Rob Jeschofnik
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gravyholocaustsucks: After years of research & millions of...
After years of research & millions of dollars, engineers can accurately replicate two drunk people carrying a sofa
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Rob Jeschofnikit has seen things you cannot possibly imagine
altairsrighthand:So there’s a broken door at university for a...
So there’s a broken door at university for a couple of weeks now. Things got a bit out of hand…
“Door’s not working! Technician is informed”
“Technician is also not working”
Fury Road
I was skeptical about Fury Road, despite all the glowing reviews. This is because I am surrounded by people who cannot be trusted on this issue: people who are so invested in their 25-years-old fashion choices that had the movie contained at minimum one mohawk and one motorcycle, they'd be telling me it was the greatest thing ever.But, holy crap, it really is great!
In stark (see what I did there?) contrast to Age of Ultron, where after the movie I kept remembering bits and pieces of it and getting angrier about it, with this one I kept remembering bits and pieces and thinking, "Wow, that was insane."
Every time Toecutter Immortan Joe glowered into the camera, I was imagining the director turning to the editor and saying, fuck yeah! This was not a movie composed of compromises.
Everything about Matt Colville's review is right on, and it contains some entertaining production details:
There is so much CG work in this movie, it's hard to fathom. Miller succeeds at what I would have considered an impossible task. He made a movie FOR people who worship practical effects... and he did it all with CGI. And the audience is going INSANE for the results. They believe. He told them "It's all real," he lied to them, and they believed it.He knew he could lie to them, because he knew what his audience wants. They want to know; when that truck goes flying up in the air, it's real. When that truck smashed into that rock, it's real.
Well, that part is. They really built all those trucks, and they really launched them into the air and they really smashed them into each other. But that's only about 30%-40% of the film. The launching and smashing. The rest is driving. And almost none of that is real.
The vehicles you see in the movie are almost never moving. They're sitting still, propped up on what are essentially airbags. The airbags allow the crew to bounce the trucks around, they are so severely agitated, they can literally throw people off the truck with the force. But the truck is always sitting in one place.
You never notice it because they matted moving backgrounds in and they used CGI to make the wheels move. They used CGI to make the wheels move. 60% of the movie, those wheels weren't moving on the set, that's CGI. [...]
There are scenes where Charlize Theron is talking, and those are her lips moving, but they're her lips from a different shot, a pickup months later, from a different angle and a different distance, matted together seamlessly using CGI.
There are angles, crazy angles you wonder "How did they get the camera there?" They didn't. They filmed it at one angle and used the CGI to pan the camera around into a location it couldn't be in. [...]
They shot all day. They could shoot in any order. They never worried about the light. Well, the DP worried about the light constantly, but Miller kept telling him "Doesn't matter, doesn't matter. We'll fix it in post." And they did. Shots filmed in the early morning desert, the sky white, the ground choked with fog, match the shots from the heat-blasted midday desert. You can't tell.
When the DP worried they were racking up a huge computer graphics bill (which they were) Miller responded sagely "If they want a finished movie, they'll pay for it." He knew the worse it looked in-camera, the more certain it was Warner Bros. would pay for the CG.
He knew exactly how to push the limits of what could be done on-set, and what the computers could do after. And the result is a movie that feels like you're watching movies for the first time. No movie looks like Fury Road. No movie moves like it, is cut like it.
Oh, and his smackdown of Interstellar is good, too:
The movie sort of assumes everyone in the movie saw Contact and so when ALIENS contact Earth with a plan (sort of) to save humanity if only they'll jump through this wormhole they planted, our hero just fucking goes along with it.He goes along with it because he was created by the script. He was engineered, by the writers, to be someone who just happened to live 10 minutes away from an ultra-secret project that just happened to need an ace pilot of which he is literally the only one left, which is lucky, because he also happened to be the best there ever was. Chris Nolan, fuck you.
Hang on, let me calm down a little. That's not the most insulting part of the film.
thesassyblacknerd: chekhovandowl: sparkafterdark: osamusato: ...
Rob Jeschofnik"This is nothing more than lies and propaganda from butthurt scythelovers"
Weed Whacker vs Scythe. [video]
grasscon
What a farce. Not only is the contest weighted towards the scythe because Weed Whackers are meant for edging and trimming of WEEDS in hard to reach places, not thick grass, but the scythe cut that patch super uneven and it looks like absolute shit. The WeedWhacker took slightly longer but did a much neater, better job with less effort.
Really thought he comparison is absurd, Nobody would ever use a WeedWhacker to replace a scythe, they do completely different things, just like you’d never use a scythe to cut down weeds growing out of a sidewalk. If it’s for trimming a lawn it should be against a lawnmower, which would fucking destroy it, and if it’s for harvesting hay it should be against a combine harvester, which would destroy it exponentially more.
This is nothing more than lies and propaganda from butthurt scythelovers and I for one will not stand for it.
unrest in the grass fandom
Gardening side of tumblr is legit.
The doors are closing. Stand clear of the closing doors.
Hamburg Brick Train:It must have happened in Barmbek where the train was stopped at 8 clock in the morning on Tuesday. The 17 stones were tailored according to the Federal Police precisely to the input range and stacked professionally. "The stones were accurately measured," said federal police spokesman Carstens. "There's quite craftsmanship behind it."According to the Federal Police, the Ytong stones were attached to each other with an adhesive and also attached to the door trim with adhesive. That there is a single offender who should have all the stones alone transported to the siding in Barmbek, keeping the police at least unlikely. The federal police began by finding that the perpetrators had climbed over a fence on the sidings....
Today in mechanical jellyfish news:
Shylight unfolds by a system of springs, creating the form once out of the cocoon. Gravity lets it slight down and a motor controls the upward movement. The silk shade consists of many layers kept apart by the polished RVS.
Jennifer Townley: Bussola, Asinas
They consist of four hinged parts, converting a vertical movement at the bottom hinge into a horizontal movement on the two upper legs. Driven by a camshaft all the elements move, each with a small phase shift, in the same way. Creating a repetitive yet organic motion of the whole. The skeleton-like structure seems to behave like a natural organism that slowly moves forward through space.
Walmart.horse is an actual domain.
Why the long face? Retailer says walmart.horse domain infringes its IP
Your use of a Domain Name that incorporates the famous Walmart mark constitutes trademark infringement and dilution of Walmart''s trademark rights and unfair competition. Your use of our mark in the Domain Name is diluting use because it weakens the ability of the Walmart mark and domain name to identify a single source, namely Walmart. Further, your registration and use of the Domain Name misleads consumers into believing that some association exists between Walmart and you, which tarnishes the goodwill and reputation of Walmart's products, services, and trademarks.