstered.

‘When we walked in the doors for the first time, it was like stepping back in the time’ Karen recalls. ‘We had to pinch ourselves – everything was like the plastic covers had just been peeled off, freshly delivered new furniture’. All the furniture Karen and Bob found here were original production pieces from Knoll Inc, in pristine condition – ‘It’s insane. It is ‘knoll for days’ around here’ Karen says.

The interiors of the home were designed by Paul McCobb & Knoll Inc – and very little has changed since Karen and Bob moved in. The kitchen is 100% original and every appliance still in working order (they don’t make them like they used to!). Likewise, the bathrooms still have all the original fittings and fixtures.

Some elements, though, have needed careful restoring. Bob and Karen have sympathetically replaced the flooring – which was previously an ad-hoc collection of nine styles of carpet and linoleum. In keeping with the home’s distinctive aesthetic, Karen and Bob selected carpet for the bedrooms and terrazzo tiles everywhere else. Plumbing, heating and cooling was updated throughout, and interior rooms were re-painted in the same colours. The pair also have plans to add a swimming pool to the side lot later this year.

Karen and Bob are passionate custodians of this very special home. ’We feel incredibly fortunate for this home to have come into our lives’ Karen explains. The pair very much feel that their role is to preserve and restore, and are campaigning for National Historic Place Designation, to have the home recognised as an iconic example of American MCM history. ‘It truly is a great untold American story in the architectural world , we don’t know why these homes have never been celebrated. and we are out to make sure that this one gets recognised!’

Though not officially open to the public, Bob and Karen occasionally hear from design enthusiasts interested in the house, and welcome them to come visit. ‘Most people, like us, can’t believe that these homes have never been shared or talked about in the MCM history within America.’ We have a feeling that anonymity may not last long!

Find out more about The Frost House on Karen and Bob’s website, here.

Bob Coscarelli and Karen Valentine feel incredibly fortunate for this home, The Frost House, to have come into their lives. They’re dedicated to seeing it recognised as part of American mid century modern history! Photo – Flint Chaney.

06 Jun 20:12

The Note Roller for All the List Makers Out There

by Caroline Williamson

The Note Roller for All the List Makers Out There

Are you a note taker or list maker? We are, as proof on li.st, the mobile app that’s all about list making. But if you’re looking for something quick and easy, like say for your grocery lists, the Note Roller might be your thing. From New Zealand-based George & Willy, the aluminum device dispenses paper so you can jot down quick notes or lists in standard analog fashion.

The Note Roller, available in blue or white, is designed to sit on your desk or table, angled to make writing easier. The metal brackets keep the paper in place doing away with the need for sticky notes, which always seem to lose their stickiness immediately.

06 Jun 20:06

A "Cozy Californian" San Francisco Studio — House Tour

by Esteban Cortez

Name: Kirstie Maryott
Location: Lower Pacific heights — San Francisco, California
Size: 420 square feet
Years lived in: Rented 2 years

Kirstie has bounced around from state to state the past few years of her life, including stops in Colorado, Virginia and Georgia. A California native, she has called the Bay Area home for the last two years, where she lives in a charming studio on the top floor of a building in the Lower Pacific Heights neighborhood. "This little studio has been a great place to call home during my time in San Francisco," Kirstie said.

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06 Jun 19:56

A Designer's Colorfully Chic Chicago Apartment — House Tour

by Brittany Purlee

Name: Victoria Pater
Location: Bucktown, Chicago
Years lived in: 2 years

Victoria, her husband Joe, and their cute pup live in a colorful apartment bubbling with mid-century modern energy. After a look around their home, it comes as no surprise that Victoria is the owner of a charming pin business, Mid Mod Pin. In her day job, she designs brands, experiences and digital products. And in this home, her Mid Mod Pin headquarters is housed in a delightful mint green home office.

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03 Jun 13:09

Prostate cancer trial stuns researchers: 'It's a once in a career feeling'

by Jessica Glenza in Chicago, Illinois

Study with ‘powerful results’ finds that combining two existing therapies could extend the life of men with advanced, high-risk prostate cancer by 37%

Combining two existing prostate cancer therapies could extend the life of men with advanced, high-risk prostate cancer by 37%, according to a study presented at the world’s largest cancer conference. The new findings could change how doctors first approach treatment of prostate cancer.

“These are the most powerful results I’ve seen from a prostate cancer trial,” said Nicholas James, the lead author of the abstract presented as the American Society of Clinical Oncology. “It’s a once in a career feeling. This is one of the biggest reductions in death I’ve seen in any clinical trial for adult cancers.”

Continue reading...
02 Jun 18:43

Sight Unseen OFFSITE 2017

by Caroline Williamson

Sight Unseen OFFSITE is always one of our favorite events during NYCxDESIGN that we get to check out. This year, the show was more scaled back with just 25 exhibitors on the roster, which proved to be the perfectly curated display of some of the best work of independent modern makers. Take a look at some of our favorites.

Sight Unseen OFFSITE 2017

Crosby Studios launched its second collection of minimalist, architectural-inspired furniture and objects, including a chair, two library bookcases, a light fixture, and a rug.

Every single year Elyse Graham manages to launch a collection that you just can’t seem to take your eyes off of and this year was no exception. She presented an array of Resin Vessels that are composed of pigmented resin that’s poured layer by layer into a mold and then carved and sanded to reveal geometric and colorful patterns.

Fernando Mastrangelo featured a mesmerizing collection called the Ridge Series, which included this beautiful wall piece made with 1,452 pieces of cut glass!

Calico Wallpaper displayed their Aura wallpaper in a bold blue on a series of panels and partnered with The Principals, who showed an interactive chandelier that emitted different sounds and colors as you touched it.

Sight Unseen created an exchange between five American studios and five Norwegian ones in a project called Norway x New York. The studios spent six months developing objects that could be made in America and be sold in the future. This year’s partnership included Moving Mountains + Runa Klock, Vonnegut/Kraft + Kneip, Jamie Wolfond + Sigve Knutson, Visibility + Noidoi, and Slash Objects + Thomas Jenkins and it was sponsored by the Royal Norwegian Consulate General in New York.

Erich Ginder Studio developed a screen or partition in a die-cut ticking fabric which gives it geometric dimensions, much like some of their lighting pieces.

We loved the linear pattern of this rug from Grain where it looked as if various shapes were patchworked together.

Atelier Areti featured an array of simple, sculptural lights, some hanging from the ceiling and some from the walls, with golden shapes and exposed bulbs.

Part of OFFSITE Selects, a section that presented works from 22 international designers, Kim Markel exhibited two vessels that were made using pieces of plastic from her scrap bin.

We couldn’t help but love the trio of Bob Lamps by Talbot & Yoon, which are made with recycled glass aggregates within hand cast concrete.

Designers Jonathan Gonzalez, of Office GA, and Lucila Garcia De Onrubia, aka Deon Rubi, had joined forces in the past and came back together to present their third collection at OFFSITE. These minimalist, wall leaning forms can be used to hang clothes or coats.

Atelier de Troupe brought a brand-new collection of lighting and furniture after first launching at Euroluce 2017 in Milan.

Eny Lee Parker presented a cohesive collection of furniture and objects using materials like terra-cotta, glass, and velvet. Her booth was made possible by Levi’s Made and Crafted.

And lastly, BZippy & Co. always displays the best ceramic and terra-cotta pots and vases – all of which we want to own!

02 Jun 18:42

A Miami Beach Home with a Swimmable Lagoon

by Caroline Williamson

A Miami Beach Home with a Swimmable Lagoon

Marcio Kogan, of Studio MK27, designed this jaw-dropping home in Miami Beach, Florida, with a heated saltwater pool, a swimmable lagoon, and a 200-foot bridge and it’s pretty remarkable!

As if the saltwater pool wasn’t enough to keep you intrigued, the house boasts a manmade lagoon that has organic filtration and live fish and it spans 100 feet x 30 feet. The 200-foot bridge floats over the lagoon and connects the front entrance with the back.

A covered terrace houses a sunken living room and a full kitchen while being protected from the elements.

On the ground floor, there are four bedrooms and the master suite, while the top floor is utilized as the public area to make the most of the views. A span of floor-to-ceiling sliding glass doors open up to make the space indoor and outdoor.

Above the master wing of the house, the roof is decked out with grass and greenery.

Developer: Brodson Construction
Interiors: Jader Almeida and Artefacto
Landscape Architect: Raymond Jungles, Inc.
Photos: Felipe Ariano Photography

02 Jun 18:15

best of: i have a thing for these mirrors.

by victoria

gold rimmed F.A.33 mirror on pale pink wall / sfgirlbybay

charlie forever.

every time i see one of these uniquely shaped mirrors i’m suddenly stopped dead in my tracks. there’s just something so striking, and so feminine about the curve and shape of their pretty brass frames. i did a bit of research on them and i believe they are called an F.A.33 mirror, originally designed by the legendary designer Gio Ponti in 1933 for prominent lamp and glass manufacturer FontanaArte. i’m not certain, but i think they were then made popular throughout the 1940-50’s because the mirrors i keep finding online are labeled as ‘mid-century modern 1950’s italian designed’ mirror.  i’ve also been seeing some similar, modern ones with a sleek, radius round corners, and those are quite lovely, too. i think the vintage version may be quite rare, because they are also quite pricey, so i’m going to keep my flea market eyes peeled for one of these pretties — i’d just love to own something so classically beautiful.

two mirrors vitnage italian mirrors via marie claire maison. / sfgirlbybay

these two mirrors have such stunning shapes, via marie claire maison.

1950's vintage italian mirrors / sfgirlbybay

pretty in pink framed mirror from 1st dibs; this one from Lamp and Co. on etsy is tempting me; and a couple beautiful 1950’s vintage mirrors from the apartment.

1950's italian mirroron pale pink wall and a mid-century modern teak framed version. / sfgirlbybay

1950’s italian mirror from the apartment; and a mid-century modern teak framed version.

retro bathroom mirrors / sfgirlbybay

a pair of bathroom mirrors, via xnet; radius corner mirror with a shelf, via the design files; and a 1950’s vintage mirror from the apartment.

extra large, radius corner mirror with large potted cactus via one hundred layer cake / sfgirlbybay

extra large, radius corner mirror via one hundred layer cake.

vintage mirrors with silver frames and little hangers, via inside closet. / sfgirlbybay

i love these vintage beauties with their little hangers, via inside closet.

designer vanessa alexander's white and black malibu bathroom with matching mirrors and moroccan rug via my domaine. / sfgirlbybay

designer vanessa alexander’s malibu bathroom, via my domaine.

vertical mirrors are hung from industrial hardware via The Shop Of The New, Copenhagen. / sfgirlbybay

i quite fancy the way these vertical mirrors are hung from industrial hardware, at The Shop Of The New, Copenhagen.

01 Jun 20:53

Easy Dinner: Grilled Flank Steak Sandwiches

by Lindsey Johnson

Marinated Grilled Flank Steak Sandwiches

I admit, I’m way too excited to try this easy dinner. It looks SO GOOD. We’re hosting a little graduation gathering this weekend and I think these Grilled Flank Steak Sandwiches will be perfect. In fact, I can easily predict we’ll be making these sandwiches all summer long. And don’t miss the White Cheddar Spread recipe that Lindsey came up with too (she included it below). So mouth watering. I might need to make this tonight, just to “test” it for the weekend. : )

Marinated Grilled Flank Steak SandwichesMarinated Grilled Flank Steak SandwichesMarinated Grilled Flank Steak Sandwiches

Here’s what Lindsey says:

Summer is almost here! That means BBQ season, beach trips, popsicles and lemonade, ice cream, long days and short nights. Summer! While dusting off the grill to barbecue burgers may seem like the perfect way to usher in summer, I implore you to give these grilled flank steak sandwiches a try as a burger alternative.

Marinated Grilled Flank Steak Sandwiches

Flank steak is a flavorful lean cut of beef that comes from the abdominal area of a cow. With long fibers running down the length, it’s important to take care when preparing this particular cut to keep it from being dry and tough. Flank steak benefits from time spent marinating, and quick cooking like grilling. (This isn’t one that you’d toss into the oven or slow cooker!)

Once cooked, flank steak should be thinly sliced against the grain for maximum tenderness. When done right, flank steak is as flavorful and melt-in-your-mouth as more expensive cuts. If you haven’t tried flank steak yet, I think you’ll really love it. Even if you have, still give this marinade a try. It’s so, so good. (More on that in a second.) And if you can’t find flank steak, or prefer a different cut, flat iron, hangar, or skirt steaks are great substitutes in this recipe.

Marinated Grilled Flank Steak Sandwiches

The BEST marinade I have ever used is one I found on Epicurious about ten years ago. It may seem like a strange mix of ingredients, but it is incredible. I’ve made some slight tweaks to the original recipe over the years and it still remains one of our very favorite marinades for beef and chicken. So if you’re not a fan of meat or just prefer chicken, know that you can totally make this meal with chicken breasts or thighs.

Marinated Grilled Flank Steak Sandwiches

Flank steak doesn’t need much time on the grill. Four to five minutes per side, depending on the thickness, will yield a medium-rare steak. I’ve found that direct heat is the best  grilling method. It sears in all of those tasty juices, and because flank steak isn’t too thick, the quick, super-high heat is perfect.

After grilling, it’s important for the meat to rest, off the heat and covered with foil, to allow the juices to be reabsorbed into the meat. There is usually a narrower, thinner end to the flank steak that cooks much more quickly than the rest of the meat. I kind of like that because we have people in our family who like everything from rare to more well-done. But be careful not to overcook flank steak; it is better and at its most tender in the medium to medium-rare range.

Marinated Grilled Flank Steak Sandwiches

The flank steak, once marinated and cooked, is certainly flavorful enough on its own — but I’m never one to leave things simple! I have to go that extra mile. My husband and I were debating whether or not these sandwiches really needed cheese. I was thinking provolone. He was saying “no cheese,” which is unusual for him. And then an idea came to me — a white cheddar spread.

Grilled Flank Steak Sandwiches with Cheddar Horseradish Spread

I did a little looking around based on the idea I was formulating and found several really good recipes that I drew from to create this delectable White Cheddar Horseradish Spread. Oh my goodness, it’s so good! One recipe makes more than enough for the sandwiches, so I highly recommend finishing off the leftovers as a veggie dip or with crackers.

Horseradish is a classic accompaniment to meat and the grainy mustard pumps up the flavor. I added a little dried dill, too, though I suspect it would be just fine without it or with another herb in its place. I’m not a fan of mayo, so this spread uses sour cream. Like I said: so good!

Marinated Grilled Flank Steak Sandwiches

As far as the other sandwich fixings go, I’m partial to arugula and other non-lettuce greens for a sandwich like this. But totally go with lettuce if that’s your preference. Whatever you do, find the juiciest, sweetest heirloom tomatoes and cut them into thick slices. You won’t be sorry. (I’ll get to those onions in a minute…)

Marinated Grilled Flank Steak SandwichesMarinated Grilled Flank Steak Sandwiches

I think an often overlooked secret to a good burger (or flank steak sandwich) is the bun. There are a lot more options out there now than there used to be. I reach for brioche buns. They are lightly sweet and sport a pretty, burnished top. They’re sturdy enough for spreads and sauces, and all manner of toppings. And they really are perfect here. Grilling the buns is an extra, optional step, but well worth it.

Marinated Grilled Flank Steak Sandwiches

And I would be remiss if I didn’t mention my love for grilled onions. Sigh. If you’ve already got the grill piping hot, it’s a no-brainer to cook the onions on the grill too. I opt for a cast-iron skillet because it can handle the high heat, but any grill-safe pan works fine too. I cook them in straight up butter with a tiny bit of a high-heat oil to keep the butter from burning. It takes a good 20-25 minutes for the onions to cook to golden perfection, but luckily enough, that’s just about the right amount of time the flank steak needs to rest after grilling.

Marinated Grilled Flank Steak Sandwiches

The flank steaks I buy tend to come in 1.5 pound pieces. That should feed 4-6 people nicely. For a bigger crowd, it’s easy enough to toss a few extra steaks into the marinade. I know these would be a huge hit at your next BBQ party.

Marinated Grilled Flank Steak Sandwiches

Marinated Grilled Flank Steak Sandwiches

Ingredients
1 (1.5 to 2 lb.) flank steak
Sea salt

For marinade:
1/3 cup olive oil
1/4 cup balsamic vinegar
1/4 cup fresh lemon juice
2 tablespoons Dijon mustard
2 tablespoons soy sauce
1 1/2 tablespoons Worcestershire sauce
1 tablespoon honey or maple syrup
4 garlic cloves, minced
1 teaspoon each: dried oregano, basil, thyme
1/2 teaspoon freshly ground black pepper

For sandwiches:
White Cheddar Horseradish Spread (see notes for recipe)
1 extra large red onion, thinly sliced (see notes)
2 large ripe tomatoes, thickly sliced
2 cups baby arugula or tender lettuce leaves
6 brioche buns, halved and toasted or grilled, if desired

Instructions
1. Prepare marinade by whisking together all of the ingredients. Place the flank steak in a shallow casserole dish or resealable plastic bag and pour the marinade over the top. Allow to marinate in refrigerator for 2-3 hours, minimum, preferably 5-6 hours, or overnight. Remove flank steak from marinade and allow to come to room temperature, about 30 minutes.
2. Preheat barbecue grill (or stovetop grill pan) for direct heat. Clean and lightly oil grill grates. Season the steak on both sides with a little sea salt. Place flank steak directly over the hot coals or flame and cook for 4-5 minutes on the first side, and another 4-5 minutes on the other side. This should yield a medium to medium-rare steak depending on the thickness. Cook for a few minutes longer, to preferred doneness, if desired.
3. Place steak on a cutting board or platter. Cover with foil and allow to rest for 15-20 minutes to allow juices to be reabsorbed into the meat.
4. Using a sharp knife, cut meat into very thin slices, going against the grain.
5. To serve, place on buns with desired toppings and serve warm.

Yield: 4-6 servings

Notes
– Other cuts of meat such as flat iron, hangar, or skirt steak can be substituted for the flank steak.
– 2 pounds of chicken can be substituted for the steak. Marinate and grill as directed, making sure chicken reaches an internal temperature of 160°F.

Marinated Grilled Flank Steak Sandwiches

White Cheddar Horseradish Spread

Ingredients
8 ounces extra sharp white cheddar, grated
1/2 cup sour cream or mayonnaise
1-2 tablespoons prepared horseradish, drained, to taste
1 tablespoon grainy or Dijon mustard
1/2 teaspoon dried dill (optional)
Sea salt and freshly ground black pepper, to taste

Instructions
1. Place all of the ingredients into a food processor fitted with the chopping blade. Pulse until the cheese is finely chopped and the mixture is thick and creamy. Taste and add sea salt and black pepper, if needed.
2. Transfer to a container with tight-fitting lid and store in refrigerator for up to 1 week.

Yield: about 1 1/2 cups

Marinated Grilled Flank Steak Sandwiches

Grilled Onions

Ingredients
1 extra large red onion, cut into 1/8-inch thick rounds
2 tablespoons salted butter
1 tablespoon high-heat oil, such as avocado

Instructions
1. Have a grill-safe pan ready, such as a cast-iron skillet. Add butter and oil to the pan. Place pan over direct heat. When butter is bubbling and hot, add the onions. Toss with long handled tongs to coat the onions with the butter. Let cook, tossing occasionally, until onions are tender and deep golden on the edges, about 20-25 minutes.
2. Transfer to a bowl and keep warm until ready to serve.

Marinated Grilled Flank Steak Sandwiches
Marinated Grilled Flank Steak Sandwiches

—-

Oh my goodness. Thank you, Lindsey! I am unreasonably happy about this recipe. It looks like the ideal warm weather dinner to me. And I’ve never tried flank stead on the grill — so I’m look-forwarding to learning this new cooking skill.

What about you, Dear Readers? Will you be grilling this summer? Have you ever used your cast-iron pan on the grill? This will be my first time. 

P.S. — More easy dinners. And how to grill the perfect burger.

 


Credits: Photos and recipes by Lindsey Rose Johnson for Design Mom.

The post Easy Dinner: Grilled Flank Steak Sandwiches appeared first on Design Mom.

01 Jun 20:48

Patton Oswalt Is Ready to Perform the Most Intense Set of His Life

by Mike Thomas
The comedian, whose wife died unexpectedly a little more than a year ago, will tape a Netflix special with material he developed while grieving. Then he’ll never use any of it again.
01 Jun 01:04

A Vintage-Loving Fashion Designer's Retro Townhouse — House Tour

by Natalie Jeffcott

Name: Paula-Jane Buckland, son Rocket (9 years old) and Dixon
Location: Coburg North — Melbourne, Victoria, Australia
Size: 3229 square feet
Years lived in: 4 years, renting

Paula-Jane and her son Rocket moved to Melbourne from Adelaide about four years ago. While they live in a relatively new two-level townhouse in an inner-north suburb of Melbourne, it goes to show that you don't have to live in a vintage home to collect and display wonderful retro and vintage furniture and collectibles.

READ MORE »

30 May 17:55

58 Kid Friendly Sectionals

by Brady

In my never ending search for things that are both kid friendly and comfortable, I bring you a roundup of hopefully just that – per your request. Sectionals used to be banned from living rooms, relegated to the TV or family room but no longer. You can spread all of your body parts over many a section, while watching that boob tube and cuddling with those kiddos or pets in style these days.

So we did a ton of research on sectionals that are stain resistant AND attractive. A few notes – we haven’t personally sat on these nor tested them by spilling a blackberry/wine/coffee smoothie on them. So before you click ‘buy’ go sit on these bad boys and make sure that comfort-wise they are for you.

The first roundup is where the sofa fabric is already treated in stain repellant. There are many ways that this can be done, some organic, some well I’m assuming less organic. You always have an option of buying ANY fabric and hiring a company to come to your house to stain treat everything (including rugs) and there are many companies that are non-toxic, at least in LA that can do so.

But if you want some that are pre-treated and just need a bit of soap and water to wipe off, here you go:

1. Neutral Upholstered 2 Piece Sectional Sofa | 2. Campbell Custom Sectional | 3. Maxwell Modular Upholstered Sectional | 4. Westin Sectional | 5. Barton L Sectional | 6. Sydney Sectional | 7. Bryant L Sectional | 8. Maxwell Sectional | 9. Genesis 2 Piece Sectional | 10. Cloud Modular L-Shaped Sectional 11. Living Reversible Sectional | 12. Anton Sectional | 13. Reid Sectional Chaise | 14. Miller Sectional

Now, there are other fabrics that are naturally easy to wipe up – these tend to be 1 million percent synthetic but no longer is our only option ultra-suede (you know the fabric that leaves a perfect imprint of your bum as you get up – forever memorializing that shape). Most poly velvets are really easy to wipe up (like our new sofa in the family room) and if it’s called ‘performance velvet’ you should feel confidant that your kids can eat pizza and popcorn while watching Frozen (true story – Sunday night) without feeling too much worry.

1. Feelgood Sectional | 2. Slub Velvet Glenlee Left Sectional | 3. Desmond Sectional | 4. LRG Sectional | 5. Andes 3 Piece Chaise Sectional | 6. Jasper Corner Sofa | 7. Velvet Cardiff Sectional | 8. Crosby 4 Piece Sectional | 9. Harmony 2 Piece Chaise Sectional | 10. Velvet Mina Left Sectional | 11. Kensington Upholstered Chaise Sectional | 12. Stowe Sectional | 13. Lounge II 3 Piece Sectional Sofa | 14. Modern Charcoal Grey Armless Corner Sectional

Lastly for those of you who want even more control over ensuring that you can remove, wash or even get your sofa laundered, a slip cover is a great option, too. It’s a particular look but one that I really like as it is softer, more traditional and you can even have white linen if you are comfortable with some serious stain fighting bleach (or whatever the new hipster equivalent of bleach is).

1. Comfort Square Arm Slipcovered Sectional | 2. Basketweave Linen Tassa Sectional | 3. Belgian Track Arm Slipcovered Sectional | 4. Loft Modern Slipcovered Corner Sectional | 5. Olivia Sectional | 6. Kearney Sectional | 7. Warner Sectional | 8. Vallentuna Sectional | 9. Carlisle Slipcovered Sectional | 10. Bouch Shelter Sectional | 11. York Sectional | 12. Kivik Sectional | 13. Rockport Sectional Sofa | 14. Pavo Slipcovered Sectional | 15. Graham Sectional | 16. Belgian Classic Slope Arm Sectional

As you are shopping for stain resistant fabrics ‘microfiber’ will pop up over and over. Some of this is questionable and looks as if they are just renaming ultra-suede because its reputation has grown and its popularity has diminished. But some of it is seriously great and super stain-resistant. You’ll want to see this fabric in person before you order just to make sure, but these looked like great options to us.

1. Shae Sectional | 2. Cooper 3 Seater Sofa | 3. Kerry Down Blend Sectional | 4. Egan Sofa | 5. Shelter Sectional | 6. Decker Sectional | 7. Roller Corner Sectional | 8. Pollack Sectional | 9. Marco Sectional | 10. Uno 2 piece Sectional | 11. Draper Sectional | 12. Cade Sectional | 13. District Sectional | 14. Topanga Sectional

Hopefully one of these can help you find security and peace while your kids are smashing bananas into the crevices of your sofa 🙂

Happy Tuesday, folks. Cheers to a shorter week!!!

The post 58 Kid Friendly Sectionals appeared first on Emily Henderson.

22 May 00:10

Caroline Walls · Over in Love

by The Design Files

Art

Caroline Walls · Over in Love

by Lucy Feagins, Editor

‘Over in Love’ is the latest body of work from Melbourne artist Caroline Walls.

These striking original paintings continue Caroline’s ongoing exploration of the female form, using bold, graphic shapes and a distinctive palette of neutral tones, navy and black.

Artist Caroline Walls with paintings from her series ‘Over in Love’. Photo – Jess Reftel-Evans and Martin Reftel of Amorfo.

An array of artworks (synthetic polymer paint on canvas, framed in Tasmanian Oak) at Caroline’s studio. Photo – Amorfo.

Caroline Walls’ title artwork ‘Over in Love’ from the series, pictured with sculptures by Steve Clark of Den-Holm. Photo – Amorfo.

‘Over in Love’ (left) and ‘Thoughts Drift’ (right) by the Melbourne-based artist. Photo – Amorfo.

‘Soon to be Innocent Fun’ artwork. Photo – Amorfo.

‘Faded into You’ artwork beside pots by Amy Leeworthy. Photo – Amorfo.

After studying communication design in Melbourne, Caroline Walls spent the early years of her career working at creative agencies in London and New York. Whilst the work was exciting and rewarding, it wasn’t long before she found herself craving a more autonomous creative challenge.

Whilst still in NYC, Caroline began studying painting, and was instantly hooked. After returning to Melbourne four years ago, she began to make more time for her art practice, eventually leave the corporate world behind to concentrate on it full-time.

Having re-discovered this passion relatively recently, Caroline is still happily working across a number of different mediums: painting, drawing, printmaking, and sculpture. ‘I think this is to do with the fact that I am still keenly exploring my artistic style’ the artist concludes. Her work is not without focus, however. The consistent theme in all of Caroline’s recent work is a distinctive muted colour palette, incorprating nudes, neutrals, navy blue and black. This, and a fascination with the female form, brings a cohesion to her prolific output.

Caroline’s latest body of work, entitled ‘Over in Love’ revisits the female silhouette. ‘The female form has always played an integral part in my artistic practice and these works are a continuation of this study, albeit in a new way’ explains the artist.

I hope these paintings evoke a certain mood around femininity and love in all its forms – the good, the bad, and the ugly! Ultimately the sentiment I would like to evoke is one of celebration and empowerment.’

Caroline has recently been working on a number of collaborations, including a soon-to-be-released print design for Australian luxury sleepwear brand Masini&Chern, and a tote bag for Well Made Clothes, the profits of which go directly to Freeset, a certified organic and fair-trade company employing women trapped in the sex-slave industry of Kolkata.

Caroline’s latest artworks can be viewed and purchased through her website, or can be seen at Modern Times in Melbourne.

Paintings by Caroline Walls from her latest series ‘Over in Love’. Photo – Jess Reftel-Evans and Martin Reftel of Amorfo.

 

22 May 00:01

Felix Furniture

by The Design Files

Furniture

Felix Furniture

by Elle Murrell

Melbourne’s Antonia Morrongiello and Ian Anderson of Felix Furniture have become unofficial ambassadors for that most underrated of materials – plywood!

This afternoon we unveil adventurous new designs from the Sunbury-based duo.

Designs from the new Kork collection by Melbourne’s Felix Furniture, alongside their new Mota Dining Chair in Birch plywood. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

‘The Mota Dining Chair is probably the best example of our progress. It is unlike anything we have done before in form and purpose,’ says Antonia. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

Felix Furniture’s signature material is plywood. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

New Lilly Coffee Table and Douglas Bench Seat. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

Felix Furniture co-founders Antonia Morrongiello, a graduate of Interior Design and Decoration at RMIT, and Ian Anderson, who has a background in cabinet making. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

Felix Furniture was launched by Antonia Morrongiello and her partner Ian Anderson in 2014. Antonia, a graduate of Interior Design and Decoration at RMIT, leads the design side of things, while Ian, who has a background in cabinet making, heads up the making side of the business. ‘After we finished our very first set of bedside tables, we knew we were on to something, and that we had to pursue it or we would regret it!’ Antonia tells.

Three years on, their latest collection breaks new ground for the pair, and as Antonia explains, ‘…is all about how it feels under hand.’ The tactile range combines unlikely textures, championing the brand’s signature material, plywood, alongside a new addition – cork. Their newest pieces, including the Kork Buffet and Entertainment Unit pair natural cork with American Oak.

Early last year, Antonia was working at her desk when a cork jar lid on the window sill caught her eye. ‘I grabbed the lid, took it down to Ian in the workshop and started to look at this material alongside our different types of plywood’ she explains. After some research, the pair found themselves drawn to cork for its inherently sustainable qualities – it is harvested directly from the tree just once every nine years, allowing for crucial regeneration.

Antonia’s father was also a furniture maker, and has bestowed upon the pair a great appreciation for what it means to be able to make something from scratch with your hands. ‘When it came to buying furniture ourselves, we were shocked at how much poorly made, imported, cheap replica furniture there was in market,’ says Antonia. She and Ian hope to counter this trend in their own small way, putting out good, honest design, using sustainably-sourced materials, with an ongoing commitment to making things locally.

Felix Furniture is currently running a Makers Collective Pop-Up Shop in Richmond, and are preparing for this year’s Decor and Design trade show in July. Find out more on their website, here.

Cabinet from Felix Furniture‘s latest collection. Styling – Sarah Elshaug of Maitland Street Interiors at XO Studios. Photo – Stephanie Rooney.

22 May 00:00

James Tutton

by The Design Files

Melbourne Home

James Tutton

by Lucy Feagins, Editor

James Tutton is a social entrepreneur with a restless, creative mind. After founding Melbourne’s Moonlight Cinema in 1996 (and selling it in 2006) James turned his attention to a range of social and business ventures. He is director at design-driven property development company Neometro, co-founder of not-for-profit meditation app Smiling Mind, and more recently has launched The Plato Project – a business school which fosters entrepreneurship driven by both financial and social value.

James has also recently finished renovating a truly spectacular Victorian home in Coburg, elegantly executed by Clare Cousins architects. Total dream house material.

James Tutton’s two-storey Victorian mansionette in Coburg, built in 1890. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Together with architect Clare Cousins, James has modernised the interiors (painted here in Dulux Whisper White), although the original stained-glass windows remain. Artwork by Kate Beynon from Sutton Gallery and Buddha sculpture purchased in a garage sale. ‘I’ve had an ongoing fascination with things Buddhist, and that has hung around my home for the last 20 years,’ says James. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The main lounge area featuring chair from DOMO, marble coffee table by B&B Italia, drum from Byron Bay, Melinda Harper arwork, David Rosetzky photography from Sutton Gallery and Remi record – James is a fan! Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The open-plan lounge from the kitchen and dining area. The design integrates the front garden and the rear (north-facing garden and swimming pool) providing cross ventilation and natural light. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Dining table by Mark Tuckey and Thonet chairs. ‘I think it’s a versatile space, it’s quite informal and in immediate proximity to the kitchen, so it works as a family area and large dinner space – the dining table can seat 16 people,’ details James. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The kitchen with custom cabinetry, in Dulux Great Void. ‘I’m a blue person, it’s my favourite colour and it contrasts well with the light-coloured marble,’ explains James. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The downstairs hallway (between living rooms). ‘I’m indiscriminate!’ says James of his thrifted pots. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

In the secondary living area (painted in Dulux Ellen quarter strength), artwork by Dale Frank, table from Dedece with Charles Eames chairs. ‘It’s a great table to read a newspaper at or where the kids can to do craft projects,’ says James. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Secondary living area downstairs, leads out to decking, a fire pit and the picket fenced pool. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Mark Tuckey sofa and coffee table, with leather chair from Hub Furniture, B&B Italia marble coffee table from Space Furniture, and Rug from Loom. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

‘The shelf is literally breeze blocks with timer, which I’ve had and finished off and limed. It comes apart,’ explains James. A ornamental KISS-style guitar from when James was little and mirror from Cult. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Downstairs powder room with floor-to-ceiling wall tiles and organic Belgium cotton towel. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The upstairs landing, just outside the master bedroom. The ladder came with the house,  photos are of James’ home in Byron, a woven bench seat and Hans Wegner chair, both from and  Great Dane Furniture. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Master bedroom with bed from Hub Furniture, marble bedside table from Dedece, and lamp from Cult. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

The master bedroom leading to walk-in-robe. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

Curtains are Belgian linen and the contemporary fireplace design is by Clare Cousins. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

James Tutton pictured on the upstairs landing of his Coburg home. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

James Tutton is full of surprises. After having lived for many years on the Mornington Peninsula (in a beautiful home we featured here), two years ago he purchased a huge Victorian mansion in Coburg, enlisting local architect Clare Cousins to design a considered renovation and update.

The move to Melbourne’s North wasn’t exactly planned. ‘I was actually looking at a development site and happened to park nearby and saw it was for sale…’ recalls James. He purchased the property somewhat spontaneously – but when James sets his mind to something, the results are bound to impress.

Clare Cousins and her team retained key period features, but gutted much of home, re-designing the kitchen and bathrooms, and softening the interiors with lime-washed floors and a beautiful muted palette of blues, greens and soft pinks. ‘Floor finishes, light fittings, robes, the laundry, you name it… there is not really a surface in there that has not been touched’ James explains.

The gardens, too, received an extensive overhaul, with James installing a swimming pool and half pipe for his teenage kids (who split their time between Coburg and the family farm in Mornington).

With a long-held affinity for Victorian homes, James was drawn to the scale of this historic mansion house. ‘There is volume in terms of ceiling height, which you just don’t get in a modern home,’ James explains. ‘The connection to nature if you live in the city is rare and it’s hard to get outdoor space… this home gives us that.’

James has a discerning eye for art and design. He loves colour, interesting design pieces and contemporary art. His most treasured possessions include his son’s much loved skateboard decks, music-related paraphernalia (including photographs of The Beastie Boys and Nick Cave) and an impressive art collection which includes works by Polly BorlandKate Beynon and Dale Frank. The leather khaki couch from Space is James’ most loved furniture piece – ‘It’s been a part of my life for a very long time, around 10 to 15 years, so it’s a bit special,’ James says.

There’s something quietly remarkable about the refurbishment of this home. Though impressive in scale and finish, and surprisingly brave in its use of colour, the interiors here feel relaxed and understated. ‘It’s quite soft and worn, not as in worn out, but you don’t see shiny glossy surfaces here’ James muses. ‘I just kind of wanted to build a home that was reasonably relaxed,’ he explains. Nailed it.

James’ impressive front room. Sofa from Space Furniture, rug from Loom, light by Pop & Scott and tables from Cult. Photo – Eve Wilson. Production – Lucy Feagins / The Design Files.

21 May 23:54

10 Colorful Accent Pieces at Target Right Now

by D*S Market Editors

We love the look of circular shapes on the wall lately, and these colorful, woven pieces capture the look and feel of summer. If you missed our post on plates displayed as wall décor, check it out here!

Our question — Why not spend the summer looking for vintage plates for a winter wall, while gazing at woven pieces during the warm months? The vignette above shows some of our favorite pieces from the Target summer collection, online now. Not all pieces are carried in-store. Here’s a closer look. (Just click the image to get the details on Target’s online shop!)

From their Threshold line, this chair continues the woven theme that works so well for summer. Topped with a warm throw or sheepskin, it can move into autumn effortlessly.

Stevenson Woven Chair / $159.99

We love this homespun meets global feel of this braided rug. It’s so pretty, it got its own close-up below!

(3 feet diameter)

Threshold Braided Accent Rug / $19.99

This wood accent table deserves a mention for its good looks and tropical feel.

(Please note this is a wood frame construction covered with wood laminate.)

Threshold Wood Accent Table / $79.99

These bright baskets can have multiple uses beyond wall décor. Use your imagination!

Threshold Woven Baskets / $24.99

This pillow is similar to a few from previous collections, but we’re admiring the larger scale color blocking on this version.

Color Block Pillow / $24.99

If you’re going for a global style, you need a wooden animal somewhere. If the thrift store is sold out, you can adopt this one.

Wooden Llama / $19.99

As a vase or as intended, the ceramic pitcher caught our eye. The deep blue helped!

Ceramic Pour Vase / $19.99

This accent piece goes right on your wrist! Target’s Tiklari gem cuff mixes two of our favorite colors.

Cuff / $40

This enamel splatter mug reminds us of summer art camp.

Mug / $9

Last, but definitely not least, this planter is a stand out with its deep teal glaze.

Wood Base Planter / $29.99

Share your favorites with us in the comments! We’re curious…

 

11 May 21:11

One Room Challenge Week 6 • Dining Room Reveal

by DABITO

It's the final week of the One Room Challenge and you all know what that means! Reveal time! Welcome to my brand new eggs Benedict Cumberbatch mimosa dining room! Haha. I do make a mean poached egg so there will be lots of brunches up in here in the future. Anywho...let's go on a quick tour, shall we?! Here's a before of the dining room. 

Even Buddha can't keep his eyes opened for this sad looking room.

BEFORE

AFTER

And boom shakalaka! I am so eggscited about how this room turned out! Okay...I'm done with the egg yolk puns. We never used this room before because it wasn't exciting to be in there. And even though it had white walls, it felt really dark, so I wanted to make it really vibrant, like a room that screamed, "Come in here and have a mimosa with me, all day every day!" The yellow just makes this room so cheerful! The chair rail and moulding really elevates the space and the original artworks by Leroy add so much personality. It feels formal yet super fun and unexpected. To balance out all that warm tones, I brought in some greens and blues. 

Here's a view of the dining room from the living room. The heartmate has been camping out in there. He absolutely loves it. 

I love, love this live edge dining table. It really added some much needed weight to the room. And it's solid and heavy AF! Our old table was just too dainty.

This Jonathan Adler chandelier is everything! Like everything I've ever dreamed of. It's sculptural and ties in with all the lighting I have in the house. This is the cream of the crop, y'all! 

Another view from the living room. These gorgeous blue and green pillows are from Bolé  Road Textiles

I had these candle sconces custom-made by Sazerac Stitches. They turned out so good! They're a mix of black and brass to match the chandelier. 

Oh, you know...just serving you some Dab buffet realness!

Sweet thanks to Linda Weinstein (Calling It Home) for inviting me to be part of this fun challenge. This is hands down my favorite space I've ever done. Lots of love to the amazing One Room Challenge sponsors (Metrie, Farrow & Ball, The Mine, All Modern, and Candelabra) for helping me make this room come alive! Also excellent work from Kex Design + Build for installing the moulding and painting. And lastly, thank YOU for following along this transformation.

GET THIS LOOK!

Jonathan Adler Caracas Chandelier • The Mine
Moulding • Metrie
Paint (Babouche) • Farrow & Ball
Dining Table • All Modern
Buffet • All Modern
Dining Chairs • All Modern
Bolah Chairs • Candelabra
Artworks • Leroy Miranda Jr.
Sconces • Sazerac Stitches
Table Lamp • West Elm
Rug • Rugs Direct
Pillows • Bolé Road Textiles
Vintage Vase • Everything But The House
Planter • West Elm

Catch up on our One Room Challenge!
Week 1  •  Week 2  •  Week 3  •  Week 4  •  Week 5  •  Week 6


Y'ALL HAVE TO CHECK OUT THE OTHER DESIGNER'S REVEAL!

Centsational Girl  |  Chris Loves Julia  |  Christine Dovey  |  Dwell With Dignity  |  The English Room

Glitter Guide  |  House of Brinson  |  House Updated  |   J+J Design Group  |  Lark & Linen  |  Abby Manchesky

Nesting Place  |  Old Home Love  |  The Pink Pagoda  |  Rambling Renovators

Erica Reitman  |  Sketch 42  |  Suburban B’s  |  Erin Williamson

Media Partner
House Beautiful


11 May 14:40

Pho Tasty-- Revisit

by Erin in Indy
Pho Tasty has become a go-to place for lunch for me. I often go with my BFF, and I have more recently introduced hubby to it as well and he is now converted. The rare beef pho (#32)($9) is what I almost always get, but this time we were splurging and decided to try my other typical favorite Vietnamese food item, the Vietnamese pancake (#6)($9.95).  I had never had it here so it seemed like a good time to try it.

First of all, I love their pho. I can’t say what it is that makes me like it more than some others, but I am assuming it is the broth since most of the components are pretty similar in beef pho. It’s a beef broth with rice noodles, some sliced onion and some very thinly sliced rare beef put in just before serving, I also have them add some tofu to mine just to make it a little heartier. It’s a good addition. So once you get the bowl of soup, you top it yourself with some herbs (basil and/or cilantro), bean sprouts, jalapeno slices and lime juice. I also add a bit of chili sauce and soy…ok and sometimes some fish sauce. I have learned that the key to really good pho is figuring out your personal seasoning and getting it just right. I have it down. I like putting the jalapenos in—I don’t eat them, but their flavor spreads into the broth a bit giving it some heat. It’s also a fairly healthy dish to eat, so I don’t have to feel guilty about eating it.

I was a bit disappointed in the pancake however, it just wasn’t as good as many others (and my all time fave is still at Long Thanh). There wasn’t as much stuff inside it and what was there wasn’t really sautéed very much. Usually there is bean sprouts and pork and shrimp all cooked together. This one had a little bit of the meat and a lot of totally cold raw bean sprouts. I also like eating mine wrapped in lettuce leaves, which they don’t give you here. The pancake itself had more of a granular texture to it as well. I would check this one off the list here, but the pho is still super good. I will stick with it from here on out…or maybe try some other appetizer. They also do banh mi here but I have yet to try one. Anyone tried one yet?

And I am super happy to have a place like this in Castleton—and their business seems good, which is good to see as well.

Pho Tasty
6044 East 82nd Street
Indianapolis 46250
317/702-0961


11 May 14:39

Turf Catering & Kitchen - Revisit

by Erin in Indy
I have been back to Turf a couple of times since my last post and I really like this place still. The first time back I got the turkey club ($10) and wasn’t really expecting it to blow me away or anything, because hey, it’s a turkey club right? To date, this is my favorite sandwich at Turf. It’s got turkey obviously, but this turkey is heavily smoked and has a really unique and delicious flavor. It’s also topped with bacon, Swiss, lettuce, tomato, onion and black pepper mayo. It’s just right and that mayo gives nice flavor and moisture and the right amount of gooey-ness that I like in a sandwich.  I got the onion rings as my side this time and they weren’t my favorite side—they’re really big and a little too soft and doughy for me. That sandwich though…

On that visit, my lunch companion had the short rib grilled cheese with red onion jam and butterkase cheese ($12) which I talked about in a previous post. This is always a favorite as long as you don’t mind a touch of sweetness in your sandwich from the jam. A side of au gratin potatoes were tasty.

On another visit I had the special, which was a chicken melt with roasted chicken, diced tomatoes, cheddar cheese, bacon, chopped red onion and honey mustard ($10). I loved the chopped red onion so you got a little of it in every bite and not just one big mouthful.  I also liked the way they chopped the chicken up too so it wasn’t a giant brick of chicken breast the way most chicken sandwiches are. The honey mustard was a nice flavor, but I was craving a bit more gooey and asked for a side of the aforementioned black pepper mayo to add. Then it was perfect. Okay, still not quite as good as the turkey club, but darn close. I just went with the pimento cheese as my side this time, because let’s face it, it’s my favorite. I still like spreading on their homemade chips.

My friend tried the “Pete’s Pride” ($13), which has five different kinds of pork on it, celery slaw, mayo/mustard mix, and pickles. It had a somewhat similar flavor to a Cuban sandwich, but the celery slaw had a very distinct celery flavor. If you like celery, and a lot of meat, you will probably like this one. It was a little on the heavy side for me, but that’s why I didn’t order it.
I really like this place and I haven’t taken anyone there yet who has not agreed. It’s a big lunch (or a nice lunch and dinner later with your leftovers) and it may seem a little on the pricey side, but for what you get, it’s worth it. And one of the few gems in Castleton.



Turf Catering & Kitchen
8155 Castleway Court, Suite C
Indy  46250
317/288-0173



05 May 13:23

THESE PRETTY RUGS

by bri

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doshi levien makes these embroidered rugs in india. the colors, the patterns…i’m so inspired by them!

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i also enjoyed watching this video about the making of these intricate, gorgeous rugs…

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05 May 13:22

SAMANTHA TOTTY

by bri

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really like her simple prints!

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04 May 22:35

Blaze Pizza - Revisit

by Erin in Indy
My daughter and I were down at IUPUI for the regional National History Day competition (she’s a state finalist!) and had a break between her presentation and the awards ceremony, so we hit Blaze for lunch, as it is right near campus.

We both pretty much made our own, although mine was a variation of one of their combos, the “Veg Out” (they are all around $7-8). It was topped with mushrooms, red onion, spinach, Gorgonzola and mozzarella cheese and had dollops of red sauce on it. Ok, I know this is a chain, but I think their pizza is pretty darn tasty. The crust is really thin, and with the blue cheese, it had a nice distinctive flavor to it. It’s not too much, but just enough that you get that hint of flavor in each bite. They are personal size pizzas and I can almost eat a whole on by myself. I like this particular pizza because the sauce is not spread all over the pizza—sometimes I think too much sauce detracts too much. They quick fire them in an oven while you stand there and they are nice and crisp.

My daughter built her own with mozzarella and feta, kalamata olives, chicken, and oregano. She really liked it (and I agreed after my couple of bite of hers). She made a nice Greek combo and with the addition of the feta and olives, it had a nice salty kick to it. I still preferred mine, but hers was very good. 

It’s supposed to sort of be fresh fast food, but the one complaint I had was that it was so not fast at all. Luckily we had enough time, but it took a solid 30 minutes to get through the line. I am not sure why the delay, but man, it was slow.

They have some fun drinks too—my daughter had prickly pear aqua fresca and they had a blood orange lemonade. It’s a good place for a pizza fix for lunch near campus, but just be prepared that it may not be as fast as you think it is. And hey, I am spending a lot more time on IUPUI's campus now that I am back in school. What are your favorite places to eat around there?

Blaze Pizza
913 Indiana Avenue
Indy  46204
317/624-1500


03 May 17:20

file under pop.

by victoria

file under pop tiled wall art. / sfgirlbybay

file under pop: even the name is rad. their whole clever collection is file-worthy and definitely packs a pop. but ever so tastefully — paint, wallpaper, tile, and lavastone are all pretty stunning. take their wallpaper stylisation collection — one design boasts hand painted wallpaper where paint is used together with white gold leaf and paired with something exotic and beautiful called Jesmonite pieces. file under pop’s projects and installations mirror designer and founder’s josephine akvama hoffmeyer own home  — or is it the other way around? (see my earlier morning post to see what i mean). their studio located in Frederiksstaden, a historical part of Copenhagen, is truly inspired and regardless, it’s all quite smashing. you can see and sampling of some of my personal favorites and see more file under pop on the site. oh, there’s some pretty impressive and interesting press here and be sure and follow on instagram, too.

file under pop paint and ceramics. / sfgirlbybay

file under pop wall tiles. / sfgirlbybayfile under pop collection. / sfgirlbybayfile under pop herringbone floor tiles. / sfgirlbybayfile under pop wall art and tiles. / sfgirlbybayfile under pop tiles. / sfgirlbybayfile under pop tile collection. / sfgirlbybaycolorful tile wall via file under pop. / sfgirlbybayfile under pop tile and styling. / sfgirlbybayfile under pop tile, ceramics and paint.  / sfgirlbybayfile under pop creative studio space. / sfgirlbybayfie under pop collection. / sfgirlbybay

• photography via file under pop.

02 May 01:35

On the Street…Details, Paris

by The Sartorialist

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02 May 01:09

BOTANICAL BEAUTIES

by bri

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pretty botanical illustrations by barbara dziadosz.

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