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22 Jun 23:42
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: Scott Lord Silent Film: Mary Pickford in Rebecca of Sunnybrook Farm (Neilan, 1917)
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22 Jun 23:42
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22 Jun 23:42
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22 Jun 23:42
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22 Jun 23:42
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22 Jun 23:41
One technique used to present narrative by D.W. Griffith, although the principle thematic action was two interior scenes connected by cutting on action, was to introduce the film with an exterior panning shot as the establishing shot. The film is concluded with a similar exterior shot which pans in the opposite direction to imply the story had reached an irrevocable conclusion.
Written and directed by D.W. Griffith for the Biograph Film Company the film stars Gladys Egan, Mary Pickford, Florence Lawrence and Kate Bruce. D.W.Griffith D.W. Griffith Biograph Film Company
Scott Lord Silent Film: The Country Doctor (D.W. Griffith, Biograph, 1909)
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One technique used to present narrative by D.W. Griffith, although the principle thematic action was two interior scenes connected by cutting on action, was to introduce the film with an exterior panning shot as the establishing shot. The film is concluded with a similar exterior shot which pans in the opposite direction to imply the story had reached an irrevocable conclusion.
Written and directed by D.W. Griffith for the Biograph Film Company the film stars Gladys Egan, Mary Pickford, Florence Lawrence and Kate Bruce. D.W.Griffith D.W. Griffith Biograph Film Company
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22 Jun 23:41
Greta Garbo: Greta Garbo in (The Temptress, Fred Niblo, 1926): Greta Garbo as continuance of Vamp while waiting for the next film to be made by Greta Garbo , Photoplay magazine during 1926 printed, ... silent film Silent film
Greta Garbo: Greta Garbo in (The Temptress, Fred Niblo, 1926)
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Greta Garbo: Greta Garbo in (The Temptress, Fred Niblo, 1926): Greta Garbo as continuance of Vamp while waiting for the next film to be made by Greta Garbo , Photoplay magazine during 1926 printed, ... silent film Silent film
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22 Jun 23:41
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: Scott Lord Silent Film: The Great Train Robbery (Porter,1903)
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22 Jun 23:41
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22 Jun 23:41
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22 Jun 23:41
SILENT FILM SILENT FILM Swedish Silent Film silent film
Swedish Silent Film
by noreply@blogger.com (Scott Lord on Silent Film, Scott Lord on Mystery Film)
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SILENT FILM SILENT FILM Swedish Silent Film silent film
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22 Jun 23:41
SILENT Film Silent FILM silent film Victor Sjostrom
Swedish Silent Film: The Monastery of Sendomir (Victor Sjostr...
by Scott Lord on Silent Film, Scott Lord on Mystery Film (noreply@blogger.com)
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SILENT Film Silent FILM silent film Victor Sjostrom
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22 Jun 23:41
Swedish Silent Film pioneer Anna Hofmann-Uddren began filming for Orientaliska Teatern in 1911 with the film "Stockholmsdamemas alskling" starring Carl Barklind, Sigurd Wallen, Erica Tomberg and Anna-Lisa Hellstrom. The film is presumed lost, with no surving existing copies. For a brief period of time, actors Victor Sjostrom and Mauritz Stiller, then new to filmmaking, would be rivalled by film versions of the plays of August Strindberg before their having aquired world renown for establishing the Golden Age of Swedish Silent film with the film "Terje Vigen" (Victor Sjostrom,1916), based on Ibsen's poem.
Not quite apart from the account of the use of the proscenium arch in early cinema in Vardac's Stage to Screen, the films directed by Anna Hofmann-Uddgren in 1911 were tranpositions of "Miss Julie" (Froken Julie) and "The Father", the intimate theater of Swedish playwright August Strindberg. "The Father", starring Karin Alexandersson, Karen Thoren and Rene Bjorling featured an admittedly static camera and is an example of filmed theater. And yet cameraman Otto Bjorkman used two exterior shots and cutting that would bring about scene changes during "Miss Julie", a film that had had its premiere at the Orientalisks Teatern, starred Karin Alexandersson and Manda Bjorling. Both films were later remade by Alf Sjoberg and boths films were written by Anna Hofman-Uddgren's husband Gustaf Uddgren.
Ingrid Stigsdotter, Stockholm University, has noted that the reception of the films of Anna Hofman Uddgren was shared with her husband, his being a well known journalist, "Filmmaking was such a new activity that professional designations (the Swedish terms for "director", "producer", "scriptwriter", "actor", "cinematographer"....) had not yet aquired a fixed meaning in relation to the film medium an what was expected for example a director or writer of a film was in the process of fluctuation or negotiation."
To add a feminist historiography to the films, one reason for the films seeming to be overlooked, other than the director's career having had been being brief and not having continued to the 1916 incipience of the Golden Age of Swedish Silent Film, whether having had been being "filmed theater" or not, is primarily the availability of the films; "The Father" is the only film directed by Anna Hofmann-Uddgren known to exist, there being no surviving copies of five of the six films she had directed, those being considered Lost Silent Film.
Anna Hofmann-Uddgren during 1911 also directed acress Edith Wallen in two films, both filmed by cinematographer Otto Bokman, "Single a Dream" (Blott in Drom) and "Sisters" (Systarna). Both are included in the five lost silent films directed by Hofmann-Uddgren, her having scripted the former, Elin Wagner having written the photoplay to the latter.
Actress Karin Alexandersson during 1914 went to Svenska Bio to make film under the direction of Victor Sjostrom and Mauritz Stiller before returning during the 1940's to appear in more than a dozen films. Director Anna Hofmann-Uddgren in fact appeared in front of the camera as an actress twice during 1921 in the films "De Landsflyktige" (Mauritz Stiller) and "Pilgrimage to Kevlaar" (Ivan Hedqvist).
The Blue Tower in Stockholm, where August Strindberg lived bewteen 1908-1912 and where he wrote the play "The Great Highway" is now part of the Strindberg Museum. Strindberg had gladly acquiesced to have his plays adapted into films, almost congradulating Anna Hofmann-Uddgren's husband, Gustav.
Silent Film
Swedish Silent Film
Swedish Silent Film: Anna Hofmann-Uddgren
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Swedish Silent Film pioneer Anna Hofmann-Uddren began filming for Orientaliska Teatern in 1911 with the film "Stockholmsdamemas alskling" starring Carl Barklind, Sigurd Wallen, Erica Tomberg and Anna-Lisa Hellstrom. The film is presumed lost, with no surving existing copies. For a brief period of time, actors Victor Sjostrom and Mauritz Stiller, then new to filmmaking, would be rivalled by film versions of the plays of August Strindberg before their having aquired world renown for establishing the Golden Age of Swedish Silent film with the film "Terje Vigen" (Victor Sjostrom,1916), based on Ibsen's poem.
Not quite apart from the account of the use of the proscenium arch in early cinema in Vardac's Stage to Screen, the films directed by Anna Hofmann-Uddgren in 1911 were tranpositions of "Miss Julie" (Froken Julie) and "The Father", the intimate theater of Swedish playwright August Strindberg. "The Father", starring Karin Alexandersson, Karen Thoren and Rene Bjorling featured an admittedly static camera and is an example of filmed theater. And yet cameraman Otto Bjorkman used two exterior shots and cutting that would bring about scene changes during "Miss Julie", a film that had had its premiere at the Orientalisks Teatern, starred Karin Alexandersson and Manda Bjorling. Both films were later remade by Alf Sjoberg and boths films were written by Anna Hofman-Uddgren's husband Gustaf Uddgren.
Ingrid Stigsdotter, Stockholm University, has noted that the reception of the films of Anna Hofman Uddgren was shared with her husband, his being a well known journalist, "Filmmaking was such a new activity that professional designations (the Swedish terms for "director", "producer", "scriptwriter", "actor", "cinematographer"....) had not yet aquired a fixed meaning in relation to the film medium an what was expected for example a director or writer of a film was in the process of fluctuation or negotiation."
To add a feminist historiography to the films, one reason for the films seeming to be overlooked, other than the director's career having had been being brief and not having continued to the 1916 incipience of the Golden Age of Swedish Silent Film, whether having had been being "filmed theater" or not, is primarily the availability of the films; "The Father" is the only film directed by Anna Hofmann-Uddgren known to exist, there being no surviving copies of five of the six films she had directed, those being considered Lost Silent Film.
Anna Hofmann-Uddgren during 1911 also directed acress Edith Wallen in two films, both filmed by cinematographer Otto Bokman, "Single a Dream" (Blott in Drom) and "Sisters" (Systarna). Both are included in the five lost silent films directed by Hofmann-Uddgren, her having scripted the former, Elin Wagner having written the photoplay to the latter.
Actress Karin Alexandersson during 1914 went to Svenska Bio to make film under the direction of Victor Sjostrom and Mauritz Stiller before returning during the 1940's to appear in more than a dozen films. Director Anna Hofmann-Uddgren in fact appeared in front of the camera as an actress twice during 1921 in the films "De Landsflyktige" (Mauritz Stiller) and "Pilgrimage to Kevlaar" (Ivan Hedqvist).
The Blue Tower in Stockholm, where August Strindberg lived bewteen 1908-1912 and where he wrote the play "The Great Highway" is now part of the Strindberg Museum. Strindberg had gladly acquiesced to have his plays adapted into films, almost congradulating Anna Hofmann-Uddgren's husband, Gustav.
Silent Film
Swedish Silent Film
Silent Film
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22 Jun 23:40
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: The Silent Film of Alfred Hitchcock
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22 Jun 23:40
Scott Lord on Silent Film Hollywood, Lost Silent Film, Swedish Silent Film, Danish Silent Film: Scott Lord Silent Film: Lon Chaney in Oliver Twist (Frank Lloyd, 1922)
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07 Jun 17:39
Lamont Cranston in The Shadow Strikes (Shores,1937)
by Scott Lord on Silent Film, Scott Lord on Mystery Film
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07 Jun 17:39
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: The White Rose (D.W. Griff...
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07 Jun 17:39
Greta Garbo, Victor Sjostrom as Seastrom, Mauritz Stiller, John Brunius: Scandinavian Silent Film: Scott Lord Silent Film: The Pride of Palomar (Fran...
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07 Jun 17:39
Greta Garbo Biography Films Photos: Greta Garbo
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Greta Garbo Biography Films Photos: Greta Garbo: Greta Garbo Silent Film Greta Garbo Greta Garbo
Scott Lord
Greta Garbo Greta Garbo
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Greta Garbo Greta Garbo
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07 Jun 17:39
Silent Sherlock Holmes
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07 Jun 17:39
Greta Garbo: Greta Garbo in The Mysterious Lady (Fred Niblo, 19...
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Greta Garbo: Greta Garbo in The Mysterious Lady (Fred Niblo, 19...: While editor of Film Comment magazine, Richard Corliss signed the dedication of his biography of Greta Garbo, "To My Own Mysterio...
silent film
silent film
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07 Jun 17:39
Greta Garbo: Greta Garbo in (The Temptress, Fred Niblo, 1926)
by Scott Lord on Silent Film, Scott Lord on Mystery Film
Greta Garbo: Greta Garbo in (The Temptress, Fred Niblo, 1926): Greta Garbo as continuance of Vamp while waiting for the next film to be made by Greta Garbo , Photoplay magazine during 1926 printed, ...
silent film
Silent film
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07 Jun 17:39
Scott Lord on Silent Film: The Silent Film of Alfred Hitchcock
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Scott Lord on Silent Film: The Silent Film of Alfred Hitchcock: The Kinematograph Yearbook of 1928 include with the screen credits then acquired by Alfred Hitchcock those of his having been assistant...
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07 Jun 17:38
Bulldog Drummond
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07 Jun 17:38
Sherlock Holmes Fatal Hour
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07 Jun 17:38
The Nineteen Sixties
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