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11 Dec 05:44

Final Fantasy VII Remake is Exclusive to PS4 until March 3, 2021

by news+feed@crunchyroll.com

Final Fantasy VII Remake

 

When Final Fantasy VII Remake finally arrives on March 3, 2020, it will be exclusive to PlayStation 4… for the time being. Square Enix shared an updated look at the remake's box art, which now sports a label that has an expiration date for its timed exclusivity.

 

According to the updated box art, Final Fantasy VII Remake will be exclusive to PS4 until March 3, 2021. That offers up a solid year window of the game being tied to Sony's console, but beyond that further platforms have yet to be announced.

 

Final Fantasy VII Remake

 

Via Gematsu

 

 

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Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his webcomic, BIG DUMB FIGHTING IDIOTS at subhumanzoids. Follow him on Twitter @Moldilox. 

28 Nov 16:01

Judge Rules Vic Mignogna Must Pay US$238,042 to Defendants in Lawsuit

Judgement also lists US$287,500 in contingent fees
18 Nov 15:52

Anime World Order Show # 181 – Sophisticated Adults-Only Animation That Is NOT Kids’ Stuff

by animeworldorder@gmail.com (Anime World Order)
It's a double-length episode as we report on Anime Weekend Atlanta 2019, review the 2009 film Mai Mai Miracle, and continue on with the Decade in Review! Visit www.animeworldorder.com for full show notes and supplemental links.
23 Oct 18:57

Rep. Katie Porter Lights Up Facebook CEO Over Low Wages For Work He Won't Do

by Aliza Worthington

Rep. Katie Porter continues to leave marks on the witnesses she questions in Congress, regardless of their social status or economic power. Here she is questioning Mark Zuckerberg, CEO of Facebook, one of the richest men at the youngest age in the world, about the conditions under which he insists his contract workers labor.

He pays "content monitors" either $15 or $20 per hour to watch gruesome videos and content (murders, suicides, stabbings, etc) to determine whether or not it is allowed or appropriate for the site. This is work he does not ask his own Facebook employees to perform, remember. He contracts this traumatizing work out. Rep. Porter asks him to confirm that he cuts them off from mental health care when they leave the company, even if they have PTSD as a result of the work they've done for Facebook.

Then she lowers an even heavier hammer.

REP. PORTER: According to one report, these workers get 9 minutes of supervised wellness time per day. That means 9 minutes of time to cry in a stairwell while someone watches them. Would you be willing to commit to spending one hour a day for the next year watching these videos and acting as a content monitor, and only accessing the same benefits available to your workers?

ZUCKERBERG: Uh...Congresswoman...we work hard to make sure that we give good benefits to all the folks who are doing this...

REP PORTER: Mr. Zuckerberg, reclaiming my time. I would appreciate a yes or a no. Would you be willing to act as a content monitor? To have that life experience?

read more

22 Oct 19:27

Crunchyroll All-Stars: Kenny Omega on the Power of Hand-Drawn Anime

by news+feed@crunchyroll.com

Anime fans come from all walks of life and in all shapes and sizes. Some are students, some are scientists, some are doctors, some are artists, and some are even nationally recognized professional sports figures! Crunchyroll All-Stars is a series of interviews highlighting elite professional athletes who harbor a passion both for their sport and for anime!


Today’s profile is on Kenny Omega, a Canadian-born pro-wrestler currently competing in the new wrestling league, AEW. Omega spent a decade wrestling in Japan and has held numerous titles during his career, being the first non-Japanese wrestler to win the G1 Climax, leader of the Bullet Club, and, during his tenure in New Japan Pro-Wrestling, was the IWGP Heavyweight Champion. A fan from a young age, Omega’s love of anime extends from classics like Astro Boy to contemporary favorites like Sword Art Online. Omega talked with us about how he first got into anime and the impact it has had on his life.


Kenny Omega

(click through for full size image)


When did you become an anime fan?  Was there a specific moment that affected you or changed the way you felt about something?


I was always a fan of cartoons growing up, of course. The first anime I watched was Astro Boy. Man, I even watched Sailor Moon. At first when I watched Sailor Moon I thought, “I don’t know why I like this so much, but I’m hanging on every episode.” Not many people knew I was a big Sailor Moon fan. In Canada we didn’t have too much, we had Astro Boy, Dragon Ball Z, and Sailor Moon. The first mature anime I watched was Ninja Scroll. I was 12 when I watched Ninja Scroll, and under 10 for Astro Boy.


Are there any ways you engage with your favorite anime series or characters aside from watching them? 


I dress up in costume during my wrestling matches. During my first PPV for AEW (Double or Nothing) I dressed up as Kirito from Sword Art Online. Of course, I wear anime shirts as well.



Have you ever bonded with someone else over anime? If so, please explain.


I for sure have. The most recent example I can think of is Fighting Game Community (FGC) fans who don’t watch anime at all, but gave High Score Girl a shot. I talked to them about Japanese arcade culture, and we were able to cross cultures. I even talked to the fighting game community in Japan, and asked them how it was in the ‘90s.


What’s your favorite anime series of all time, and why?


Hajime No Ippo. Even though it’s a boxing anime and not a wrestling anime, it really captures the spirit and life of a competitive athlete.



Who’s your favorite anime character of all time?


That’s a tough one, there are too many good ones for me to answer with just one.


Who would you rank as the top anime hero ever, and why?


It feels unfair because it’s so current, but probably All Might. When you look at what it takes to be a hero, what it takes to be an inspiration to people, an everyday hero, an example of a good human being, All Might sums it all up.


Who would you rank as the top anime villain ever, and why?


I wouldn’t say he’s a top anime villain, but he’s maybe my favorite, is Midosuji from Yowamushi Pedal. He’s always so animated, and a real piece of garbage, but you still relate to him. He’s the sports equivalent of Thanos.



Have you ever taken any elements or learnings from anime and implemented them into your daily life?


Absolutely. My favorite genre in anime is actually sports. So whether I’m watching Yowamushi Pedal, or Haikyu!!, or Hajime No Ippo, I learn something. I’m a multi-sport athlete, I always have been, and when you take these sport animes, you learn things about these sports at the highest level. You learn how to implement things into your training, and sports psychology of it. Sports anime have always taught me a lot. Even an anime like Initial D, I don’t know anything about import car racing, but just by watching the show, it teaches you so much while watching a cool story.


It feels like more and more athletes are showcasing their love for anime — what’s anime fandom like in professional wrestling? And what do you think it is about anime that attracts athletes?


I think certain people don’t consider themselves anime fans, but every single wrestler I know has seen an anime that they’ve actually watched and enjoyed. Whenever they give something a shot, they found themselves definitely enjoying it. It’s gained a following among wrestlers. Anime can attract athletes because you can learn something about competitive nature from it, while watching a great story.


Last question: what would your message be to someone who recently discovered anime and was thinking about getting into it?


Being able to animate something or draw something, you’re able to create life on paper that you couldn’t do with CG. With Japanese anime especially, their drawing techniques are so advanced, it’s still the most beautiful artwork you can see on a screen. Find something that resonates with you, find something you have fun watching; there is something for everyone. 

20 Oct 16:19

Anime World Order Show # 180 – We Forgot to Mention That the Puzzles Killed Our Parents

by animeworldorder@gmail.com (Anime World Order)
The Decade in Review continues as we cover the year 2011, but since it's Halloween time we review something suitably SPOOKY as Daryl springs the latest Gekimation triumph, Violence Voyager, upon an unsuspecting Gerald and Clarissa! Visit www.animeworldorder.com for full show notes and supplemental links.
16 Oct 15:37

No Guns Life Anime Runs for 24 Episodes

10 Oct 18:04

History vs. Anime: Analyzing Rose of Versailles

by news+feed@crunchyroll.com

Today is a very special day: the 40th anniversary of the anime premiere of The Rose of Versailles. Based on a manga by Riyoko Ikeda, the show followed various personages in and around the French Revolution. Historical figures including Marie Antoinette and Axel von Fersen were major characters of the story, but there was also Oscar François de Jarjayes, a woman who was raised as a man who would go on to lead the Palace Guards and eventually fight for revolution during the infamous Storming of the Bastille. For the vast majority of the series, it was a grounded political drama that detailed the interpersonal drama of 18th century French royalty.


rose


Of course, as a fictional shojo anime and not actual history, not everything in Rose of Versailles was entirely accurate. Plenty of characters were made up, and other scenes could be said to have been highly dramaticized for the sake of the narrative. So the question remains: how accurate are these characters and events compared to what we know about French history?

 

For the sake of brevity, we won't belabor every single detail from the show. We’ll mostly concentrate on the major characters in the show and how they were depicted. This would include Marie Antoinette herself, her political relationships, the character of Rosalie Lamorliere, and exactly how their arcs line up with actual historical facts. 


oscar  

First things first: let’s get the purely fictional stuff out of the way. For starters, Oscar was entirely made up. Her childhood friend and companion Andrė Grandier was also fictional, as were their individual interactions with many actual players within 18th century French government. They were largely part of the background of historical government conspiracy and anarchy, and would play key roles in rallying French citizens during the Storming of the Bastille. Both met tragic ends during the riots and died as part of the Revolution, but their adventures were indeed figmentary. 


It’s worthy to note that Oscar’s father—François Augustin Regnier de Jarjayes—was in fact, a real person. He served as an actual French lieutenant-general and did father several children, though Oscar was never one of them.


marie


Aside from the fictional characters, much of the political drama and scandal has basis in historical fact. Marie Antoinette, of course, was a notorious French monarch who represents a turning point in all of French history. Much like in real life, she was initially revered as the Dauphine, wooing the public with her beauty and sociability. She provided the common people with hope for a better country as France was in the middle of an economic crisis. While in the anime she exercised a form of charity by providing members of her aristocracy with some financial aid, she was much more frivolous with her wealth. 


Enamored by her newfound status both as the Dauphine and the eventual queen, she spent much of her money on gambling, fashion, and other luxuries. This, of course, was at the expense of the French people, who were taxed heavily throughout her rule. She was also known for her social rivalries and romantic scandals with other members of the aristocracy, even as she served as queen.


du barry


One of Marie’s rivals, and the series’ first major antagonist, came in the form of King Louis XV’s mistress, Madame du Barry. Marie immediately found her former life as a prostitute distasteful, and made it a point to openly reject any sort of camaraderie with her. As the French socialites around them began to take sides, their rivalry was instantly sparked.


Madame du Barry was very real, though she was born and lived as Jeanne Bėcu. In her early life, she was highly regarded within Parisian society for her career as a courtesan who held favor with several aristocrats. She was also extremely disliked among the rest of aristocracy, chiding and gossiping about Jeanne and how she slept her way to her status. True to life, they were instant rivals as Jeanne sought to outshine Marie by flaunting expensive fashion at every encounter with her, trying to maintain her lifestyle as her position of power was threatened by Marie's presence. In turn, Marie made it a point not to interact or acknowledge Madame du Barry’s presence at royal gatherings. As dictated by royal greetings, doing so would essentially bring them to equal standing, an idea that Marie-Antoinette detested.


defeat


One particular interaction between them was fully realized in the anime. Du Barry often complained to King Louis XV himself about Marie’s behavior. As the aristocrats urged Marie to openly acknowledge her presence lest she incur the king’s retaliation, she finally relented. During a New Year’s ball in 1772, she indirectly tosses a comment her way, stating “There are many people in Versailles today,” in an attempt to offer as blase a greeting as possible to her. In the anime, this is depicted as a major loss for Marie-Antoinette in her unspoken battle of attrition with Du Barry, having felt she sacrificed her values in the process. While the drama itself might be conjecture, Marie did indeed employ this tactic as a way of extending an arm to Du Barry and easing their conflict.


With the passing of Louis XV, their rivalry came to a close. Marie had her husband, the newly-appointed king, exile Du Barry from the kingdom. In the anime, she vowed to return and reclaim her high standing. In reality, she spent the rest of her days with nuns at a French commune in Meaux-en-brie.


fersen


Rose of Versailles also adapted Marie’s long-running relationship with Hans Axel von Fersen. Fersen was a Swedish aristocrat who quickly gained popularity in the French court. Over time, he developed a strong connection with Marie-Antoinette, and would be accepted into her inner circle.


In reality, the nature of their relationship was only heavily rumored, and was even supplemented with gossip about other secret lovers.  The queen’s preferential treatment of Fersen could almost certainly be likened to something more intimate. In the anime, their love for each other was far more explicit. They would spend nights together discreetly and belabor their constant struggle between their royal duties and their feelings for the other. It was even played off as a poorly-kept secret in the anime, and only added to the criticism of Marie’s frivolity. The anime also depicted Fersen's temporary departure to fight in an American war in 1780, likely trying to avoid any further scandal and gossip on Marie-Antoinette's behalf.


After Marie’s execution, Fersen became very cold-hearted and was eventually killed by his own people in the anime. History tells us that Fersen lived for several years after the Revolution, but would eventually meet his end in 1810 after leading a political faction against Swedish Crown Prince August. 


rosalie


Aside from Marie Antoinette and her legacy, another character who arguably saw a larger departure from historical fact was that of Rosalie Lamolière. In the anime, Rosalie was a key figure among French royalty. She was portrayed as the illegitimate daughter of one Gabrielle de Polastron, a singer who quickly gained Marie’s favor. Separated from her birth mother, she was taken in by a common woman who raised her for several years until her untimely death via a royal carriage accident. Gabrielle, who was in the carriage at the time, became the object of Rosalie’s quest for revenge. After encountering Oscar, Rosalie received some combat training in order to survive. 


The closer she got to her revenge, however, the more she became embroiled in French government conspiracy. As the series progressed and both Rosalie and her birth mother were driven to desperation, Gabrielle presented her daughter with a choice. She could either go with her mother to live among the aristocracy or she would implicate Oscar in the Affair of the Diamond Necklace. This was a conspiracy largely enacted by her foster sister, Jeanne de Valois-Saint-Rėmy, in which Marie-Antoinette was accused of defrauding French jewelers into creating an extravagant diamond necklace. She reluctantly accepted the offer and was largely absent for the rest of the series, save for a few guest appearances.


After the Storming of the Bastille and Marie-Antoinette’s incarceration, Rosalie returned and would serve as the former queen’s final servant. As she awaited her trial and execution, Rosalie and Marie bonded over their mutual infatuation with Oscar. All that sounds too good to be true, right? That’s because it most certainly is. While Rosalie’s character arc in Rose of Versailles was fraught with drama and suspense, the real Rosalie’s life could hardly be said to be as extravagant. Rosalie was indeed Marie Antoinette’s handmaiden during her imprisonment, but the similarities stop there. According to a French biographical text, Rosalie was born to a shoemaker and his wife, the latter of whom actually died when Rosalie was young. She certainly wasn’t an illegitimate child of aristocracy, nor did she become involved in French royal scandal during her lifetime. Many details of her character, however, do have basis in historical fact.

 

polastron

 

Gabrielle de Polastron was a real aristocrat who curried Marie-Antoinette’s favor. As also depicted in the anime, she took advantage of both the queen’s wealth and their friendship. Wanting her new friend as close to her as possible, she used French taxes to settle Gabrielle’s debts and offer living quarters at the Royal Palace. She would go on to receive positions of power at the queen’s side, much to the disapproval of Marie-Antoinette’s peers and advisors. After the Storming of the Bastille, Gabrielle and her family were exiled and relocated to Switzerland. She and Marie-Antoinette wrote letters to each other while the latter was in prison. She passed away in Austria in 1793. 


jeanne


Jeanne de Valois-Saint-Rėmy was depicted as Rosalie’s foster sister who grew up under the care of the same adoptive mother. She also served as another major antagonist in the show. While they weren’t related in any way, Jeanne was still an important figure in the build-up to the French Revolution. In both French history and Rose of Versailles, she was a con artist who lied and cheated her way into fancy balls and royal events that were well above her station. Both met similarly tragic ends, albeit through different causes. In real life, Jeanne died after falling from a window in an attempt to escape debt collectors, while her anime counterpart died in an explosion along with her husband.


And of course, many of the major historical events in Rose of Versailles did occur in reality. The Storming of the Bastille is one of the most infamous riots of the French Revolution, and the Affair of the Diamond Necklace was a real scandal that further tarnished Marie Antoinette’s reputation. There was also the Tennis Court Oath depicted in the show, which was one of the most pivotal stepping stones toward the more spectacular events. This vote to demand amendments to French government was the first time French citizens took firm and solid opposition against King Louis XVI and Marie-Antoinette. In the anime, Oscar was directly involved in helping the citizens of the National Assembly rally, but they received no such inside help in real life.


oscar


As a historical drama, Rose of Versailles certainly had its fair share of historical accuracy. Major French historical figures were featured with depth and truth, albeit with a little splash of anime drama. Of course, there were plenty of exaggerations in the storytelling as well. Rosalie’s backstory received a major overhaul when compared to the ho-hum life of the source material, and Oscar’s conflict over her gender identity as well as her dedication to the people were welcome, if not fantastical, additions to French history. 


Could it replace world history textbooks as study material? Not entirely. But an anime like Rose of Versailles could most certainly help you retain plenty of historical information, all wrapped up in a gripping narrative to boot.


Know any other French historical facts in the show that we didn't touch upon? What other historical anime are your favorites? Drop a comment and let us know!


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Carlos is a freelance features writer for Crunchyroll. Their favorite genres range from magical girls to over-the-top robot action, yet their favorite characters are always the obscure ones. Check out some of their satirical work on The Hard Times.


Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

26 Sep 17:59

Anime World Order Show # 179 - Another Decade in Review Commences

by animeworldorder@gmail.com (Anime World Order)
We've been around for so long that it's time for ANOTHER decade in review. How many years do you think we'll manage to get through this episode now that we have an entire decade of accumulated experience built up, anyway? Visit www.animeworldorder.com for full show notes and supplemental links.
29 Aug 20:44

Anison Legend Akira Kushida Performs for Sapporo Commercial

by news+feed@crunchyroll.com

 

The legendary Akira Kushida has spent 50 years performing themes for everything from Kinnikuman to ToQGer. Next up, he's teaming up with Sapporo for a commercial featuring his hot-blooded vocals.

 

The ad uses a song performed by Kushida set to the tune of "She Wore a Yellow Ribbon," and also features an appearance from actor Teruyuki Kagawa:

 

 

A behind-the-scenes video shows us Kushida recording the tune in the studio:

 

 

Kushida is a fan of Sapporo beer, and in particular likes the new Wheat and Hops version advertised in the commercial. He says he was honored to be approached in his anniversary year, and hoped to help create a mood that makes people want to get together and share a drink with their friends. When asked what sort of "hero image" the drink has, Kushida (famous for performing themes for anime and tokusatsu heroes) described it as a supportive ally.

 

The ad is currently running in Japan.

 

>> Sapporo Interview with Akira Kushida


Source: Anime! Anime!

 

 

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Kara Dennison is a writer, editor, and interviewer with bylines at VRVWe Are Cult, Fanbyte, and many more. She is also the co-founder of Altrix Books and co-creator of the OEL light novel series Owl's Flower. Kara blogs at karadennison.com and tweets @RubyCosmos.

15 Aug 19:54

Snake Fake: How EVO's Biggest Character Non-Reveal Went Horribly Wrong

by news+feed@crunchyroll.com

Snake about to blow stuff up

 

For fighting game fans, EVO time is like Christmas. You get to see the best of the best of fighting game players duke it out, meet the creators behind your favorite fighting games, and, of course, hear the latest announcements about upcoming additions and follow-ups to the games you’ve come to love. While the announcements tend to be spread out over the three days the event runs, the biggest are saved for Sunday to be broadcast on Twitch streams and to the eager crowd watching the finals in the Mandalay Bay Arena.


Of course, there are sometimes stumbles along the way, such as the big Street Fighter V Season 3 DLC being leaked just days before the event due to an error on Steam. It sucks a lot for the developers and the PR crew behind these games to have the cat escape from the bag before the time’s ready. Players, on the other hand, drink those leaks up like a thirsty traveler at the only desert oasis for miles. But what happens when a seemingly legitimate leak… isn’t? That’s exactly what happened during Top 8 of Tekken 7 at EVO 2019.


EVO


So what exactly went down? Well, first, a bit of an explanation is in order. EVO serves two audiences: the thousands of players who come from around the world to compete in their favorite games, and the many, many more who watch the event streaming live on Twitch. Like any major eSports event, EVO has a lot of sponsors and advertisers who pay good money to have their ads stream during scheduled breaks between bouts. Some of these appear in both the venue and on Twitch, but others are only seen by the Twitch viewership. This means that there’s a lot of empty time between some matches for those spectating live at the venue. 


On day one and two at EVO, finding something to do during downtime for stream ads isn’t hard: there are vendors to visit, other games to watch, casual matches running all day, a dedicated Bring-Your-Own-Console area for people to set up and play their own favorite games, a big Artists’ Alley, and plenty of indie and AAA developers and hardware companies showcasing their upcoming wares. 


EVO Participants


When people are inside the Mandalay Bay Arena, however, and there’s only one game running at a time, finding ways to keep folks engaged during long stream commercial stretches and commentary blocks is a bit trickier. In previous years, EVO would show highlights from past tournaments, but for this year, EVO got a bit sillier—and that’s what lead to many broken hearts for the biggest guest character non-reveal ever. 


While Twitch viewers got commentary breakdowns and ads between matches, those watching in the Arena were treated to very different entertainment during the downtime. During BlazBlue: Cross Tag Battle and Street Fighter V, for example, we got karaoke of the corny RWBY character themes and the fan-favorite Street Fighter IV theme song, “Indestructible,” which went over quite well.


 

Tekken, though? Unless somebody was going to pay Snoop Dogg mad royalties to use “Knocc Em Down,” they didn’t have anything sing-able. So they just went full-on memes and goofiness, which, if you’ve ever seen Tekken tournament commentary, is pretty par for the course. (Shout-outs to legendary Tekken commentator Tasty Steve, who was doing live Arena commentary and working up the crowd to squeal along with the dubstep beat-drop on the Infinite Azure stage.)


The Tekken 7 presentation team had some fun ideas: Playing a clip of Geese Howard’s famous death scene from the Fatal Fury games after he had been beaten in a top 8 match and a “Slowdown Showdown” showing clips of Tekken matches where a dramatic slowdown effect happens and asking the audience to guess which player’s attack will be the one that connections, as examples. One of these fun ideas involved an edited clip of a Metal Gear Solid codec conversation, featuring Snake talking to Tekken creator Katsuhiro Harada and saying, in perfect David Hayter voice, “That was some good-ass Tekken”—a memetic line often said by devoted viewers after a particularly exciting Tekken match.


The David Hayter voice was actually derived from EVO staffer and longtime Tekken fan/commentator Markman23’s Twitch stream: he had hired Hayter to voice his stream notifications. It was a good edit and a funny joke. The problem was, given the Tekken series’ increasingly bizarre roster of guest characters over the years, a good chunk of the audience reacted to that codec-call sound not as a joke, but as an indicator of a potential announcement—something nobody on the production side had anticipated. It wasn’t helped when clips started getting shared almost immediately on Twitter and Youtube. 


 

It felt like someone in production realized the audience reaction was different than planned, as they quickly swapped to an awkward-looking image from Heihachi’s Tekken 2 ending—as if to say “Ha ha, memes! Silly things! Get it?” But by then, the damage had already been done. When Harada stepped out on stage to do his own brand of audience trolling, people were expecting a Snake guest character announcement, which was never planned to happen. Despite the introduction of the obscenely cool new character Leroy Smith and the return of Tekken 6’s Zafina, a lot of people were left angry and disappointed, accusing Bandai-Namco and Harada of having lead them on… when that was never the intention. 


The fallout was swift: EVO issued an apology, Harada clarified that the clip had been misinterpreted. The angriest response, however, came from David Hayter, who felt like his trust had been violated:


 

Sadly, what was meant as a fun joke for Tekken fans has turned into a big PR mess for everyone involved. I wouldn’t get hopes up for a future Snake reveal, even with the reaction to this showing that he’s in demand. The fallout from the “fake teaser,” including some very harsh words from people like Hayter (and Konami probably a teensy bit miffed about unauthorized IP use) means that this particular well has likely been poisoned. Sure, Harada could use his clout to maybe work out something, but in the man’s own words, “Don’t ask me for *beep*.”


Did you get excited by the “reveal?” How do you feel about this joke that went too far? Join the discussion!

 


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Heidi Kemps writes about games, otaku culture, and other odd topics of interest across many different publications. The amount of doujinshi and figures in her living space is either astonishingly awesome or somewhat terrifying, depending on your point of view. She runs the website gaming.moe and can be found on Twitter @zerochan

11 Aug 03:03

Otakon 2019: General Impressions

by reversethieves

hisui_icon_4040_round I think I figured it out. Any time a convention moves you sort of have to learn the rhythms of the new venue. You spend a bit of time just learning the best places to eat, where the various panel rooms are, which entrances to use and when, plus various shortcuts, tricks, and conveniences. If you remember the labyrinth that was Baltimore Convention Center it was infamous for getting newbies lost and turned around whenever they arrived for their freshman Otakon. Also, it was easy to underestimate how long it could take to get anywhere thanks to some atrocious bottlenecks. By the final Otakon in Baltimore, I could navigate that place like the back on my hand but it took some hard knocks to get that experience.

In 2017 the Walter E. Washington Convention Center and Washington D.C. were all new to me. By the end of the convention, I had a decent lay of the land but everything felt a bit awkward. In 2018 I had some experience under my belt so I had a general idea of what I was doing but I still did things utterly inefficiently. I could picture the two halves of the convention center in my head much clearer but I was still a bit ungraceful. This year I really felt like I had a good understanding of where everything was. I zipped around the convention center quite freely and even had a decent grasp of the area around the convention center.

I feel like Otakon is in that same situation this year. They have really begun to figure out the layout and how to use it effectively. I definitely got the feeling that Otakon had a better understanding of how to use the Walter E. Washington Convention Center and run a convention inside it. They were still some hiccups but overall it felt more like the convention had always been here as opposed to moving here three years ago.

First of all, I have to give Otakon the proper credit for actually implementing a piece of advice that various people from anime twitter has been suggesting for a few years now. This year was the first year that the Japanese guest panels were given full titles as opposed to just their names. That meant that the title for their panel usually had the name of the series they were here to promote along with a little hook added. So it was The History of Japanese Animation as created by Masao Maruyama Part 1 panel as opposed to just the Masao Maruyama panel. From what I saw they helped the audience numbers for quite a few of the Japanese guest’s panels.

Now not every Japanese guest panel was filled to the brim. The title and the shows in the title were still deciding factors. The Comparing US and Japanese Comics with Hiroshi Nagahama was almost completely filled while there were a decent number of empty seats in the Mix! panel with Kikuko Inoue and Michihiko Suwa panel. I think that is mostly because Mitsuru Adachi manga is a big deal in Japan but it is mostly only of interest to big sport manga nerds here. But I personally believe that the Mix! the panel would have been a ghost town if it just said Kikuko Inoue and Michihiko Suwa. So while you can’t just slap a currently airing show on the panel title and instantly become standing a room only affair it does help some guest panels immensely. The popularity of the show or topic in the title does a lot of the heavy lifting if not being the key to a wildly successful panel. Mayumi Tanaka of One Piece will fill more seats than Mayumi Tanaka of Kekkaishi like it or not.

Even if not every titled Japanese guest panel was jam-packed overall I think the new naming scheme was a success. The increase in attendance at some panels was wildly successful at times and others were slightly effected but overall I think it was a rising tide that lifted all ships. I really hope that Otakon and other anime conventions continue to do it going forward whenever they can.

Kate and I went to the Maid Cafe. Kate and I have always randomly talked about going to the maid cafe at Otakon since it started. The major problem is that since you have to buy a ticket for the maid cafe in advance so it always turned into one of these things we talked about but never did. This year we decided that we would COMMIT to trying it out. We waited until we got to the hotel and planned a time that worked with both of our schedules as best we could arrange it. So the ancient prophecy was complete and Miss Kobayashi smiled on our endeavor. We went to the Otakon Maid Cafe.

It was OK. I feel like that was a lot of build-up for … OK. But sometimes that is just the way it goes. When you go in you are assigned a maid or butler for your table. Each of them has a gimmick. One might be demon maid where anther might just be a kuudere butler.  It is sort of just the luck of the draw which one you get. They would then do a combination of table games and craft activities broken up with little dances by the staff. They also made the losers of the table games play little embarrassing punishment games. You got a little snack and drink during the experience.

Our maid seemed probably the most standard maid. She did not have fairy wings or some very obvious gimmick. I’m fairly certain her “thing” was she was supposed to seem super-capable but she was secretly a bit careless. She would flub learning people’s names and remembering orders. A gimmick like that it is always a little hard to tell where the acting begins and where the actual person ends.

Kate seemed a bit more unnerved by the experience. I think it was the combination of the sort of practiced but very performative interactions. A sort of insincere sincerity from your fellow con-goers who are also not actors. It was not as if Kate hated the experience, any of the cast did anything untoward, or even did their job poorly. I think it just gave her an artificial feeling that was intended but she was not compatible with. Also, I think the embarrassing punishment games were 100% not her thing no matter how mild they were.

I myself was far more neutral about it. I wish the food was a little more bang for your buck with the snacks but I suspect that is mostly due to restrictions due to the venue more than anything else. Otherwise, it was fun as a curious gimmick that I got to experience but I don’t feel like it is something I would ever do again unless they really changed the core experience. That is not Otakon’s fault. I mostly feel it is just the nature of the idea.

As always there were a few things I missed that might have seen like odd oversights but I usually had reasons for them. I did not see Toru Furuya mostly because I had just seen him at Anime NYC. He is always a great guest so I glad the Otakon audience who was not me could enjoy his charm and grace during his panels. I also did not see the Promare screening because there was an upcoming screening in Manhattan only a few days after Otakon. From what I understand they had to cap the line to see the movie at Otakon fairly quickly so you had to show up a decent amount of time in advance to see the movie. I had a feeling that was going to be the case I decided it was a more efficient use of my time to skip the movie at Otakon and just wait a bit to see it in a special screening.

Oddly enough con feedback seemed rather chill this year. There was one lady who had some major problems with picking up her badge but other than that most people seemed to have questions, suggestions, and improvements that could help the convention as opposed to horror stories and disgruntled rants. Now only a small selection of people can get to con feedback but it can be a good meter stick of how people feel. Kate and I noticed that an odd number of people want the paper schedules back even if they are always outdated the second the convention starts. I felt like there were always a good deal of monitors with the up to date schedule strategically placed throughout the convention center but that might be because I also have a smartphone.

Oh. There was one dude at con feedback who I have to believe was just trying to troll everyone. I have to believe that because otherwise he just had nothing but the worst ideas ever. Lets put it this way he said that they should have an open bar in the video game room. That is either the suggestion of a decent troll or an utter moron. His suggestions were distinctly in the Poe’s Law zone.

I realized that I never ate at SUNdeVICH this year. I had distinctly planned to try a new sandwich there but I just plain forgot to go. So much like the Otakon staff while I have learned a lot I still some distance to go before I become a master.

06 Aug 12:54

In This Corner Of The World Reaches 1,000-Day Theatrical Run at a Theater in Ibaraki

by news+feed@crunchyroll.com

 

Since February 18, 2017, Tsuchiura Central Cinemas in Ibaraki Prefecture has been screening the anime film adaptation of Fumiyo Kouno's award-winning manga Kono Sekai no Katasumi ni/In This Corner of the World without break. And the film will finally reach the 1,000-day theatrical run at the theater on August 8.

 

According to the report by Tokyo Shimbun on August 5, the theater has been considered as one of the film's Seichi Junrei/Holy Pilgrimage spots by many fans and have been visited by them.The theater is now screening the film four times a day.

 

Director Sunao Katabuchi has also kept updating the news about the theater on his official Twitter. Its president Ryuji Terauchi deeply thanks to his continued support, saying "The director has always mentioned our theater's name at every opportunity. There's nothing that could make us happier than that."

  

The film's extended edition, titled Kono Sekai no (Sarani Ikutsumono) Katasumi ni/In This Corner (and Other Corners) of the World with newly-animated 30-minute footage is set to be released in Japan on December 20, 2019. Terauchi wants to continue the screening of the original version at least until then.

 

 

  


 

Meanwhile, director Katabuchi visited Hiroshima Peace Memorial Ceremony today.

 

 

 


  

"Kono Sekai no (Sarani Ikutsumono) Katasumi ni/In This Corner (and Other Corners) of the World" teaser poster visual: 

  

 

Second teaser trailer:

  


 

Source: Tokyo Shimbun via: "In This Corner of the World" official Twitter 

  

© Fumiyo Kouno, Futabasha/"Kono Sekai no Katasumi ni" Production Committee

 


31 Jul 18:45

Thunderbolt Fantasy Jams Out With Prequel Film in October of 2019

by news+feed@crunchyroll.com

A young Làng Wū Yáo beholds the countenance of his beloved, Mù Tiānmìng, with a concerned look on his face.

 

Head's up, puppet fans! Another installment of the Japanese / Taiwanese martial arts glove puppet extravaganza known as Thunderbolt Fantasy is heading to Japanese theaters in October of 2019 with Thunderbolt Fantasy: Seiyuu Genka ("Western Ballad"), and now a new teaser trailer and a new key visual have been revealed for the film.

 

 

Thunderbolt Fantasy: Seiyuu Genka is a prequel film set in the Western nation of Xī Yōu, and it focuses on the adventures of Làng Wū Yáo as a young man. The cast for the film includes:


  • Takanori Nishikawa as Làng Wū Yáo.
  • Katsuyuki Konishi as Líng Yá.
  • Nao Tōyama as Mù Tiānmìng.
  • Rie Kugimiya as Cháo Fēng.
  • Tarusuke Shingaki as Xiào Kuáng Juàn.
  • Kikuko Inoue as Làng Wū Yáo's Mother.
  • And Others. 

 

Additionally, the new film features a theme song entitled "Cresent Cutlass" that is performed by Takanori Nishikawa and Hiroyuki Sawano. 

 

The movie poster for Thunderbolt Fantasy Seiyuu Genka, featuring Làng Wū Yáo and Mù Tiānmìng.

 

Thunderbolt Fantasy: Seiyuu Genka features a story, screenplay, and general direction by Gen Urobuchi and puppetry and camerawork by Pili International Multimedia. The film hits theaters in Japan on October 25, 2019.

 

Sources:

MoCa

Official Thunderbolt Fantasy: Seiyuu Genka home page

 

Hime poses for a Crunchyroll ad banner.

 

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Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

29 Jul 00:54

Travis Strikes Again: No More Heroes Complete Edition Launches for PC, Steam on October 17

29 Jul 00:53

Food Wars! Shokugeki no Soma Manga Creators Yuto Tsukuda, Shun Saeki to Attend Crunchyroll Expo

Food Wars! Shokugeki no Soma anime producer Noriko Dohi to also attend event
17 Jul 09:06

Listing the Mainstream News Outlets That are Cowards for Not Saying Naruto's Name

by news+feed@crunchyroll.com

Recently, a Facebook event titled Storm Area 51, They Can't Stop All of Us has received quite a bit of media attention, landing mentions on dozens of mainstream news outlets over the weekend. For those out of the loop, the event is particularly notable for anime fans as it mentions our boy in orange in the description, saying "If we naruto [sic] run, we can move faster than their bullets" referring, of course, to the unparalleled defensive abilities of ninja running against military grade firearms. Now, we aren't here to debate the truth of this extremely real and very much going to happen siege of a famed Air Force facility. What we are here to talk about are the COWARDS of the mainstream news outlets who refuse to say Naruto's name.


Naruto


Now, we at Crunchyroll HQ have been keeping a close eye on the news coverage of this meme, and, as I watched more and more of the videos popping up, I began to notice a disturbing trend. While many of the delightfully out of touch newscasters talked about the severe dangers of trying to infiltrate a US military base, many of them didn't mention Naruto's name. At all. Because I am a caricature of a person, I spent a lot of today developing a something I like to call the Uzumaki-Coats Media Coward Index:

 

Uzumaki-Coats Media Coward Index

 

METHODOLOGY

 

This index is comprised of a few different elements that indicate the level of cowardice in avoiding Naruto's name each media outlet displayed in their videos. Each element is assigned a weighted point value based on my completely subjective feelings resulting in a score out of 20 assigned to each outlet. The closer to 0, the more cowardly the news outlet. The main four elements are as follows:

 

"Anime Character" Mentioned | Worth 1 point | Given if the news anchor mentions the existence of an anime or manga character, not necessarily calling out Naruto by name. Pretty cowardly by itself, but at least admits that anime exists.

 

"Naruto" mentioned in on-screen text | Worth 1 point | Given if the video mentions Naruto in non-verbal on-screen text. Almost more frustrating if present without verbal acknowledgment of Naruto.

 

"Naruto" spoken aloud | Worth 3 points | Given if the anchor(s) mention Naruto by name verbally. Now we're talking. The real deal.

 

Naruto himself being on-screen | Worth 4 points | Given if video footage of Naruto, Naruto: Shippuden, or BORUTO: NARUTO NEXT GENERATIONS is used on-screen as B-roll. Truly a mark of bravery.

 

The remaining columns are edge cases that will be explained on a case by case basis.

 

THE RESULTS, FROM MOST TO LEAST COWARDLY

 

The Cowards

 

 

 

 

 

 

Our first grouping is comprised of a few local news station affiliates, Fox News, RT News, and the admittedly-not-a-news-program Jimmy Kimmel Live. Much like the federal government with aliens, they flat out denied the existence of Naruto, neither mentioning him verbally or in text. Fox News at least didn't cut Naruto out of the event description, but they did bizarrely insinuate that the entire event could be the work of Russian bots. This was such a cowardly move on their part that I created another criterion for "not mentioning Russian bots" which awarded literally every other news outlet a point besides Fox News.

 

Baseline Acceptable 

 

 

"Feds warn UFO enthusiasts against storming Area 51: The Miliatary 'stands ready'"–Video within article by The Hill

 

The New York Daily News and The Hill at least had the decency to mention Naruto by name. While neither had the scrupulous nature necessary to display the orange ninja on-screen, they at least acknowledged his existence, which gives them a solid C+ in my books.

 

Commendable Journalism

 

 

 

 

The Tampa Bay CBS affiliate and Time both exceeded expectations, using footage from Naruto as B-roll for their news pieces. Both pale in comparison to the East Texas NBC affiliate, whose anchors, though they neglected to show our boy's wonderful visage, both demonstrated the famed Naruto run on live television. Truly great journalism.

 

???

 

 

Lastly, here's a video that has the right headline and appropriate copy to be included in this list but... well it's just a series of eerie panning shots of Area 51 with absolutely no voice over. The creepy video isn't absolutely silent though–you can here a slight breeze and a few undiscernable off-camera voices, which makes it even worse. Since this news crew was obviously taken into custody–either by the government or by aliens–I don't think it's fair to judge their lack of Naruto efforts. 

 

---

 

Watch Naruto on Crunchyroll

 

---

 

Cayla Coats is the Editor-in-Chief of Crunchyroll News. She tweets @ceicocat

16 Jul 18:27

Anime World Order Show # 177 – Dick Dastardly and Muttley Never MURDERED Penelope Pitstop

by animeworldorder@gmail.com (Anime World Order)
As convention prep comes down to the wire, we?re joined once again by Mike Toole to do what we do best with him. Namely, talk about some Discotek Media developments and review anime from Yoshiyuki Tomino! This time around, it's Blue Gale Xabungle aka Combat Mecha Xabungle. Visit www.animeworldorder.com for full show notes and supplemental links.
06 Jul 04:10

Harmony Gold Renews License to 1st Macross, Southern Cross, Mospeada Anime Series

Agreements extended with Tatsunoko, but do not cover later Macross projects
13 Jun 14:13

SSX, Eternally Orbiting

by d.merrill
The 1980s! Not the sexy Miami Vice 1980s of pastel blazers, cocaine, and insider trading, but the nerdy suburban 1980s of cartoons, comic books, and computer clubs. Specifically the computer club in Conyers Georgia, where I'm off in the corner luring future Bill Gateses and Steve Jobses away from their Commodores and Apple II s with Eternal Orbit SSX on a 13 inch color TV.  Eternal
05 Jun 17:42

No-Brand Heroes Return for Here Is Greenwood Stage Show

by news+feed@crunchyroll.com

 

Yukie Nasu's manga Here Is Greenwood has already been both an anime and a live-action TV series. Next up, the boys of Greenwood are taking the stage in Tokyo!

 

Here Is Greenwood: School Stage will adapt the basic story of the manga, in which a student named Kazuya enrolls in Ryokuto Academy to get away from his brother and sister-in-law (the latter of whom he has a crush on). Kazuya ends up the "weird kids' dorm": Greenwood, a converted insane asylum.

 

The cast for this production includes:

 

Seiya Konishi as Kazuya Hasegawa:

 

Shunya Ohira as Shun Kisaragi:

 

Reo Nagatsuma as Mitsuru Ikeda:

 

Tatsuya Kageyama as Shinobu Tezuka:

 

Satsuki Kitano as Hideya Sakaguchi:

 

Hiroki Sasamori as Hiroshi Tochizawa

 

The show will run at Tokyo's Galaxy Theater from July 19-28.

 

>> Here Is Greenwood: School Stage Website


Source: Comic Natalie

 

 

-----

 

Kara Dennison is a writer, editor, and interviewer with bylines at VRVWe Are Cult, Fanbyte, and many more. She is also the co-founder of Altrix Books and co-creator of the OEL light novel series Owl's Flower. Kara blogs at karadennison.com and tweets @RubyCosmos.

28 May 14:07

Anime World Order Show # 175 – Now Akira, It’s Your Turn to Wear the Demon Skull

by animeworldorder@gmail.com (Anime World Order)
Now that Devilman Crybaby is all the rage?or well, WAS all the rage a year and a half ago?Gerald reviews the Devilman OVAs from 1987, 1990, and 2000. Visit www.animeworldorder.com for full show notes and supplemental links.
17 May 13:25

Spoilers Matter

by sdshamshel

Between Avengers: Endgame, Game of Thrones Season 8, and the upcoming Star Wars Episode IX: The Rise of Skywalker—all concluding parts for their respective stories—pop culture has been in prime “spoiler warning” territory. If you’re plugged into any sort of social media, and you don’t have the opportunity to watch things as they’re released, it can be a struggle to avoid any and all information. This also means it’s incredibly easy for a few trolls to ruin other people’s days, but what I’m even more concerned about is a recurring notion I’ve been seeing, about how people’s anger and frustration over being spoiled is some kind of sign that these works are less about art and storytelling and more about shock value and surprise. They might even say something like, “Truly good works are good even when spoiled.”

Perhaps they’re right. Perhaps they’re not. Either way, it still doesn’t mean that a desire to go in relatively “blind” is somehow valueless. In fact, I find it to be quite rude and even a little elitist to value a work over people’s own desires to such an extent that negatively impacting their experience is somehow “okay” because it shows how “limited” both the people and their “shocking” entertainment can be. While it’s true that some things stand the test of time better than others, and that a piece of media that can be enjoyed over repeat viewings is strong in many ways, you still only get one chance to see something for the first time regardless. Just because something is even better the second or third time around doesn’t mean that the initial exposure should be diminished.

Granted, even without spoilers, “going in blind” means different things to different people. Some might have ideas as to what they think will happen, and will be bracing for the moment that their pet theories are confirmed or denied. Others might be looking at character interactions and trying to see if their chosen characters have any romantic developments. Personally, I purposely try to avoid pushing my expectations onto a work as much as possible. But whatever one’s approach, and even if a work holds up after spoilers, being aware of what happens changes the way a work is experienced. You go from trying to navigate the work on your own terms to being aware in the back (or front) of your mind that an Important Thing is going to happen. That’s not necessarily bad, but if you view a work once without spoilers and then a second time with spoilers, it means you get to have both experiences.

Note that there are a few caveats. The choice of spoilers vs. no spoilers is anything but binary, and that something as simple as a movie trailer can be “too much” for some and “not count as spoilers” for others. There’s also a difference between “being okay with spoilers” and, say, people who want advance warning on anything that might trigger them and cause deep psychological pain. And for instances where a work might come from a very unfamiliar time and culture, and not knowing the proper context can mean not catching many of the meanings and signals that are assumed to be “obvious” or “common sense” to anyone from that original time or place. Foreknowledge can be significant, but having it isn’t inherently better than not having it. First impressions can potentially be based in ignorance, but that ignorance can be corrected afterwards. You can’t take back a spoiler.

If all a film, TV show, book, or whatever has is shock value, so be it. If it has more to offer, all the better. That still doesn’t make those who wish to be surprised or who wish to focus on the unexpected somehow symptoms of an ailing entertainment industry, or make their experiences trivial. They can always come back, and if the problem is that people don’t want to revisit after the first go-around, that’s not an issue with anti-spoiler culture—that’s an issue with time and its usage. But ultimately, if people only have enough time to see something once, they should be able to do it on their terms, and not ones set by some externally imposed values rooted in notions of how “true quality” is defined.

14 May 12:57

Golgo 13 Horses Around for Japan Racing Association Collaboration

by news+feed@crunchyroll.com

Golgo 13 takes aim at the 86th Nippon Derby, while all the other jockeys and horses sport Duke Togo's famous bushy eyebrows.

 

Hold your horses, folks, because the world's greatest assassin Golgo 13 is teaming up with the Japan Racing Association for a bizarre collaboration promoting the 86th annual Nippon Derby GI horse race, and the promotion includes a "Where's Waldo?" style challenge, original character goods, animated CMs featuring famous voice actors, and equines with extremely bushy eyebrows.

 

 

The 15-second TV spots feature Akio Ōtsuka as the voice of Golgo 13 and Suzuko Mimori and Aoi Yūki, respectively, as the voices of Golgo Horse. The promotion also includes a special website with original comics, a "Searching Golgo" contest challenging players to pick Duke Togo out of a crowd at the Nippon Derby, and contests for original goods such as posters and T-shirts.

 

 

The 86th annual Nippon Derby GI will be held on May 26, 2019, at the Tokyo Racecourse in Fuchu, Tokyo, Japan.

 

Sources:

MoCa

Comic Natalie

 

Hime poses for a Crunchyroll ad banner.

 

---

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

13 May 14:16

Rep. Pascrell Predicts Trump's Tax Returns Will Drain His Support

by Susie Madrak
Darylsurat

Narrator: They won't.

Rep. Bill Pascrell Jr. was on Morning Joe today to talk about his committee's fight to get Trump's tax returns

Jonathan Lemire pointed out that the White House has known shown no inclination to cooperate with any request for Trump's taxes. "If they ignore the subpoena, what happens next?"

Rep. Pascrell spelled out the items in tax code that give the House Ways and Means committee the authority to access the returns, under penalty of fines and jail.

"I believe if there's an issue out there that's going to break down the great numbers of people who follow Mr. Trump, his base, it is this issue. Because what this issue is going to show is the fact that the president didn't pay his taxes. And when you don't pay your taxes, somebody else has to pay more. And if it's not fair, and he's bullied his way to the position, I think those people are going to say 'we've been had.' "

"You mentioned jail. Who is going to jail? The Treasury secretary?

"I'm think they go have to look at 7214 to make sure they understand what happens if they don't hand over. And this may wind up in a court. But the law is on our side, very clear, very succinct, the language is, and I'm very proud to stand behind those two pieces in the tax code," Pascrell said.

read more

07 May 14:44

Mike's Blog Round Up

by Infidel753
Mike's Blog Round Up

Strangely Blogged: A look at Trump's most vicious lie.

Crazy Eddie's Motie News: The worst measles outbreak in a quarter-century, brought to us by the anti-vax nuts.

Lo Imprescindible: The psychological value of the Buttigieg campaign.

Progressive Eruptions: Intimidation tactics against anti-Trump activists.

Blog round-up by Infidel753. To recommend a post, send link to mbru [at] crooksandliars [dot] com -- I do check it!


03 May 18:00

Mad Bull 34 vol. 10 ch. 37 (Manga)

by SystematicChaos
Darylsurat

Tony Tweet, a villain far before his time

Here’s chapter 37 (Mad Bull 34 manga): MediaFire

2776-HIT COMBO!
Time to leave the saxophone and take the cannoli, cause things are about to get musical!

I wish we could have released this under better circumstances, but as I’m sure most of you have heard, the great Koike Kazuo passed away last month. We all knew and loved him as a great and batshit insane manga writer who wrote anything from high literature to pulp, and knew about swords on top of that. Unfortunately, all good things must come to an end. So we dedicate this to Koike’s memory. Good night, sweet prince. Don’t let Sleepy wake you up.

Don’t forget to visit HappyScans’ website!
______________________________________

Read our About & FAQ tab before the thought of commenting even crosses your mind!

02 May 20:27

Piss jug blues...

by MRTIM
30 Apr 13:24

Anime World Order Show # 174 – Yes! Doug is Actually Kind of an Asshole

by animeworldorder@gmail.com (Anime World Order)
Darylsurat

Well, it's true.

Two episodes in a month! It?s practically an AWO double decker, so it's only fitting that Clarissa review the surprisingly overlooked Tiger and Bunny spinoff of sorts, Double Decker! Doug and Kirill. Visit www.animeworldorder.com for full show notes and supplemental links.
03 Apr 06:09

Anime World Order Show # 173 – 100 Years of Yuri with Most Dangerous Erica Friedman, Yuri Bodhisattva

by animeworldorder@gmail.com (Anime World Order)
Two episodes ago we told you to go check out Erica Friedman and her blog Okazu, but much like a rogue outlaw space idol singer this Most Dangerous Erica has come to us so that we can talk about the 2018 yuri anime Kase-san and Morning Glories. Visit www.animeworldorder.com for full show notes and supplemental links.