Tsuguharu Foujita (Japanese/French, 1886-1968), Le chat blanc [The White Cat], 1923. Oil on canvas, 35 x 27 cm.
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thunderstruck9:Tsuguharu Foujita (Japanese/French, 1886-1968),...
Andy Warhol (American, 1928–87) Untitled (Vase) (late 1950s)
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hideback: Augustin Lesage (French, 1876-1954) One day, while...
Augustin Lesage (French, 1876-1954)
One day, while working as a coal miner, Augustin Lesage heard a voice that he believed came from his sister, Mary. Mary had died in childhood long ago. The voice instructed him to become a painter. He heard more voices, sometimes from Leonardo da Vinci, with specific instructions for how and what to paint. Starting in 1911 at the age of 35, Lesage painted every day after work in the mines. At his death, Lesage had painted hundreds of enormous canvases, in his uniquely detailed and symmetrical style.
http://emilypothast.wordpress.com/2009/06/23/augustin-lesage-french-1876-1954/
CARTA MODELO...
Porto, 13 de Junho de 1988.
Excelentíssimos Senhores,
A treze de Junhode 1987, faz então hoje um ano, enviámos-lhes, em papel timbrado, uma missiva registada onde a relação de débito para connosco encontrava-se devidamente listada e onde se solicitava a sua regularização.
[Ass]
O Director
ofhouses: 326. Walter Gropius & Adolph Meyer /// Adolf...
326. Walter Gropius & Adolph Meyer /// Adolf Sommerfeld House /// Berlin-Dahlem, Germany /// 1920-22
OfHouses presents ‘The Grandfathers of Modern Architecture and their First Houses’.
(Photo: © Bauhaus-Archiv Berlin. Source: Gilbert Lupfer, Paul Sigel, “Walter Gropius 1883 - 1969″ (Köln: Taschen, 2004), pp. 27-30.)
52 YA Covers for 2015
As my 2014 post was such a hit, here is my second annual look at the past year’s young adult book covers. This isn’t my speciality, so this list is a lot more of a crowd-sourced effort than my very personal adult list. A special thank you to all the designers who have made suggestions in the past couple of weeks — you know who you are! — and if there are any burning omissions, please let me know in the comments!
Birdy by Jess Vallance; design by Jet Purdie (Hot Key Books / July 2015)
The Big Lie by Julie Mayhew; design by Jet Purdie (Hot Key Books / September 2015)
Conviction by Kelly Loy Gilbert design by Maria Elias; illustration by Christopher Silas Neal (Disney-Hyperion / May 2015)
Cut Both Ways by Carrie Mesrobian; design by Erin Fitzsimmons (HarperCollins / September 2015)
The Death and Life of Zebulon Finch; design by Lizzy Bromley; illustration by Ken Taylor (Simon & Schuster / October 2015 )
Delicate Monsters by Stephanie Kuehn; design by Kerri Resnick (St. Martin’s Griffin / June 2015)
Drop by Katie Everson; design by Maria Soler; illustration Levente Szabó (Walker Books / August 2015)
Dumplin’ by Julie Murphy; design by Aurora Parlagreco; illustration by Daniel Stolle (Balzer + Bray / September 2015)
Eden West by Pete Hautman; design by Matt Roeser; illustration Dadu Shin (Candlewick / April 2015)
Emmy and Oliver by Robin Benway; design Sarah Nichole Kaufman; illustration Matthew Allen (Balzer + Bray / June 2015)
Everything Everything by Nicola Yoon; design by N. C. Sousa; cover art by Good Wives and Warriors (Delacorte / September 2015)
Extraordinary Means by Robyn Schneider; cover art by Julie McLaughlin (Simon & Schuster / June 2015)
This lung-tree illustration is just incredible, but it is worth noting that this UK cover is actually an adaptation of the killed US cover (HarperCollins).
Fans of the Impossible Life by Kate Scelsa; design by Jenna Stempel; art by Mia Nolting (Balzer + Bray / September 2015)
5 to 1 by Holly Bodger; design by Jennifer Heuer (Knopf / May 2015)
The Game of Love and Death by Martha Brockenbrough; design by Nina Goffi; illustration by Christopher Silas Neal (Scholastic / April 2015)
The Golden Yarn by Cornelia Funke; design by Mirada (Breathing Books / December 2015)
History of Blood and Glitter by Hannah Moskowitz; design Kelsey Premo Jones; cover art by Sam Weber (Chronicle Books / August 2015)
I Am Princess X by Cherie Priest; design Phil Falco; cover illustration by Kali Ciesemier (Scholastic / August 2015)
I’ll Give You the Sun by Jandy Nelson; design Maria Soler; illustration Sophie Heywood (Walker Books / April 2015)
Walker Books also reissued Jandy Nelson’s The Sky is Everywhere with matching cover art by Sophie Heywood.
Theresa Evangelista‘s design for the hardcover of I’ll Give You the Sun was on last year’s list.
Infinite In Between by Carolyn Mackler; design by Michelle Taormina; art by Matthew Allen (HarperTeen / September 2015)
Island by Nicky Singer; cover art by Chris Riddell (Caboodle Books / October 2015)
Lottery Boy by Michael Byrne; design by Jack Noel (Walker Books / May 2015)
A Madness So Discreet by Mindy McGinnis; design by Erin Fitzsimmons; cover art by Brooke Shaden (Katherine Tegen Books / October 2015)
Mosquitoland by David Arnold; design by Theresa Evangelista illustration Andrew Fairclough (Viking Books / March 2015)
My Heart and Other Black Holes by Jasmine Warga; design Jenna Stempel (Balzer + Bray / February 2015)
Nest by Kenneth Oppel; design Lucy Ruth Cummins; cover art Jon Klassen (Simon & Schuster / October 2015)
It also looks pretty spiffy with the jacket removed.
The Next Together by Lauren James; design Jack Noel (Walker Books / September 2015)
Night Owls by Jenn Bennett; design by Leo Nickolls (Simon & Schuster / September 2015)
Panther by David Owen; design Gray318 (Corsair / March 2015)
Placebo Junkies by J.C. Carleson; design Ray Shappell; photograph by Christine Blackburne (Knopf / October 2015)
PS I Still Love You design Lucy Ruth Cummins; Photography by Douglas Lyle Thompson (Simon & Schuster / May 2015)
Although this is really a variant to the cover of To All the Boys I’ve Loved Before by Jenny Han (on last year’s list), I still think it works really well.
The Queen of Bright and Shiny Things by Ann Aguirre; design by Anna Booth; photography by Jon Barkat and Gary Spector (Feiwel & Friends / April 2015)
The Rest of Us Just Live Here by Patrick Ness; design by Erin Fitzsimmons; cover art by Josh Cochran (HarperCollins / October 2015)
It should be noted that this cover glows in the dark.
The UK version was designed by David McDougall for Walker Books.
Save Me by Jenny Elliott; design Richard Deas photo art Adam Andrearczyk (Swoon Reads / July 2015)
Show and Prove by Sofia Quintero; design by Christian Fuenfhausen (Knopf / July 2015)
Simon vs the Homo Sapiens Agenda by Becky Albertalli; design by Alison Klapthor; illustration by Chris Bilheimer (Balzer + Bray / April 2015)
Six of Crows by Leigh Bardugo; design Rich Deas (Henry Holt & Co / September 2015)
A Song for Ella Grey by David Almond; design Liz Casal (Delacorte / October 2015)
Symphony for the City of the Dead by M. T. Anderson; design by Matt Roeser; illustration by Kikuo Johnson (Candlewick / September 2015)
The Thing About Jellyfish by Ali Benjamin;design by Marcie Lawrence; illustration Terry Fan and Eric Fan (Little Brown & Co / September 2015)
Tonight the Streets Are Ours by Leila Sales; design Elizabeth H. Clark (Farrar, Straus & Giroux / September 2015)
The Trouble In Me by Jack Gantos; design by Christian Fuenfhausen (Farrar, Straus & Giroux / September 2015)
Tiny Pretty Things by Sona Charaipotra & Dhonielle Clayton; design by Michelle Taormina; cover art by Sean Freeman (HarperCollins / May 2015)
Vengeance Road by Erin Bowman; illustration by Teagan White (Houghton Mifflin Harcourt / September 2015)
The Walls Around Us by Nova Ren Suma; design by Connie Gabbert (Algonquin Books / March 2015)
We All Looked Up by Tommy Wallach; Lucy Ruth Cummins; photographer Meredith Jenks (Simon & Schuster / March 2015)
I still prefer the title-less version!
Willful Machines by Tim Foreen; design by Dan Potash (Simon & Schuster / October 2015)
Winterkill by Kate A. Boorman; design Will Steele; illustration Helen Crawford-White (Faber / November 2015)
Will and Helen’s cover for Darkthaw, the sequel to Winterkill is also rather lovely.
The US cover for Winterkill designed by Maria T. Middleton with art by Shane Rebebschied was on my list last year.
The Wolf Wilder by Katherine Rundell; Design by Lizzy Bromley; cover art by Dan Burgess (Simon & Schuster / August 2015)
The Winter Place by Alexander Yates; design by Paul Coomey (Simon & Schuster / October 2015)
(This probably needs to be seen in person as the blue is, I believe, a metallic finish, and the back cover is the image reversed in a lovely orange-red).
Wonders of the Invisible World by Christopher Barzak; design by Lynn Buckley (Knopf / September 2015)
X by Ilyasah Shabazz with Kekla Magoon; design by Matt Roeser (Candlewick Press / January 2015)
Series Design 2015
In my last post on the book covers of 2015, I thought I would take a look back at some of the series that caught my eye this this year…
Stephen Baxter / Manifold; design by Mike Topping (Harper Voyager / 2015)
Stephen Baxter / The NASA Trilogy; design by Mike Topping (Harper Voyager / 2015)
Vintage Bronte; design by Suzanne Dean; lettering by Lily Jones; cover art Sarah Gillespie; picture research by Lily Richards (Vintage / 2015)
Noam Chomsky; design by David Pearson (Pushkin Press / 2015)
Rachel Cohn; design by Lizzy Bromley (Simon & Schuster / 2015)
Freemans; design by Michael Salu (Grove / 2015)
The very first Freeman’s anthology was published in fall this year, but hopefully this design will set the tone for the rest of the series. The second volume is scheduled for next year.
Vintage Feminism; design by Matthew Broughton (Vintage / 2015)
Little Black Classics; design by Jim Stoddart (Penguin / 2015)
(There are an awful lot of these!)
C. S. Lewis; design by Kimberly Glyder (HarperOne / 2015)
New Directions in Media History; design by David A. Gee (Polity Press / 2015)
New Modernisms; design by Daniel Benneworth-Gray (Bloomsbury / 2015)
Tim O’Brien; design by Jo Walker (Fourth Estate / 2015)
The Penguin Book of the British Short Story Volumes 1 & 2; design Matthew Young (Penguin /2015)
Picador Modern Classics; design by Kelly Blair (Picador USA / 2015)
Pushkin Vertigo; design by Jamie Keenan (Pushkin Press / 2015)
Russian Plays in Translation; design John Gall (Theater Books / 2015)
Radical Thinkers Volume 9; design by Rumors (Verso / 2015)
This isn’t a new series of course, but this set marked a colourful change of direction. You can read about the design here.
Serpent’s Tail Classics; design by Steve Panton; series design Peter Dyer (Serpent’s Tail / 2015)
mythologyofblue:Weegee, Time is Short, Every Minute Counts, NYC,...
"LEPRA"...
. . . . . . . . . .
E os poetas na leprosaria
vão vivendo
uns com os outros,
inspeccionando as chagas
uns dos outros.
Jorge de Sena, “Trinta Anos de Poesia”, Editorial Inova, pág. 26, Porto, Dezembro de 1972.
antonioedsoncadengue: topcat77: Ossip Zadkine portrait...
...
comicartsbrooklyn: Here’s a page by Yuko Shimizu, published in...
Here’s a page by Yuko Shimizu, published in TOON Books’ Little Nemo’s Big New Dreams.
Assaltaram bar e tomaram pequeno-almoço com objetos furtados
"Até sempre"...
Too bad my September lessons didn’t include finish & post...
Too bad my September lessons didn’t include finish & post the things you need to finish & post :) But better late than never.
Previous monthly lessons here.
Dangdang.com to open 1,000 bookstores in China
dangdang.com is a B2C e-commerce retailer with an attractive logo
E-retailers the world over are finally realizing the importance and joys of brick-and-mortar bookstores—or something like that.
Yes, it would seem that physical bookstores are on the rise: there are tech-bros in London putting their tablets away in favor of bookshelves and DJ booths, there’s Jeff Bezos, a man who once told an Amazon exec to “proceed as if your goal is to put everyone selling physical books out of a job,” back-pedaling himself right into a physical life-size model of a bookstore in Seattle, Washington.
Next to hop on the trend is Dangdang.com, who, as China Retail News reports, will open 1,000 physical bookstores across the People’s Republic of China by 2018. The B2C e-retailer’s first shop—located in Changsha City, Hunan—is due to open this month.
Dangdang executive Zhang Wei explains:
Our bookstores in the first- and second-tier cities will be as large as one to two square kilometers, and they will become a cultural complex with sales of books and other related products with higher profit … Meanwhile, we will team up with renowned shopping malls in an attempt to substantially cut bookstores management costs.
To put the scope of this project into perspective, Barnes & Noble—American’s only standing national bookstore chain—has just 647 locations as of August 2015, and B&N has been around since 1917. To call Dangdang’s effort to build, staff, and operate 1,000 stores in three years ambitious is a gross understatement—it’s very difficult to imagine Dangdang’s “renowned shopping mall” locations helping the company offset costs all that much.
As an e-retailer, Dangdang’s primary competitor is—no surprise—Amazon China, and like Amazon Books in Seattle, Dangdang bookshops will offer their online prices in-store, a fact that, given the sheer number of locations, may prove to be a serious threat to other bookstores throughout the country.
And, unless they can afford to lose money every year like Amazon, to themselves.
grupaok:Ad Reinhardt, Rough Sketch for a Leaflet in the “Event”...
Ad Reinhardt, Rough Sketch for a Leaflet in the “Event” or “Happening” of a Fine-Artists Strike, 1961
jonasgrossmann:arnold newman… museum of modern art, alfred bra,...
Letra em saque...
CURSIVO INGLÊS
Continuavam as aulas de caligrafia
da dona Otelinda com o seu
aparo de lança n.° 120,
molhado de tinta azul, a deslizar
em torneadas maiúsculas
no papel almaço. Continuavam
apesar das máquinas de escrever
da sala 8, para as alunas mais
adiantadas.
No cursivo inglês
que talvez Pessoa tivesse aprendido,
caligrafávamos: Amigo e Senhor e
de Vossa Senhoria, Atenciosamente.
Depois nas aulas de francês e inglês
aprendíamos – já sem caligrafia – e
regressadas à esferográfica (que
Pessoa não conheceu) as
mesmas cantigas de amigo. Havia
sempre um Dear Sir ou um Cher
Monsieur para redigir carta
sobre a letra a receber ou
a pagar avec nos salutations,
les plus distinguées.
Letras com um sacador
e um sacado, que se tornava
sempre o aceitante, até
à data do vencimento.
Inês Lourenço, “O Segundo Olhar (Antologia)”, p. 25, Companhia das Ilhas, 2015.
http://leiriaplatardinha.blogspot.com/2015/11/quinta-feira-12-de-novembro-ja-nao-me.html
Quinta-feira, 12 de Novembro JÁ NÃO ME APETECE MUITO Já não me apetece muito Escrever pohesias Se fosse como dantes Fá-las-ia abundantes Mas sinto-me muito velho Sinto-me muito sério Sinto-me consciencioso Sinto-me preguiçoso Boris Vian, Canções & Poemas; trad. de Irene Nunes e Fernando Martins. |