Shared posts

14 Apr 13:58

On Pairing Wine With Pasta

by Madeline Puckette

pasta-wine-spaghetti-pairings
The best tip on pairing wine with pasta is to ignore the pasta and pay attention to the sauce. Pasta is simply a canvas to deliver the accompanying ingredients. For example, the Apulian specialty rigatoni ragu barese is a rustic, meaty tomato-based dish. A dish like this needs a wine pairing with enough oomph to hold up against roasted tomato and red meat. If you’re thinking red wine, you’re right, but which one? It so happens that from the very same area in Italy (Apulia, the boot of Italy) you’ll find a wine called Primitivo which has a powerful nose of sun-kissed red berry flavors and a medium body with the right amount of structure to match the dish.

On Pairing Wine With Pasta

Here are 5 popular pasta dishes with a selected wine style as well as several suggested wines (both Italian and otherwise) to get you started. We’re not suggesting this is the only way you could enjoy these wines or pastas, just one way. Many roads lead to Rome, as it were. And, hey, there’s only one way to find out. Start popping bottles! Happy drinking.

Tomato-Based Pasta

Tomato pasta sauce wine pairings

Tomato-based sauces are powerful, high acid and are often blended with rich, red meats. Because of the acidity in tomatoes, a relatively tart red with middle-weight body is your best option. As much as this sounds limiting, there are a ton of different grape varieties (and blends) that will happily fill this role. As you add more richness (meat, cream) you can move up in body, but definitely keep the fresh acid!  Here are a few examples:

Primitivo (aka Zinfandel), Montepulciano d’Abruzzo, Sangiovese (Chianti, etc), Cannonau (Grenache), Negroamaro, Nero d’Avola, and Rhône Blends

Recipe Pairings

Strozzapreti With Roasted Tomatoes and Primitivo
With sweet cherry tomatoes and fun-to-eat rolled noodles this Strozzapeti recipe would be awesome with Primitivo. Primitivo is the same grape as Zinfandel, but the Italian version generally has a slightly softer taste profile with more savory-focused aromas. Perfect.
Rigatoni with Ragu Baresee and Salice Salentino
This recipe has big rigatoni noodles and makes us drool for the wines of Salice Salentino. Salice Salentino is an affordable red blend that hails from Puglia made with Negroamaro grapes (along with a little bit of Malvasia Nera thrown in). Negroamaro (“bitter black”) has more richness and tannin than Primitivo and will hold up better to red meat.

Cheese Pasta

Cheese pasta wine pairing recommendations

It’s hard to find a wine that won’t pair fairly well with cheese, so instead, think of this pasta style as an opportunity to try some of the more texture-based, nuanced pairings. For example, a white wine with some creaminess to it, like an oak-aged Italian Trebbiano or Chardonnay, is going to create a congruent pairing and highlight the creaminess in the cheese (think ricotta!). Also, lighter more floral red wines are another awesome pairing partner with tart, intense hard-cheese pasta, especially if there are mushrooms or root vegetables involved in the sauce. Here are a few options to try:

White: Trebbiano di Lugana, Sicilian Chardonnay, Ribolla Gialla,

Red: Langhe Nebbiolo, Nerello Mascalese, Pinot Noir (or Italian Pinot Nero from Oltrepo Pavese) and Sangiovese

Recipe Pairings

Tonnarelli Cacio e Pepe and Montefalco Rosso
The most simple recipes are often the most classic; Cacio e Pepe (no exception) is a just black pepper, Pecorino cheese and olive oil. The black pepper in this dish bumps up the intensity factor and makes this pasta ideal for Italy’s most important grape variety: Sangiovese. A Tuscan Chianti would do nicely, but we like the neighboring region of Umbria. Their Montefalco Rosso is also based off Sangiovese, combined with the truely local Sagrantino, which has a deep, herbal and savory flavor as well as powerful structure. It’s a local specialty that tends to deliver more body and ripe fruit characteristics (along with ample tannin).

Seafood Pasta

Seafood pasta wine pairing ideas by Wine Folly

If you look up great coastal Italian recipes, you’ll discover that many contain some anchovies, clams, or some sort of seafood. Being surrounded by the Mediterranean is an essential part of coastal Italian cooking. Perhaps this is why the Italians make such deliciously lean, acidity-driven white wines, often with a sense of refreshing bitterness. Naturally, lean to middle-weight white wines are the way to go for most seafood based pastas unless there is tomato as well, and then you’ll want to look into a rosato (Italian rosé). Here are a few top picks:

Pinot Grigio, Verdicchio, Vernaccia, Picpoul de Pinet (from France), Grenache Blanc, and Muscadet


Pesto Pasta

Pesto Basil Herb Pasta wine pairings

While most of us are familiar with the “classic” pine nut and basil pesto, you can really make pesto with whatever greens and nut pairing you desire: basil-walnut, parsley-pistachio, peanut-cilantro, hazelnut-mint… you get the idea. The real trick to matching these different pestos with wine is by simply acknowledging the green is the centerpiece of the dish. As soon as you do, whatever wine you choose (be it red, white or bubbly) should in some way be a harmonious, congruent pairing with the green. For the most part, you’ll find that herbaceous wines (like Sauvignon Blanc) are best suited. Of course, there are many amazing savory, herb-driven wines out there, so don’t let this list hamper your creativity. Here are some examples to get you thinking:

Fiano d’Avellino, Friuli Sauvignon Blanc, Vermentino, Gavi, Grillo, Catarratto, Picpoul de Pinet and Grüner Veltliner

Orecchiette Kale Pesto and Fiano di Avellino
Your kale has never tasted so deliciously aromatic as it does when it’s processed with fresh lemon, parmesan, almond and olive oil into an amazing pesto. With a focus on lemons and freshness that this dish highlights a perfect wine for this is a young, smokey Fiano di Avellino.

Primavera (Vegetable) Pasta

Primavera Artichoke and Vegetable Pasta wine pairings

Spring onions, garlic ramps, artichoke and broccolini often create the backbone of a great primavera, although anything fresh and seasonal will do. The goal of this dish is to really highlight the springy freshness of all the veggies, which is why a light-bodied white wine with lemony and floral notes is a great choice. Of course, a well-prepared primavera and major vegetable intensity, so it will need an equally savory white wine. Of course, if you add tomatoes to your primavera, see the top of this article.  Here are a few examples to get you started:

Soave (aka Grecanico), Vermentino, Trebbiano di Lugana, Greco di Tufo, Sauvignon Blanc and Gros Manseng

 

Food and Wine Poster

Pairing Food and Wine Everyday

Supercharge your wine and food pairing with this highly useful poster. Create your own pairings by combining ingredients for a best fit.

Adv. Food and Wine Pairing Poster

 

Wine Folly - Learn about wine.

12 Jul 01:29

How to Make a Great First Impression with Your Place

by Jeremy Anderberg

bachelorpad

It’s date night. You and a gal have been out a few times and tonight you’ve invited her over your place for the first time for a dinner you’re whipping up yourself. The chicken’s in the oven, you look dapper, and you’ve applied a manly aftershave. When you hear her knock, you open the door to your apartment, your date steps inside, and she looks…kind of turned off. What went wrong?! With clear eyes for the first time, you see that your bachelor pad is the culprit. It’s messy, it’s smelly, and it’s uninviting to anyone of the opposite sex.

You can have everything go right on a date, only to ruin it with an unpresentable living space. Making a good first impression with what you call home shows your main squeeze that you care, but it also shows what kind of man you are. It will give her a sense of your personality, and also your personal responsibility. Don’t blow the golden opportunity to impress your date the second she crosses the threshold into your place.

In researching this article, we got information from the ladies themselves via Reddit (fair warning, as with anything on Reddit, it can get fairly vulgar) and Facebook about what makes a good first impression.

We’ll look at a few general guidelines, and then delve into some room-to-room pointers.

Get Rid of the Man-Funk

Smell is probably the most cited infraction for men’s bachelor pads. It has the potential to offend the nose as soon as your gal steps into your home. Follow these tips and you’ll be okay in the olfactory realm.

Start a couple days early. If you know you’re having a lady over to your place in advance, even if it’s just a chance, start right away. If there’s some lingering or deep-seated scent, it won’t go away in the hour before her arrival. Perhaps even bring in an objective party to let you know what/where smells the worst. You’ve been living in it, so you won’t necessarily know.

Eliminate the most obvious smell offenders. If it’s not some mystery banana peel behind the couch, the smell in your place is likely the result of multiple offenses. Do your dirty laundry (including bed sheets). It doesn’t take long for those sweaty gym clothes to reek. Take out the trash. Those fresh vegetables you chopped two weeks ago have gone rotten. We’ll cover the bathroom more in-depth later, but get an air freshener in there ASAP. Do the dirty dishes and run the disposal in the sink if you have one — those are two big contributors to smelly spaces that you wouldn’t necessarily think of.

Go easy on the Axe. Many a well-intentioned man, realizing his place smells funky, will decide to give everything an Axe (or other scent) spray down. Mixing this smell with any other kind of odor is a recipe for disaster. A very light spray after you’ve cleaned is fine, but don’t be tempted to think that a thick coating will cover up the smells of your apartment.

Be Clean, Not Sterile

“All I care about is that it’s relatively clean, but not sterile looking. I do actually want to be in your apartment — not a furniture showroom.”

General cleanliness seemed to be the second biggest offender in a fella’s bachelor pad. A quick look on Reddit will show that ladies have far too often dealt with beer bottles strewn about, unmade beds, used dishes on every surface, etc.

Now, hopefully you know what general cleanliness looks like. But if you don’t, bring in a lady-friend of yours to give some pointers on what she’s seeing.

A few items to definitely take care of:

  • Vacuum. No bachelor in the world vacuums his place enough. It really does wonders for how clean a place feels.
  • Mop/dust any wood or tile floors. Even baseboards; apparently this is noticeable and makes a difference.
  • Dust other surfaces — counters, shelves, wood furniture, etc. Pick up some Pledge and go all around the house. This is an easy job, and contributes greatly to overall cleanliness.
  • Have the dishes done and away. All of them. This was perhaps my biggest offense as a bachelor. I would leave dishes out, all over my place, for days, and on rare occasions, for weeks (in which case it was easier to throw the dish away than try to clean it). Don’t do that.
  • Make the bed. More on this later.
  • Pick up your stuff. Be organized. Have a place for everything, and have everything in its place.
  • It’s okay to have some quirk. The quote at the beginning of this section is a good indicator as to most women’s feeling on cleanliness based on the comments we saw. Not every surface has to be totally sterile, just organized. Have a small stack of books on the side table. Feel free to leave some work papers out on your desk. Most gals want a home to look lived in, not like a showroom.

Hint: This job will be easier if you have a weekly cleaning plan in place.

Display Your Personality

“Have something unique that reveals something about your personality: artwork on the wall, books, a modest set-up for their computer/TV/etc, a musical instrument, and so forth.”

You can be sure that once a woman enters your abode for the first time, she’ll be looking around for those things that display your hobbies and interests. She’ll take a look at your bookshelf, your DVD collection, the art/photos on your wall, and anything else she can find that shows your personality.

Get your hands on some manly art for your walls.  Lose the posters of the babes. That’s for high school boys. Lose the never-ending sports memorabilia. Having a few pieces is fine, but having your pad draped in your team’s colors will be a turn-off. Don’t leave your walls blank, either. That would contribute to that feeling of sterileness mentioned above. Honestly, a trip to your local Goodwill for some cheap, framed art is one of your best bets. Landscapes are always a manly winner.

Put up some photos. In addition to hanging up some manly art, display some photos on your shelves or wall. Pick photos that say something about your life — you and your family, you in a different country, you at the finish line of a marathon. Pictures are some of the easiest conversation starters — your date will be sure to look them over and ask you questions about them.

Don’t hide things. Unless it’s a large photo of yourself above your bed (yes, one woman mentioned that), it’s probably okay to keep your nerdy collection/hobby out. Don’t feel the need to hide yourself. If there is something you enjoy, you’ll want your date to be okay with the things you care about and like to do. One woman mentioned she knew her boyfriend was the one when she got a look at his stash of board games; you never know what’s going to turn someone on. Just don’t go overboard. If you’re questioning whether it’s too much, it probably is.

Be prepared for some snooping. I don’t mean she’ll look through your closets or drawers. But you can bet that she’ll have a gander at your bookshelf or vinyl collection when you aren’t looking. Heck, maybe even when you are looking. One of the first things I do, almost by instinct, when I’m in a new place is check out their books. Don’t have anything in eyeshot that you’d be embarrassed of. Many ladies mentioned how impressed they were with a manly collection of books, so if you’re lacking, consider a trip to your used bookstore. It may even inspire you to actually read them!

Pets

Be aware of pet sensitivities. It’s a good idea to have your pet corralled when a date first comes over, letting the critter out once you’ve given her the heads up. Ask ahead about pet allergies, and be sure to vacuum your furniture if you have a pet that likes to lounge with you on the couch.

Now let’s move on to specific rooms to pay special attention to.

Bathroom

“I asked him why he didn’t have toilet paper and he told me he only pooped at work so he wouldn’t have to buy any…I don’t even…”

Don’t be that guy.

Of any single room, the bathroom was mentioned as being the biggest offender in the first impression category. There are a lot of very simple considerations that men too often neglect. It often comes down to basic hygiene and common sense, so don’t get caught having not taken care of the following bathroom essentials:

  • Clean it. This is first and foremost. Wipe down every bathroom surface with a multi-purpose cleaner. Clean the toilet bowl so it’s sparkling white. Keep the vanity tidy.
  • As mentioned in the beginning, keep an air freshener in the loo. (Use one that’s subtly scented – not overpowering.)
  • Have toilet paper. Don’t let your date find an empty roll.
  • Have soap and a dry hand towel. Make sure the soap is fresh, and the hand towel laundered.
  • Have a trash can. This should be obvious. A woman might have a sanitary item she needs to throw away and if there’s no trash can, she’s really in a pickle.
  • Wash your hands. It’s obvious that you lack basic hygiene when you pop out of the bathroom immediately after the toilet flushes.

Kitchen

When I was a bachelor, I think I had one plastic cup, a few mismatched bowls, and a couple forks and spoons. I also had a nice collection of Pop Tarts, Chef Boyardee, and cheap coffee. How my then girlfriend married me is beyond me.

Have, at the very least, the essentials in your cupboards and pantry. Don’t know what the essentials are? Good thing AoM contributor Matt Moore has already helped us with that.

Have at least one set of matching dishes. That aren’t plastic.

Have more than just junk food. When you offer a snack to your date, you don’t want your only options to be Cheetos and instant mac and cheese. Have some fresh fruits and veggies on hand, pita chips and hummus, etc. Anything to class it up a little.

Offer a variety of beverages. One of the first things you should do when a date comes over is offer her a beverage. If your only options are water and beer, your gal won’t be too happy. Having juice, wine, mixed drinks, soda (bonus points for unique, craft varieties), etc. available conveys your thoughtfulness. As a bonus, you’ll be prepared for guests that drop by at other times as well.

Keep it clean. This has already been mentioned, but it’s worth mentioning again to keep the kitchen spick and span and smelling nice.

Bedroom

The bedroom is the most personal of all the rooms in our home. It can also be where we tend to let ourselves go a bit. An unkempt bed and clothes strewn about is a common find in men’s bedrooms. Don’t let that be you. If your most personal space is messy, it’s a good bet that’s closer to the real you than the rest of your place.

Make the bed. It’s good habit to do it every morning anyway, but it’s even more important when you’re giving your date a tour of your place. It shows that you care about the details.

Pick up your clothes. Have the laundry done so you don’t have an overflowing hamper, and have all your clothes folded and put away. Again, this is good practice anyway.

A bed frame and headboard helps. I never did this as a bachelor, but I found quite a few ladies who ran into fellas with mattresses simply on the floor. This is okay for a short period of time when you just move in, but head to Craigslist and get yourself a bed frame. It won’t be very expensive. If you want to splurge, get a headboard too. Both convey an impression of stability and put-togetherness that the mattress on the floor does not.

Many of these guidelines, if you’ll notice, are common sense. They force you to grow up and become an organized, disciplined man. Following these tips is good practice, period. You’ll impress not only a date, but your mom, your friends, and even that door-to-door salesperson (don’t buy a magazine subscription from him though – another lesson learned as a bachelor.)

What tips do you have to make a good impression for a lady coming to your place for the first time? Ladies, what tips do you have?

    


09 Jul 00:15

Da narrativa cinematográfica

by André Setaro
A construção de uma narrativa cinematografia obedece a diversos critérios assim como um projeto arquitetônico corresponde a determinadas opções. Há uma construção narrativa que se pode considerar simples e outra que se desenha como complexa. Dois tipos de estruturas, portanto, mas que se deve ter em conta e ressaltar que a simplicidade ou a complexidade são noções exclusivamente inerentes ao como do discurso e não à sua coisa. Isto quer dizer: pode haver histórias intrincadíssimas mas de estrutura simples, elementar, e, pelo contrário histórias lineares, com começo, meio e fim e progressão dramática tradicional mas que se tornam intrincadas por uma disposição particular dos segmentos narrativos.Dentre as narrativas de estruturas simples estão: a linear, a binária e a circular.

Narrativa linear. Percorrida por um único fio condutor que se desenvolve de maneira seqüencial do princípio ao fim sem complicações ou desvios do caminho traçado. A narrativa de estrutura linear é a de mais fácil leitura e é concebida de modo a respeitar todas as fases do desenvolvimento dramático tradicional. O esquema que se obedece é aproximadamente o seguinte: a) introdução ambiental; b) apresentação das personagens; c) nascimento do conflito; d) conseqüências do conflito; e) golpe de teatro resolutório. Este esquema da narrativa linear repete ao pé da letra o que era a estrutura base do romance psicológico do século XIX. Incluem-se nesse tipo de narrativa aquela nas quais o elemento poético e metafórico é reduzido ao mínimo e os motivos de interesse residem exclusivamente na fábula (story), excetuando-se os eventuais casos de erosão dentro do referido esquema - que se constituem uma exceção à regra.

Narrativa binária. Este tipo de narrativa é percorrido por dois fios condutores a reger a ação como só acontece nos casos de narrativas paralelas baseada na coexistência de duas ações que podem entrecruzar-se ou manter-se distintas. Garantia certa de tensão dramática, a binária é empregada em fitas de ação - thrillers, westerns, etc - porque valoriza o paralelismo e o simultaneismo, fornecendo, assim, amplas possibilidades de impacto. Exemplo clássico da narrativa binária está em David Wark Griffith (Intolerância, 1916, O lírio partido, 1918, Broken blossoms no original). A linguagem cinematográfica tomou impulso com a descoberta da ação paralela e da inserção de um plano de detalhe no plano de conjunto.

Narrativa circular. Este tipo de narrativa tem lugar quando o final reencontra o início de tal modo que o arco narrativo acaba por formar um círculo fechado. É menos frequente e mais ligada a intenções poéticas precisas com um propósito de oferecer uma significação da natureza insolúvel do conflito de partida e denota a desconfiança em qualquer tentativa para superar a contradição assumida como motor dramático do filme. A significação implícita a este gênero de escolha estrutural poderia ser: "as mesmas coisas repetem-se". Em A faca na água (Noz W Wodzie, Polônia, 62), o primeiro longa metragem de Roman Polansky, assim como também em O fantasma da liberdade (Le fantôme de la liberté, 74) de Luis Buñuel, e Estranho Acidente (Accident, 68), de Joseph Losey, para ficar em três exemplos, as coisas que se observam no início voltam a surgir no final, a despeito das tentativas registradas pela narrativa para se libertar delas e da sua influencia nefasta. A construção das obras citadas obedece e exprime a visão do mundo de seus autores do que, propriamente, à matéria da fábula, que pode se apresentar tranquila e jocosa e destituída de relevância maior.

Dentre as narrativas de estrutura complexa estão: a estrutura de inserção, a estrutura fragmentada e a estrutura polifônica.
Narrativa de inserção. Consiste numa justaposição de planos pertencentes a ordens espaciais ou temporais diferentes cujo objetivo é gerar uma espécie de representação simultânea de acontecimentos subtraídos a qualquer relação de causalidade. Os segmentos narrativos individuais interatuam entre si, produzindo, com isso, uma complicação ao nível dos significantes que potencializa o sentido global do discurso. A contínua intervenção do flash-back pode provocar um entrelaçamento temporal que esvazia a noção do tempo cronológico em favor do conceito de duração. Por outro lado, as frequentes deslocações espaciais conferem aos lugares uma unidade de caráter psicológico mas não de caráter geográfico. Na narrativa de inserção, a realidade é vista de modo mediatizado, isto é, a realidade é refletida pela consciência do protagonista ou pela do realizador omnisciente. Seguem esta narrativa de inserção filmes como 8 ½ (Otto e mezzo, 64), de Federico Fellini, A guerra acabou (La guerre est finie, 66), Providence, entre outros trabalhos de Alain Resnais,Morangos Silvestres (Smulstronstallet, 57) de Ingmar Bergman, etc. Nestes exemplos, o receptor/espectador é posto diante de um desenvolvimento narrativo que não é lógico mas puramente mental: o velho Professor Isaac contempla a própria infância (Bergman), o cineasta Guido (Marcello Mastroianni) no cemitério conversa com seus pais já falecidos (Fellini), a projeção do desejo de um escritor moribundo (John Gielgud) imaginando situações (Resnais). O desenvolvimento puramente mental determina, por sua vez, um jogo de associações visuais e emotivas que cria um universo fictício exclusivamente psicológico.

Narrativa fragmentária. Estrutura-se pela acumulação desorganizada de materiais de proveniência diversa, segundo um procedimento análogo ao que, em pintura, é conhecida pelo nome de colagem, A unidade, aqui, não é dado pela presença de um fio narrativo reconhecível, porém pelo ótica que preside à seleção e representação dos fragmentos da realidade. Se, neste caso, da narrativa fragmentária, a intenção oratória do cineasta prevalece sobre a fabulatória, mais acertado seria considerar o filme como um ensaio do que um filme como narrativa. A expectativa de fábulas, no entanto, encontra-se presente no homem desde seus primórdios e o cinema, portanto, desde seu nascedouro possui uma irresistível vocação narrativa. Poder-se-ia, então, ainda que esta irrefreável expectativa do receptor diante de um filme, falar de um cinema-ensaio ao lado de um cinema-narrativo. O exemplo de, novamente Alain Resnais, Meu tio da América (Mon oncle d'Amerique) vem a propósito, assim como Duas ou Três Coisas Que Eu Sei Dela (Deux ou trois choses que je sais d'elle, 66) de Jean-Luc Godard - um minitratado sobre a reificação que ameaça o homem na sociedade de consumo, La hora de los hornos (68), de Fernando Solanas - obra nascida como ato político que utiliza documentos, entrevistas, cenas documentais e trechos com o objetivo de proporcionar a tomada de consciência revolucionária por parte do espectador.

Narrativa polifônica. Estrutura-se pelo número de ações apresentadas que confere uma feição coral à narrativa, impedindo-a de afirmar-se de um ponto de vista que não seja o do realizador-narrador. Os acontecimentos que se entrelaçam são múltiplos, dando a impressão de um afresco, que se forma pelas situações captadas quase a vol d'oiseau. Utilizando-se desse tipo de narrativa complexa, o cineasta capta de maneira sensível, se capacidade houver, o clima social de uma determinada época, como fez Robert Altman em Nashville (1975). Neste filme, vinte e quatro histórias se entrecruzam para compor um mosaico revelador da realidade dos Estados Unidos durante a década de 70. Outro exemplo do mesmo Altman é Short cuts. (Short cuts, EUA, 91).As estruturas examinadas são todas elas do tipo fechado, segundo as coordenadas estabelecidas por René Caillois (12). Porque, assim fechadas, estas estruturas servem de suporte à narrativas concluídas do ponto de vista de seu desenvolvimento, não importando o seu significado poético. Existem, no entanto, casos de estruturas abertas, nas quais a conclusão do discurso é deixada em suspenso ou então prolongada para além do filme. O que caracteriza a obra cinematográfica como um trabalho em devir, um filme que busca ainda o seu desfecho ou, então, como um texto que se oferece à meditação do espectador. EmApocalypse now (1978), de Francis Ford Coppola, o cineasta apresenta três finais todos igualmente legítimos e solidários com o contexto narrativo. Já em Dalla nube nulla ressitenza (81), de Jean-Marie Straub, formado por blocos de sequências fixas, a solução final é deixada ao subsequente trabalho de reflexão do espectador/receptor. Trata-se de uma obra que faz uma reflexão, por meio de representações dialogais, sobre a passagem da idade feliz do Mito para a idade infeliz da História.O caráter aberto da narração, todavia, em nada desfalca a contextualidade orgânica do discurso, contextualidade que se mantém íntegra apesar da suspensão da fábula. A solidariedade estrutural, ressalte-se, constitui a conditio sine qua non de qualquer discurso cinematográfico que pretenda considerar-se artístico.
04 Jul 18:25

Skill of the Week: Recognize What Drowning Really Looks Like

by Brett & Kate McKay

Illustraction what drowning really looks like.

An important part of manhood has always been about having the competence to be effective in the world — having the breadth of skills, the savoir-faire, to handle any situation you find yourself in. With that in mind, each Sunday we’ll be republishing one of the illustrated guides from our archives, so you can hone your manly know-how week by week.

If you’re heading out to the beach or lake this summer, be sure to know the 10 “quieter” signs of drowning — they’re easy to miss.

Source: Mario Vittone

The post Skill of the Week: Recognize What Drowning Really Looks Like appeared first on The Art of Manliness.