Bei Amazon FR bekommt man Warehouse 13 - Die komplette Serie (Blu-ray) für 22,80 EUR inkl. VSK. Deutscher Ton ist mit dabei, da es sich um den englischen Import handelt. Die Serie an sich kann ich nur empfehlen. Solltet ihr das Zavvi Angebot verpasst haben, so könnt ihr hier zugreifen.
IMDb: 7,6/10
Vergleichspreis: 30 EUR
If you've managed put down the Switch long enough to eat or sleep or pay attention to your loved ones, you might have noticed that Mario takes a nap if he's been idle too long. Something about a passed out plumber is irresistable to local birds, who will quickly make Mario's substantial schnoz their new perch. It's a nice touch from a company known for going the distance when it comes to animation, art design and pretty much everything else. But there's another wrinkle that makes these birds extra special.
Because this is a video game, kingdoms in Super Mario Odyssey each have varying themes, and they all come with their own wildlife. Which means that the bird that sits on Mario's nose will be a different species depending on where he dozes off. Sleeping in New Donk City results in a visit from a filthy god damned pigeon, for example. The familiar Mario 64 penguin shows up in the Snow Kingdom, parrots populate the Cascade Kingdom, dapper little hat-wearing birds in the Cap Kingdom, and so on.
It's a beautiful touch, the kind of detail that Nintendo absolutely did not have to include at all. It is made a little less adorable when you realize Mario is blissfully unaware of how close he is to having a mouth full of bird shit.
Birds don't land on Mario's nose in every single level. However, if you pick the right spot in the Seaside Kingdom, you'll get something even better.
I don't want to exaggerate, but the fact that you can play fetch with a dog with your hat and take a nap afterwards might make this the most important game ever made.
There are hundreds upon hundreds of moons to amass in Mario Odyssey, and after a while they all kind of blend together. But besides the color of the collectible, there's one other difference that's easy to miss: Mario's hand. At first glance it kind of looks like he's playing a game of Rock, Paper, Scissors with the sky, but there's something else going on here.
To figure out what these hand signs mean, we have to dive back into 3D Mario history.
In previous 3D games, Mario would always celebrate in a particular way whenever he grabbed a star in a given game. In Odyssey, Mario celebrates in numerous ways, all referencing those previous games. The peace sign (or victory sign) is from Super Mario 64, the open palm calls back to Super Mario Sunshine and the fist evokes Super Mario Galaxy. This is the kind of detail that goes beyond pandering fanservice and shows Nintendo's genuine desire to respect and honor its long legacy. It's a commendable sentiment, even if it means respecting Super Mario Sunshine.
This is a little one, but it's easy to overlook in a world where you can psychically dominate a T-Rex. Peppered around the Cascade Kingdom are these breakable hunks of dirt that seem to have special patterns on them. Look closely and you'll realize that they aren't patterns -- they're fossils.
Of course the Mario universe's fossils are 8-bit pixel sprites. What else would they be?
In addition to being an allusion to Homer's epic journey, the Odyssey in Mario Odyssey is also the name of the ship that travels between kingdoms. You can add all sorts of stickers and trinkets to deck out the Odyssey throughout the game, but the ship itself has a few neat wrinkles, including a couple of secret entrances.
Normally, you walk into the Odyssey through the front door:
But if you're feeling athletic, you can flip on top of the roof and groundpound your way in.
For a fun throwback, head around to the rear of the Odyssey and press the crouch button on the exhaust pipe.
Around the front of the vehicle stands a globe used to travel and deposit moons. But if you use it in a way that isn't "intended," you'll get a nice little musical easter egg.
Jumping on the globe makes it play Jump Up, Super Star! #SuperMarioOdyssey #NintendoSwitch pic.twitter.com/BoPkhMJzzE
-- Toni (@ToniCodrea) October 28, 2017
The Odyssey is pretty comfy on the inside -- so comfy, in fact, that Mario falls asleep extra fast if you stand on the bed.
Sleeping on a leather couch in a spaceship is almost as good as napping with a dog on a beach. Almost.
One of the unexpected joys of Mario Odyssey is seeing Mario dress up in all kinds of outfits while he continues on his adventures. While some of the costumes are straightforward color swaps -- you can dress in Waluigi's colors if pointy creepazoids are really your thing -- others act as sneaky easter eggs and references to Mario's past. Above you can see Mario's explorer outfit, which originated in Mario's Picross for the Game Boy in 1995.
A bit more recently we had an awesome Japanese 3DS commercial, which featured clashy clothes that have since shown up in Mario Odyssey.
Mario's chef costume looks, well, a lot like any old regular chef costume. But those big buttons and the red hankerchief tied around his neck makes it a clear shoutout to Yoshi's Cookie on NES.
Mario's mechanic outfit goes deeper into the weeds, as it's ripped straight from 1988's Japan-only Famicom Grand Prix II.
Plenty of folks have figured this one out already, but it's worth noting that Mario's golf outfit can be seen on the cover of NES Open.
Your worst friends will tell you that the scientist gear is a reference to Rick and Morty, but it's really a replication of Mario's look in a Super Game Boy commercial from 1994.
Mario's boxer shorts (and his faint, tiny nipples) were only revealed earlier this year, but this same outfit appeared in a official Nintendo digital wallpaper back in 2016.
Similarly, Mario's scuba gear was first seen in a Club Nintendo calendar that was sent out in 2015.
That calendar is also where we first saw Mario's samurai outfit. But we really should have known something was up when Shigeru Miyamoto appeared on Jimmy Fallon with Samurai Mario on his t-shirt.
Mario Odyssey has been in development for years. This is pure speculation, but these calendars and wallpapers and t-shirts sure make it look like we were getting a look at Odyssey concept art years ago without ever knowing it. Which means that if Nintendo ever puts out strange new official art in the future, you'll probably want to pay attention.
Nintendo isn't shy about slapping you in the face with classic musical cues, but they can be subtle if they want to. What's especially impressive about this easter egg is that it's in plain sight, right in the menu that everyone can and will access.
I found an easter egg of super mario galaxy at the menu. Hear closely! @GameXplain @AshPaulsen @AndreSegers pic.twitter.com/hbroNHSuOU
-- Moco (@Mr__Gamusino) October 27, 2017
If those notes sound familiar, that's because they're from Super Mario Galaxy.
This game just doesn't stop.
This one's easy, but it's another example of pleasant and unobtrusive fanservice. As you may have seen, whenever Mario engages in an activity that has an online leaderboard, a character in the style of Game and Watch appears.
Today the series is most famously represented by the flat 2D fighter in the Super Smash Bros. series, but the Game and Watch goes back to the handheld electronic gaming era of 1980. There were all sorts of games that came in cheap individual machines, which were pretty much Nintendo's version of those Tiger Electronics systems. So it makes sense that Game and Watch would be around for the various sports and minigames in Odyssey.
The recognition of Nintendo's handheld past on the Switch is almost sweet enough to make you forget how infuriating it is to try to hit the volleyball 100 times.
As one of the earlier kingdoms to be revealed, by now fans have dissected every inch of the NYC-ish New Donk City. The details here are still worth exploring, if only to spend more time in and around the weird normally-proportioned humans traveling the sidewalks.
More or less everything in New Donk City references the Donkey Kong series in some way. Billboards like "Diddy's Mart" and "Dixie Street" are crystal-clear references to Diddy Kong and Dixie Kong.
They're far from the only Donkey Kong Country reps namedropped on the streets of NDC. Every street sign appears to be a reference to characters from the DKC games, from the sometimes-playable Cranky Kong to helpers like Rambi the rhino to the little-seen King K. Rool.
On top of all that, every single taxi in the city has this same license plate:
Diehards will know 1981 as the year Donkey Kong first made it to arcades.
Seeing how New Donk City is packed with so many details, it wouldn't be surprising if there were a few bits we missed. Here's hoping Funky Kong Ave can be added in DLC.
Much of Mario's charm comes from the world designs and the character animation (and the fantastic music, and the tight gameplay...), but it's no slouch in the writing department. The translation team at Nintendo's Treehouse has been turning in fantastic work lately, and Mario Odyssey continues that trend. What's more, some of its best dialogue is only triggered in certain situations, like when Mario is on top of a Sphinx's head, for instance.
It really does seem like Nintendo planned for every eventuality. There's a big boss fight in the Seaside Kingdom that basically takes place across the entire map. But if you were to go out of your way to ditch the boss and find Captain Toad, he will actually reference the boss fight currently taking place.
Another funny bit can be seen after you get a little too rowdy with this man's RC car.
Maybe the best little written touch comes during the wedding at the finale (no, that's not a spoiler). Depending on what costume you're wearing, Bowser might comment on your choice of clothing. If you should say, wear Bowser's own wedding tuxedo, he'll compliment you on your fine taste.
But when you show up decked out in clown gear, Bowser will let you know he's not a huge fan. Can't say we blame him.
If you really want to impress Bowser, you can wear Peach's wedding dress.
Should you put on a certain brother's duds, Bowser won't remember you at all.
Green Mario just can't catch a break.
In every Mario Odyssey comments section on every website across the internet, there's one thing everyone can agree on: watching speedrunners tackle Odyssey is going to be a blast. Never before has Mario had more movement tools at his disposal. With so many options for mobility (including skillful hat throwing/bouncing) you can be sure hardcore players will find countless exploits and level skips. Like this one:
You might think Nintendo didn't intend for players to triple jump off a railing, throw the cap, dive onto it and bounce into another dive to reach a platform for a shortcut. But at the end of that series of jumps is a gap in the railing, perfectly placed for anyone to see. They're inviting you to try to break the game, only to show you later that they're onto your shenanigans.
Okay, another example. In this Sand Kingdom level, you can backflip and walljump your way onto the top and skip over every obstacle.
Pretty classic Mario stuff. I mean, who hasn't leapt over the screen to get to the warp pipes in the second level of Super Mario Bros.? Thing is, Nintendo knows you've thought of this. And they've left a little present for your hard work attempting (and failing) to break their game.
These coin caches can be found all over the place, and the more you have to go through to get there, the bigger the treasure trove that awaits you.
Nintendo could have left these areas empty, or erected invisible walls to render them inaccessible. But instead they blew the doors open. Not only is experimentation possible, it's downright encouraged. The coins themselves are nice, but the sentiment of the gift is what matters. Those fat stacks are a message to the biggest Nintendo fans. "We see you, and we appreciate you for caring about our game enough to backflip walljump into a cap dive on top of this ancient ruin." And isn't that the greatest gift of all?
Noch ein gutes Angebot! Bei Amazon US wird Yooka-Laylee (PS4) für $19,86 //17,13 EUR inkl. VSK gelistet. Damit hätten wir den aktuellen Bestpreis für das Jump'n'Run. Ob deutsche Texte dabei sind wissen wir aktuell leider nicht. Eine richtige Sprachausgabe gibt es bekanntlich nicht. Bezahlt wird mit Kreditkarte. Mehr Infos & Preisvergleich zu Yooka-Laylee.
Metacritic: 68%
Vergleichspreis: 17,95 EUR (Import) // 28 EUR (USK)
Update vom 23.04.2018:
Bei Amazon UK gibt es die PS4 Fassung wieder für £12,73 // 14,54 EUR inkl. VSK zu haben. Bei Shopto leider ausverkauft.
Update vom 13.04.2018:
Nun für £9,85 // 11,33 EUR inkl. VSK bei ShopTo! Vorteil: Bezahlung mit PayPal möglich.
Direkt bei Ubisoft gibt es einen guten Preis für Might & Magic Heroes VII (uPlay). Das Spiel kostet dort nämlich nur 7,50 EUR und wenn man im Warenkorb den Gutschein "PROMO10" angibt, senkt man den ohnehin schon guten Preis auf 6,75 EUR. Damit unterbietet Ubisoft sämtliche Keyseller, wenn auch nur minimal -dafür aber eben aus offizieller Quelle.
Metacritic: 67%
Vergleichspreis: 6,49 EUR Standard Edition #Keyseller
Update vom 26.03.2018:
Die Complete Edition ist gerade für 7,49 EUR bei Amazon im Angebot!
Might & Magic Heroes VII Complete Edition für 7,49 EUR #Reseller
This is the third entry in a series of articles looking at the output of a number of Vita-supporting companies, from launch through to the present day. I’ll be examining the games they released, how well they sold (if there's sufficient data), how well they ran in the case of ports, and will take a brief look at games which perhaps should have come to the console, either in the west or in general.
All of my previous articles have been centered around Japanese publishers (Bandai-Namco, Koei-Tecmo, and Square-Enix, respectively), due to the fact that they've offered much more support than western publishers. Among the western publishers who did show up there have been varying levels of lesser support and leading the group in my mind is Ubisoft, which at least provided a spree of decently-budgeted games early in the Vita's life, even if this evaporated fairly quickly as time went on.
Launch & 2012 - Full Force
Unlike the Japanese publishers I've examined in this article series, Ubisoft managed to have a much better launch showing on Vita, mixing ports, existing IPs, and new games.
Perhaps the most noteworthy of Ubisoft's launch games was a brand-new entry in its quirky puzzle-rhythm mash-up series Lumines, entitled Electronic Symphony. Just as the company had graced the launch of PSP with the franchise, Ubisoft also managed to show up for the Vita's first day on the market with what many reviewers described as the handheld's first "must have" title. It was easy to see why - it looked gorgeous on the shiny new OLED screen and masterfully updated Tetris' formula to create an addictive new puzzler. Official sales numbers are unavailable for the game (VGChartz suggests around 230k), but it's likely it benefited greatly from being a standout launch title.
Speaking of standouts for the console's launch, a port of the November 2011-released Rayman Origins, Ubisoft's seminal 2D platformer, also received rave reviews. The Vita version was an incredibly solid effort, translating the beautiful design to the console's gorgeous OLED screen with ease, alongside maintaining the solid 60fps gameplay. Sadly, local co-op multiplayer was cut from the release, but a ghost mode that allowed you to challenge your friends' runs was put in its place. While sales numbers are scarce for the port, VGChartz estimates it broke the 500k barrier, and it's worth noting that the title as a whole made a profit for Ubisoft.
In a more surprising move, Ubisoft also partnered with mobile developer Gameloft to bring two of its most popular franchises - Asphalt and Dungeon Hunter - to the Vita at launch. The latter, a Diablo clone with the title Dungeon Hunter Alliance, which had previously been available on PS3, was sloppily ported over, with plenty of slowdown happening when there was a lot of action on screen. However, it still fills a niche that has remained relatively un-tapped on the console (that of the isometric dungeon-crawler). The former, a Burnout clone entitled Asphalt Injection, was heavily translated from a previous iOS release, yet it was somewhat remarkable for being the only racing game on the handheld to target 60fps (although it often failed to meet this). Aside from that fact, it had a full showing of cars and tracks, providing a solid alternative to the stripped-down Ridge Racer that was available at launch. Consumers nonetheless considered the product overpriced, given the much lower entry point for its mobile counterpart.
Sadly, these would be the only Gameloft titles that Ubisoft would bring to the console; the publisher's Vita partnership with Gameloft appeared to dissolve soon after. To complete its launch lineup, Ubisoft also released a late port of the music-rhythm game Michael Jackson: The Experience, one of the few examples of a game that had also been available on PSP also being brought to Sony's new handheld. Featuring vastly improved graphics and presentation over the last-gen version (or even the counterpart 3DS version), the title was an impressive outing on Vita, even if it was a game that didn't interest much of the userbase.
Following this launch blitz, however, Ubisoft went oddly quiet. There was one major title in development that we'd known about for quite some time - a new Assassin's Creed game - but other than that Ubisoft revealed no plans regarding future Vita support. This title eventually appeared in October 2012, as Liberation, and was an interesting proposition for handheld gamers. Clearly a high-budget effort that managed to achieve the "console quality on the go" mantra, the title still struggled with performance and cut-down features compared to the console versions. Despite this, the game sold well at 600k units by February 2013, putting it in the upper tier of Vita sales. It would eventually go on to clear more than 1m copies sold according to VGChartz.
Overall, then, launch and 2012 was a solid if unsurprising year for Ubisoft on Vita. Considering the publisher had been one of PSP's biggest supporters among all western publishers, it was expected that Ubisoft would show up in full force for Sony's new handheld. However, cracks were already beginning to show, with notably reduced output in the latter half of the year and a lack of known upcoming titles for 2013.
2013 - A 'Ray' of Missed Opportunities
Ubisoft had a much quieter year on Vita in 2013 compared to 2012, with just one title released, and although it was a fantastic release, it was a shame to see support evaporate so rapidly. Perhaps sales of the company's launch games simply hadn't been sufficient, but it was more likely a sign of the shift in the times, as smaller-scale spin-offs of key franchises became less viable.
Ubisoft's release for the year was Rayman Legends, the follow up to 2011's Rayman Origins. It was delayed from being an exclusive Wii-U title in February to a multi-platform title in August 2013. The Vita port was itself delayed slightly until September and frustratingly had a number of missing 'invasion mode' levels compared to the other versions, but these were eventually patched in to the game in November. Despite those minor hick-ups this was another triumph of a game for Ubisoft on the handheld and received rave reviews.
Otherwise, Ubisoft remained notably quiet, with no commitment to future Vita games and no other releases scheduled for the year. For me, what stood out about this was the great deal of missed opportunities to bring their older games to the handheld - particularly in the form of HD Collections. Due to the PS3's lack of backwards compatibility, Sony had started an initiative of porting PS2-era titles to the PS3 via 'HD Collections', starting with the God of War Collection.
Ubisoft jumped aboard this bandwagon with Prince of Persia Trilogy in 2010, followed by Splinter Cell Trilogy in 2011, and Rayman 3 in 2012. Despite companies like Konami proving that the Vita was a viable market for these types of games to be re-sold on Vita yet again when it released the Metal Gear Solid Collection in 2012, Ubisoft did not follow suit, and its HD ports remained PS3-only - a very disappointing decision.
Perhaps even more surprising was a retailer listing which never materialized. In the middle of 2012, UK retailer GAME listed Ghost Recon: Final Mission for Vita. It was presumably being developed by Ubisoft Sofia, which had handled 2011's Ghost Recon: Shadow Wars and 2012's Assassin's Creed 3: Liberation. Nothing ever came of this, however, suggesting the game was quietly cancelled despite the fact that it would likely have been a boon to Vita - especially if it had made the most of the first ever dual-analogue handheld for precise third-person-shooter controls.
As such, 2013 remained a disappointing year for Ubisoft on Vita. Despite an (eventually) great port of Rayman Legends, Ubisoft's support was simply not there and there were a lot of opportunities for games which made sense to come to Vita that were never taken. This wasn't a situation that would improve in future years, either, as Ubisoft slowly wound down its support for the handheld.
2014 - A 'Light' of Hope?
As with 2013, 2014 was highlighted by a sole game from Ubisoft - a undoubtedly great game at that, but still only a single release. The frustrating part was that it was built on Rayman Origins' engine, yet other titles which used this did not make the jump across.
This sole game was Child of Light, a beautiful hand-drawn 2D JRPG that mixed intriguing narrative, beautiful music, and compelling gameplay into an all-round great package. Aside from being a great port, it was notable that Vita was one of the only platforms that received a physical release, marking an odd vote of confidence in the platform from Ubisoft. Thankfully, it sold well enough to turn a profit, suggesting that sales on Vita (combined with other platforms) were solid.
Despite this, other viable games did not manage to find their way to the handheld. Chief among these was Valiant Hearts: The Great War, a game which runs on the UbiArt Framework, the same engine used to power Child of Light; Rayman Origins, and Rayman Legends. This would've been an easy port to the Vita which never happened for unknown reasons, particularly as the company still seemed to have some love for Sony's console, and it was a title that plenty of fans were holding out for.
Other Ubisoft games from 2014 also skipped Vita, although whether all of these would've been technically viable is another question. Assassin's Creed Rogue is the big one, the PS360 sequel to Black Flag, which pushed the limits of what the 7th gen home consoles were capable of, yet was still a 7th gen game at its core. Also missing from the handheld was Trials Fusion, the physics-based racing/platform series, which made its debut franchise appearance on PlayStation hardware with a PS4 version. It would have fit in nicely on Vita with other similar releases like Urban Trials Freestyle.
So 2014 remained a year where Ubisoft did show up on Vita, but only in a very diminished capacity. It's a shame to look back and see so many missed opportunities for larger titles on the handheld, but it was clear by this point that Ubisoft simply did not see the Vita as any kind of core element in its business strategy going forward, despite the relatively decent press the console received thanks to the launch of the Vita Slim and PSTV throughout 2014.
2015 - A Very Slow Year
For the third year in a row, Ubisoft's support in 2015 consisted of only one game - a delayed game at that, being a port of Tetris Ultimate that also released on other platforms during 2014.
There wasn't anything fundamentally wrong with the game and it provided a decent take on the classic puzzler gameplay, but given Ubisoft had made much more effort with its earlier release Lumines Electronic Symphony on Vita, it came across as a little disappointing. Being a fairly low-budget game in general, it highlighted yet again that despite the company coming out strong for handheld in its initial year, Ubisoft really didn't have many plans for the console following this, despite relatively strong sales for games like Assassin's Creed III: Liberation.
As usual, there were plenty of missed opportunities to support Vita in 2015 too. The mobile release Assassin's Creed Identity, developed in the Vita-friendly engine Unity, seemed like a shoe-in to do well on the handheld but it never appeared and remained iOS/Android only. This seemed like a strange decision as the title was clearly designed to be played in bite-sized chunks on portable platforms and would have been a fairly simple porting job.
Similarly, Ubisoft Reflections' experimental 3D platformer Grow Home - also developed in the Unity engine - managed to skip Vita entirely despite being the kind of artsy, low-budget effort that had seemed to thrive on the handheld just a year earlier in Child of Light.
With Vita's hardware sales rapidly diminishing in the west, it was becoming more understandable why larger western publishers were continuing to ignore the handheld, but that didn't stop it from being incredibly disappointing to see great-looking titles that would be more than capable of running on the hardware skipping the platform entirely.
2016 - One Last Hurrah
Ubisoft had slipped into a comfortable trend on Vita by 2016, releasing one sole game on the handheld each year. Nonetheless 2016's release was a surprising announcement that definitely caught me off guard; a game in a franchise that I never thought would actually return to the handheld.
That franchise was Assassin's Creed and the game itself was Chronicles, a compilation of three side-scrolling spin-offs to the main series. Developed in Unreal Engine, which was notably difficult to get running on Vita, the port was handled by Climax Studios, who had previously developed Smart As for the handheld as well as ported Dead Nation and Resogun across (you can read about their efforts in my article about porting studios). Their experience with the console probably had a hand in the title coming across (I suspect they have some Vita fans among the team too), but it was ultimately Ubisoft that gave the green light for the game to be released on Vita. More than this, it received a physical release in both North America and Europe too, a rarity from a western publisher in 2016.
In spite of this good news, games like Grow Up (the sequel to Grow Home) skipped over Vita, despite being a decent fit for the handheld. At this point, it was far from surprising though - it was safer to assume that no games were coming, despite shock announcements like Assassin's Creed Chronicles being made.
2017 - The End
Unlike other articles in this series where I've at least managed to name a title per publisher that was coming to the Vita in 2017 (and in some cases 2018!), Ubisoft have nothing. More than that - nothing the company has announced really makes sense to release on Vita either, with bigger games like Ghost Recon Wildlands and Assassin's Creed Origins being far too powerful to run on Sony's handheld.
What's worth noting is that the company's mantra seems to be shifting going forwards - rather than the bespoke, unique titles it relied on in the past, Ubisoft increasingly seems to be shifting towards 'games as a service' - that is, one release with a heavy focus on online play that is constantly updated with new content going forwards. This approach doesn't particularly lend itself well to handheld games, and makes me wonder what its future with the Switch will be too (perhaps more collaborative efforts, such as the well-received Mario & Rabbids?).
Conclusion
In my opinion, Ubisoft was one of the most under-rated supporters of the PSP, bringing a great spread of titles ranging from unique spin-offs of console franchises like Assassin's Creed Bloodlines or Driver 76 to bespoke experiences like Lumines or Ghost Recon Predator. In the first year of the Vita's life, the company continued this mantra with almost-there spin-offs like Assassin's Creed III: Liberation and unique new titles like Lumines Electronic Symphony.
Following this, from 2013 onwards, all of that stopped. Suddenly, the Vita simply became a downport machine for very specific titles and all of the early promise that had been showed was gone. I have to commend Ubisoft for being one of the few western third parties to still release Vita games in 2016 - Assassin's Creed Chronicles was a big surprise and a great release - but it's a shame that so many other games which would've made perfect sense on the handheld during this period didn't make the leap across.
What ultimately scared Ubisoft off is anyone's guess, but Sony's rapid withdrawal from Vita development, alongside dwindling hardware sales, likely didn't help. As such games like Ghost Recon: Final Mission remain nothing but a retailer listing; a cruel reminder of a future that almost happened, but didn't quite. Still, I'm content enough playing great ports like Rayman on my Vita - that alone almost makes up for everything else!
Full Article - http://www.vgchartz.com/article/270070/a-look-back-at-ubisofts-support-for-the-playstation-vita/
Auf Allyouneed bekommt man Yoshis New Island (3DS) für 12,34 EUR inkl. VSK, wenn man den 5% Newslettergutschein nutzt. Verkauft wird die PEGI Fassung, die aber auf Deutsch spielbar ist und damit gleich zur USK Ausgabe. Versandkosten fallen keine an und bezahlen könnt ihr z.B. mit Paypal.
Metacritic: 64%
Vergleichspreis: 16,10 EUR
Update vom 10.01.2018:
Im Preis runter auf 11,99 EUR mit dem 5% Newsletter Gutschein ab 11,39 EUR inkl. VSK zu haben.
Mal als kleine Info für alle, die dem BlizzCon Stream nicht folgen. Ab dem 14.November wird StarCraft 2 free2play. Dazu könnt ihr die Wings of Liberty Kampagne komplett kostenlos spielen. Solltet ihr Wings of Liberty gekauft haben, so bekommt ihr Heart of the Swarm kostenlos. Solltet ihr das AddOn schon besitzen, Pech gehabt. :/
Der Beitrag PlayStation VR + Kamera + VR Worlds – 312,50 EUR erscheint auf DVDTiefpreise.de/com • Schnäppchen für Blu-rays/DVDs/Games & mehr….
Im WinGameStore bekommt man zurzeit die Bioshock: The Collection (Steam) für $14,99 // 12,91 EUR. Somit wieder zum Bestpreis zu haben und sogar auf dem Niveau der Keyseller. In der Collection sind alle Bioshock Spiele, sowie die DLCs enthalten. Ihr bekommt also eine Art Bioshock Franchise Pack. Bezahlt wird z.B. mit Paypal. Mehr Infos & Preisvergleich zu Bioshock: The Collection.
Vergleichspreis: ~13 EUR (Keyseller) // 19,80 EUR (Reseller)
Update vom 22.02.2018:
Wieder im Angebot für $14,99 // 12,20 EUR.
Coolshop listet zurzeit Gears of War 4 (One) für 14,95 EUR inkl. VSK. Es handelt sich hierbei um die nordische Variante, die auf Deutsch spielbar ist. Denkt dran, dass ihr bei der Retail Fassung nicht die PC Version dazu bekommt. Mehr Infos & Preisvergleich zu Gears of War 4.
Metacritic: 84%
Vergleichspreis: 24,85 EUR
Hinweis: Solltet ihr die digitale Version (Play Anywhere = Xbox One + Win10) von Gears of War 4 bevorzugen, schaut bei CDKeys vorbei. Dort gibt's besagten Code für 20,49 EUR und mit einem 5% Gutschein lässt sich dementsprechend mehr sparen.
Update vom 10.01.2018:
Beim letzten Angebot leer ausgegangen? Dann könnt ihr jetzt im FR MS-Store für 15,99 EUR inkl. VSK zuschlagen. Mit günstigem Guthaben kann man den Preis nochmal etwas drücken. Das wurde hier allerdings nicht berücksichtigt!
Xbox Live Guthaben (EUR) im Preisvergleich
Gears of War 4 Play Anywhere Edition für 20,49 EUR bzw. 19,47 EUR inkl. 5% Gutschein
Okami wird bekanntlich neu aufgelegt. Wer sich das SPiel als Retail günstig sichern will, der schaut bei Base.com rein. Dort bekommt man Okami HD (PS4/One) für £16,14 // 18,27 EUR inkl. VSK. Ein guter Preis und aktueller Bestpreis. Bis zum Release ist es zwar noch etwas hin, da aber erst zum Versand abgebucht wird, kann man sich den Preis schon mal sichern. Mehr Infos & Okami HD im Preisvergleich.
Metacritic: 88%
Vergleichspreis: 23,85 EUR (Import)
Update vom 24.04.2018:
Amazon FR bietet die Xbox One Version für 16,38 EUR inkl. VSK an. Alternativ besteht weiterhin das Base.com Angebot, auch wenn der Preis um ein paar Cent gestiegen ist. Das gilt auch für die PS4 Version.
Update vom 05.04.2018:
Die Xbox One Version gibt es für £15,14 // 17,34 EUR bei Base.com, wo zwar auch die PS4 Version um £1 im Preis auf £16,14 //18,49 EUR gesenkt wurde, jedoch kann Amazon FR unterbieten und verkauft das Spiel für 17,73 EUR. Alle Preise verstehen sich inklusive Versandkosten und bei beiden benötigt man eine Kreditkarte.
Okami HD für 16,38 EUR inkl. VSK - Amazon FR
Coolshop hat mal wieder ein nettes Schnäppchen für uns und zwar wurde der Preis für Super Bomberman R (Switch) auf 32,50 EUR inkl. VSK gesenkt. Preislich schon mal ganz gut, ob der Umfang den Preis rechtfertigt, das müsst ihr selbst entscheiden. Immerhin gibt es dieses mal eine "richtige" Kampagne. ^^ Mehr Infos & Preisvergleich zu Super Bomberman R.
Metacritic: 62%
Vergleichspreis: 44,95 EUR
Update vom 16.03.2018:
Wieder für 32,50 EUR inkl. VSK zu bekommen!
Der neue StarDeal von Fanatical, ehemals BundleStars, ist da und dieses Mal gibt es SEGA Mega Drive and Genesis Classics (Steam) für 11,99 EUR. Die Inhalte haben wir euch mal unten aufgelistet, denn es sind einige. ^^ Wer das Bundle die letzten Male verpasst hat, der kann nun hier zugreifen. Bezahlt wird z.B. mit Paypal.
Update vom 08.02.2018:
Fanatical hat das Bundle wieder für £11,04 // 12,45 EUR im Angebot!
Alex Kidd™ in the Enchanted Castle
GamesCentre, ein UK Shop, bietet uns Puyo Puyo Tetris (PS4) für £17 // 19,39 EUR inkl. VSK an. Damit gibt es das Spiel mal unter 20 EUR. Schade, dass die Versandkosten mit £4 recht happig ausfallen. Aber diese fallen auch nur pro Bestellung an. Wenn ihr euch also z.B. mit einem Freund zusammentut und das Spiel direkt doppelt bestellt, teilt ihr euch die Versandkosten. Bezahlen könnt ihr mit Kreditkarte. Verschickt wird aus England. Mehr Infos & Preisvergleich zu Puyo Puyo Tetris.
Metacritic: 83%
Vergleichspreis: 20,98 EUR
Update vom 12.05.2018:
Nur noch 16,91 EUR bei Amazon!
Zeitgleich mit dem Start der iPhone-X-Vorbestellungen hat Apple eine Produktneuheit ins Angebot gehievt, die statusversessene Fanboys und Menschen, die einfach gerne Geld mit vollen Händen rauswerfen, entzücken dürfte: Die Lederhülle...
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Game of Thrones (Le Trône de Fer) – L’intégrale des saisons 1 à 6 [Blu-ray]
Amazon.fr (inkl. Versand): 32,67 EUR
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Bourne Box 1-5 (Steelbook) (exklusiv bei Amazon.de) [Blu-ray] [Limited Edition]
Amazon.de (+ Versandkosten): 20,97 EUR
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