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30 Nov 09:01

Film Art

Silent Film Scott Lord Scott Lord
30 Nov 09:01

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Scott Lord <http://scottlord.blogspot.com>

Scott Lord <http://garboseastrom.blogspot.com>



30 Nov 09:01

Scott Lord Silent Film: Hotel Imperial (Mauritz Stiller, 1927)

Silent Film Silent Film
26 Jul 03:27

A Romance of Happy Valley (D. W. Griffith, 1919)

SCOTT LORD D.W. GRIFFITH SILENT Film SILENT Film SILENT film
26 Jul 03:27

The beautiful Marion Marsh in Svengali (Mayo)


Mystery
26 Jul 03:26

Greta Garbo in The Kiss (Feyder/Daniels, 1929)

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Greta Garbo

The Film Daily ran an announcement during 1929 titled "Feyder Directing Garbo" It related, "Greta Garbo has begun work on a new picture under the direction of Jacques Feyder, French director recently signed by M.G.M. Anders Randolph will play the husband in the film, an original by Feyder, not yet titled."
New Movie Magazine quoted the director, " 'Dialougue- that is what will make the love sparkle in American films.' Monsieur Feyder has a great vision of Greta Garbo's future. He directed her in her last silent film The Kiss. Says Mr. Feyder, "What possibilities are opened to her with her voice? She will branchout, her characterizations will broaden. She will enter into her cinema inheritance- and what a glorious inheritance it will be." The Film Daily inadvertantly reviewed the film as an "All-Talker", but the studio in its advertisements that ran in the magazine that year included the film in "a deluge of dialogue delights" that it would be offering. The subtitle to the review read, "Sophisticated drama of continental life puts Greta Garbo in a new kind of role but tragic story misses." The review explained, "Greta Garbo as always is very alluring and excersizes her erotic charm throughout the erotic portrayal. But the subject matter is too tragic and the ending not the type that her average fan looks for...Shapes up as a pretty sophisticated farce that lacks the American slant and is problematical whether Garbo fans will feel enthusiastic about seeing their favorite in this type of production...Feyder worked the camera technique in many novel ways and achives some effective shots." Richard Corliss aptly writes, "It's also true that Garbo looks beautiful but distracted. She walks through the role as if her mind were on other things." Picture Play summarily reported, "Commonplace story made glamorous by Greta Garbo, beautifully produced and directed. Film critic Paul Rotha,  in his volume The Fill to Now, a survey of world cinema recognized the assingment of Greta Garbo to Jacques Feyder, "Quite recently Jacques Feyder, the Belgian, who in Europe is associated with the brilliant realization of Zola's Therese Raquin and the political satire Les Nouveaux Messiers, made his first picture for Metro Goldwyn Mayer, The Kiss, in which he skillfully combined intelligent direction with the necessary proportion of picture sense. his treatment of Greta Garbo was more subtle that that usually accorded to this actress by American directors...But there was a freshness about The Kiss that raised it above the level of the ordinary movie and a use of camera angle which was reminiscent of Feyder's earlier work." Earlier in the book Rotha had directed his attention to the film of Greta Garbo in an attempt to characterize the then contemporary film of the United States, "There is found then at the close of the pre-dialouge period of the American film, a mixed selection of production made according to formula...The ingredients of a successful film, conceived from a picture-sense point of view may be said to to: a strong, powerful theme (preferably sexual); a high-polished, quick moveing technique employing all the most recent discoveries (usually German); a story interest that will carry the sex at the same time allowing for spectacle and at least two highspots: and a cast of international players. Of such a type were Flesh and the Devil, The Last Command, The Patriot, Wild Orchids and The Kiss."
John Bainbridge reviews the film but more intriguing is his met intoning the social bond between Garbo and Feyder, I that she was less in contact with John Gilbert and both her sister and Mauritz stillerhas passed away. "however threadbare the plot, "The Kiss" has always been of interest to serious filmgoers for two reasons; it was Garbo's last silent film, and it was directed with consummate artistry...she also took pleasure from that Mrs Feyder was on the set nearly every day. After work the three often went to Feyders' house for dinner, and even once in a while to Garbo's." This was reiterated in Silver Screen magazine by Harriet Parson, who in 1930, penned, "24 Hours with Garbo"
It chronicled an evening where the journalist followed Greta Garbo "I caught my breath in excitement. It was Garbo! I sat breathless while she and her escort selected a table. It was the one next to mine, not four feet away. Garbo was dressed as no other girl in Hollywood would have dressed- a grey suit, severely tailored, a man's grey shirt, a navy blue tie with white dots, a navy blue topcoat and a dark blue beret with no hair showing from beneath it... Suddenly I recognized him- Jacques Feyder, the French director who made "The Kiss", Garbo's last silent picture. They began to eat...Afterward she drank black coffee and smoked a denicotinized cigarette. A flower woman came to the table with her little trey of blossoms. Feyder had purchased a gardenia and with a gallant guest urge handed it to Garbo" After dinner, Garbo and her former director went to a puppet show held in a theater next door where Greta Garbo was being portrayed bu a puppet dressed as Anna Christie. Feyder escorted her home that night as the 24 hour reporter followed, "A fortress as impenetrable as she is herself. She disappears-Feyder departs alone-midnight arrives."
The then twenty year old Lew Ayres was described by Screenland Magazine as a rare sensation that had unexpectedly catapulted on to the screen almost as if he had in fact been hurriedly signed as a newcomer in anticipation of the new technology of sound. When interviewed by Myrene Wentworth, Lew Ayers described his meeting Greta Gabo, " 'Gee, she is wonderful,' he said. 'I was scared to death when I walked on to the set but she made me feel right at home and helped me tremendously.'...It was a scene where he had to rush in and embrace her madly. 'And I hadn't even been introduced to her.', he said with an imagine-my-embarrassment gesture... Miss Garbo saw his discomforture and took his arm, turning to Jacques Feyder, the director. 'Would you mind making me acquainted with this young man?'."
Photoplay magazine during 1931 used two full pages to exhibit one photo of Jacques  on the set to follow the director into the sound era in American film. It was a scene from his film "Daybreak", starring Ramon Novarro. The caption explains that the camera was "mounted on a rubber-tired 'dolly' for the making of traveling shots Jacques Feyder, director of Garbo's 'The Kiss' is the boss. He's at the extreme left, seated from the bottom." Film periodicals had counted on there being interest in the offscreen lives of film stars and in how they might put together a sound film, the extra-textual discourse embroidering distant super luminaries into the conversations that were held after the audiences left the public sphere of the theater and entered the fantasy objectifications of spectatorship that to some of the public may have seemed to be merely an ordinary walk home from the theater; and for theater goer Greta Garbo they may have been.
     A publicity still published in Picture Play magazine during 1929 kept the caption, "Miss Garbo, at top of page, unhappy in the midst of luxury, reflects on how little life holds." Interestingly, although Greta Garbo in a low cut dress directing the view of the spectator to where she might not be wearing a bra is in front of a dressing room mirror it is not strictly a mirror shot in that she is also photographed in quarter profile as though nearing over the shoulder to effect a double image.

Greta Garbo Trade Magazines
Greta Garbo
Greta Garbo
Greta Garbo

Greta Garbo
26 Jul 03:26

Scott Lord Mystery: Lon Chaney in The Mummy’s Curse

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
Silent Film silent film
20 Jul 20:08

Scott Lord Silent Film: The Invaders (Ince, 1912)

by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Silent Film
Having directed "The Indian Massacre" and Across the Plains" the year before, Thomas Ince during 1912 directed the films "The Invaders" (three reels) starring its co-director Francis Ford and Ethel Grandin and "Custer's Last Fight" (three reels) for the New York Motion Picture Company and "Shadows of the Past" for the Vitagraph Company of America.
It is often acknowledged that Thomas Ince was the first director to use a shooting script. These were detailed shooting scripts, known to be meticulous in their planning, where plotline would emerge as having precedence over action and spectacle.
Author Kenneth MacGowan notes that Thomas Ince "strove for theatric effect", but only with scripts that were "direct and tight" and used intertitles to advance character action dramatically relating to events as a technique of exposition.
As late in the century, the internet century, as 2025, a film presumed to be lost, directed in 1915, was found, restored and copied digitally: a copy Universal's "The Heart of Lincoln" (Francis Ford, three reels) was discovered in a film archive in Long Island and has a 2025 date of availability. Directed by Francis Ford, who himself stars in the film as Abraham Lincoln, the film also stars actress Grace Cunard, to whom the photoplay is attributed. Advertisements placed in magazin es by the studio, thinly masquerading with a newspaper look as The Universal Weekly News announced the release of a "Marvelous and Thrilling Drama for Lincoln's Birthday" with, "Lively Grace Cunard in romantic scenes with a handsome officer, a happy ending after the war, serve to round out this virile yet tender story of the Heart of Lincoln to the supremest satisfaction of all." In regard to Lost Films, Found Magazines, now that the film has been found, perhaps our view of Thomas Ince might be sharper, particularly since we've been given an automatic reminder of how many silent films that do appear in the magazines of the time period are still presumed lost, with no existing copies that survive. Not incidentally, Keene State College holds a copy of the film "When Lincoln Paid" (Francis Ford,1913, two reels) starring Francis Ford as Abraham Lincoln and costarring actresses Ethel Grandin and Grace Cunard- the film was presumed lost with no surviving copies existing untill the year 2006 when it was found in New Hampshire.

Silent Film Civilization directed by Thomas Ince D. W. Griffith
20 Jul 20:08

Horror Comedy: The Haunted House (Buster Keaton, Edward Cline...

by Scott Lord on Silent Film, Scott Lord on Mystery Film
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20 Jul 20:08

Scott Lord Mystery: The Mummy’s Hand theatrical trailer

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18 Jul 04:09

Scott Lord Silent Film: Silent Film Studio Tour, Thomas Ince Studios

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Biographer John Drinkwater, in his volume The Life and Adventures of Carl Laemmle perfunctorily puts the career of Thomas Ince into its historical perspective, "Ince died in 1924, before his time,". Writing on the death of Thomas Ince during 1925,the periodical Exhibitor's Trade Review waxed poetic, "He loved the clean, the beautiful, the sublime. He embellished and ornamented everything he touched. But he yet held the life trend true in its course and in that relation opened wide the way for the higher and grander conception of the Screen are to obtain in the future through the work of kindred spirits who will find inspiration and encouragement in the bigger and nobler accomplishements which the devoted his useful years.
Thomas Ince as a producer had formed the Triangle Film Corporation with D.W. Griffith and Mack Sennet during 1915, with him leaving to First National by 1917, joined there by D.W. Griffith in 1919.Exhibitor's Herald during 1924 reported a new stage having been built for Ince's selection of directors, its dimensions seventy two by one hundred and eighty feet.
Silent Film Thomas Ince
18 Jul 04:09

Scott Lord Silent Film: Adam and Eve (Vitagraph, 1912)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
silent film Scott Lord
18 Jul 04:09

Scott Lord Silent Film: Lon Chaney in The Monster (West, 1925)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
Roland West directed Lon Chaney during 1925 for Metro Goldwyn in "The Monster", costarring Gertrude Olmstead. "The Monster" was photographed by cameraman Hal Mohr.
In his biography Faces, Forms, Films, The artistry of Lon Chaney, author Robert Gordon Anderson views M.G.M, having starred Lon Chaney in films directed by the foreign directors Victor Sjostrom, as having previously made "prestige" film with the actor. "The remainder of Chaney's M.G.M. films were changes-of-pace. 'The Monster', in spite of the implications of its title, was more slapstick than horror and one could not be sure Chaney took the whole thing seriously. 'In While The City Sleeps' he played, with no make up, a detective,"
silent film Lon Chaney Lon Chaney Movie Posters
Silent Film
18 Jul 04:08

Scott Lord Silent Film: Lon Chaney in Mr. Wu (William Nigh, 1927)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
William Nigh directed Lon Chaney in "Mr. Wu" costarring actresses Louise Dresser, Gertrude Olmstead and Renee Adoree. "Mr Wu" was photographed by cameraman John Arbold. The periodical Moving Picture World, during 1926, announced the film as having been adapted for the screen by Lorna Moon from a novel by Louise Jordan Miller. The periodical Moving Picture World, later, in 1927, credited the film as having been adapted from a play by Maurice Vernon and Harold Owen. The periodical introduced the film with a description of the work of Lon Chaney. "Acknowledged as the master of make up, Lon Chaney adds another to his list of unusual characterizations in Metro Goldwyn Mayer's 'Mr. Wu', a chinese drama in which he depicts two members of the household at various ages, from young manhood to decrepit old age."
To convince us that Lon Chaney brought to the screen not only characterizations but "creations, biographer Robert G. Anderson, in his volume Faces, Forms and Films writes, "The novel by Louise Jordon Miln, based on the stage play Mr. Wu, gives scant description of the character. The old mandarin is described in such scattered phrases as "eighty" and "guant, withered and pockmarked." Motion Picture Magazine during 1927 called Mr. Wu a "venerable Chinese gentleman" while giving his daughter, played by Renee Adoree, the appellation of "A Flapper in the House of Wu".
During 1927, Lon Chaney also starred in the films "The Unknown" and "London After Midnight", both directed by Tod Browning and "Mockery", directed by Benjamin Christensen. silent film silent film Lon Chaney Movie Posters
Silent Film
02 Jul 21:22

Film Art

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27 Jun 00:54

Silent Film Movie Posters: Comedy

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The Haunted House
Silent FIlm Movie POsters
27 Jun 00:54

Scott Lord Horror Comedy: Ghost Parade (Mack Sennett, 1931)

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26 Jun 08:47

Scott Lord | List.ly

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26 Jun 08:47

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26 Jun 08:47

Scott Lord Mystery Film Silent Film

21 Jun 22:10

Film Art

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21 Jun 22:10

Film Art

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21 Jun 22:09

Film Art

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21 Jun 22:09

Fwd: Wayback Machine - Save Page Now

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Save Page Now capture results created on 2022-02-10 23:28:30 UTC.

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We found 101 URLs, saved 101 and encountered 0 errors.

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21 Jun 01:48

Fwd: Wayback Machine - Save Page Now

by noreply@blogger.com (Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,)



---------- Forwarded message ----------
From: Save Page Now <spn@archive.org>
Date: Tuesday, March 22, 2022
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  1. https://web.archive.org/web/20220322222607/https://public.sitejot.com/scottlord.html (5 embeds) Seed URL
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Scott Lord <http://scottlord.blogspot.com>

Scott Lord <http://garboseastrom.blogspot.com>



21 Jun 01:46

From Donna's Library, The Articles of Faith from the founding of the Church

by noreply@blogger.com (Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,)
I took the time in the church library while Donna was reshelving books to look for the Articles of Faith from when the church was established. Between services, I said "hello" to Mark,the present minister, who was busy and remarked that we still use the Articles of Faith today, "I know that well." The first minister of the Park Street Church,Boston was Edward Griffin, also the first Phi Beta Kappa student at Yale, and apparently Donna was Phi Beta before I met her. His particular theme was preaching against something referred to as the New Divinity. I was surfing today and found that we are listed by the National Historical Park Service along with our adjacent Granary Burial Ground. The president at the time was James Madison. Below is a historical perspective.
21 Jun 01:46

A Hanukkah Card for Donna that has been coming all year; I try to read it every day and please feel invited to subscrbe

by noreply@blogger.com (Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,)


---------- Forwarded message ----------
From: My Jewish Learning <community@myjewishlearning.com>
Date: Friday, December 8, 2023
Subject: This Hanukkah Prayer Is About Courage and Miracles
To: scottlordnovelist@gmail.com


Al Hanisim reminds us of the role we play in our own modern miracles.
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Friday, December 8, 2023

My Jewish Learning

Today: A deep dive into Al Hanisim. • Can you blow out Hanukkah candles? • A cheesy vegetable latke recipe for Hanukkah.

 
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HANUKKAH

Al Hanisim is a prayer recited on Hanukkah that expresses gratitude for the miracles performed for our ancestors. It can also serve us spiritually as a reminder of our role in creating space for miracles in our own day.

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THIS WEEK'S TORAH PORTION

In this Torah portion, Jacob favors Joseph, and this angers Joseph's brothers. Joseph has dreams in which he predicts reigning over his brothers, provoking them further. They decide to sell Joseph into slavery in Egypt. Tamar disguises herself as a prostitute and sleeps with her father-in-law, Judah. In Egypt, the wife of Joseph's owner tries to seduce Joseph, and when he rejects her, she accuses him of trying to rape her and has him sent to prison. In prison, Pharaoh's baker and butler have dreams, and Joseph interprets them correctly.

 

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21 Jun 01:46

Scott Lord Silent Film: Biblical Drama; Christus (Guilio Antamoro, 1916)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
When first read the analytic interpretation of the biblical drama "Christus" (Guilio Antomoro, 1916) by Chandra Han, Pelita Harpan University in the paper Jesus in Film: Representation, Misrepresentation and Denial of Jesus' Agony in Gospels, is fascinating when pointing out the nature of Jesus is depicted as divine in the film in that the dove over him in the portrayal is symbolic of the Holy Spirit, Jesus as "fully God"; this is used to distinguish the divine and human natures of Christ in both the Canonical Gospels and the Apochryphal Gospels and the contrasting agaony of the Savior in both (the human form of Christ having suffered or experienced sorrow for the love of mankind, the divine nature implied to always have existed). silent film silent film
21 Jun 01:45

Scott Lord Silent Film: Silent Film Studio Tour (M.G.M, 1925)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
Silent Film



The 1925 Studio Tour of Metro Goldwyn Mayer, true to the extratextual discourse of its magazine advertisements that boasted of a firmament full of stars, featured a dozen of the studios directors that were then present on the backlot filming that year, inluding Victor Sjostrom, Dimitri Buchowerski, Monta Bell, Rupert Holmes, Eric von Stroheim, Fred Niblo, King Vidor, Joseph von Sternberg, Christy Cabanne, Tod Browning, William A. Wellman, Jack Conway, Edmund Goulding and Marcel de Sarno. Actors and actresses featured in the studio tour included Zazu Pitts, Roman Novarro, Aileen Pringle, Gertrude Olmstead, Norma Shearer, Mae Murray, Lew Cody, Estelle Clark, Conrad Nagel, and Lon Chaney

Silent Film
Silent Film
21 Jun 01:45

Scott Lord Silent Film: Cabiria (Pastrone, 1914)

by Scott Lord on Silent Film, Swedish Silent Film, Danish Silent Film,
Silent Film Silent Film