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scottlordpoet shared this story from Scott Lord shared items on The Old Reader (RSS).

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scottlordpoet shared this story from Scott Lord shared items on The Old Reader (RSS).

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scottlordpoet shared this story from Scott Lord shared items on The Old Reader (RSS).

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Einar Froberg

Einar Froberg acted at the Svenska Teatern during 1903. Froberg co-starred with Victor Sjostrom in the 1913 film "Barnet", directed by Mauritz Stiller. He returned to the screen in front of the camera in 1924 in a photoplay which he had scripted for Swedish Silent Film director Sigurd Wallen in the film "Grevarna pa Svenska".

Erik Petschler

Erik Petschler acted at the Djurgardsteatern during 1912.

Claimed to have been a "sensation" by writers of the period, "Black Oxen" (eight reels) was directed by Frank Lloyd, who co-wrote the script with Mary O'Hara as an adaptation of a then recent, then controversial novel by Gertrude Atherton. Atherton took the title from a phrase from poet William Butler Yeats. The film stars actresses Corinne Griffith and Clara Bow. Screenland magazine reviewed the film during November of 1923. "The passing years are like black oxen, wrote Gertrude Atherton, plodding on relentlessly. The heroine of 'Black Oxen' is a famous beauty who successfully renews her youth, thereby creating a new world for herself, far from her old loves and dreams." SILENT FILM SILENT FILM SILENT FILM

The periodical Motography during 1914 gave the date of the settings of the film "Anne Boleyn (1912 as 1532 during the reign of Henry VIII, typifying the film as an early example of the costume drama genre, "its exteriors typical of England", the interiors including the Tower.
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Directing in 1912, Louis Mercatan had filmed stage actresss Sarah Bernhardt for four reels using only long static shots; there are twenty three scenes in the film and of twenty two intertitles, only three are interpolated. Most summarize the dialogue and its consequence to the action untill the exclamation in scene twenty one, “May God forgive you, I never will.” While discussing the advent of sound film and its acceptance by French filmmakers, the periodical Exhibitor's Daily Review abjured its readers that the would be "reminded that Sarah Bernhardt was the first star of the first movie drama ever produced."
A year later, in 1913, D.W. Griffith, having already adopted the practice of making two-reelers, directing the first American four-reel narrative, “Judith of Bethulia”, starring Blanche Sweet. Louis Mercanton directed Sarah Berhardt again duriing 1913, reverting back to a two reel running length with the film "Adrienne Lecourver, An Actress's Romance", the film presently presumed to be lost,with no surviving copies.
All five or six reels of the 1915 film "Jeanne Dore", starring Sarah Bernhardt and written and directed by Louis Mercantan are presumed to be lost. It mas included among many of the Bluebird Photoplays during the company's brief existence during the first decade of the twentieth century. Greta Garbo is quoted by Sven Broman as having said, "I know that he courted Sarah Bernhardt and wanted to write plays for her...but Strindberg still managed to get Sarah Bernhardt to do a guest performance in Stockholm in La Dame aux Camelias at the Royal Dramatic Theatre. There are reports of surviving existing copies of the one reel 1909 film "La Tosca" starring Sarah Bernhardt and Eudourdo Max. Sara Bernhardt plays herself, as do Sir Basil Zahrof and Maurice Zahrof in the two reel "Sara Bernhardt a Belle Isle" from 1912. "Mothers of France" (1917) would be the last film to feaure the The Divine Woman, Sarah Bernahrdt.



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Picture Stories Magazine (Volume 3) Sept 1914-F...:

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I cannot find the 1914 film The Mystery of Room 643 or The Return of Richard Neal as being listed as a lost film.


Please visit my webpage on lost silent film

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