scottlordpoet
shared this story
from  Victorseastrom's Favorite Links from Diigo.
|
Silent Film
Scott Lord
Shared posts
10 Jan 05:11
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
Scott Lord, Scott Lord Mystery Film likes this
10 Jan 05:10
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
The Abyss (Urban Gad, Afgrunden, Denmark 1910)
scottlordpoet
shared this story
from  Scott Lord shared items on The Old Reader (RSS).
|
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
Scott Lord, Scott Lord and one other like this
10 Jan 05:10
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo: Journalist Rilla Page Palmborg begins her autobiography of Greta Garbo from 1931, The Private Life of Greta Garbo, by mentioning her av...
silent film
silent film
Scott Lord, Scott Lord and one other like this
10 Jan 05:10
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson: The 1927 article "Swedish Hospitality featured in Motion Picture Magazine gave an account of journalist Rilla Page Palmborg, autho...
Scott Lord
Scott Lord
silent film
Scott Lord
Scott Lord
silent film
Scott Lord, Scott Lord and one other like this
10 Jan 05:10
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: When Knighthood Was In Flo...
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Scott Lord, Scott Lord and one other like this
10 Jan 05:05
Greta Garbo: Victor Sjostrom as Seastrom- Greta Garbo, Mauritz ...
Greta Garbo: Victor Sjostrom as Seastrom- Greta Garbo, Mauritz ...: "The Image Makers see their images emerge out of the story. And then suddenly: darkness."- Per Olov Enquist in Bildmakarna, a ...
Victor Seastrom
silent film
silent film
Scott Lord likes this
10 Jan 05:05
Scott Lord Silent Film: The Unchastened Woman (James Young, 1925)
Scott Lord likes this
10 Jan 05:05
Scott Lord on Scandinavian Silent Film: Desdemona (August Blom, 1911)
Scott Lord likes this
10 Jan 05:04
silent film silent film
Scott Lord Mystery: Murder at the Matinee
The above film is revolves around a murder at a seance. I liked the feel of it enough to add a number of films that could be screened to in part make up a festival. Please view any of the below films that seem to be of interest.
silent film silent film
Scott Lord likes this
10 Jan 05:04
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson: The 1927 article "Swedish Hospitality featured in Motion Picture Magazine gave an account of journalist Rilla Page Palmborg, autho...
br />
Scott Lord
Scott Lord
br />
Scott Lord
Scott Lord
Scott Lord likes this
10 Jan 05:04
Silent Film: Greta Garbo, Victor Sjostrom, : Remade by Greta Garbo: Anna Christie
Silent Film: Greta Garbo, Victor Sjostrom, : Remade by Greta Garbo: Anna Christie: The policy of filming on a closed set that was almost a trademark for actress Greta Garbo may have in part originated earlier. Exhibi...
Scott Lord
Scott Lord
Scott Lord
Scott Lord
Scott Lord likes this
10 Jan 05:04
Silent Film: Greta Garbo, Victor Sjostrom, : Remade by Greta Garbo: Anna Christie
Silent Film: Greta Garbo, Victor Sjostrom, : Remade by Greta Garbo: Anna Christie: The policy of filming on a closed set that was almost a trademark for actress Greta Garbo may have in part originated earlier. Exhibi...
Scott Lord
Scott Lord
Scott Lord
Scott Lord
Scott Lord likes this
10 Jan 05:04
SILENT FILM
SILENT FILM
SILENT FILM
SILENTS
Television Art: Lifebuoy soap plus sponsor tag (1971)
|
victorseastrom
shared this story
from Scott Lord shared items on The Old Reader (RSS).
|
SILENT FILM
SILENT FILM
SILENT FILM
SILENTS
Scott Lord likes this
10 Jan 05:04
Scott Lord Scandinavian Silent Film: Den Flyvende Circus (Alfred Lind, ...
Scott Lord likes this
10 Jan 05:04
Scott Lord Scandinavian Silent Film :Dodsspring til het fra circuskuplen...
Scott Lord likes this
10 Jan 05:03
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
Scott Lord likes this
10 Jan 05:03
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
The Abyss (Urban Gad, Afgrunden, Denmark 1910)
|
victorseastrom
shared this story
from Scott Lord shared items on The Old Reader (RSS).
|
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
Scott Lord likes this
10 Jan 05:03
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film
Scott Lord likes this
10 Jan 05:03
Blogmarks : Public marks with tag "Scott Lord"
Scottlord's Favorite Links from Diigo.
Scott Lord likes this
10 Jan 05:03
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
Scott Lord likes this
10 Jan 05:03
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
Scott Lord likes this
10 Jan 05:03
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
Scott Lord likes this
10 Jan 05:03
Greta Garbo: Lady to Love (Victor Seastrom)
Greta Garbo: Lady to Love (Victor Seastrom): Vilma Banky under the direction of Victor Sjsotrom . Victor Sjostrom subsequently filmed the sound film
silent film
silent film
Scott Lord likes this
10 Jan 05:03
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo: Journalist Rilla Page Palmborg begins her autobiography of Greta Garbo from 1931, The Private Life of Greta Garbo, by mentioning her av...
silent film
silent film
Scott Lord likes this
10 Jan 05:03
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson: The 1927 article "Swedish Hospitality featured in Motion Picture Magazine gave an account of journalist Rilla Page Palmborg, autho...
Scott Lord
Scott Lord
silent film
Scott Lord
Scott Lord
silent film
Scott Lord likes this
10 Jan 05:02
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: When Knighthood Was In Flo...
Scott Lord likes this
10 Jan 05:02
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo: Journalist Rilla Page Palmborg begins her autobiography of Greta Garbo from 1931, The Private Life of Greta Garbo, by mentioning her av...
silent film
silent film
Scott Lord likes this
10 Jan 05:02
Sherlock Holmes The Dying Detective Silent Film
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Scott Lord, Scott Lord likes this