Scott Lord
Shared posts
14 Apr 23:59
Philo Vance and The Kennel Murder Case (Curtiz, 1933)
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Silent Film
by Scott Lord Silent Film
Scott Lord, Scott Lord Mystery Film and one other like this
14 Apr 23:58
Silent Film
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Silent Film
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Silent Film
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
King of Kings
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Silent Film
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Scott Lord Silent Film Biblical Drama :Flight into Egypt
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:58
Thomas Ince
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and -1 others like this
14 Apr 23:58
Thomas Ince.
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:57
Victor Sjostrom
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:55
Silent Film
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:55
The Bible
by Scott Lord Silent Film
Scott Lord Mystery Film, Scott Lord and one other like this
14 Apr 23:54
Scott Lord Mystery: Castle Films The Invisible Man
Scott Lord, Scott Lord likes this
14 Apr 23:54
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: Sven Gustafson screenwriter, Europa 1942-1948
Scott Lord, Scott Lord likes this
14 Apr 23:54
Mystery scott lord
Sherlock Holmes- Sign of the Four
|
victorseastrom
shared this story
from |
|
scottlordpoet
shared this story
from |
Mystery scott lord
Scott Lord, Scott Lord likes this
14 Apr 23:54
Scott Lord Mystery: Ramsey Ames in The Black Widow (1947) Chapter One De...
Scott Lord, Scott Lord likes this
14 Apr 23:38
SILENT FILM
SILENT FILM
SILENT FILM
SILENTS
Television Art: Lifebuoy soap plus sponsor tag (1971)
|
victorseastrom
shared this story
from |
SILENT FILM
SILENT FILM
SILENT FILM
SILENTS
Scott Lord, Scott Lord and one other like this
14 Apr 23:38
Scott Lord Mystery: Ramsey Ames in The Black Widow (1947) Chapter One De...
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Scott Lord, Scott Lord and 2 others like this
14 Apr 23:38
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
The Abyss (Urban Gad, Afgrunden, Denmark 1910)
|
victorseastrom
shared this story
from |
Urban Gad directed Asta Nielsen in her first film "The Abyss" (Afgrunden, 1910) in Denmark, a film often written about due to her popularity and to a scene contained in it in which she dances erotically. Uli Jung and Martin Lorperdinger, editors of Importing Asta Nielsen, the international filmstar in the making 1910-1914, see the rise of Asta Nielsen as meteoric with her first appearance on screen, "she became a well-known and popular actress in many countries on the continent in the 1910/11 season." The film is described by Casper Tybjerg as her "breakthrough film". Scholar Casper Tybjerg, University of Copenhagen/online instructor, notes that "The Abyss" was promoted as an art film, a drama in two acts.
It was also that year that Urban Gad and Asta Nielsen would travel to Germany to film for Duetsche BIoscop. Assta NIelsen appeared on screen under Urban Gad's direction with cinematographer Karl Fruend behind the camera that year in the films "Moth" (Nachtfaler) and "The Strange Bird"" (Der Frerde Volgel). Asta Nielsen would later star with Greta Garbo for G.W. Pabst in "The Joyless Street". Janet Bergstrom, in her paper Asta Nielsen's Early German Films, chronicles Asta Nielsen asking Urban Gad if he would write a film for her. "Afgrunden" not only secured an international audience for her but it heralded the film itself becoming an art form. Bergstrom notes Nielsen having written that she aspired to improve her acting ability by watching herself on the screen.
Although many films from the time period were adaptations of theatrical plays, "The Abyss" has no dialougue intertitles, but rather insert shots containing written letters. Both insert shots of printed material and dialougue intertitles are part of the diegesis of a silent film, whereas expository intertitles that either summarize the action or prepare the audience for it are not part of the film's diegesis, insert shots of letters bringing a more first person authorial camera that provides identification with the character.
Scott Lord Danish Silent Film
Scott Lord, Scott Lord and 2 others like this
14 Apr 23:37
Scott Lord Mystery: Evelyn Ankers in The Fatal Witness (1945)
by victorseaful
Scott Lord, Scott Lord and one other like this
14 Apr 23:37
The Copper Beeches (Calliard, 1912)
by noreply@blogger.com (Scott Lord on Silent Film)
Scott Lord, Scott Lord and one other like this
25 Jan 04:45
Sherlock Holmes- Sign of the Four
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
Scott Lord, Scott Lord and one other like this
25 Jan 04:45
Scott Lord Mystery Film - YouTube
|
scottlordpoet
shared this story
from |
Mystery
Tags: Mystery
Scott Lord, Scott Lord and one other like this
25 Jan 04:45
silent film silent film silent film silent film
Scott Lord Scandinavian Silent Film: Dodsritten under Circuskupolen (Geo...
|
scottlordpoet
shared this story
from |
silent film silent film silent film silent film
Scott Lord, Scott Lord and one other like this
25 Jan 04:42
silent film scott lord
Scott Lord Mystery: Bluebeard (Ullmer, 1944)
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
|
scottlordpoet
shared this story
from |
|
scottlordpoet
shared this story
from |
silent film scott lord
Scott Lord, Scott Lord Mystery Film likes this
'