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22 Apr 23:50

Scott Lord Mystery: Inner Sanctum with Raymond E Johnson in Dead Man s V...

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film)
22 Apr 23:46

Scott Lord Scandinavian Film: Lars Hanson in A Dan...

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
Scandinavian Silent Film: Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius, Greta Garbo: Scott Lord Scandinavian Film: Lars Hanson in A Dan...: The first film directed by Rune Carlsten, an adaptation of a story by Bjornestejerne Bjornson which Carlsten coscripted with Sam Ask, ... Greta Garbo Greta Garbo
13 Apr 23:23

Silent Film Art

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film)
13 Apr 23:23

Happy Easter

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film)
In the library one of the church members withdrew a novel entitled In His Steps by Charles Sheldon. Donna wants to attend Mass after church in Harvard Square at Saint Paul's, which is a student orientated church eith Harvard curriculum. So in effect the morning has been at our Congregational Church of ten years, and the afternoon will be our second Mass together after her father's passing at an Apostolic church we have never before attended. Christ Has Risen. Scott Lord Scott Lord
13 Apr 23:22

Just watching T.V. from Scott and Donna

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film)
Scott Lord Scott Lord on Film I was on the North Shore of Massachusetts, just around the corner from Gordon Conwell Theological Seminary and Manchester by the Sea and Donna was on the Jersey Shore in Tom's River, when we landed on the Earth's Moon. We can't really see The Massachusetts Institue of Technology from our apartment, although we see people from there at church- we are on the other side of the Longfellow Bridge in effect. Even though we are on the thirteenth floor and can see The Bridge, The Boston Garden, The Boston Science Museum, The Prudential and the John Hancock, the moon passes the Boston Skyline without Smoots and his study of units and groups of units or and without the M.I.T campus. (I have two online certificates from the Art/History department but I'll find other MOOCs later). Just watching T.V.
13 Apr 23:22

Happy Easter

Scott Lord

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13 Apr 23:22

Just watching T.V. from Scott and Donna

Scott Lord

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13 Apr 23:22

Swedish Silent Film Blog Analysis

Silent Film

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13 Apr 23:22

Silent Film, Swedish Silent Film: Biograph and Svenska Bio; D.W. Griffith and Victor Sjostrom: Scott Lord Silent Film: Blanche Sweet in Judith of Bethulia (D.W. Griffith, Biograph, 1914)

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13 Apr 23:22

Silent Film, Swedish Silent Film: Biograph and Svenska Bio; D.W. Griffith and Victor Sjostrom: Scott Lord Silent Film: Blanche Sweet in Judith of Bethulia (D.W. Griffith, Biograph, 1914)

D.W. Griffith

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13 Apr 23:22

Silent Film, Swedish Silent Film: Biograph and Svenska Bio; D.W. Griffith and Victor Sjostrom: Scott Lord Silent Film: Home, Sweet Home (D.W. Griffith, 1914)

D.W. Griffith

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13 Apr 23:22

Mystery Film

Silent Film

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13 Apr 23:22

Svensk Filmhistoria

Silent Film

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13 Apr 23:22

Scott Lord Silent Finnish Film: Nuovi Luotsi (Erriki Karu, 1928)

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13 Apr 23:22

Scott Lord on Silent Film - YouTube

Silent Film

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13 Apr 23:22

Scott Lord Silent Film: Clara Kimball Young in The Wordly Madonna (1922)

Silent Film

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13 Apr 23:21

Scott Lord Silent Film: Clara KImball Young in Hearts in Exile (James Young, 1915)

Silent Film

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13 Apr 23:21

Scott Lord Silent Film: The Eclipse (Georges Melies, 1907)

Silent Film

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13 Apr 23:21

Scott Lord on Silent Film - YouTube

Victor Sjostrom

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13 Apr 23:21

Scott Lord on Silent Film - YouTube

Victor Seastrom

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13 Apr 23:21

Scott Lord Silent Film: Clara Kimball Young in The Worldly Madonna (Harry, Garson,1922)

13 Apr 23:21

Scott Lord on Silent Film - YouTube

Scott Lord Silent Film

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13 Apr 23:21

Scott Lord on Silent Film - YouTube

Silent Film

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23 Mar 03:57

Scott Lord Silent Film: Blanche Sweet in Judith of Bethulia (D.W. Griffith, Biograph, 1914)

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
Lillian Gish's autobiographical account of "Judith of Bethulia" (D.W. Griffith at Biograph, 1914) included in her volume The Movies, Mr. Griffith and Me can again be placed in the historiography of film criticism by being a combination of reminiscences and digests of media accounts reflecting her perspective. "The advertisements later announced that 'Judith of Bethulia' was the most expensive film that Biograph ever produced . They went on to exaggerate the number of extras and costliness of the sets, ignoring Mr. Griffith's talent for making much out of little. It is true, however, that 'Judith' was more expensive and took longer to make than any Griffith picture up to that." Presaging the epic spectacle of D.W. Griffith, which quickly arrived within a two year period ,in fact still years before Cecil B. DeMille became proficient at the genre, the film stars one of the first all-star casts including Blanche Sweet in the titular role, Lillian and Dorothy Gish, Kate Bruce and Mae Marsh. It was the longer running time that allowed D.W.Griffith to film spectacle in his three reel "The Battle of Elderbush Gulch" and four reel "Judith of Bethulia", author Tom Gunning, in his volume D.W. Griffith and the origins of American narrative film: the early years at Biograph, noting "the control of space and time offered in Griffith's spectacle films from his late Biograph period."
Eric Rhode, in his volume A History of Cinema, outlines a chromology of Griffith's crescendo at Biograph, "From 1908 on Griffith directed over 400 films for Biograph. But he left the company in 1913 when it declined to change its policy and release the four reel'Judith of Bethulia', even though the public had shown an interest in five and six reel feature films."Iris Barry, in her volume D.W. Griffith American Film Master writes of "Judith of Bethulia" having been Griffith's last film for Biograph. "'Judith of Bethulia', by reason of its legnth, its intricate composition, emotional power, ambitiousness andcistliness, provided a fitting climax to his long connection with biograph, though it is also a film which it is difficult wholly to admire today." By December of 1913, D.W. Griffith had left Biograph to join Mutual and the company had begun cutting the six reel film down to four reels.
The cinematographer to the film was G.W. Bitzer, who left Biograph with D.W. Griffith to accompany him. As quoted by Iris Barry in D.W. Griffith American Film Master, it was at first only reluctantly on Bitzer's oart, Griffith coaxing him with autonomy behind the camera. It is of interest that Griffith would grant Bitzer free reign in that Griffith began as an actor, improvised as a director without detailed shooting scripts when compared to Thomas Ince and was now aquiescing as to becoming primarily a scriptwriter. G.W. Bitzer, in his autobiography Billy Bitzer his story "By the time we were making plans for 'Judith of Bethulia' ,an epic in tour reels, Mr. Griffith told me that he would not sign a new contract at Biograph. 'A film without a message is a waste of time', he declared, as he paced the floor of my workshop trying to convince himself, as well as me, that he needed to leave Biograph if he was to advance.'
Silent Film
Silent Film
23 Mar 03:57

The Silent Film of John Gilbert

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
Between 1916 and 1921 John Gilbert appeared on screen as Jack Gilbert, his early films having been from Kay-Bee, Triangle.

Jerome Storm began directing drama in 1918 with the C. Gardner Sullivan screenplay "The Keys of the Righteous", starring Enid Bennett and produced by Thomas Ince. In 1923 he directed John Gilbert and Ruth Clifford in the six reel film "Truxton King". The Library of Congress reports no archival copies of the film, leaving it presumed to be a lost silent film.
During 1919, actor John Gilbert appeared in the film "The White Heather" (six reels)directed by Maurice Tourneur and starring actress Mabel Ballin and climaxing with an underwater fight scene filmed with a submarine tube. The film was considered to be lost with no surviving copies untill 2023, when a copy was found.
During 1923 John Gilbert also appeared in the film "Cameo Kirby" (seven reels), directed by John Ford. In the film, Gilbert plays romantic lead to actress Gertrude Olmstead.


Edmund Mortimer paired John Gilbert with actress Betty Boulton and actress Margaret Fielding in the film "The Exiles" (five reels) during 1923.



1923 also saw the lost silent film "Madness of Youth" in which director Jerome Storm brought John Gilbert, Billie Dive and Julanne Johnston to the screen.
An early film starring John Gilbert and Norma Shearer, "The Wolfman" (six reels) directed by Edmund Mortimer in 1924 is among the myriad of films thought to be a lost film from Silent Hollywood.
During 1924 John Gilbert appeared for Fox Film Corporation with Evelyn Selbie and Virginia Brown Faire in "Romance Ranch"(five reels) directed by Howard M. Mitchell, deemed to be a "melodramatic romance" by Motion Picture News Booking Guide. Howard M. Mitchell also directed John Gilbert in the five reel 1924 film "The Lone Chance" for Fox Film, the film having costarred Evelyn Brent. It is considered a lost silent film. Also a lost silent film, "A Man's Mate", in which Edmond Mortimer directed John Gilbert and Renee Adoree was released by the Fox Film Corporation during 1924.
King Vidor in 1924 paired John Gilbert and actress Aileen Pringle in two films, "Wife of the Centaur" (seven reels) with Kate Lester, and in "His Hour" (seven reels), from a novel by Elinor Glyn. Norwegian film director Tancred Ibsen while briefly in Hollywood, worked on the set design to the Vidor film "His Hour".
¡


Director Monta Bell that year directed John Gilbert and Norma Shearer in "The Snob" (seven reels).

23 Mar 03:57

Scott Lord Silent Finnish Film: The Young Pilot (Nuovi Luotsi, Erriki Karu, 1928)

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
The Forssa Silent Film Festival began screening silent film at the turn of the century in one of the oldest theaters in Scandinavia, the Ellavien Kuvien Teatter, built in 1906, which presently screens first run world cinema. During 2025, its twenty fifth year, alongside film then currently nominated for international recognition, it screened the film "Myrskyluodon Kalastaja" directed by Erriki Karu during 1924.
Peter Cowie, in his volume Scandinavian Cinema explains, "The arrival of the talkies was delayed by the efforts of the world wide stockmarket crash and the career of Erikki Karu came to a swift and melancholy end."
Erriki Karu
Silent Film
23 Mar 03:57

Scott Lord Finnish Silent Film: The Bride of the Trickster (Konskenlaskijan morsian, Erriki Karu, 1923)

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film

Konrad Tollroth, who had directed in Sweden for Charles Magnusson and Svenska Bio, starred in the adaptation of the 1911 Vaino Kataja novel "The Rapid Rider's Brides" written and directed by Erikki Karu during 1923. Karu followed in 1923 by directing the film "The Village Shoemakers" (Nummisuutarit). Both films star actress Kristi Suonio.
Finnish silent film director Erikki Karu directed two of his earliest films, romantic comedies in regard to genre, for Suomen Biografi during 1920, both photographed by Finnish cinematographer Frans Ekebom, "War Profiteer Kaikus Disrupted Summer Vacation" (Sotagubishi Kaiun Hairitty Kesabma) and "Student Pollevaava's Betrothal" (Ylioppilas Pollovaaran Kihlaus). Both films are primarily considered Lost Silent Films with only fragments presently existing. Erriki Karu silent film
Silent Film
23 Mar 03:56

Scott Lord Silent Film: (Hårda viljor (John Brunius, 1923)

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film
Directed by John Brunius in 1923 with a screenplay coscripted Sam Ask, "Harda Viljor" starred actresses Lilla Bye and Linnea Hillberg. The film was photographed by Hugo Edlund. Silent Film Silent Film
Silent Film
23 Mar 03:56

Scott Lord Silent Film: Clara KImball Young in Hearts in Exile (James Young, 1915)

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film

Clara Kimball Young starred in two films during 1915 listed as a Lost Silent Film by Stanford University, both directed by James Young, "Making Money" (five reels) and "The Heart of Blue Ridge" (five reels). The film "Magda" (Emile Chatutard, 1917) with Clara Kimball Young, scripted by Margaret Turnball, is also listed as being lost. More significantly, the existant films starring Clara Kimbal Young from that year are noted for being adaptations of literature in light of Hollywood have spent its first decade of the transition from stage to screen, her that year having starred in "Trilby", directed by Maurice Tourneur and "Camille" written by Frances Marion.
Actress Clara Kimball Young was married to James Young between 1910-1919. Both appeared on screen in front of the camera in the Vitagraph film "Lady Godiva" (J. Stuart Blackton, 1911).
Silent Film Silent Film
23 Mar 03:56

Swedish Silent Film Blog Analysis

by Scott Lord on Silent Film, Scott Lord on Swedish Film, Scott Lord on Mystery Film

The blog "Swedish Silent Film" (garbo-seastrom.blogspot.com), authored by Scott Lord, is a specialized archival and historical project that serves as a meticulous deep-dive into the "Golden Age" of Swedish cinema and its subsequent influence on the Hollywood studio system.

The site operates at the intersection of film history, star studies, and "archival poetics," reconstructing the lost or fragmented history of early 20th-century cinema through a variety of lenses:

1. Key Figures and Central Subjects

The blog's name highlights its primary muses:

  • Greta Garbo: The site explores her metamorphosis from "Greta Gustafsson" in Stockholm to the "Divine Garbo" of MGM. It provides extensive coverage of her early Swedish films, like The Saga of Gösta Berling, and her transition to American hits like The Torrent and A Woman of Affairs.

  • Victor Sjöström (Victor Seastrom): Lord analyzes Sjöström's dual legacy as a pioneer of Swedish naturalism and a master of the American silent psychodrama (most notably his work on The Wind and He Who Gets Slapped).

  • Mauritz Stiller: Often cited as Garbo's "discoverer" and mentor, Stiller's flamboyant directorial style and his tragic struggle to adapt to the Hollywood machine are recurring themes.

  • Wider Swedish Diaspora: The blog also tracks other Swedish exports of the era, including actors Lars Hanson, Einar Hanson, and director Gustaf Molander.

2. "Lost Films in Found Magazines"

One of the blog's most distinct features is its use of extratextual discourse. Because many silent films have physically deteriorated or been lost to time, Lord uses vintage fan magazines (such as Photoplay, Screenland, and Motion Picture Classic) to "reconstruct" them. By analyzing contemporary reviews, advertisements, and behind-the-scenes photography, the blog provides a ghost-like view of films that no longer exist in viewable form.

3. Visual and Cultural Richness

The site functions as a high-quality visual archive, featuring:

  • Rare Ephemera: Scans of original fashion sketches (e.g., "What the Garbo Girl should Wear"), movie program books, and studio stills.

  • Fashion and Modernity: The blog examines how stars like Garbo became icons of Art Deco and "modernity," influencing global style and social behavior during the 1920s.

  • Literary Roots: Much of the content discusses the "literary quality" of Swedish film, particularly its reliance on the works of Nobel laureate Selma Lagerlöf, whose novels provided the backbone for the era's dramatic landscapes.

4. Scholarly Approach

Unlike typical fan sites, "Swedish Silent Film" employs a more academic tone, often referencing film theorists and historians like Bo Florin, Tommy Gustafsson, and Lucy Fischer. It engages with complex ideas such as:

  • Nationalistic Style: The "perceived artiness" and naturalistic acting styles that distinguished Swedish film from its American and Danish competitors.

  • The Transition to Sound: The site documents the often-unsuccessful attempts of European stars to navigate the technological shift to "talkies," which effectively ended many careers while cementing Garbo's legend.

For researchers, classic film enthusiasts, or those interested in the history of the "Garbo mystery," this blog remains one of the most comprehensive and visually rich resources on the web for the Swedish contribution to early cinema.