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15 Mar 15:45

A Stained Glass Artist Creates A Mini Refuge

by Rebekah Carey
Tifmurray

Amazeballs.

A Stained Glass Artist Creates A Mini Refuge

Three years ago, stained glass artist and jewelry maker Neile Cooper was realizing that her success in jewelry making was leaving her missing the depth of work that her first love of stained glass commissions had brought her. Missing her original trade of creating beautifully detailed stained glass panels — combined with a passion for cabins and small living — Neile and her partner, Robert Giaquinta (a private tutor), decided to add a stained glass cabin to the one-and-a-half acre property that they’ve lived on for 16 years. Robert and Neile share their home with their two cats: their beloved 16-year-old Clarence and their one-year-old “terror,” Utah, who, they admit, do not live in peace together.

Neile shares, “Lake Mohawk, NJ is a sort of magical place, a storybook Tudor style lakeside town, the headwaters of the Wallkill River, awesome for swimming.” Despite the majesty of their surroundings, both Neile and Robert grew up in Northwest New Jersey and have debated moving out west, or up to Vermont. Building their glass cabin was a way to renew their inspiration and love for where they’re calling home, at least for now. Neile had been researching shed construction for a while, and in order to chase off a depression, she realized that just jumping in was the best course of action. Admittedly, Neile quickly found herself in over her head, but luckily had a handy father-in-law she could enlist to assist. They quickly built the frame and installed the reclaimed windows (everything in the cabin was repurposed from Craigslist, garage sales, Habitat For Humanity Re-Store, and hand-me-downs). You wouldn’t know looking at it now, but Neile says that three years later, she still has more she’s dreaming of doing to her magical 99-square-foot glass cabin. Her process is that she removes each window, repairs the frames, removes the old glass, and installs her new designs in their place. While the building of the glass cabin was somewhat simple, it’s obvious that Neile’s creations are anything but. The intricate designs in her stained glass creations are the same concepts she applies to her jewelry designs as well, going so far as to encase butterfly wings (ethically sourced!) in glass.

The roof was one of the most difficult parts of the process, but Neile knew she had to stay true to her vision of an all-glass cabin. It took a few tries, but eventually with some protective and water-tight sheets of lexan, the old tarp could be removed and you could once again see out to the beautiful wooded surroundings. The French doors are also set to be replaced, but as they were free from a friend, they’ll do for now. Neile wants to continue to finish the interior and create the multi-functional space she envisioned for guests, yoga, or a romantic dinner, and we’re so glad that she promises that if they do ever move, she’ll bring the glass cabin with them!

In addition to the glass cabin being an inspiring and motivating project for Neile, her goal also was, “for the glass designs to create a fantasy, an oversized dream forest. All of my favorite things are represented. I want to make work that I am proud of.” We certainly feel that this is something to be deeply proud of! To see more of Neile’s inspiring work and constantly evlolving glass cabin — and what inspired her design — flip through her awe-inspiring images. –Rebekah

Photography by Neile Cooper

SOURCE LIST

-glass: Bendheim Glass, in Passaic, NJ (Neile admits that it’s “heaven for the glass artist, they carry the best.”), Bullseye Glass, The Warner Art Glass Center in Allentown, PA (“Perfect if you are interested in starting stained glass as a hobby,” Neile shares.)

-window frame paint: Behr Ultra in Valspar Fired Earth and Ralph Lauren Torch Black and Black Dose

-globe lights: Pottery Barn

-everything else was salvaged from Craigslist, friends, Habitat For Humanity ReStore, or garage sales

14 Mar 15:47

Don Draper Just Scored a Real-Life Advertising Coup

The Mad Men character is good. Really good.
14 Mar 15:42

Pogue's Run Grocer- Deli

by Erin in Indy
I am doing an internship right now on the Near Eastside and had the opportunity to eat lunch at Pogue’s Run Grocer. It’s a little grocery store, but they also have a deli in there and a couple of tables and chairs. I’m guessing they mostly do carry out though, which is what I did. The deli has a pretty extensive list of sandwiches including vegan and vegetarian options. Being neither of these, I opted for one of the meat-filled choices.

The Tuscan turkey sandwich ($6.89) is Boar’s Head Tuscan turkey sliced with provolone, green peppers, lettuce, kalamata olives and basil mayo. I didn’t get the green peppers, because I can’t stand green bell peppers, but man oh man was this sandwich good. It’s one of those sandwiches that although it was quite large, I had a hard time not finishing the whole thing (ok, let’s be honest, I did finish the whole thing. I also got a giant pickle, which they quartered for me. Also delicious.

It had lots of the basil aioli on there, and you know how I feel about a well-sauced sandwich. It adds great moisture but also a ton of flavor, especially a sauce like this. Add the kalamata olives which are chopped up small and very plentiful and you have a killer sandwich. The turkey was sliced nice and thin and was tender (Boar’s Head is always good lunch meat). They press it in a panini press so everything squishes down a bit and the cheese gets melty. I am telling you, I am sitting here writing this thinking I need to get this sandwich tomorrow. For real. It’s basically an ideal sandwich for me between the aioli and the olives (and it’s warm, as I am not a huge fan of cold sandwiches usually).

Check out this place for a quick sandwich next time you’re over this way. It’s a worth a stop. And I am totally getting one this week.

Pogue’s Run Grocer
2828 East 10th Street
Indianapolis, IN 46201
317/426-4963
14 Mar 15:25

On the Street…Left Bank, Paris

by The Sartorialist

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What a wonderful character.

 

I shot this gentleman about 8 years ago, he only seems to get better with age!

10 Mar 19:45

On the Street….via Turati, Milan

by The Sartorialist

22617MFW4721IG

09 Mar 20:24

The Vanguard

by Erin in Indy
The other day some friends went with hubby and me to The Vanguard for a dinner while our sons played tennis. I have been itching to try it ever since I heard the guys from Turf Catering designed the menu.  I also received a very nice email from the owner telling me I was the one who introduced him to the Turf Catering guys through my blog, so how cool is that? It’s a small world indeed.

The Vanguard is in the old Usual Suspects space in Broad Ripple, which I had never been to. I am not sure how much redecorating/remodeling they did for the switch, but I really like the interior of the Vanguard. It’s modern and comfortable—and there is a family side with several booths where you can bring your kids (good to know, as we will likely do this soon). It’s a bigger spot than I would have guessed and feels a lot more grown up than much of Broad Ripple.

We started with several appetizers (I love friends who like to order lots of stuff). We had the pimento cheese ($10), the Cajun shrimp ($13) and the roasted vegetable gnocchi ($13). Every single one of these was a winner. Truly, I loved them all. The pimento cheese plate came with a nice portion of the cheese (if you have had it at Turf, you know how good it is—one of my favorite versions in town). It also came with some toasted bread slices, smoked ham, and half of a boiled egg topped with pickled mustard seed. You guys, I loved this dish. The cheese is so good, and the ham tender and smoky (I think they smoke all their own stuff at Turf). And the combo of the egg with the mustard seed was perfect. The only thing I would change is to ask for a few extra slices of the bread because we ran out before we ran out of the toppings. I could easily make a meal out of this plate by myself, but it's also a really nice thing to share and a great mix of different tastes.

Hubby’s favorite was probably the Cajun shrimp, which was really delicious. It was two large pieces of grilled crostini topped with the shrimp, which is cooked in a spicy, buttery, garlic sauce. And get this, the shrimp wasn’t tough and overcooked. It was just right. And there was plenty to share around the table. Such a nice rich flavor to the sauce without being too much. 

The last appetizer that we shared was the roasted vegetable gnocchi. Wow, this one was great too. The gnocchi were lightly sautéed, so they were just a little brown and crisp on the edges, which is exactly how I like them. They were topped with peas, roasted tomatoes, mushrooms and shallots. There was a great acidic kick from the tomatoes and the mushrooms were wonderful. I even liked the peas and I am sort of washy washy on peas sometimes. The dish was mixed in a brown butter sauce, which is something I wish you saw more of in Indy. Brown butter gives a nice earthy, nutty edge to a dish, while still maintaining richness from the butter, but without being over the top with cream or cheese. Brown butter is a great sauce to use when you really want the ingredients to shine.

I could have walked away at this point of the meal and been happy and fairly full, but we ordered three of the main dishes as well. Hubby and I ordered the fried chicken (of course I did) ($16) and our friends ordered the short rib ($20) and the Mediterranean chicken ($17). The winner here was definitely the fried chicken, although nothing was bad. The fried chicken had a slight smoky flavor as well as a hint of pickle—maybe it was pickle brined? It was really good and cooked just right. The meat was tender and the skin was crisp. The pieces (there was a breast, wing, leg and thigh) were served with mashed potatoes and chicken pan gravy. All of it was good—and that gravy was delicious. I am not even usually a gravy person when I eat fried chicken, but I found myself dipping the bites in it—it had a nice salty kick, which just enhanced the chicken. 

I had a bite of our friends’ dishes and they were my least favorite of the evening, but not bad. The short rib was very smoky (maybe a bit much for me) and just a touch on the dry side. My friend who ordered the chicken doesn’t like chicken on the bone, and this was a seared boneless breast topped with tomatoes, garlic, olives and herbs and for me, this tasted more like something you might make yourself at home on a good night. They also have a butter-smoked chicken (on the bone) that sounds more interesting to me if you’re not in the mood for fried and don’t mind eating off the bone.

All in all, I can safely say that this is certainly one of the best new places to open in Broad Ripple in ages, and is likely one of the best places for food in Broad Ripple right now period. I could easily and happily make a meal of appetizers (there were several more I would like to try) and would love to try that butter-smoked chicken, if I can pull myself away from the fried chicken. We will certainly be taking the kids as well, as my son loves fried chicken the way I do, and my daughter is a gnocchi fanatic. If you haven’t been here yet, you should go. And why this place isn’t getting more press, well, that’s Indy for you.

The Vanguard
6319 Guilford Ave
Indy  46220
317/254-1147



01 Mar 20:59

8 Iconic Houses in Palm Springs, California

by Caroline Williamson

With its short distance from Los Angeles, Palm Springs is a popular locale for those looking to escape the urban sprawl for a little bit of laid back paradise. It’s also a major draw for design lovers around the globe as it’s world-famous for its mid-century architecture. With Modernism Week still going on through February 26th, we decided to take a look at some of the mid-century wonders Palm Springs has to offer.

8 Iconic Houses in Palm Springs, California

The famed Sinatra House was designed for Frank Sinatra and his first wife, Nancy, by E. Stewart Williams in 1947. It marks Williams’ first commission after he joined his family’s architectural practice, Williams, Williams, & Williams. The pool is even shaped like a piano.

Photo by Nuvue Interactive

Donald Wexler’s name is pretty synonymous with Palm Springs architecture and his 1957 Florsheim/Leff House is one of the best expressions of that. With post and beam architecture and expansive windows, the two-bedroom house is picture perfect for California indoor/outdoor living.

Photo by Thom Watson via Flickr

The Kaufmann House was designed by Richard Neutra as a vacation home for a family looking to escape brutal winters and was famously photographed by the legendary Julius Shulman. It was completed in 1946 with an extensive restoration by Marmol Radziner + Associates completed in the mid-1990s.

The Frey House II was built in 1964 by architect Albert Frey with mostly glass walls that frame the surrounding rocky landscape. The house even incorporates the massive rocks inside where many would have excavated the material or chosen not to have built there.

Photo by Rebecca Gonzalez

Dubbed Elvis’ Honeymoon Hideaway, this 1960 house was built by developer Robert Alexander, and while several people have been called the original architect of the home, it still hasn’t been resolved (it’s believed to have been William Krisel). After the Alexander family were killed in a plane crash, the house was leased by Elvis, hence its name. The design consists of four circles on three different levels with lots of glass and stonework.

Photo by Yield

With a triangular A-frame front, similar to that of a Swiss ski chalet, the Swiss Miss houses were designed by Charles Dubois in a section with about 15 other homes just like it. The unusual front spans two-stories tall giving the home some dramatic curb appeal.

Photo by Chimay Bleue via Flickr

Model A2 Residence is a home by Palmer & Krisel (Dan Palmer and William Krisel) that was designed in 1957 as part of the Twin Palms Estates Development. To ensure all the homes didn’t look alike in the subdivision, they designed alternate rooflines to change it up. Back in the day, these homes only cost around $30,000 brand new!

Photo by Gregory Han

On the last Palm Springs hillside development, the Chino Canyon Project is a new home that was designed by mid-century architect Al Beadle. The unbuilt plans were found by his Phoenix estate and were built following his original drawings.

For more things to do and see during Modernism Week, check out our guide.

01 Mar 20:57

This Is Fur Real: Say Hello To Singapore’s First-Ever Cat Furniture Design Show

by Nanette Wong

This Is Fur Real: Say Hello To Singapore’s First-Ever Cat Furniture Design Show

We are not kitten you. Singapore will be hosting their first, cat-themed furniture design show during Singapore Design Week (SDW). Appropriately named 9 Lives, this exhibition is full of practical and aesthetically pleasing furniture for indoor cats.

Tan Chin Chin, the artist and entrepreneur behind 9 Lives, aims to inspire locals to think about how good design can benefit living conditions for cats and their owners alike, especially in crowded cities like Singapore. “As more Singaporeans adopt street cats and integrate them into their households, there is a growing demand for quality cat furniture.”

The furniture focuses on creating efficient furniture for small space living, as well as creating an open dialogue for cat owners and potential cat owners. A part of the proceeds will go towards Cat Welfare Society.

01 Mar 20:44

DittoHouse Launches Rise Collection in Response to Hate and Intolerance

by Caroline Williamson

DittoHouse Launches Rise Collection in Response to Hate and Intolerance

We’ve been loving on DittoHouse for a couple of years now – so much so that we invited them to exhibit at last year’s Milk Stand popup at ICFF. DittoHouse designer Molly Fitzpatrick has such a way with graphic patterns and bold color palettes making each blanket throw and pillow cover one you immediately want to cozy up to. The brand’s latest offerings, the Rise Collection, is no exception and this time there’s a beautiful message behind it.

“Rise” throw blanket

The world seems to be aware of the turbulent political times that have overtaken the United States and steadily there’s been a growing resistance aiming to outshine the negativity and hate. Fitzpatrick was one of many disappointed and overwhelmed by the aftermath of the new president elected in November 2016 and instead of sitting back, she got to work. The Rise Collection of throw blankets and pillow covers was born out of hope for better times and “a world filled with justice and love.”

“Rise” throw blanket

Not just wishing for better times, DittoHouse is doing something really amazing – they’re donating 100% of their sales profits from the Rise Collection from March 1-8 to the Dream Corps’ #LoveArmy, whose goal is to fight hate with love and power.

“Rise” throw blanket

As with all DittoHouse knits, the Organize, New Day, and Rise throws, and Onward, Upward, and Harmony pillow covers are knit in America with 80% recycled cotton yarn that’s made from pre- and post-consumer textile waste.

“New Day” throw blanket

“New Day” throw blanket

“New Day” throw blanket

“New Day” throw blanket

“Organize” throw blanket

“Organize” throw blanket

“Organize” throw blanket

“Organize” throw blanket

“Onward” pillow cover

“Upward” pillow cover

“Harmony” pillow cover

28 Feb 21:52

Ind. Gov't. - An update on some of the bills the ILB has been following

by Marcia Oddi
Yesterday was the last day for House bills to pass the House. Today is the last day for Senate bills...
28 Feb 19:14

Black History Month Spotlight: Kehinde Wiley

by Grace Bonney

Screen Shot 2017-02-27 at 8.51.01 PM copy

There are moments in art and design when I struggle with the decorative nature of the things I love. I know that these parts of design (pattern, color, furniture) have the power to make people feel at home in their spaces, but I also know that they don’t begin to touch on deeper topics that rattle around in my mind and heart — especially right now. But every now and then there are artists and artworks that are able to brilliantly blend decorative arts and art history with deeply meaningful and symbolic statements about cultural and political issues. One of the artists I admire most for this ability (and so much more) is Kehinde Wiley.

Born in Los Angeles, CA in 1977, Kehinde now lives and works in New York City where he is known for his striking portraiture. Kehinde’s work references classic paintings and composition from art history and replaces the main figures with young black men and women. Their striking portraits are complemented by richly colored and patterned backgrounds that recall a wide range of decorative styles, from baroque and rococo to floral and damask prints.

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While discussing his portraiture focusing on black men and women, Kehinde said:

“I loved when I walked into LACMA as a kid and seeing Kerry James Marshall’s grand barbershop painting. But it was thrown into very sharp relief when thinking about the absence of other black images in that museum. There was something absolutely heroic and fascinating about being able to feel a certain relationship to the institution and the fact that these people happen to look like me on some level. One of the reasons I’ve chosen some of these zones had to do with the way you fantasize, whether it be about your own people or far-flung places, and how there’s the imagined personality and look and feel of a society, and then there’s the actuality that sometimes is jarring, as a working artist and traveling from time to time. Being in southern India, that black American hip hop culture is everywhere and to see it in sharp relief on these brown bodies in south Asia is something extraordinary, something that I wanted to get down without even fully understanding the entirety of the cultural context. I think it’s important to destabilize yourself, and I do it because I want to see people who look like me.

Kehinde’s work is striking and powerful on so many levels and artwork like his is the reason I keep feeling excited and eager to learn more about the fine art world. Our art and design community is made stronger when we celebrate voices and visuals from different points of view, and Kehinde’s point of view is one I will continue to love and follow for years to come. Click here to visit his website, here for his Instagram feed and here for an incredible PBS episode on his life and work. xo, grace

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28 Feb 17:03

positive and negative space...

by Joy

Malika Favre

Malika-favre-3

Malika-favre-2

I'm loving the bold and graphic illustrations of French artist, Malika Favre, and her play and use of positive and negative space. Whether in art, design, or architecture, I love how the use of negative space plays with the eyes and makes your brain try and fill in what's missing. 

28 Feb 16:59

Refresh : Curtains with Clips

by Scoops
Tifmurray

this damn living room! i still love her paint color.

Oh, hai. Grommet curtains and I have been good friends for a long time, but I think the time has come for me to mosey on (cuz I'm a cowboy) and start a love affair with a new style of curtain. I've long adored the casual crispness of a good simple READ MORE
28 Feb 00:20

This Doctor Appointment Changed My Life

by Design Mom

 Affordable doctor house-calls with Heal

I’m about to change your life. Do not miss this post, especially if you live in California. On Friday, I had a doctor’s appointment to renew my depression meds. And the appointment happened in my home, on my sofa, less than 2 hours after being scheduled.

I’m going to say that again. On Friday morning, I realized I was down to 3 pills. I used Heal to make a doctor’s appointment, and then I kept working (blogging, emailing, prepping for a photo shoot, etc.). Within 2 hours, a doctor of internal medicine, and a medical assistant, were at my door. 

It was amazing. I feel like I experienced the future of medicine. And I can’t stop talking about it.

Affordable doctor house-calls with Heal

Heal makes house calls. Their doctors can do anything your primary care physician can do, from wellness checks, to flu shots, to treating ear infections and UTIs. And they’re not expensive — the house calls cost the same copay you already pay at the doctor’s office. Not a penny more. Plus, getting an appointment is much, much faster, and worlds more convenient. Affordable doctor house-calls. It’s revolutionary. Just picture for a minute what that means:

Imagine your toddler is sick with a barking cough that sounds like a seal and it seems to be getting worse. You need a doctor’s appointment. And you also have a 4 month old baby. Normally, you’d have to call the pediatrician’s office to see if they can fit you in. Wait 5 hours for your appointment. Get the kids dressed (and bundled up if it’s cold — and you know your toddler should be in bed!). Buckle them into carseats. Drive to the office. Find parking. Wait in the waiting room for another hour. Worry your baby is getting exposed to all sorts of germs. Finally get called back to see to the exam room. Make your toddler wait in a cold room wearing a paper sheet. Get 5 minutes or less with the actual doctor. Then try to pay and handle paperwork while your baby cries because she missed her nap.

A nightmare. And I have lived through that exact scenario a hundred times. 

Affordable doctor house-calls with HealAffordable doctor house-calls with Heal

With Heal, that whole nightmare situation disappears. You use their website or an app to scheduled an appointment. It’s just as simple as ordering an Uber or Lyft. So easy. The doctor shows up at your house within a couple of hours. Your sick toddler can remain in his pjs. No one has to be put in their carseat. No parking needs to be found. You don’t even have to put your shoes on.

The doctor can see your child on his bed or on the sofa or wherever your toddler is most comfortable. No paper gowns. No waiting. And the copay happens through the app, so no dealing with a cashier or paperwork either.

It seriously feels like a miracle. Like this is how medical care should be.

Affordable doctor house-calls with Heal

I keep thinking of all the different scenarios where Heal would save the day.

If you get sick while traveling, Heal will come your your hotel room.

If you’re new in town and don’t have a doctor, Heal will show up. (That was me when we moved to California and I fell into a deep depression, and then couldn’t find a doctor. It was so awful.)

If it’s the weekend, and your doctor’s office is closed, don’t drive 40 mins away to the nearest urgent care, and then wait in the lobby for an hour or more. Use Heal instead. Heal is open 7 days a week from 8:00 to 8:00, 365 days a year. (Yes! That means you still have time to make an appointment when you get home from work. It’s not too late!)

affordable in-home doctor visitsAffordable doctor house-calls with Heal

If your aunt doesn’t have a car but needs a flue shot. Use Heal and they’ll go to your Aunt’s home.

If you’re stuck at a desk all day but really need to see a doctor, Heal can help you at your office.

If your schedule is packed this week, but your teen needs a physical before she joins the track team, or he goes on a scout campout, Heal will come to you at your convenience.

Affordable doctor house-calls with HealEasy, affordable in-home doctor visits

If you or your spouse haven’t had a physical in years because who has time? Heal can make it happen today.

If you have a crazy rash (or yikes! an STD) and are too embarrassed to leave the house? Heal will take care of you in the privacy of your own home.

I’m telling you, this is a life changer.

Let me walk you through my own visit, so you can see just what it was like. And then let’s talk clearly about money and insurance.

Affordable doctor house-calls with HealAffordable doctor house-calls with Heal

At around 9:30, my appointment is scheduled through the app (you can get the app for iOS or Android — or you can skip the app and schedule your appointment on the Heal.com website). Then I work as usual in my house. At 11:00, my phone gets a text that a doctor is on his way. On the app, I can see his photo and bio. I learn he went to UCLA. A few minutes later, the doctor, Matt Walvick, and the medical assistant, Kiran Kaberwal, are on my front doorstep. 

Affordable doctor house-calls with HealAffordable doctor house-calls with Heal

They come in, and while the doctor talks with me on the sofa, the MA sets up. She uses the coffee table for some of the equipment, and then sets up a sterile area on the dining table. I take a second to sign my paperwork on the doctor’s iPad.

Affordable doctor house-calls with HealAffordable doctor house-calls with Heal

The doctor checks my eyes and ears and mouth, listens to my heart. The MA checks my blood pressure and temperature. We chat about Wellbutrin, the medicine I take — what’s my current dosage, how are things working, are there other options I should consider. 

Affordable doctor house-calls with Healeasy, convenient in-house doctor visits with HealAffordable doctor house-calls with Heal

There is zero rush, zero hurry. It is clear they have all the time in the world. There is no patient waiting in the next room. At the dining table, the MA is all set up to draw blood and give me a bandaid. They’ll drop the sample off at the lab for me, and then the doctor will call or text (whatever I prefer) when the results are in.

Affordable doctor house-calls with HealAffordable doctor house-calls with HealAffordable doctor house-calls with Heal

The doctor uses his iPad to send my prescription to my favorite pharmacy right before my eyes. We shake hands. I resist trying to hug them both because I am so grateful. And then off they go while I get right back to work on my laptop.

Affordable doctor house-calls with HealAffordable doctor house-calls with HealAffordable doctor house-calls with Heal

I’m going to get teary thinking about it. Trying to stay on top of my depression has been an incredibly hard part of the last few years. Finding a doctor, trying to get appointments scheduled in between work trips and conferences. It’s a non-stop worry.

And trying to get out of bed or out the door, to see a doctor, when a depression is in full swing, is almost impossible. On Friday, when I realized the whole thing was being taken care of with an app, I felt a huge weight lifted, a huge problem solved.

Affordable doctor house-calls with HealAffordable doctor house-calls with Heal

Clearly, I am a fan.

Now, as promised, let’s talk about fees and insurance. When I first heard about Heal, I assumed it would be cost prohibitive. I assumed it was a service aimed only at the wealthy. I assumed an in-home visit must be crazy expensive. I was wrong. A Heal visit is the exact same price I pay for an in-office visit. Actually less — because I don’t have to pay for parking!

After you download the Heal app, you’ll take a couple of minutes to input your info — name, address, payment preference, etc. — and then, you’ll take a photo of your insurance card. The app will use the photo to automatically populate your insurance info, and before you’ve even made an appointment, you’ll know exactly what the co-pay is. There are no surprises or hidden fees. With my insurance, the copay is $35. It’s the exact same copay I would have if I went to a doctor’s office. If your insurance offers a free preventative physical every year? It’s free with Heal too.

So essentially, whatever your insurance covers, it will work the same way with Heal. But you can skip the waiting room!

Affordable doctor house-calls with Heal

But what if you don’t have insurance? Or what if your insurance doesn’t work with Heal? No problem, the flat fee for an in home visit without insurance is $99.

People. If you’ve ever used Urgent Care or the Emergency Room on a weekend because your doctor’s office is closed, you know $99 is a total bargain. And again, they come to you typically within two hours of calling! You make the appointment, put on a movie, and tada! Heal is at your door.

So what’s the downside? Well, there’s only one: Heal is currently only available in California — San Diego, Los Angeles, Orange County, San Francisco, Silicon Valley, Berkeley, Oakland (and the whole East Bay). They’re growing fast, but they’re just not everywhere yet. I know. A huge bummer. But if you live in California (and millions of you do), I encourage you to give this a try.

A few more questions I had that you might have too:

– What sorts of doctors are on staff?
Heal staffs internal medicine doctors, family practice doctors, and pediatricians too. So they are ready to take care of both adults and kids. And the doctors are excellent! Vetted, high-quality licensed physicians and pediatricians. You can read about them on the website.

– If you love a particular doctor who visits, can you request her next time?
Yes. Yes, you can.

– Are visits only same day, or can you schedule them?
You can totally schedule them. They make it super easy and convenient.

– Do you have to clean the house before they come?
Nope. They could care less what your house is like. They see patients from all walks of life and all socio-economic levels. They just want to help. 

– What about the doctors? Is this is big pay cut for them?
Actually, the doctors make the same salary they would if they were working in an office. But they get way more time with patients and have much more control of their schedule. Dr. Wolnick, who came to my home, was the first doctor to work for Heal in the Bay Area. He’s been with them for a few years and says he would never go back to an office. He feels like the quality of care is so much higher with Heal that you can’t even compare. 

Okay. I’ve talked and talked. I’m clearly a Heal evangelist. Now I’d love to hear your take. Have you ever had an in home doctor visit before? Can you picture an instance where it would be especially convenient? Do you typically find doctor visits hard to schedule and manage? Do any of you find renewing your depression med prescription to be overly difficult? What are your thoughts?


This post is sponsored by Heal — High-Quality Pediatrician and Primary Care Physician House-calls, On Demand. Photos by Kristen Loken for Design Mom.

The post This Doctor Appointment Changed My Life appeared first on Design Mom.

23 Feb 20:00

Around the House

by DABITO

I made a few little tweaks to the living room. I think I need a bigger rug or something. Don't tell the heartmate this, but I kind of want new side chairs in a different shape. Basically, I want to change it all up! The gorgeous vintage sofa from Chairish is also showing lots of wear. Seams are coming apart and it might need to be reupholstered. Maybe in a rich India yellow fabric? I'm also thinking of painting the entire door frame. I kind of want a seating bench where the credenza is currently. My heartmate gets so frustrated when I talk about all these changes and I totally understand. But, do I really? I'm an artist and this is house is my canvas. So too bad! Deal with it, boo-boo! Lol.

Still loving Justina's sofa for Jonathan Louis! I'm flying back to L.A. next week to photograph the entire collection. I can't wait to see everything in person! The orange throw is vintage Faribo which I was able to find the exact one on etsy and new, too! 


22 Feb 16:10

Dream House Alert

by Making it Lovely

One of my favorite houses in Oak Park’s Frank Lloyd Wright historic district is up for sale! It’s ‘favorite’ status is based solely on the exterior, and I’m not alone. It’s a popular dream house here in town. Listing price is $2.25 million.

The next owner should have to promise to hang ferns along the porch every year. They always look so perfect.

Kenilworth Home, Oak Park, IL

A peek inside!

Kenilworth Home, Oak Park, IL - Interior

It’s decorated inside in a sort of 90s/modern style and I can guess that the owners’ favorite color is lime green, but aside from the modernized kitchen, the bones of the house are largely intact. (And in the study, is that… is that a skeleton? Can it convey with the house?)

Kenilworth Home, Oak Park, IL - Interior Shots

Wood Paneled Dining Room

It has a #*$&ing conservatory, and an attic expansive enough for a game of basketball.

Solarium and Unfinished Attic

There’s also a coach house ready to be fixed up.

Unfinished Coach House

The property taxes alone are $50K/year, but it’s one of Oak Park’s largest and prettiest (and yes, most expensive) homes. Built in 1896 by EE Roberts, it boasts six bedrooms and five baths, sits in a great location, and has a whopping 7,325 square feet. You can find the listing right here.

Oak Park, IL Home on Kenilworth


© 2017, published by Making it Lovely as Dream House Alert | 14 comments | This post may contains affiliate links; I will be compensated if you make a purchase after clicking on my links.

21 Feb 17:22

MARDI GRAS INDIANS

by bri

mardi gras indians

my boyfriend is from new orleans and was telling me about the mardi gras indians this morning over coffee. i was super inspired when i saw photos of them. i would love to see this parade in person! just look at these amazingly intricate costumes…

mardi gras indians
mardi gras indians
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mardi gras indians
mardi gras indians
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20 Feb 18:39

Emma Coulter · Trace Patterns

by The Design Files

Art

Emma Coulter · Trace Patterns

by Elle Murrell

When we last featured Emma Coulter, in 2011, she was an emerging artist launching her ‘make or break’ exhibition: shedding skin. She’s come a long way since then, having secured gallery representation, undertaken a Masters of Contemporary Art at the VCA, and exhibited extensively over the past 5 years.

Today we take a look at trace patterns, Emma’s latest exhibition of painting, scupture and installation. This show, exploring the use of architectural space and pattern, is on now at Palmer Art Projects in Sydney.

Emma Coulter‘s exhibition trace patterns is now showing at Palmer Art Projects. Photo – Nikki To for The Design Files.

UK-born, Melbourne-based artist Emma Coulter at Palmer Art Projects gallery, Sydney. Photo – Nikki To for The Design Files.

A painting by Emma on display. Photo – Nikki To for The Design Files.

A detail of a site-specific work from Emma’s exhibition. Photo – Nikki To for The Design Files.

‘Borrowing processes from architectural thought, my practice utilises acts of painting to transform, construct and alter envi­ronments, objects and surfaces,’ explains Emma. Photo – Nikki To for The Design Files.

Emma sees her work ‘negotiating between the formal and the kitsch, and the concrete and the ephemeral’.  Photo – Nikki To for The Design Files.

Detail of gallery installation by Emma. Photo – Nikki To for The Design Files.

The medium or the message? For Emma Coulter, it’s an easy choice. ‘What is most important to me are the conceptual ideas that I’m exploring, rather than how these ideas manifest physically,’ says the UK-born Melbourne-based artist. While colour and pattern are recognisably key to Emma’s current exhibition trace patterns, she also highlights themes of reflection, architecture, and intervention as being intertwined at its crux.

trace patterns was developed over the past 18 months, and has coincided with Emma’s Master of Contemporary Art study at The Victorian College of the Arts, as well as a period of investing more time in her practice. ‘I think my work has come into a space, where I am engaging with all parts of my brain,’ says Emma, who works from her studio in Kyneton. ‘I’ve taken the time to research my subject matter and ideas more thoroughly, as well as obtain critical input from others, and as a result I think my practice has grown.’

Encompassing painting, sculpture and spatial practice, the new body of work investigates colour as an idea, and even a language, beyond the use of paint and brush strokes. Emma’s pieces are intended to transform, construct and alter environments. In doing so she seeks to challenge boundaries, both physical and otherwise, as well as navigate between extremes of ‘the high and the low, history and currency, and the intellectual and the ornamental’.

Although Emma’s output is rigorously considered, it’s not intended to be exclusive. ‘Through my persistent use of colour I hope to provide a ‘meeting place’, an accessible space where those with knowledge about art can intellectualise, but also as an antithesis, those without this knowledge can have an experiential interaction with my work,’ she explains. Emma has dreams to one day create a large scale public art commission, where more and more people may have a chance to contemplate colour in a new light!

trace patterns by Emma Coulter
February 8 to March 4
Palmer Art Projects
Sydney, NSW

To see more of Emma Coulter’s work, visit her website here.

From the artist’s current Sydney exhibition. Photo – Nikki To for The Design Files.

20 Feb 18:39

TDF Collect · A Brightness Falls by Adriana Picker

by The Design Files

Art

TDF Collect · A Brightness Falls by Adriana Picker

by Lucy Feagins, Editor

Today we’re excited to announce our first TDF Collect art exhibition for 2017, opening in two weeks time in our Collingwood gallery!

This month we are thrilled to be hosting ‘A Brightness Falls’, the first exhibition of paintings on canvas by Sydney artist and illustrator Adriana Picker. In addition to showing 14 new paintings, Adriana will also be creating a stunning large scale mural in our gallery for this show!

The show opens on Saturday March 4, with drinks from 2.00pm that day – we hope you’ll join us!

Sydney illustrator Adriana Picker, whose exhibition ‘A Brightness Falls’ opens at TDF Collect on March 4th – view all works available here. Pictured: Caladium, mixed media on canvas, 90cm x 90cm. Photo – Nikki To for The Design Files.

‘The large scale of the works allowed me to focus on the texture of the foliage,’ tells Adriana. Detail of Caladium, mixed media on canvas, 90cm x 90cm. Photo – Nikki To for The Design Files.

The show marks a resurgence of colour for Adriana, and a move away from the detailed, ink illustrations of her previous work. Pictured left to right: Banana Palm, mixed media on canvas, 90cm x 90cm, and Canna Lily, mixed media on canvas, 90cm x 90cm. View all works available here. Photo – Nikki To for The Design Files.

‘The colour palette is unashamedly feminine and vibrant,’ says Adriana. Pictured left to right: Perilla, mixed media on canvas, 90cm x 90cm, and Pelargonium 1, mixed media on canvas, 90cm x 90cm. View all works available here.  Photo – Nikki To for The Design Files.

Artwork Caladium, mixed media on canvas, 90cm x 90cm on display in Adriana’s studio. Photo – Nikki To for The Design Files.

‘A Brightness Falls’ is the first solo exhibition of original paintings for the artist. Pictured: Caladium, mixed media on canvas, 90cm x 90cm.Photo – Nikki To for The Design Files.Photo – Nikki To for The Design Files.

A completed work in Adriana’s studio. Pictured: Caladium, mixed media on canvas, 90cm x 90cm. View all works available here.  Photo – Nikki To for The Design Files.

Adriana painted the works in Sydney and her family’s farm in the Hunter Valley, as she has been preparing to emigrate to New York City. Pictured: Caladium, mixed media on canvas, 90cm x 90cm. Photo – Nikki To for The Design Files.

We first discovered Sydney artist and illustrator Adriana Picker back in 2014. Instantly smitten by her meticulously detailed line work and botanical subject matter, we’ve keenly followed her career for the past three years.

Adriana doesn’t waste a moment. Since completing her studies at COFA (now known as UNSW Art & Design), she has built a seriously impressive portfolio of illustration work for clients including Absolut Vodka, Mambo, Real Living Magazine and Gourmet Traveller. She has also worked as a Costume illustrator on feature films including Australia and The Great Gatsby, where her illustrations were shown at the 2014 Academy Awards, when Costume Designer Catherine Martin won an Oscar – AMAZING!

More recently, Adriana has also created two immensely popular illustrated colouring books, ‘The Garden of Earthly Delights’ and ‘Where the Wildflowers Grow’, published by Hardie Grant in 2015 and 2016 respectively.

Though Adriana has exhibited extensively in Sydney, we’re THRILLED to bring her work to Melbourne for the very first time. ‘A Brightness Falls’ is her first exhibition of paintings on canvas, and presents a new-found celebration of colour for Adriana, whose previous work has tended toward a more monochrome palette.

‘I wanted to explore lush, vibrant and joyously colourful plants for this show’ says the artist. ‘The large scale of these works has allowed me to focus on the texture of the foliage… This is what I am increasingly interested in exploring in my work; texture and pattern.’

A Brightness Falls is a celebration of Adriana’s life-long passion for nature and the botanical form. Often-overlooked species which Adriana affectionately refers to as ‘Nana plants’ – Nasturtiums, Pelargoniums and Bromeliads – are rediscovered in a bold, contemporary context.

All the works in Adriana’s upcoming show are now pictured on the TDF Collect website.  We are accepting pre-sales for the show from today – all enquiries please email elle@thedesignfiles.net– thankyou!

A Brightness Falls by Adriana Picker
Open from 4th to 9th March 2017
TDF Collect
14 Little Oxford St
Collingwood, VIC

Opening Saturday 4th March, 10.00am – 5.00pm with opening drinks from 2.00pm onwards!

This exhibition is generously sponsored by DuluxCervezas AlhambraCapi, and The Drinks List!

Pictured from top to bottom: Banana Leaf, mixed media on canvas, 90cm x 90cm,  Passionfruit, mixed media on canvas, 60cm x 60cm, and Caladium, mixed media on canvas, 90cm x 90cm. Pre-sales for this exhibition are open from today – enquiries email elle@thedesignfiles.net. Photo – Nikki To for The Design Files.

20 Feb 18:07

Blank Space 2017 Fairy Tales Competition Winners

by Vy Tran
Tifmurray

I really like those first set of paintings.

Blank Space 2017 Fairy Tales Competition Winners

It’s official, the winners for the 4th annual Blank Space 2017 Fairy Tales Competition are in! This is a contest where designers, artists, and creatives from all walks of life are asked to design their own unique architectural fairy tale world.

For this year’s competition, three prize winners, an AIAS winner, and 10 honorable mentions were chosen from an esteemed jury that included: John Maeda of Kleiner Perkins Caufield Byers; Dan Wood of WORKac, Chase W. Rynd, Hon. ASLA – National Building Museum Executive Director; G. Martin Moeller, Jr., National Building Museum Senior Vice President and Curator; Michel Rojkind of Rojkind Arquitectos; Antti Nousjoki of ALA; Sarah Balmond of Balmond Studio; Marion Weiss of Weiss/Manfredi; Michael Maltzan of Michael Maltzan Architecture; Jing Liu of SO-IL; Alan Maskin of Olson Kundig; Minsuk Cho of Mass Studies; Michael Van Valkenburgh of Michael Van Valkenburgh Associates; Robert Hammond of The High Line; Gro Bonesmo of Space Group; Stefano Boeri of Stefano Boeri Architetti; Sarah Wahlgren, AIAS National President; Rachel Law, AIAS National Vice President; Alexander Walter, Editor in Chief of Bustler; David Basulto, Founder of Archdaily; Becky Quintal, Executive Editor of Archdaily; and Matthew Hoffman and Francesca Giuliani, the Blank Space Founders.

First place was awarded to Mykhailo Ponomarenko, a Ukrainian trained architect who created monumental landscapes with classical painting techniques for his entry “Last Day.”

From the artist:

Landscapes have always inspired me to put something weird, unreal and out of human scale into them. Something not feasible and not practical that contrasts with the natural surroundings, but also exists at the same scale. These satirical interventions lead to new ideas and feelings about nature – they make the viewer more aware about the environment and our harmful impact on it. We are flat surface creatures. Sometimes I feel that we crave it so much that the planet is going to be turned into pavement so cars can go anywhere, and our industries could continue expanding. The “Saturn Rings” in my proposal represent these flat surface desires but in a more poetic, optimistic, and friendly manner.

Second place goes to Terrence Hector for his entry “City Walkers” or “The Possibility of a Forgotten Domestication and Biological Industry,” which illustrates sentient architectural beings that humans harness for their energy.

Third place was awarded to Ariane Merle d’Aubigné & Jean Maleyrat for their entry “Up Above,” where refugees resort to small shanties built on thin stilts way up in the clouds to escape their oppressive life down on earth.

Last but not least, the AIAS Prize for the highest scoring entry from an AIAS member goes to Maria Syed & Adriana Davis for their entry “Playing House,” a story about the destructive power of split-personality.

The Jury also awarded 10 honorable mentions to: Minh Tran, Alan Ma, & Yi Ning Lui: Xinran Ma; Jun Li, Joris Komen, Yuxing Chen & Yina Dong; Carly Dean & Richard Nelson-Chow; Aidan Doyle & Sarah Wan (Wandoy Studio); Dakis Panayiotou; Julien Nolin; Michael Quach; Janice Kim & Carol Shih; Chong Yan Chuah, Nathan Su & Bethany Edgoose.

See more on the Black Space Project website.

20 Feb 17:52

Portego’s 2017 Geometric Rug Collections

by Caroline Williamson

Portego’s 2017 Geometric Rug Collections

Italian design brand Portego just launched their latest collections at this year’s Ambiente in Frankfurt, Germany. Both collections were designed by Seraina Lareida with bold graphic patterns and strong color palettes, all that pay homage to Venetian architecture. The rugs are handcrafted in Italy from New Zealand wool using various techniques that result in distinct textures.

Oci

Oci, which is Venetian for ‘eyes,’ references all of the windows that adorn the facades in Venice. Each rug is made up of three colors and designs and when placed side-by-side, the three, differently-shaped rugs form a window-like design that lines up to create a new geometric composition.

Oci

Oci

Oci

Oci

Oci

Oci

Oci

Sottovolto

Sottovolto, along with its twin Sottoportico below, also reference Venetian architecture, but this time the infamous Venetian porticos. The abstract patterns are formed with geometric shapes which reference the light and color that the city’s buildings usually reflect.

Sottovolto

Sottovolto

Sottovolto

Sottoportico

Sottoportico

Sottoportico

Sottoportico

Sottoportico

20 Feb 17:17

Filo Modular LED Light Bulb Lets Your Plug In Features

by Gregory Han

Filo Modular LED Light Bulb Lets Your Plug In Features

The newest LED light bulbs offer in the ballpark of a 20 year lifespan. Even subtracting the the possibility that number will only grow as LED and OLED technology matures, that means we may need to change a light bulb only four times in the span of an average lifetime! TEAGUE Labs forecasts this extended long lifespan offers a rare opportunity in the realm of technology today: a stable platform to build modular accessories around.

TEAGUE Labs’ Filo concept is a connected light bulb that works with existing standard sockets, a platform designed around individual modules popped in to extend the functionalities of a typical bulb. Once a module is inserted, the bulb can double as a voice-activated digital assistant, baby monitor, microphone, audio speaker, or security system. The designers envision a day when changing the bulb becomes a thing of the past, but switching in/out functionalities specific to rooms become the norm.

The bulbs shape and array permits users to switch from spot to full room coverage. The bulb also outputs full spectrum light for more circadian rhythm friendly options through the day and evening.

And of course there is going to be an app for it.

More about TEAGUE Labs Filo bulb concept over at Medium.

19 Feb 22:28

Pacers’ Glenn Robinson III Wins N.B.A.’s Slam-Dunk Contest

by THE ASSOCIATED PRESS
Houston’s Eric Gordon won the 3-point contest, and the Knicks’ Kristaps Porzingis triumphed in the skills challenge.
15 Feb 18:32

trending: gray days.

by victoria
Tifmurray

Want to paint lower cabinets in the basement and in the basement bathroom grey with brass hardware.

modern kitchen with gray cabinets. / sfgirlbybay

i can’t help but notice gray these days — and not just the stormy skies. it’s been raining a lot in L.A. lately, but what i’m talking about is all the gray kitchens i’ve seen popping up on pinterest. it’s a really pretty look and very easy on the eyes. paired with posh carerra marble countertops and bright white walls, gray gives a range of kitchen styles a fresh, modern look. from traditional to country, even if you just add a coat of gray paint it’s a great kitchen update — add new brass, black or even leather pulls and great new lighting fixtures and you’ve got a whole new look, without breaking the budget.

gray cabinets with marble countertops. / sfgirlbybaygray kitchen cabinets with white tile backsplash. / sfgirlbybaygray kitchen cabinets with white tile backsplash and black pendant lights. / sfgirlbybaywood open shelving and gray kitchen cabinets. / sfgirlbybaygray lower kitchen cabinets and drawers. / sfgirlbybaygray kitchen cabinetry. / sfgirlbybaygray kitchen cabinetry inspiration. / sfgirlbybaygray kitchen cabinets. / sfgirlbybaycopper pots and gray kitchen cabinets. / sfgirlbybaygray kitchen island and cabinets. / sfgirlbybay gray kitchen cabinets with leather pulls. / sfgirlbybaygray kitchen cabinets with metallic pulls. / sfgirlbybay

• photo credits in order of appearance: remodelista; ballingslov; three birds renovations; three birds renovations; honestly wtf; maybemay; biografen; greige design; entrance makleri; a cup of jo; decorpad; planete deco; becki owens.

14 Feb 19:54

Designer Verner Panton's Home is Every Bit as Wild as You'd Expect

by Nancy Mitchell
(Image credit: Decor Aid)

We celebrate Valentine's Day a little differently around here. You see, the day of love, to us, is a chance to profess our adoration of furniture, designers, and basically anything that goes in the home. So this week, we're sharing our passion for a handful of our favorite heralded furniture designers and the homes they outfitted and loved for themselves. Come along, people all over the design world, and hop aboard this love train.

In my search for photos from the homes of beloved furniture designers, I was delighted to run across these images of the home of Verner Panton, which are no less wild than you would expect from the creator of the living tower (though best known for his gravity-defying curved Panton chair). Bold colors, strange shapes, and unusual textures abound. It's a full-on assault on the senses, in the very best possible way.

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14 Feb 19:54

Hulu is Now Streaming All 7 Seasons of 'Golden Girls'

by Tara Bellucci

Cancel your plans and invite your besties over for some cheesecake: as of today, Hulu has all 180 episodes of "The Golden Girls" available to stream.

READ MORE »

14 Feb 19:29

HB 1470 – Legislative Access to Local Government Data

by Doug Masson

HB 1470 was introduced by Rep. Ober and seems to have been significantly amended in committee by Rep. Mahan. As amended, it contains provisions which, as I read them, require local government units (and pretty much any other state or local governmental entity) to, upon request, provide whatever government information the Legislative Services Agency requests at the expense of the governmental entity receiving the request. And it has to be provided in a format and within the time frame set by LSA. Specifically, LSA can demand government information from: the state, a state agency, a political subdivision, an agency of a political subdivision, a state educational institution, a separate body corporate and politic, and any other entity established by Indiana that performs a governmental function. Governmental information to which LSA is entitled is defined as “recorded information, regardless of the form or the media on which the information is recorded.”

Indiana General Assembly gathers information

Idea: Try not to give litigation strategy about suing the State to the State.

I used to work for LSA, and I’m a huge fan of their work. But I’m not a fan of this provision of HB 1470. First of all, if the legislature wants the records, it should pay for them. This should at least make them judicious about what they ask for. If it’s all free to you, it’s pretty easy to just ask for the kitchen sink.

Secondly, (and bear in mind I have a huge bias here) —  but, if I’ve made strategic recommendations to my County government client, I’m not inclined to have that information disclosed to LSA. County government and state government are separate entities. Sometimes, we can be adverse entities. If the County sues the State, can LSA demand my memos to the County about the lawsuit? Can LSA demand the public defender or prosecutor’s thoughts about pending cases? This legislation does not seem to permit local government or state officials to withhold privileged information — rather, it simply requires LSA to “maintain the confidentiality of that information as required by federal law, Indiana law, or both.”

Unless I’m missing something that limits LSA’s ability to demand confidential information (attorney work-product being near and dear to my heart), this strikes me as pretty significant overreach.

The bill also has some generally laudable looking measures that are designed to streamline and make data more easily shared among state agencies, with local government, and with the public.

13 Feb 20:51

Against the Caterpillar Coat

by Josephine Livingstone

In New York, the snow is here and so are the coats. By “coats” I don’t mean “coats” traditionally conceived. I mean the strange coats. The coats that are quilted into fleshy segments like caterpillars, the coats that come down past the knee. The coats like close-cut sleeping bags that must be creeping across town every night and enveloping the body of every second woman while she’s sleeping. It is the only explanation.

To clarify, I’m talking about these coats:



I’m pretty sure that America is the only place people wear these (although I could imagine German women in them, too). There’s something so very specific about wearing clothing that is both highly engineered and totally unnecessary. Such “functional” clothing does not really fulfill any function at all. Women who wear them are the spiritual relations of the men in Boston who wear hiking boots and waterproof trousers and body-warmers to take the T between their apartment and their laboratory. Ironically, these coats make their wearers look bound at the knees, like they couldn’t take a large step over a puddle of snowmelt if called upon.

Let’s call them caterpillar coats, these coats that rustle against you from head to toe on all sides on the subway. Caterpillar coats are often insanely expensive, but not as insanely expensive as their equally strange cousin, the Canada Goose jacket. The CG jacket looks like a regular parka, except it costs somewhere in the region of one thousand dollars. According to a colleague of mine, the rich Yale sorority girls who wear these jackets—they’d descend en masse upon Science Hill in identikit black robes—were known as Dementors.

It’s not anger that I feel when I see one of these flexible coffins, just bafflement and a little despair. I do not see what is wrong with the coats we used to wear. A wool coat, if you want something long. An old-school puffer jacket, if you want something down-filled. When I was a kid and my brother an adolescent, he had this glorious knock-off Tommy Hilfiger puffer jacket in bright colors that looked like it had flown directly from America to our dull British hallway coatrack.

These elongated caterpillar coats insult their ancestors. They take the shape of a traditional wool coat in a feminine cut and combine it with the hi-tech material of a down jacket. In some ways this makes sense: Why not jam together ideas into a new thing?

Because it is hideous, I counter. Other hybrid articles of clothing include the sneaker-dress shoe:



The formal yoga pant:



And the fashion gilet:



Innovation is a good thing. So is not caring what other people think! But the caterpillar coat (and the other hybrids above) represents the symbolic opposite of avant garde inventiveness. They combine a disrespect for the old rules of dressing with an amazingly bourgeois sensibility. Everybody else is wearing these things, so I shall, too. I will take my credit card directly to the counter at Nordstrom or wherever, ignoring all the other coats that are for sale, pleading for me to notice them.

There are plenty of wearers for whom this hideousness doesn’t matter. Little kids can wear whatever they want. So can anybody who works outdoors or otherwise has some legitimate practical reason for wanting down spread across the maximum surface area of the body. Old ladies—do your thing. I’m not going to begrudge a parent for making any decision at all.

My friends’ reactions to my coat opinions vary. After I tweeted some thoughts, my friend Hannah replied that she thinks the sleeping bag coat is “lovable and admirable,” since it “shows us our mutual frailty and the vanity of worldly things.” My friend Emily has a little kid. She observed, “If you live long enough, one of them just comes and wraps itself around you. You relax into it, feeling sad but relieved.” Her tweet made the caterpillar coat sound like death’s comforting embrace. I imagined the coat slowly zipping up over the face, carrying its wearer off into her grave.

This is personal, of course. Like all maddening phenomena, my hatred for the caterpillar coat makes me worry that in fact I am concealing a repressed lust. What if I secretly wanted to give up, to let this coat creep through my bedroom door at night and wrap itself around my arms and legs? Indeed, many years ago, I briefly wondered if I could wear Ugg boots. They are so comfortable, everybody says.

But no. I have thought long and hard about this. There are lines and everybody has to draw them for themselves. Boundaries, if you will. I draw one here, with no resentment against those who have different lines, but with a firm will and clear conscience. Until the day I’m forced to ski, a day which will never come, hybrid functional clothing has no place in my heart or cupboard. Perhaps you’ll join me in finding uses for useful things, and no use for the useless. Quilting is not the only fabric: You are more free than that.

13 Feb 18:33

The Anti-Anti-Trump Right

by Peter Beinart

Several weeks into the Trump presidency, one can divide the reaction among conservative commentators into three categories.

At one extreme sit those conservatives who championed Trump during the campaign, and still do: Breitbart, Sean Hannity, Laura Ingraham, Ann Coulter, among others. Their base is talk radio. They pride themselves on speaking for those plainspoken, dirt-under-the-fingernails conservatives who loathe not only Hillary Clinton, but Paul Ryan. Their chief enemies are globalism and multiculturalism, which they believe infect both parties, and are destroying America from without and within. Their ideological forefathers are Joseph McCarthy, George Wallace and Pat Buchanan, who claimed that America’s cosmopolitan, deracinated ruling elite had betrayed the white Christians to whom the country truly belonged.

At the other extreme sit conservatives like my Atlantic colleague David Frum, Johns Hopkins School of Advanced and International Studies Professor Eliot Cohen, and New York Times columnist David Brooks, who warned against Trump during the campaign, and believe he is now vindicating their fears.

For them, conservatism is about prudence, inherited wisdom, and a government that first does no harm; they see none of those virtues in Trump. They see themselves as the inheritors of a rich conservative intellectual tradition; Trump’s ignorance embarrasses them. And they believe America should stand for ideals that transcend race, religion and geography; they fear white Christian identity politics in their bones. They are, to my mind, highly admirable. But they don’t have much of a base. They can denounce Trump because they work for institutions that don’t primarily cater to his supporters.

In between are the conservatives who will tip the balance. Unlike Breitbart and company, they generally opposed Trump during the campaign. Unlike Brooks and company, they serve a conservative audience that now overwhelmingly backs him. More than Sean Hannity, they care about the principles that Trump threatens: free trade, America’s alliances overseas, an independent judiciary, a free press and a basic respect for the truth. But they work for conservative publications and networks. Their business model is opposing the left. And that means opposing the people who oppose Trump.

The Wall Street Journal editorial page falls into this category, which is part of the reason it is now in such turmoil. So does Glenn Beck, who loathes Trump but works in talk radio. And so does National Review.  

National Review is the most illustrative. During the campaign, it called Trump “a menace to American conservatism who would take the work of generations and trample it underfoot in behalf of a populism as heedless and crude as the Donald himself.” But now Trump is a Republican president, popular with most conservatives, and under liberal attack. So National Review has developed a technique that could be called anti-anti-Trump. It goes like this.

Step number one: Accuse Trump’s opponents of hyperbole. Democrats, declared John Fund on February 5, are in a “rush to portray Donald Trump as some kind of ‘fascist in chief.’” Liberals, argued Jonathan Tobin on February 6, believe “Trump’s intemperate language about a judge is an unprecedented step down the slippery slope to dictatorship.” Liberal Jews, claimed Nachama Soloveichik that same day, “are falling over one another to label President Trump the latest incarnation of Jew-haters from Pharaoh to Haman to Hitler.” (Full disclosure: I’m one of the liberal Jews she cites, though I’m unaware of ever having made such an analogy).

Step number two: Briefly acknowledge Trump’s flaws while insisting they’re being massively exaggerated. On December 16, David Harsanyi declared that, “While I’m no fan of Trump, Democrats have been demanding that I panic over every Cabinet pick, every statement, and every event. It’s not normal.” On February 5, Fund acknowledged that, “Donald Trump has a knack for alienating many voters and saying stupid things. But his biggest asset may be that his over-the-top adversaries are even better at painting themselves in negative terms.” On February 6, Tobin insisted that, “whatever one may think of Trump’s [executive] orders — which were sloppily drawn and clumsily implemented but arguably well within the scope of presidential powers as authorized by relevant legislation — the claims that Trump’s intemperate language about a judge is an unprecedented step down the slippery slope to dictatorship don’t stand up to scrutiny.”

The problem with these formulations should be clear. Some liberal criticism of Trump may indeed be melodramatic. But liberals don’t wield much power in Washington right now. Conservatives do. The key question facing National Review, therefore, is not whether Trump’s actions are as bad as the most extreme lefties say they are. The key question is whether Trump’s actions warrant conservative opposition. Do they make America safer? Do they harm innocent people? Do they reflect an appreciation for the separation of powers? Are they influenced by Trump’s personal financial concerns? Are the statements Trump and his advisors make on their behalf truthful?

The articles cited above make these questions appear secondary. Sure, Trump may have botched something, they acknowledge hurriedly, before turning to what really matters: The left’s overwrought response. In this way, National Review minimizes Trump’s misdeeds without appearing to defend them.

To be fair, National Review has devoted entire columns to criticizing Trump, sometimes harshly, since he became president. But such criticisms only make the magazine’s attacks on liberals for their criticisms more incoherent. Among National Review’s favorite phrases these days is “Trump Derangement Syndrome.” It refers to Democrats who describe Trump as mentally unstable, a pathological liar or a would-be dictator. But National Review once described Trump in those terms itself. A year ago, in its issue entitled, “Against Trump,” the magazine called him a “huckster” whose populism contained “strong-man overtones.”

Its contributors declared him a “charlatan,” a “con man,” someone exhibiting “emotional immaturity bordering on personality disorder” and an “American Mussolini.”

Since taking office, Trump has attacked federal judges, insulted foreign leaders, berated the press, lied endlessly, drawn a moral equivalence between the United States and Vladimir Putin’s Russia, sown chaos at America’s airports, led European leaders to rethink the trans-Atlantic alliance, and used the presidency to enrich himself. Where exactly does National Review see the evidence of emotional, intellectual and moral growth?

It’s not deranged to worry that Trump may undermine liberal democracy. It’s deranged to think that leftist hyperbole constitutes the greater threat. Unfortunately, that form of Trump Derangement Syndrome is alive and well at National Review. And it helps explain why Republicans across Washington are enabling Trump’s assault on the institutions designed to restrain his power and uphold the rule of law.

It is inconvenient for National Review that the individual in government who now most threatens the principles it holds dear is not a liberal, but a president that most conservatives support. But evading that reality doesn’t make it any less true.

10 Feb 19:22

Artwork by Hélène Delmaire

by Grace Bonney

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Watching millions of people across the globe gather to march for women’s rights was incredibly inspiring to me for a wide range of reasons. There were so many wonderful moments of unity and understanding, but there were also moments of conflict, differences of opinion and spaces where real discussions needed to happen about how women communicate with and about each other. It got me thinking a lot about women in fine art — the way we’re depicted and the way we depict ourselves. I’ve been paying a lot of attention to female-identified painters lately and how they choose to depict women in their work. French artist Hélène Delmaire caught my eye last week because her work raises so many questions, at least in my eyes, about the way women are painted and what is revealed or kept covered.

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Hélène’s work has such a great sense of texture and color and uses bold, abstract swaths of paint to sometimes cover the figures’ eyes or faces. Her work makes me think about beauty, sexism and the ways in which women are censored or expected to be, act or talk a certain way. From a purely aesthetic standpoint, the color palettes she works in are stunning. I found myself going back to her Instagram feed over and over again to indulge in the rich pinks, purples and greens she uses. You can check out more of Hélène Delmaire’s work online here at her website or here on her Instagram feed (which updates more frequently than her main website). I’d love to hear your take on her work and what it says to you. xo, grace

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