Scott Lord Mystery Film
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15 Apr 02:31
In his volume Deer Stalker! Holmes and Watson on screen, Ron Haydock quotes the author of The Adventures of Sherlock Holmes, the creator of the armchair detective, Sir Arthur Conan Doyle, "Conan Doyle himself, having seen Norwood in the role, seemed as equally impressed with him as were Norwood's general movie audiences. 'He had that rare quality which can only be described as glamour, which compels you to watch an actor eagerly.' Conan Doyle said, 'He has the brooding eye which excites expectation and he has also a quite unrivalled power of disguises.'". Admittedly, Ellie Norwood prided himself on his ability to assume a disguise and cherished the role of Sherlock Holmes for that reason.
Haydock writes, "The series was well recieved wherever it played and such a success that over the next two years Stoll produced another 32 films about the best and wisest man Dr. Watson had ever known." The first of the 47 film was appropriately an adaptation of "The Dying Detective".
Sherlock Holmes in Elsinore, Danish Silent Film
Silent Film
The Adventures of Sherlock Holmes The Man With The Twisted Lip (Maurice Elvey, 1922)
by Scott Lord on Silent Film, Scott Lord on Mystery Film
In his volume Deer Stalker! Holmes and Watson on screen, Ron Haydock quotes the author of The Adventures of Sherlock Holmes, the creator of the armchair detective, Sir Arthur Conan Doyle, "Conan Doyle himself, having seen Norwood in the role, seemed as equally impressed with him as were Norwood's general movie audiences. 'He had that rare quality which can only be described as glamour, which compels you to watch an actor eagerly.' Conan Doyle said, 'He has the brooding eye which excites expectation and he has also a quite unrivalled power of disguises.'". Admittedly, Ellie Norwood prided himself on his ability to assume a disguise and cherished the role of Sherlock Holmes for that reason.
Haydock writes, "The series was well recieved wherever it played and such a success that over the next two years Stoll produced another 32 films about the best and wisest man Dr. Watson had ever known." The first of the 47 film was appropriately an adaptation of "The Dying Detective".
Sherlock Holmes in Elsinore, Danish Silent Film
Silent Film
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15 Apr 02:31
Gustaf Molander had in fact been at the Intima Teatern from 1911-13. Gustaf Molander
Actress Karen Molander appeared with the Intima Teatern between 1911-1920 while married to Swedish Silent Film screenwriter and director Gustaf Molander. She began filming under the direction of Victor Sjostrom during 1914.
Swedish Silent Film Stars Swedish Silent Film Stars
Swedish Silent Film Stars on the Theater Stage
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Gustaf Molander
Gustaf Molander had in fact been at the Intima Teatern from 1911-13. Gustaf Molander
Karen Molander
Actress Karen Molander appeared with the Intima Teatern between 1911-1920 while married to Swedish Silent Film screenwriter and director Gustaf Molander. She began filming under the direction of Victor Sjostrom during 1914.
Swedish Silent Film Stars Swedish Silent Film Stars
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15 Apr 02:30
The Photoplay: Silent Film Lobby Card, Greta Garbo
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15 Apr 02:30
Silent Film, The Photoplay, Silent Movie Posters
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13 Jan 09:01
Scott Lord Silent Film: Lon Chaney in The Unholy Three (Tod Browning, 1925)
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Silent Film starring Lon Chaney
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13 Jan 09:01
Scott Lord Silent Film Biblical Drama: Flight into Egypt
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13 Jan 08:59
Scott Lord Silent Film: Silent Film Studio Tours, Life In Hollywood (Del...
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13 Jan 08:58
Scott Lord Mystery: Bluebeard (Ullmer, 1944)
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09 Jan 00:57
The beautiful Fay Wray in The Vampire Bat
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09 Jan 00:57
Mystery Liner (Nigh, 1934)
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09 Jan 00:57
Greta Garbo: Lady to Love (Victor Seastrom)
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Greta Garbo: Lady to Love (Victor Seastrom): Vilma Banky under the direction of Victor Sjsotrom . Victor Sjostrom subsequently filmed the sound film
mystery
Victor Seastrom
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09 Jan 00:57
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: When Knighthood Was In Flo...
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
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09 Jan 00:56
Agatha Christie’s And Then There Were None, 1945
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09 Jan 00:54
Monogram Studios- A Shriek in the Night (Albert ...
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09 Jan 00:54
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: When Knighthood Was In Flo...
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09 Jan 00:54
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson
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Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo before Hollywood- Lars Hanson: The 1927 article "Swedish Hospitality featured in Motion Picture Magazine gave an account of journalist Rilla Page Palmborg, autho...
Scott Lord
Scott Lord
silent film
Scott Lord
Scott Lord
silent film
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09 Jan 00:54
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo
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Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo: Journalist Rilla Page Palmborg begins her autobiography of Greta Garbo from 1931, The Private Life of Greta Garbo, by mentioning her av...
silent film
silent film
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09 Jan 00:54
Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo
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Silent Film: Greta Garbo, Victor Sjostrom, : Greta Garbo: Journalist Rilla Page Palmborg begins her autobiography of Greta Garbo from 1931, The Private Life of Greta Garbo, by mentioning her av...
silent film
silent film
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09 Jan 00:54
Greta Garbo: Lady to Love (Victor Seastrom)
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Greta Garbo: Lady to Love (Victor Seastrom): Vilma Banky under the direction of Victor Sjsotrom . Victor Sjostrom subsequently filmed the sound film
silent film
silent film
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08 Jan 04:04
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
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08 Jan 04:04
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
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08 Jan 03:59
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
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08 Jan 03:59
Scott Lord Silent Film: Silent Film Studio Tour (M.G.M, 1925)
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08 Jan 03:58
Blogmarks : Public marks with tag "Scott Lord"
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08 Jan 03:58
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film
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08 Jan 03:58
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
The Abyss (Urban Gad, Afgrunden, Denmark 1910)
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Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
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08 Jan 03:57
Greta Garbo: Lady to Love (Victor Seastrom): Vilma Banky under the direction of Victor Sjsotrom . Victor Sjostrom subsequently filmed the sound film mystery
Greta Garbo: Lady to Love (Victor Seastrom)
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Greta Garbo: Lady to Love (Victor Seastrom): Vilma Banky under the direction of Victor Sjsotrom . Victor Sjostrom subsequently filmed the sound film mystery
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08 Jan 03:57
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: 2025
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08 Jan 03:56
Scott Lord Scandinavian Silent Film: Dodsritten under Circuskupolen (Geo...
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08 Jan 03:56
Scott Lord Scandinavian Silent Film: Den Flyvende Circus (Alfred Lind, ...
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