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07 Aug 22:47

Reviewed:

by Armin

Dial M for Martin

New Logo and Identity for Martin by Born & Raised

Established in 1976, Martin is a vocational education and training institution in Australia offering government-accredited diplomas in business, management, information technology, marketing, graphic design, events, and tourism. With campuses in Brisbane, Melbourne, Gold Coast, and Sydney, each with an average of 400 students, Martin offers full-time, part-time, online, and distance learning. Earlier this month, the college introduced a new identity designed by Sydney-based Born & Raised.

Martin College has existed for over 35 years, providing diplomas across Business and Marketing, Graphic Design and IT, Travel and Tourism. But despite its heritage, the brand has lacked any distinction in market — and talked to all student types in the same generalist manner. With an ambitious new management team and equally ambitious business targets in place, along with new higher education courses coming online, we developed a brand with the ambition and confidence to match the organisation's changing culture.

Project page on Behance

New Logo and Identity for Martin by Born & Raised
Sampling of old look.
A research and strategy phase unlocked a new brand architecture for simpler Schools (faculties), and drove the name change to Martin, doing away with the educator's vocational heritage.

We created a flexible branding system that spoke to creative industries in a very different way to business candidates, using our M mark as a bold, flexible pattern.

We developed strong messaging and tone of voice that placed focus on Martin's unique qualities — teachers and mentors that genuinely care, a supportive and social working environment, and incredibly flexible study options.

Project page on Behance

New Logo and Identity for Martin by Born & Raised
Logo detail with animated content.

The old logo and look were dowdy at best and failed to provide Martin with any kind of unique voice to attract students. The new logo, with the big M, feels fairly institutional — it could easily represent the architecture of a big campus structure from a large college — and professional. The wordmark seems like it could use some Wheaties, it's a little thin in contrast to the really large M monogram and their visual relationship doesn't quite finish meshing together. The main lock-ups with MARTIN underneath or MARTIN to the side (as on their website) make the name appear too small or too big, respectively; while a six-letter name would seem like the more flexible, cooler option to work with, adding "COLLEGE" into the lock-ups would have yielded more balanced configurations. The combination works much better in the sub-brands (below) where there is more type, balancing out the size of the "M". It's definitely a much more marketable logo and one that should be far more memorable than its predecessor.

New Logo and Identity for Martin by Born & Raised
Stationery.
New Logo and Identity for Martin by Born & Raised
Wall decorations.
New Logo and Identity for Martin by Born & Raised
Sub-brands.
New Logo and Identity for Martin by Born & Raised
Photo treatment.
New Logo and Identity for Martin by Born & Raised
Sub-brand brochure covers.
New Logo and Identity for Martin by Born & Raised
Newspaper print piece.
New Logo and Identity for Martin by Born & Raised
Outdoor ad.
New Logo and Identity for Martin by Born & Raised
Nice take on the logo-as-window. Downloadable frame here.

In application there is a few attractive things happening, like the "M" used almost like a bow tie on top of pictures of smiling students and a vibrant color palette. There is the good ol' logo-as-window approach, which doesn't feel as grating here as it usually does, perhaps because of the large square footage of the "M" that provides plenty of window for the images, and when used in a pattern (as in the newspaper) it actually looks cool. Overall, nothing groundbreaking but an obviously beneficial redesign that gives Martin plenty of variations to communicate in a more interesting way than before.

Many thanks to our ADVx3 Partners
06 Jan 20:16

Laura Wood Illustration

by Garth
Laura Woods, an Italian freelance illustrator living in Melbourne, Australia, has only been in the illustration game for a year and a half, yet her impressive work shows she’s got the talent of a seasoned vet.

Laura’s first 1.5 years in the industry have been jam packed as she’s illustrated books, magazines, and has even gotten into digital storybook apps. These storybook — Three Bears and Goldilocks in particular – are especially intriguing as they take storytelling with kids to a whole new level.

Check out some of our favorite pieces below, then hop on over to her portfolio to peruse more of her great work.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

Laura Woods Illustration / on Design Work Life.

09 Jun 14:46

Brilliantly idiotic OliverAge24 does some a cappella justice to...



Brilliantly idiotic OliverAge24 does some a cappella justice to Daft Punk’s hit “Get Lucky.”