A little over a year ago, pioneering art-pop performer and electronic producer SOPHIE died suddenly when she accidentally fell from a rooftop at in Athens, Greece. Now, Nylon reports that an asteroid has been named after her. The process reportedly began in February of last year when SOPHIE fan Christian Arroyo started a petition to dedicate the planet TOI-1338 b to the late pop star because it resembled the album art to SOPHIE’s studio debut, Oil Of Every Pearl’s Un-Insides. “I am requesting that TOI-1338 b be named in honor of SOPHIE, in honor of a great LGBT+ influence,” wrote Arroyo. “I want her name to be remembered and her influence to continue to flourish for many years to come.”
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Animation leads with ‘Cryptozoo’ and ‘Mitchells’ at Brattle, and ‘Flee’; Kendall has ‘Drive My Car’
Nate HaduchDrive My Car is beautiful
The Worst Person In The World Review: A Wistful Anti-Romantic Comedy
Nate HaduchReally enjoyed this
What do we owe to each other? Maybe we don't owe anything to anyone other than ourselves. The latter seems like a harsh conclusion to come to, but it's an understandable sentiment coming from "The Worst Person in the World."
Joachim Trier's dark romantic-comedy is a bit hyperbolic with its title — its protagonist Julie (Renate Reinsve) is frequently selfish and inconsiderate, but by no means the worst — but is no less strong in its emotions, which whirl between disillusioned, dissatisfied, melancholic, and ecstatic. A snapshot of millennial ennui and a rare look into what it's like to go through life as a really, really ridiculously good-looking person, "The Worst Person in the World" is both an achingly relatable and frequently impersonal love story. Told in 14 parts that vary in length and tone, "The Worst Person in the World" is partly designed to alienate; it's an extremely specific story of a woman whose charmed existence is only derailed by her own aimlessness. But in its whimsical antics and darkly comic tone, there is hidden a devastating loneliness.
Life In Medias (Un)Res(t)
"The Worst Person in the World," the capper to Trier's loose "Oslo Trilogy," is the epitome of the anti-romantic comedy. A life told in chapters where there is no "endgame," just bitter regrets and bittersweet memories. And yet, despite its darkness, there isn't a cynical bone in the film's body — it has an exceptionally fond view of all the messiness that can make up a person's life.
And there is a lot of mess in Julie's life. Initially a medical student in Oslo, Julie has an epiphany of sorts and decides to major in psychology. Then she has another epiphany and decides to become a photographer. Then, while out meeting other artsy folks, she encounters Aksel Willman (a quietly brilliant Anders Danielsen Lie), a successful comics artist 15 years older than her. After a bit of hesitation over whether to start a relationship together, they fall headfirst in love and move in together.
This entire sequence of events (which is only the extent of the prologue) is given a chipper narration by an unseen woman, whose omniscient presence and monotonous reading recalls the self-indulgent stylings of a French New Wave film. But if the entire movie were to continue this way, it would be unbearable, and "The Worst Person in the World" wisely switches things up with each chapter — sometimes recalling a dreamy neorealist romance, sometimes tumbling down a surreal comedy rabbit hole, sometimes quipping like a screwball rom-com, and sometimes keeping its distance like many a Norwegian drama. Its elasticity makes its rather ordinary story something extraordinary, though it wouldn't work as well if it weren't for its magical breakout star, Renate Reinsve.
The Magic Hour
Reinsve is stunning, that much is obvious. She's objectively beautiful, but she also has that kind of twinkle in her eye, an impish attitude that simultaneously knows everything and nothing. Julie's dreams change every minute, and by the time she appears to be settled — living with Aksel and comfortable in their routines — she becomes restless. What about her photography? Her psychology major? Oh, she's tried a little writing. But has she thought about having kids? The barrage of questions and the invisible pressure starts to mount until Julie reaches a breaking point. But that breaking point doesn't come in a big explosion as much as it does a gentle pop. Julie, dragged along by the tides of a life and expectations that weren't hers, becomes increasingly withdrawn until she's basically listless, no longer the vibrant, erratic young woman we were introduced to. That is, until she wanders away from Aksel's comic book signing one night, and crashes a wedding party, where she meets Elvind (Herbert Nordrum).
In one of the film's most euphoric sequences, Julie and Elvind spend the night dancing around each other, both literally and figuratively — both in serious relationships and neither willing to cheat. But they want to, the want vibrating off their bodies as they flash crooked smiles to each other and decide that they'll do everything but "cross the line." They hover their mouths inches away, sniff each other's armpits, piss in front of each other, whisper dirty secrets in the other's ear. But they never kiss. Julie leaves the morning after, the world aglow in a hazy sunrise — magic hour, feeling ever so magical — temporarily sated but still dissatisfied.
It's no wonder that this chapter, which so perfectly captures that kind of ineffable will-they-won't-they tension in a winkingly self-aware way, is all over the marketing for "The Worst Person in the World." It embodies the movie's disarmingly warm, forever frustrated soul, denying you the catharsis of a happy ending. Because as mercurial as Julie is with her own passions and jobs, so is she towards love.
A Memory For You
Julie's life is a life in fragments; we see her at some of her highest points and lowest points, but they're snapshots at best of a woman in flux. Not even Julie seems to know who she is, so why should we? That's part of the beguiling appeal of "The Worst Person in the World" but also its greatest shortcoming — it holds us at arm's distance even while dazzling us with surreal sequences (shout-outs must be made, in particular, to the Lynchian shrooms scene and the gushingly romantic time-freeze date). But for all of Trier's stylistic flairs, "The Worst Person in the World" never gets buried by its more out-there choices, they only highlight the messy, unpredictable state of mind of our protagonist.
It's perhaps this dichotomy that prevented me from falling as head-over-heels in love with Julie as all the other characters who meet her do. But the character that unexpectedly sent me tumbling, and whose devastating revelations deepened the aimless melancholy of "The Worst Person in the World," was Aksel, the much-older boyfriend whose life is sent spinning after Julie announces that she has met someone else.
Anders Danielsen Lie gives a shattering performance as a person whose plans for life are suddenly upended, who was so important once to Julie and is now someone less so. "I don't want to be a memory for you," he tells Julie after dropping a heartbreaking piece of news on her. But as we soon cut to the next chapter of Julie's life, he is just a memory, but one that lingers and never stings any less. To quote another unconventional romance movie, "Because each person have ... their own, specific qualities. You can never replace anyone. What is lost is lost."
The losses, the mistakes, the ecstatic highs, and the muted lows all make up the texture of Julie, our "Worst Person in the World" and just another ordinary woman trying to make sense of who she is. We never get a full picture, but the one we see is a beautiful, if fractured, one.
/Film Rating: 8.5 out of 10
Read this next: The Best Movies Of 2021
The post The Worst Person in the World Review: A Wistful Anti-Romantic Comedy appeared first on /Film.
Wordle Sold to the NY Times. And That’s a Good Thing.
Nate Haduchhmmm I don't think I understand the psychological cost of this but...must be nice?
Yesterday, Josh Wardle announced that he had sold Wordle to the NY Times.
It has been incredible to watch a game bring so much joy to so many, and I feel so grateful for the personal stories some of you have shared with me — from Wordle uniting distant family members, to provoking friendly rivalries, to supporting medical recoveries.
On the flip side, I’d be lying if I said this hasn’t been a little overwhelming. After all, I am just one person, and it is important to me that, as Wordle grows, it continues to provide a great experience to everyone.
Given this, I am incredibly pleased to announce that I’ve reached an agreement with The New York Times for them to take over running Wordle going forward. If you’ve followed along with the story of Wordle, you’ll know that NYT games play a big part in its origins and so this step feels very natural to me.
And then a lot of people freaked out. “RIP Wordle” started trending on Twitter. Hands wrung and voices cried out that the game would no longer be free (even though both Wardle and the Times said that it would remain so). Some protested that the game is cheap to run, so what’s the problem? The general consensus seemed to be that Wardle was a greedy sellout who had deprived the public of a beloved game.
I’m so irritated at this reaction on behalf of Wardle. Lydia Polgreen gets it exactly right here:
Creator of Wordle: I can’t keep running this thing; I love the NYT puzzle peeps, they inspired me to make this thing you love, so I sold it to them! Twitter: How dare you give this thing we love a sustaining home!
Honestly, people. The choice isn’t between Wordle as it exists today and NYT Wordle. It is between no Wordle and NYT Wordle, or even worse, a much crummier acquirer.
Wardle made a free thing for his partner, it got out of hand, and it became overwhelming. I’m not sure if you’ve noticed, but people feel VERY INTENSELY about this game. It doesn’t matter if it only costs Wardle a few bucks a day to host…the psychological weight of it all must be immense. I’ve been running kottke.org for more than 23 years and let me tell you, the financial cost is not what keeps me up at night. (And yes, the site does keep me up at night sometimes.) And I built a site another site, Stellar, that folks loved pretty intensely, and while it never blew up like Wordle did, the strain of keeping it going became too much, I couldn’t see a way out of it, and I had to shut it down.1 That weight is real, folks, and shutting websites down, even when they are beloved, even when you would desperately love to keep them going, is sometimes the easiest option. All good things, etc. etc.
Sometimes, no amount of money or support or introduction of clever business model will help in a situation like this because the responsibility still remains — the millions of intense fans showing up every day, demanding their two minutes with five letters. Some people love that feeling, that pressure — they’ll lean right into that shit, bring it on — but clearly Wardle did not. So instead of shutting Wordle down, Wardle sold it to a really good steward that has clearly invested a lot of time and energy into building a strong puzzling presence and community. He secured an arrangement to keep the game free. And because this is capitalism, you can’t just sell something to the Times for a dollar — the Times is getting something of real value to their business and they should pay an appropriate price for it.
If people really care about this gift freely given and the person who made it (instead of focusing on what they get from it personally), they should recognize this as a good outcome. Will Wordle change? Will it someday not be free to play? Perhaps. Perhaps. But as Polgreen said, the choice here was “between no Wordle and NYT Wordle” and for right now, and into the foreseeable future, Wordle is alive and available for everyone to play. Let’s appreciate that.
Update: Bess Kalb:
Why are people mad the Wordle guy got paid? Pay the sweet Wordle man! Give him jewels and gold for his glorious letter squares! He got less than half what it could have been worth in a bidding war and he kept it a free game. Shower him with champagne and furs!
I’m happy for Mr. Wordle. He made a game for his partner because she loved word games, then he shared it with all of us for nothing. Now he gets a million unexpected dollars. Because he loved someone!
proposing a term for NYT/Wordle: egg cream swan
we didn’t discover that the proprietor’s a bad guy, we’re happy for him; but the reality that supporting a small scale thing of beauty at large scale is beyond one person (now) & reasonable options are compromised…is bittersweet
Boom, nailed it. There’s an element of the players killing the thing they loved here — if the game hadn’t become so popular, a transfer of ownership would not have been necessary.
People were *so* lovely and understanding about me shutting Stellar down. I was carrying so much weight — of expectation, of not wanting to let people down — and hundreds of hands reached out and helped me put it down. I’m tearing up just thinking about it.↩
Kamasi Washington – “The Garden Path”
Nate HaduchThis is a nice piece of art that makes me want to listen to Jazz
Kamasi Washington is back. Following last year’s Music For The Movement track “Sun Kissed Child” and the recent Metallica Blacklist cover “My Friend Of Misery,” the contemporary jazz heavyweight is returning with a brand new song called “The Garden Path.”
Parquet Courts Played “Stoned And Starving” As An Ellen Online Exclusive, With A Newly Inserted Angry Diatribe
Nate HaduchThis is probably the best performance I've seen of this song - A Savage channelling Ira Kaplan and then...Debbie Harry? Also, are Ellen fans ready for all the feedback?!
Those fun-loving tricksters in Parquet Courts are at it again! Just days after going on Ellen and performing a B-side, they’re back with an online exclusive from the same taping. Of course they saved “Stoned And Starving,” arguably their best-loved track, which for years they refused to perform live, for what amounts to the B-side of this high-profile TV performance.
Kacey Musgraves’ New Album Deemed Ineligible For Country Music Grammy
Nate HaduchCountry music identity is hilarious! Star-crossed isn't a very country sounding record. I can't easily recall any references to cowboys, trucks, or horses like on Golden Hour
The Recording Academy doesn’t think Kacey Musgraves is country anymore.
Her new album star-crossed has been deemed ineligible for Country Album Of The Year at the Grammys, Billboard reports. The ruling was made last week during the Recording Academy’s annual screening committee meeting, where submissions are reviewed to make sure they are placed in the appropriate genre category.
A Video Countdown of the 25 Best Films of 2021
Nate HaduchI hate this - I just want to be told what movies to see
I look forward to this every year: David Ehrlich’s video countdown of the 25 best films of 2021. It’s like a trailer for an entire year’s worth of movies, lovingly constructed by a movie fan, critic, and editor, chock full of vivid imagery, memorable moments, and homages to great films of the past. I want to take the rest of the day off and just watch all of these…
Tags: best of best of 2021 David Ehrlich lists movies videoLorde Wore Her Hair As A Scarf And Sang While Peeling Fruit At The Guggenheim International Gala
Nate Haduchinteresting
Lorde attended the Guggenheim International Gala in New York Wednesday night. She wore her hair as a scarf on the red carpet and then changed into another look for her performance, during which she peeled fruit onstage while singing an acoustic version of her Pure Heroine track “Buzzcut Season.” Watch below.
Grimes Teases Weeknd Collab, Says She’ll Change Jobs After New Album
Nate HaduchI know I shouldn’t be surprised by Grimes photos but HOW SHARP IS THAT SWORD?!
Grimes, last seen having a lightsaber battle on a chess board in the “Player Of Games” video, is teasing a new collaboration with the Weeknd. “Hmmmm surprises for yalls … It’s called Sci Fi,” she told fans asking about the possibility on her official Discord server. “Player Of Games” was co-produced the Weeknd’s frequent collaborator Illangelo and directed by the Weeknd’s After Hours music video director Anton Tammi, so the collab makes a lot of sense.
Sufjan Stevens Lists His Favorite And Least Favorite Albums Of 2021
Nate HaduchOops the dog shared this not me
Unlike most of us in the publishing industry, who rush to get our year-end best-of lists online in early December or even late November, Sufjan Stevens has waited until the final week of 2021 to weigh in on his favorite albums of the past 12 months via his official website, previously your source for typography criticism and theological treatises. Waiting until the end of December is a noble impulse, even if a lot of his favorite albums did not actually come out in 2021 and most of his least favorites aren’t actually albums. Still — the lists are good. Check them out below.
A judge put up 100-foot-wide Opposition House overnight to obstruct the path of Harvard Street
Nate Haduchi love this story
BerryLine closes one of two froyo locations, deciding to consolidate in Harvard Square
Nate HaduchHaha this feed is so quaint
Barack Obama’s List Of Favorite 2021 Songs Includes Mitski, Parquet Courts, & The War On Drugs
Nate Haduchwtf he's so fucking cool
At least once a year, former president Barack Obama likes to remind the world that he’s a big ol’ hipster. Obama has made an annual tradition out of naming his favorite books, movies, and songs of the year, and his list of songs always includes at least a couple of surprising indie rock names alongside the middlebrow inspirational stuff that you would expect. Last year, for instance, Obama endorsed tunes from Waxahatchee, Phoebe Bridgers, and Jessie Ware, among others. This morning, Obama shared his list of 2021 faves, and it’s just as heavy on what could be called NPR indie.
Jack White Announces 2022 World Tour
Nate Haduchok that's a lewk
In April, Jack White is returning with his first album since 2018, Fear Of The Dawn — and then in July, he’s releasing another album called Entering Heaven Alive. We’ve heard “Taking Me Back,” Fear Of The Dawn‘s opening track, and gotten the full release info on the albums. And now White has announced a lengthy tour in support of all this new music.
A Stagediver Kicked A Ceiling Pipe During A Show Me The Body/Candy Show In Cambridge, And The Venue Flooded
Nate Haduchohhhh middle east downstairs
Right now, Show Me The Body, Candy, and Regional Justice Center are on what looks like an absolute banger of an East Coast tour. On Tuesday night, the tour had an unpredictable start in Cambridge, Massachusetts. The three bands were scheduled to play the Middle East, the long-running club, but the show ended early. As New England Sounds reports, someone did a front-flip stagedive during Candy’s set and, in the process, kicked and ruptured a sprinkler irrigation pipe in the ceiling.
Patti Harrison and Joel Kim Booster Do Read the Comments on Their New Web Series Unsend
Nate HaduchPatti is the funniest person in the world. Unsend is only pretty good
Fans of the Gmail “undo” feature rejoiced last year when Comedy Central announced Unsend, a web series about the constant waking nightmare that is social media, produced by Paul Scheer and starring Very Online™ comedians Patti Harrison and Joel Kim Booster. The network quietly launched the show on Facebook and YouTube on March 19. Initially intended as a half-hour pilot, the three short episodes find Patti and Joel cataloguing the worst tendencies of our online selves, from tone-deaf celebrity-death tweets to the frustratingly pervasive Insta-complex of models posing cheekily with carbs they’ll never eat (“Olivia Holt doesn’t even put cream cheese on her bagels. She’s going to be an active shooter very soon”). They also sit down with guests like Esther Povitsky and Jimmy O. Yang to put them to task for the cringe-inducing online behavior of their younger selves.
The show is essentially a riff sesh on online trends, a premise that definitely requires a level of immediacy and presence in the Twitter meme-cycle to pull off effectively. During certain segments, it’s clear that a lot of this material was filmed a while back, including a bit where they riff on thumbnail posters of newly streaming movies, which ends up including long-forgotten random movies like An Irrational Man and My Friend Dahmer. In addition to Patti and Joel’s infinite watchability, it’s a testament to writers Deanna Cheng and Matt McConkey that they still produce something fresh and funny out of some less-than-current subjects (“There’s a sweetness to this Jeffrey Dahmer, and I like that”). Speaking to Vulture, Scheer said, “I would love to see this show on once a week, with Patti and Joel getting to do whatever else they wanna do, kind of like the same way that Joel McHale got to do The Soup,” and it does seem that this show would be able to thrive in a more up-to-date, weekly filming format. In its current format, Unsend still has plenty of evergreen, refreshingly funny side bits:
. perfectly articulating the problem with tall men
michael vincent (@mvddm) March 27, 2019
Despite its tight editing, visual gags, and physical humor, what watching Unsend reminded me of most of all was the feeling of listening to a familiar podcast, something like Harrison’s own A Woman’s Smile or the late great Internet Explorer, with the hosts’ playful talking over each other and goofy tangents completely winning you over with their idiosyncrasies. The show lacks the shaggier vibes and DIY aesthetics of a podcast or indie YouTube series, but the hosts’ kooky energy and the irreverent, insightful writing suggest a much stranger version of this show lying just outside of frame. This potential for it to lean into its oddest impulses and become something truly essential is why I hope we get to see more of Unsend.
Or as Patti Harrison says in the first episode, “Death in general. I’m against it. It should be banned … We’re here, we’re queer, and we’ll never die.”
You can watch all three episodes of Unsend here.
Charli XCX – “New Shapes” (Feat. Christine And The Queens & Caroline Polachek)
Nate HaduchThis is gonna be huge!! Who's in for the show at the House of Blues?
Charli XCX has announced her next album, CRASH, which will be out on March 18. It will feature a long list of collaborators that include A. G. Cook, Oneohtrix Point Never, Rina Sawayama, Ariel Rechtshaid, Justin Raisen, and more. It’s her follow-up to last year’s quarantine-made How I”m Feeling Now.
Brandi Carlile “Surprised And Disappointed” Grammys Are Categorizing Her New Single As Pop, Not Roots
Nate HaduchShe's clearly more rock start than roots rock star now
When Brandi Carlile’s team submitted her In These Silent Days single “Right On Time” to the Recording Academy for 2022 Grammy consideration, they submitted for Record Of The Year, Song Of The Year, Best American Roots Song, Best American Roots Performance, and Best Music Video, Short Form. Surprising Carlile, the song was not accepted into any of the American roots categories.
Magdalena Bay – Mercurial World (2021)
Nate HaduchGot obsessed with this album this week. Riyl Carly Rae, Charli, Grimes
In the winter of 1984, Madonna declared herself a “Material Girl.” She lived, unapologetic and decked in diamonds, in a “material world.” Four decades later — and over a piece of home-recorded production so lush and dewy that Madonna and her collaborators at the time could scarcely dream of it — Micah Tenenbaum offers an update; “We’re spinning around/ So let it rain down/ Living in a mercurial world.”
Traditional material has little place in the realm of Magdalena Bay, crafted with tongue-in-cheek glee by Tenenbaum and producer/multi-instrumentalist Matthew Lewin. The duo’s extended universe spans TikTok, Twitch, YouTube, Discord, Reddit, Twitter and beyond; there are few corners of the internet they haven’t touched, and vice versa.
Their music is inextricable from its digital incubator — it exists inside a laptop screen’s 15-inch expanse of forever, the sound of blue light.
The shtick isn’t necessarily novel — ‘deeply online DIY pop auteur’ is essentially a genre of its own at this point, and Lil Nas X is currently taking over the world using a similar mould — but Magdalena Bay set themselves apart with the startling richness of their music. Mercurial World rejects the ironic chintz and hyper pop-lite aggression of so many of their web-obsessed DIY contemporaries, cultivating a grounding opulence instead. Massive drums, glittering synths and dense strings land like jewels scattered across a velvet bedspread.
The duo aren’t a throwback act, and they’re not eternity-bound innovators like SOPHIE, whose own Immaterial World represents the sonic and ideological inverse of Madonna’s ode to the tangible. Instead, they play in the vast gulf of neon between those two poles, incorporating funk guitar, bouncing disco piano, and every texture and tone of synth imaginable into an omnivorous take on pop music fundamentals.
Their previous endeavour as a prog-rock outfit is felt in the psychedelic sweep of Mercurial World, the way it seems to move in waves, songs bleeding into one another — they’ve crafted an album, one that climbs in peaks and valleys without ever really slowing down.
The highlights are plentiful, though generally funnelled into the record’s fantastic middle stretch, starting with the starched funk of “Secrets (Your Fire),” and running all the way through the pounding pop-rock bruise of “You Lose!,” the menacing, transformative “Something For 2,” the sparkling recoil-piano of “Hysterical Us,” and serpentine first single “Chaeri.”
The six-song sprint, which includes the brief, tick-tocking “Halfway,” is Magdalena Bay at their best, a suite of diverse, electrifying songs that chew up four decades’ worth of pop spectacle and spit it out in flamboyant, sticky new shapes. Unfortunately, this peak is bookended by some of the record’s more faceless songs.
At its most fundamental, good pop music is a scientific effort. It’s about base elements, the building blocks of life and electric impulses. The best pop songs split atoms and cut straight to the feeling — Mercurial World stumbles when its ideas get too big and its words too indirect, flattening the endorphin rush of pure sensation that drives its better songs. “Dawning of the Season,” “Prophecy” and, to a lesser degree, the title track, all suffer from a case of broad, placeholder lyricism — “They say I’m dancing with my demons”; “Will you be my prophecy?” — that hint at apocalyptic feeling without digging to the heart of it. The record has big, cosmic questions about time and space and possibility swirling ’round its bejewelled head, but it’s at its best when putting these concepts under a microscope. The vulnerable self-interrogation of “Something for 2” or the ode to a troubled friend on “Chaeri” help focus ideas of time-travel and transformation into something painful and true.
“The Beginning” closes the record with Tenenbaum whispering “Matt, Matt” as her voice dissolves into echo. It’s an infinite loop, caught up again in the opening seconds of “The End,” where she continues her call, whispering Lewin’s name before shouting, gleefully, “wake up!”
There’s something endearing about the intimacy of the exchange, Tenenbaum prodding Lewin into wakefulness with her theory — “I was thinking about how there’s no true end to anything / Everything comes from and goes to the same place: Nowhere!” — and kickstarting the record’s great tides of sound. It’s like a peek into their process, and a reminder that for all the star-gazing majesty of the record, it’s a two-person affair — a big album from small places, one that revels in the protean nature of the internet and sees the possibilities for reinvention that still exist there. Listen to Mercurial World and squint hard at your black computer screen — it might just start to look like the night sky. — exclaim
Parquet Courts – “Homo Sapien”
Nate HaduchThe A Savageness of the first three songs has me pretty excited for this one
Phoebe Bridgers – “That Funny Feeling” (Bo Burnham Cover)
Nate Haduchfor Pharbz and/or Insiderz
Phoebe Bridgers started touring last month and at a lot of her shows she’s been performing a cover of Bo Burnham’s “That Funny Feeling,” which appeared in the comedian’s Netflix special Inside. Today, Bridgers has released her “That Funny Feeling” cover on Bandcamp for the latest Bandcamp Friday, with all proceeds from the song going to a wide variety of Texas abortion funds. In a statement, Bridgers had a message for the Texas governor: “This one’s for Greg Abbott.” Listen to Bridgers’ cover of “That Funny Feeling” below.
L’Arc de Triomphe, Wrapped by Christo and Jeanne-Claude
Nate HaduchDid anyone see the Card Counter? I don’t necessarily recommend it but there’s some interesting wrapping
For the next two weeks, L’Arc de Triomphe in Paris will be wrapped, an installation that realizes a project begun by the late husband and wife team Christo and Jeanne-Claude in 1961.
L’Arc de Triomphe, Wrapped, a temporary artwork for Paris, is on view for 16 days from Saturday, September 18 to Sunday, October 3, 2021. The project has been realized in partnership with the Centre des Monuments Nationaux and in coordination with the City of Paris. It also receives the support of the Centre Pompidou. The Arc de Triomphe is wrapped in 25,000 square meters of recyclable polypropylene fabric in silvery blue, and with 3,000 meters of red rope.
In 1961, three years after they met in Paris, Christo and Jeanne-Claude began creating works of art in public spaces. One of their projects was to wrap a public building. When he arrived in Paris, Christo rented a small room near the Arc de Triomphe and had been attracted by the monument ever since. In 1962, he made a photomontage of the Arc de Triomphe wrapped, seen from the Avenue Foch and, in 1988, a collage. 60 years later, the project will finally be concretized.
Jeanne-Claude died in 2009 and Christo followed in 2020, so the project was completed by their team according to their wishes. I would have liked to have seen this in person…The Gates in NYC were wonderful.
Tags: art Christo ParisLil Nas X Reveals Montero Tracklist Featuring Megan Thee Stallion, Elton John, Doja Cat, & More
Nate Haduchiconic already
Lil Nas X is releasing his full-length debut album, Montero, in a couple weeks. We’ve heard the controversy-courting (and chart-topping) “Montero (Call Me By Your Name),” “Sun Goes Down,” and the Jack Harlow-featuring “Industry Baby” from it already. Over the last few weeks, Lil Nas X has been slowly revealing more and more details about the album — last week we got an album trailer, a few days ago we got the album cover (see above), and today we’re getting the album’s tracklist and additional featured guests.
Dua Lipa Announces North American Arena Tour With Megan Thee Stallion & Caroline Polachek
Nate Haduchwhaaaaat
Dua Lipa’s Future Nostalgia was one of the best straight-up pop albums of 2020. But the LP arrived at the same time as the pandemic, which means Lipa has not yet had a chance to fulfill her destiny as an arena-conquering star in North America. That’s about to change. Lipa, who had the best performance at this year’s Grammys, will take her show across North America, starting in February of 2022, and she’ll bring some friends along.
Phoebe Bridgers Closed Out The First Night Of Pitchfork Fest On A Mostly Solemn Note
Nate HaduchPhoebe was (is) a queen
Friday marked the return of Pitchfork Music Festival to Chicago’s Union Park for the first time since July 2019. The fest’s COVID-era comeback offered lots of compelling options on the first day, starting with some dystopian rap (Armand Hammer) and rocket-fueled emo (Dogleg) that I would’ve liked to see if my flight hadn’t been pushed back. Among the acts I actually did witness in part, there were fiercely howled anthems from Hop Along, cantankerous prog-rock bombardments from black midi, and reminders of the quirky idiosyncrasy of 2000s-era indie from a re-energized Animal Collective and a reunited Fiery Furnaces.
Watch Phoebe Bridgers Cover Bo Burnham At Tour Opener
Nate Haduchfeels as usual
Bo Burnham’s “That Funny Feeling” — from his comedy special Inside and its accompanying album Inside (The Songs), which recently hit the Top 10 on the Billboard 200 and is getting a physical release in December — already pretty much sounded like a Phoebe Bridgers song. Burnham and Bridgers performed it together at the Largo in Los Angeles last month (where no video was allowed). And last night, Bridgers covered “That Funny Feeling” by herself as the encore for her tour kickoff in Chesterfield, Missouri, her first traditional concert in nearly two years. Watch below.
Peter Rehberg Dead At 53
Nate HaduchThis is an important loss for me personally. Rehberg's contributions as Pita and as the curator of Editions Mego account for a sizable chunk of the weird music universe that I'm inspired by as an artist. Rest in Glitches, friend
Peter Rehberg, the avant-garde electronic musician who often recorded as Pita and who was partly responsible for running the label Editions Mego, has died. The Guardian reports that Rehberg died after suffering a heart attack. He was 53.
We’ve Got A File On You: Tom Scharpling
Nate HaduchHad to wait til the comments to get to the Hollywood Handbook shout out
We’ve Got A File On You features interviews in which artists share the stories behind the extracurricular activities that dot their careers: acting gigs, guest appearances, random internet ephemera, etc.
Some Fun Typefaces for 2021
Nate Haduchis it supposed to be barely legible?
Adobe recently announced the winners of their 36 Days of Type contest and Khyati Trehan’s effort (pictured above) was among them. I also really liked David Oku’s colorful animated typeface. You can check out more work from this year’s project here and here (including this entry of handmade and found items).
Tags: David Oku design Khyati Trehan typography