Scott Lord

Silent Film Silent Film

Silent Film Silent Film

silent film silent film

Virtual History Film: 'via Blog this' Please allow the use of the magazine cover fairly as the is a link provided above it and enjoy the copies of Filmnyheter that have been made available online to read in both Scandinavian and the United States. silent film scott lord

I usually don't update this blog and usually do update my other blog on film, but this morning the guide that welcomes people to either the Freedom Trail or to the Park Street Church began a conversation about our lack of books on William Lloyd Garrison. There was one that we had. The photo above is our library card catalog that has internet- as an assistant church librarian I could pull up the sermons that William Lloyd Garrison delivered in this room twenty years after the church was erected (in the same way that if you were at Harvard College you would have poems that Oliver Wendall Holmes had delivered there.) Our welcomer referred to the stautue from the previous entry, and you can notice that there was not yet any snow, as "The Image" and judging from her age I really think she meant "the blessed image of the late Dr. and Mrs King". She couldn't just say statue even though there is a statue of J.F.K (the blessed, but more than that the still legally elected) at the Boston State House, but that is something polite, and nice. There was a class today- Tammy (Harvard Divinity) gave me permission to "jump in" in the middle of it or be added to it next week. It is titled Lenten Discipleship Initiative. -----:-----::-----:::-----::-----:
Below is my original blog entry on "The Image" and I myself quake in many ways:
Although the Boston Freedom Trail is meant to be a tour of the Revolutionary War and the grave of Crispus Attucks, a stevadore killed in the Boston Massacre, is directly outside the Church window where I am right now, the new statue of Martin Luther King holding his wife, Coretta Scott King has been unveiled on Boston Common. Another piece of history, ourchurch ran a film on this week marking the one hundreath year of radio broadcasting of the church service, there having been a shop that sold radios across the street on Tremont Street. The service is in progreess upstairs and on WEZE while I am in my wife's library. Donna, please accept these photos as symbolic of our spending our Sundays together. photos: Scott Lord photo: Scott Lord Postscript:The Girl on the Flying Trapeze I spend every Sunday on the Freedom Trail, which our church is on, and I listen to the ministers conduct tours in case I'm needed when in the library or if I think I should point out the Granary Burial Ground. This morning we had a new addition, a sculpture where the usually have a Christmas Star. The other Christmas lights are still in Boston Common. As it is Freedom Trail art, I thought I would add it here, but it takes a couple of photos to conquer the height distance and perspective. It is an installation- a sculture of a girl on a swing put into an envirornment where art meets reality. Girl on a Swing photos: Scott Lord

Film Film

Mystery Scott Lord

Silent Film Scott Lord

Film Film

Silent Film Silent Film

Silent Film



The 1925 Studio Tour of Metro Goldwyn Mayer, true to the extratextual discourse of its magazine advertisements that boasted of a firmament full of stars, featured a dozen of the studios directors that were then present on the backlot filming that year, inluding Victor Sjostrom, Dimitri Buchowerski, Monta Bell, Rupert Holmes, Eric von Stroheim, Fred Niblo, King Vidor, Joseph von Sternberg, Christy Cabanne, Tod Browning, William A. Wellman, Jack Conway, Edmund Goulding and Marcel de Sarno. Actors and actresses featured in the studio tour included Zazu Pitts, Roman Novarro, Aileen Pringle, Gertrude Olmstead, Norma Shearer, Mae Murray, Lew Cody, Estelle Clark, Conrad Nagel, and Lon Chaney

Silent Film

Silent Film Scott Lord Scott Lord Film

When first read the analytic interpretation of "Christus" (Guilio Antomoro, 1916) by Chandra Han, Pelita Harpan University in the paper Jesus in Film: Representation, Misrepresentation and Denial of Jesus' Agony in Gospels, is fascinating when pointing out the nature of Jesus is depicted as divine in the film in that the dove over him in the portrayal is symbolic of the Holy Spirit, Jesus as "fully God"; this is used to distinguish the divine and human natures of Christ in both the Canonical Gospels and the Apochryphal Gospels and the contrasting agaony of the Savior in both (the human form of Christ having suffered or experienced sorrow for the love of mankind, the divine nature implied to always have existed). silent film silent film

In her autobiography, Lillian Gish discusses D.W. Griffith's use of shot length in "The Lonely Villa". Linda Arvidson, wife of D.W. Griffith, in her autobiography "When the Movies Were Young" claims that "The Lonely Villa" was the second film in which Mary Pickford had appeared, her having made her motion picture debut in the earlier "The Violin Maker of Cerona". Mack Sennett had gleaned the plot to "The Lonely Villa" from a newspaper.
Author Stanley J. Solomon, in his volume The Film Idea sees "The Lonely Villa" as only the beginning of the development of new film techniques by D.W. Griffith, almost intimating that there would be a synthesis of Griffith as an autuer and new developments in filmmaking would combine. "Although Griffith was working now with materials that could not be effectively duplicated onstage, 'The Lonely Villa' was not really totally cinematic. Griffith's understanding of spatial relationships was still limited; to get a person from one point to another, Griffith shows him moving there in stages." The passage is particularly refreshing because through it Solomon imparts to us where the title of his volume The Film Idea comes from and how it is his point of departure. He writes,"But Griffith learned quickly that a meaningful narrative must be embedded in a total film idea. Otherwise, when the surface movement is the whole film idea, the camera functions simply as a recording device and most of its expressive possiblilities are relegated to either unimportance or mere technique."
In her volume her volume D.W. Griffith, American film master, Iris Barry sees the film technique used by D. W. Griffith developed quickly during a short period of time, "In The Lonely Villa many scenes begin quietly with the entrance of the characters into the set, significant action follows this slow-paced start only belatedly. In The Lonedale Operator there is no leisurely entrance, the characters are already in mid-action when each shot begins and there is no waste footage- no deliberation in getting on with the story when haste and excitement are what is needed." Barry adds, "At no time did he use a scenario. But there was considerable protest when, quite early in his directorial career, he insisted on retaking unsatisfactory scenes and succedded in gaining permission to do so in The Lonely Villa. Bitzer and others were aghast at his extravagence with film."
Silent Film D. W. Griffith Biograph Film Company

Scott Lord silent film

Scott Lord silent film

Silent FIlm silent film

Silent Film Scott Lord Scott Lord

Scandinavian Silent Film: Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius, Greta Garbo: Greta Garbo in The Temptress

scottlordpoet shared this story from Scott Lord shared items on The Old Reader (RSS).

---

Film

Tags: Film

scottlordpoet shared this story from Scottlordfilm's Favorite Links from Diigo.

---

Scott Lord

Tags: Scott Lord

scottlordpoet shared this story from The Ghost and Mrs. Muir: Film-Poem Novel.

---

silent film scott lord

The Politicians Love Story is a brialliant, early example of reverse screen direction, using diagnol framing to depict perspective.
Linda Arvidson, wife of director D.W. Griffith chronicled having known Mack Sennett in her autobiography "When Movies Were Young", " 'The Curtain Pole' and 'The Politicians Love Story' started the grumbling young Mack Sennett on the road to fame and fortune. Like the grouchy poker player who kicks himself into financial recuperation,Mack Sennett grouched himself into success." Silent Film D.W. GriffithD Biograph Film Company

Tags: Mystery

Silent Film

Tags: Silent Film

Silent Film

Tags: Silent Film

scottlordpoet shared this story from Scottlordfilm's Favorite Links from Diigo.

---

Victor Seastrom

Tags: Victor Seastrom

Scott Lord

Tags: Scott Lord

I honestly had to dust the television after coming home from church, but please look and the previous entry to see how its grown- it found the little "love" pillow Donna's grandmother had given her - after sprawling across the floor, over a plastic storage bin and up the side of the tv stand for over five feet, most likely seven; it has sixty five leaves across for two of its ten "vines", most likely one hundread leaves, more likely over one hundread and ten or one hundread and twenty.