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23 Jun 16:32

Blame The NSA, Not Exhibitionism

by nathanjurgenson at Cyborgology

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One problem with taking social problems and re-framing them as individual responsibility is that it ends up blaming victims instead of pressuring root causes. This mentality creates a temptation to, for example, respond to the NSA scandal involving the government tapping into Internet traffic with something like, “well stop posting your whole life on Facebook, then”. Or less glib is the point raised many times this month that the habit of constant self-documentation on social media has made possible a state of ubiquitous government surveillance. The brutality of spying is made both possible and normal by the reality of digital exhibitionism. How can the level of government spying be so shocking in a world where people live-tweet their dinner? Perhaps we should stop digitally funneling so much of our lives through Gmail now that the level of surveillance is becoming clearer. Sasha Weiss writes in The New Yorker that,

Most of us react with horror to the idea that our online messages are in the hands of the government—in the sense of being collected in a massive stream of data and analyzed for suspicious patterns—but have no problem posting a photo of our kids, our wedding, or our lunch on Facebook or Instagram

This meshes with the surveillance studies literature that argues banal, voluntary, and habitual publicity makes us used to be being watched and thus less concerned about our privacy, ultimately leading us to become complicit with surveillance in general over time. The structure of digitally mediated life as it exists is indeed highly compatible with the surveillance apparatus. As such, it is very easy to use this scandal as an excuse to critique our culture of digital publicity, a culture where intimate spying is an inevitable outcome.

However, we should always be a little skeptical of thinking with such inevitabilities. The “resistance is futile” fallacy—the Borg Complex—takes for granted that everything that can be seen by anyone will be seen by everyone, and, in the process, fundamentally misplaces who is responsible for violations of privacy. At play here is that pesky, predictable trend of making individuals responsible for social problems: When the government—or in another news cycle, a social media company—violates user privacy, the seemingly-helpful response is to advise individual users to change how they behave.

Yes, if you use the Web less, the NSA will have less of you within their Utah zettabytes (aside: that’s a better team name than ‘Utah Jazz’). But the bigger point is that you should be able to use the Web without being spied on in the first place. To take this social problem, treat it as an inevitability, and then place responsibility back on the very individuals being violated does nothing to address the root problem: government overreach in the name of “security.”

Breezily linking NSA spying with oversharing on social media misses that always crucial element: consent. Through the lens of consent, voluntarily posting photos of your vacation and the NSA having access to your emails are fundamentally different things. One does not inevitably need to lead to the other; in fact, we know that people who post more and are more public online tend to also enact more privacy measures. Privacy and publicity are not always antithetical, but often mutually-reinforcing. The goal shouldn’t be to ask individuals to stop living a digitally mediated life if they so choose but to make that mediation safer from violation in the first place.

That consensual exhibitionism makes nonconsensual spying possible may be technically right, but such a focus is morally wrong. Any response to the NSA scandal that ignores the importance of consent and instead places the responsibility for our own privacy, and the blame of its violation, back on us is untenable.

Nathan is on Twitter [@nathanjurgenson] and Tumblr [nathanjurgenson.com].

Lead image is cropped from a 1970 Newsweek cover, via

My friends who like NSA - National Security Agency

14 Jun 21:13

The Real War on Reality

by By PETER LUDLOW

If there is one thing we can take away from the news of recent weeks it is this: the modern American surveillance state is not really the stuff of paranoid fantasies; it has arrived.

The revelations about the National Security Agency’s PRISM data collection program have raised awareness — and understandably, concern and fears — among American and those abroad, about the reach and power of secret intelligence gatherers operating behind the facades of government and business.

But those revelations, captivating as they are, have been partial —they primarily focus on one government agency and on the surveillance end of intelligence work, purportedly done in the interest of national security. What has received less attention is the fact that most intelligence work today is not carried out by government agencies but by private intelligence firms and that much of that work involves another common aspect of intelligence work: deception. That is, it is involved not just with the concealment of reality, but with the manufacture of it.

The realm of secrecy and deception among shadowy yet powerful forces may sound like the province of investigative reporters, thriller novelists and Hollywood moviemakers — and it is — but it is also a matter for philosophers. More accurately, understanding deception and and how it can be exposed has been a principle project of philosophy for the last 2500 years. And it is a place where the work of journalists, philosophers and other truth-seekers can meet.

In one of the most referenced allegories in the Western intellectual tradition, Plato describes a group of individuals shackled inside a cave with a fire behind them. They are able to see only shadows cast upon a wall by the people walking behind them. They mistake shadows for reality. To see things as they truly are, they need to be unshackled and make their way outside the cave. Reporting on the world as it truly is outside the cave is one of the foundational duties of philosophers.

In a more contemporary sense, we should also think of the efforts to operate in total secrecy and engage in the creation of false impressions and realities as a problem area in epistemology — the branch of philosophy concerned with the nature of knowledge. And philosophers interested in optimizing our knowledge should consider such surveillance and deception not just fodder for the next “Matrix” movie, but as real sort of epistemic warfare.


To get some perspective on the manipulative role that private intelligence agencies play in our society, it is worth examining information that has been revealed by some significant hacks in the past few years of previously secret data.

Important insight into the world these companies came from a 2010 hack by a group best known as LulzSec  (at the time the group was called Internet Feds), which targeted the private intelligence firm HBGary Federal.  That hack yielded 75,000 e-mails.  It revealed, for example, that Bank of America approached the Department of Justice over concerns about information that WikiLeaks had about it.  The Department of Justice in turn referred Bank of America to the lobbying firm Hunton and Willliams, which in turn connected the bank with a group of information security firms collectively known as Team Themis.

Team Themis (a group that included HBGary and the private intelligence and security firms Palantir Technologies, Berico Technologies and Endgame Systems) was effectively brought in to find a way to undermine the credibility of WikiLeaks and the journalist Glenn Greenwald (who recently broke the story of Edward Snowden’s leak of the N.S.A.’s Prism program),  because of Greenwald’s support for WikiLeaks. Specifically, the plan called for actions to “sabotage or discredit the opposing organization” including a plan to submit fake documents and then call out the error. As for Greenwald, it was argued that he would cave “if pushed” because he would “choose professional preservation over cause.” That evidently wasn’t the case.

Team Themis also developed a proposal for the Chamber of Commerce to undermine the credibility of one of its critics, a group called Chamber Watch. The proposal called for first creating a “false document, perhaps highlighting periodical financial information,” giving it to a progressive group opposing the Chamber, and then subsequently exposing the document as a fake to “prove that U.S. Chamber Watch cannot be trusted with information and/or tell the truth.”

(A photocopy of the proposal can be found here.)

In addition, the group proposed creating a “fake insider persona” to infiltrate Chamber Watch.  They would “create two fake insider personas, using one as leverage to discredit the other while confirming the legitimacy of the second.”

The hack also revealed evidence that Team Themis was developing a “persona management” system — a program, developed at the specific request of the United States Air Force, that allowed one user to control multiple online identities (“sock puppets”) for commenting in social media spaces, thus giving the appearance of grass roots support.  The contract was eventually awarded to another private intelligence firm.

This may sound like nothing so much as a “Matrix”-like fantasy, but it is distinctly real, and resembles in some ways the employment of “Psyops” (psychological operations), which as most students of recent American history know, have been part of the nation’s military strategy for decades. The military’s “Unconventional Warfare Training Manual” defines Psyops as “planned operations to convey selected information and indicators to foreign audiences to influence their emotions, motives, objective reasoning, and ultimately the behavior of foreign governments, organizations, groups, and individuals.” In other words, it is sometimes more effective to deceive a population into a false reality than it is to impose its will with force or conventional weapons.  Of course this could also apply to one’s own population if you chose to view it as an “enemy” whose “motives, reasoning, and behavior” needed to be controlled.

Psyops need not be conducted by nation states; they can be undertaken by anyone with the capabilities and the incentive to conduct them, and in the case of private intelligence contractors, there are both incentives (billions of dollars in contracts) and capabilities.


Several months after the hack of HBGary, a Chicago area activist and hacker named Jeremy Hammond successfully hacked into another private intelligence firm — Strategic Forcasting Inc., or Stratfor), and released approximately five million e-mails. This hack provided a remarkable insight into how the private security and intelligence companies view themselves vis a vis government security agencies like the C.I.A. In a 2004 e-mail to Stratfor employees, the firm’s founder and chairman George Friedman was downright dismissive of the C.I.A.’s capabilities relative to their own:  “Everyone in Langley [the C.I.A.] knows that we do things they have never been able to do with a small fraction of their resources. They have always asked how we did it. We can now show them and maybe they can learn.”

The Stratfor e-mails provided us just one more narrow glimpse into the world of the private security firms, but the view was frightening.  The leaked e-mails revealed surveillance activities to monitor protestors in Occupy Austin as well as Occupy’s relation to the environmental group Deep Green Resistance.  Staffers discussed how one of their own men went undercover (“U/C”) and inquired about an Occupy Austin General Assembly meeting to gain insight into how the group operates.

Stratfor was also involved in monitoring activists who were seeking reparations for victims of a chemical plant disaster in Bhopal, India, including a group called Bophal Medical Appeal. But the targets also included The Yes Men, a satirical group that had humiliated Dow Chemical with a fake news conference announcing reparations for the victims.  Stratfor regularly copied several Dow officers on the minutia of activities by the two members of the Yes Men.

One intriguing e-mail revealed that the Coca-Cola company was asking Stratfor for intelligence on PETA (People for the Ethical Treatment of Animals) with Stratfor vice president for Intelligence claiming that “The F.B.I. has a classified investigation on PETA operatives. I’ll see what I can uncover.” From this one could get the impression that the F.B.I. was in effect working as a private detective Stratfor and its corporate clients.

Stratfor also had a broad-ranging public relations campaign.  The e-mails revealed numerous media companies on its payroll. While one motivation for the partnerships was presumably to have sources of intelligence, Stratfor worked hard to have soap boxes from which to project its interests. In one 2007 e-mail, it seemed that Stratfor was close to securing a regular show on NPR: “[the producer] agreed that she wants to not just get George or Stratfor on one time on NPR but help us figure the right way to have a relationship between ‘Morning Edition’ and Stratfor.”

On May 28 Jeremy Hammond pled guilty to the Stratfor hack, noting that even if he could successfully defend himself against the charges he was facing, the Department of Justice promised him that he would face the same charges in eight different districts and he would be shipped to all of them in turn.  He would become a defendant for life.  He had no choice but to plea to a deal in which he may be sentenced to 10 years in prison.  But even as he made the plea he issued a statement, saying “I did this because I believe people have a right to know what governments and corporations are doing behind closed doors. I did what I believe is right.”  (In a video interview conducted by Glenn Greenwald with Edward Snowden in Hong Kong this week, Snowden expressed a similar ethical stance regarding his actions.)

Given the scope and content of what Hammond’s hacks exposed, his supporters agree that what he did was right. In their view, the private intelligence industry is effectively engaged in Psyops against American public., engaging in “planned operations to convey selected information to [us] to influence [our] emotions, motives, objective reasoning and, ultimately, [our] behavior”? Or as the philosopher might put it, they are engaged in epistemic warfare.

The Greek word deployed by Plato in “The Cave” — aletheia — is typically translated as truth, but is more aptly translated as “disclosure” or “uncovering” —   literally, “the state of not being hidden.”   Martin Heidegger, in an essay on the allegory of the cave, suggested that the process of uncovering was actually a precondition for having truth.  It would then follow that the goal of the truth-seeker is to help people in this disclosure — it is to defeat the illusory representations that prevent us from seeing the world the way it is.  There is no propositional truth to be had until this first task is complete.

This is the key to understanding why hackers like Jeremy Hammond are held in such high regard by their supporters.  They aren’t just fellow activists or fellow hackers — they are defending us from epistemic attack.  Their actions help lift the hood that is periodically pulled over our eyes to blind us from the truth.


Peter Ludlow

Peter Ludlow is a professor of philosophy at Northwestern University and is currently co-producing (with Vivien Weisman) a documentary on Hacktivist actions against private intelligence firms and the surveillance state.

08 Jun 15:13

Photos: Three Days of #OccupyGezi

by JennaPope

My photos from Gezi Park and Taksim Square in Istanbul, Turkey, June 5th-7th. Click here for more info on the protests in Turkey.

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Click here if you wish to support my work.


27 May 16:09

Louis Liebenberg on Endurance Running and the Development of Scientific Thinking

by Markus

“Mens sana in corpore sano (A healthy mind in a healthy body)” – Roman poet Juvenal

Some readers might already be familiar with Louis Liebenberg. His fascinating research on persistence hunting was discussed extensively in Christopher McDougall’s bestselling book Born to Run.

Probably over 2 million years old and likely the most ancient form of hunting (before the domestication of dogs and the invention of weapons), persistence hunting was done without weapons. This was mainly possible because of humans unique physical ability to outrun animals to exhaustion. Strange as it sounds humans are the best adapted creatures on earth to run long distances in hot conditions. Because unlike most animals our upright bodies aren’t so close to the hot ground, we sweat to cool down, don’t need to drink as frequently as other animals and our breathing is independent from our stride.

But besides endurance running, another important factor contributing to our persistence hunting success was our unique ability for scientific thinking. Humans had to be able to deduce, predict and theorize where the prey might be or run to (more on this in the videos to follow).

Back in the early 1980′s, 22 year old Louis Liebenberg was majoring in Maths and Physics at Cape Town University. Where he had begun challenging the traditional view that the human brain could not be the product of natural selection because its appreciation for art and science meant that it far exceeded the capacity of all other animals. His hunch was that scientific thinking was indeed evolutionary and had developed as a necessity for the survival of modern hunter-gatherer societies, especially from the practice of animal tracking in hunting. So on deciding he would rather research his evolutionary intuition, to prove his theory Louis dropped out of college.

Bushmen Science 2San Hunters Tracking Wildebeest on Nyae Nyae Pan

Then alone, with no background in anthropology, or wilderness experience he moved into the Kalahari desert to find and study tribal Bushmen (Bushmen are considered to be of the oldest genetic stock on earth with equally old traditions). He was able to live with a group of traditional Bushmen for 4 years and eventually was even taken on more than one persistence hunts.

His anthropological research findings that followed were widely acclaimed and in 2001 he also helped a BBC film crew document a persistence hunt for the David Attenborough nature series The Life of Mammals.

Below is one of Louis’s talks on persistence hunting and it’s relationship to the origins of scientific thinking. The development of the early human brain, creative intelligence and the ability of scientific thinking that resulted from tracking animals.

For anyone interested in further reading about persistence hunting, very little has been published on the subject. But Louis has very generously made his rare/out of print books about his research available for free download on his website CyberTracker (the main reason for this post).

The Origin of Science by Louis Liebenberg (2013)
The Art of Tracking by Louis Liebenberg (1990)
Persistence Hunting by Modern Hunter-Gatherers By Louis Liebenberg (2006)

There is also a donate button on the website for anyone wishing to donate to his unique project.

Today Louis runs a conservation organization called CyberTracker that is dedicated to promoting, preserving and evolving the ancient science/art of tracking. This has been his mission for the last 20 years, since a campfire discussion about the future of Bushman culture and how it would be important to create jobs for trackers who could no longer live as hunter-gatherers.

Karoha Tracker Unit

CyberTracker has since created animal tracking courses and tests, developing a skill that was learned exclusively by word of mouth and experience, into an academic education. Preserving the ancient knowledge and developing it’s teaching methods so that now it can easily be passed down to anyone in the world with an interest in animal tracking and the environment. But also allowing Bushmen to maintain a connection to the land and their traditions in an increasingly modernizing world.

What’s more the CyberTracker Tracker Evaluation system is a unique vision combining ancient wisdom with modern methods and a valuable tool for environmental awareness and conservation.

“The ancient art of tracking can be revitalized and developed into a new science to monitor the impact of climate change on biodiversity. A new science that can help us solve one of the most complex challenges of the future.” -  Louis Liebenberg

So how does any of this relate to design and footwear in particular? Well Louis Liebenberg is also applying Animal Tracking as a vehicle to promote positive behavioral change in modern society.

Louis also believes that an understanding of animal tracking can also put us back in touch with nature, by creating a greater awareness of the wealth in wildlife that surrounds us. Spotting the marks made by bears, mountain lions and deer as we go about our Sunday walks, can lead to a greater understanding and appreciation of nature.  A reminder of our place in the natural world and the key to creating an environmentally friendly culture.

If an idea, or a design can increase interaction and awareness of nature, then it can promote the development of a more environmentally friendly culture.

Christopher McDougall wrote, “Louis Liebenberg is a scholar and adventurer whose work combines academic rigor, inspired leaps of insight, and a remarkable willingness to risk himself in pursuit of an idea.” and I would add that he is an inspiration, protecting and nurturing our priceless cultural and natural wealth.

Via CyberTracker – Towards a Worldwide Environmental Monitoring Network

Endnote: The term Bushmen is sometimes viewed as a pejorative, but was used for the purpose of this post because it was unclear which Kalahari group San, Sho or Kung, Louis Liebenberg had studied.


18 May 13:14

Amazing Sea Butterflies Are the Ocean’s Canary in the Coal Mine

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The shelled sea butterfly Hyalocylis striata can be found in the warm surface waters of the ocean around the world. Photo: © Karen Osborn

The chemistry of the ocean is changing. Most climate change discussion focuses on the warmth of the air, but around one-quarter of the carbon dioxide we release into the atmosphere dissolves into the ocean. Dissolved carbon dioxide makes seawater more acidic—a process called ocean acidification—and its effects have already been observed: the shells of sea butterflies, also known as pteropods, have begun dissolving in the Antarctic.

Tiny sea butterflies are related to snails, but use their muscular foot to swim in the water instead of creep along a surface. Many species have thin, hard shells made of calcium carbonate that are especially sensitive to changes in the ocean’s acidity. Their sensitivity and cosmopolitan nature make them an alluring study group for scientists who want to better understand how acidification will affect ocean organisms. But some pteropod species are proving to do just fine in more acidic water, while others have shells that dissolve quickly. So why do some species perish while others thrive?

It’s a hard question to answer when scientists can hardly tell pteropod species apart in the first place. The cone-shaped pteropod shown here is in a group of shelled sea butterflies called thecosomes, from the Greek for “encased body.” There are two other groups: the pseudothecosomes have gelatinous shells, and the gymnosomes (“naked body”) have none at all. Within these groups it can be hard to tell who’s who, especially when relying on looks alone. Scientists at the Smithsonian’s National Museum of Natural History are using genetics to uncover the differences among the species.

This effort is led by zoologist Karen Osborn, who has a real knack for photography: in college, she struggled over whether to major in art or science. After collecting living animals while SCUBA diving in the open ocean, she brings them back to the research ship and photographs each in a shallow tank of clear water with a Canon 5D camera with a 65mm lens, using three to four flashes to capture the colors of the mostly-transparent critters. The photographs have scientific use—to capture never-before-recorded images of the living animals—and to “inspire interest in these weird, wild animals,” she said. All of these photos were taken in the Pacific Ocean off the coasts of Mexico and California.

Clione

This gymnosome (Pneumodermopsis sp.) pulls shelled pteropods from their shells with a set of suckers. Photo: © Karen Osborn

Although sea butterflies in the gymnosome group, like the one seen above, don’t have shells and are therefore not susceptible to the dangers of ocean acidification, their entire diet consists of shelled pteropods. If atmospheric CO2 continues to rise due to the burning of fossil fuels and, in turn, the ocean becomes more acidic, their prey source may disappear—indirectly endangering these stunning predators and all the fish, squid and other animals that feed on the gymnosomes.

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Cavolinia uncinata. Photo: © Karen Osborn

For years, sea butterflies were only collected by net. When collected this way, the animals (such as Cavolinia uncinata above) retract their fleshy “wings” and bodies into pencil eraser-sized shells, which often break in the process. Researchers then drop the collected pteropods into small jars of alcohol for preservation, which causes the soft parts to shrivel—leaving behind just the shell. Scientists try to sort the sea butterflies into species by comparing the shells alone, but without being able to see the whole animals, they may miss the full diversity of pteropods.

Fleshy pteropod

This may be the same species as the previous sea butterfly (Cavolinia uncinata), or it could be a different species that has gone unnoticed for decades. Photo: © Karen Osborn

More recently, scientists such as Osborn and Smithsonian researcher Stephanie Bush have begun collecting specimens by hand while SCUBA diving in the open sea. This blue-water diving allows her to collect and photograph fragile organisms. As she and her colleagues observe living organisms in more detail, they are realizing that animals they had thought were the same species, in fact, may not be! This shelled pteropod (Cavolinia uncinata) is considered the same species as the one in the previous photo. Because their fleshy parts look so different, however, Bush is analyzing each specimen’s genetic code to establish whether they really are the same species.

Pteropod egg case

Mass of Cavolinia uncinata eggs. Photo: © Karen Osborn

This string of eggs shot out of Cavolinia uncinata when it was being observed under the microscope. The eggs are attached to one another in a gelatinous mass, and, had they not been self-contained in a petri dish, would have floated through the water until the new pteropods emerged as larvae. Their reproduction methods aren’t well studied, but we know that pteropods start off as males and once they reach a certain size switch over to females. This sexual system, known as sequential hermaphroditism, may boost reproduction because bigger females can produce more eggs.

Limacina spiral

In the Arctic, this pteropod species (Limacina helicina) can compose half of the zooplankton swimming in the water column. Photo: © Karen Osborn

This pteropod (Limacina helicina) has taken a beating from being pulled through a trawl net: you can see the broken edges of its shell. An abundant species with black flesh, each of these sea butterflies are the size of a large grain of sand. In certain conditions they “bloom” and, when fish eat too many, the pteropod’s black coloring stains the fishes’ guts black.

Phonograph pteropod

The shell of Clio recurva is a perfect landing strip for a colony of hydroids. Photo: © Karen Osborn

Not only is the inside of this shell home to a pteropod (Clio recurva), but the outside houses a colony of hydroids—the small pink flower-like animals connected by transparent tubing all over the shell. Hydroids, small, predatory animals related to jellyfish, need to attach to a surface in the middle of the ocean to build their colony, and the tiny shell of Clio is the perfect landing site. While it’s a nice habitat for the hydroids, this shell probably provides less than ideal protection for the pteropod: the opening is so large that a well equipped predator, such as larger shell-less pteropods, can likely just reach in and pull it out. “I would want a better house, personally,“ says Osborn.

Clione

It was once thought that Clione limacina was found in the Antarctic and Arctic, but it’s likely that they are two separate species. Photo: © Karen Osborn

Gymnosomes are pteropods that lack shells and have a diet almost entirely composed of shelled pteropods. This species (Clione limacina), exclusively feeds on Limacina helicina (the black-fleshed pteropod a few slides back). They grab their shelled relative with six tentacle-like arms, and then use grasping jaws to suck their meal out of the shell.

  This post was written by Emily Frost and Hannah Waters. Learn more about the ocean from the Smithsonian’s Ocean Portal.

18 May 11:40

The Cartography of Bullshit

by Siddhartha Mitter


With the gutting of foreign coverage by most U.S. newspapers and the need to populate infinite Web space with content, a new creature has emerged: the foreign affairs blogger. Max Fisher, who hosts the Washington Post’s WorldViews page, is a leading exemplar of the species. Fisher’s newsy nuggets are often low-priority zeitgeist items that may or may not be vignettes of greater themes: examples in recent days include the tunnel-smuggled delivery of KFC chicken into Gaza, the video of the Czech president possibly drunk, a staff-passenger brawl at Beijing airport, and New Zealand’s “war on cats.” Fisher also concocts FAQ-style explainers on places in the news that he judges to be obscure to his readers (Chechnya and Dagestan, Central African Republic, Mali). And he is very keen on global surveys, whose results he summarizes, augments with his own interpretation, and typically renders with color-coded maps that drive home the key message.

This week, Fisher proposed to his readers what he titled “A fascinating map of the world’s most and least racially tolerant countries.” The deep-blue, racially tolerant areas included the US, UK, Canada, Australia, Scandinavia, and much of Latin America. The deepest-red, or most racially intolerant, countries were India, Bangladesh and Jordan. Russia and China fell in the middle; much of Africa was left out for lack of data, but South Africa came out light blue (highly tolerant), and Nigeria light red (highly intolerant). Other highly tolerant countries included Pakistan and Belarus.

A cursory glance at this distribution of results would suggest something deeply suspect about the exercise; moreover, anyone who studies the concept of race knows that it is hard enough to operationalize in a single-country context, let alone in cross-national comparison. Still, Fisher soldiered on, offering bullet-point findings: “Anglo and Latin countries most tolerant,” “Wide, interesting variation across Europe,” “The Middle East not so tolerant,” and the like. He offered country-level speculation: tolerance was low in Indonesia and the Philippines “where many racial groups often jockey for influence and have complicated histories with one another,” and lower in the Dominican Republic than in other Latin countries “perhaps because of its adjacency to troubled Haiti.”

Where did these numbers come from? As Fisher explained, they came from the long-running World Values Survey, which has polled attitudes around the world for decades. Fisher was drawn to the topic by news of a new paper, by a pair of Swedish economists, on the links between economic freedom in a country and its level of tolerance. (The paper was described in a post at Foreign Policy, itself a hub of foreign-affairs blogging.) To measure racial tolerance in particular, the authors used question A124_02 in the World Values survey, which asks respondents whether they would “not like to have as neighbors people of another race.” Intrigued, Fisher went back to the survey itself and, as he put it, “compiled the original data and mapped it out in the infographic” that led his post.

Although the results don’t pass the sniff test in the first place, I took a look at the data as well, in an effort to identify the exact problems at play. It turns out that the entire exercise is a methodological disaster, with problems in the survey question premise and operationalization, its use by the Swedish economists and by Fisher, and, as an inevitable result, in Fisher’s additional interpretations. The two caveats that Fisher offered in his post – first, that survey respondents might be lying about their racial views, and second, that the survey data are from different years, depending on the country – only scratch the surface of what is basically a crime against social science perpetrated in broad daylight. They certainly weren’t enough to stop Fisher from compiling and posting his map, even though its analytic base is so weak as to render its message fraudulent.

For one thing, the values for each country are indeed from different years, some in the past decade, others as old as 1990. As Fisher put it coyly, “we’re assuming the results are static, which might not be the case.” Indeed: by a rigorous methodological standard, this would be enough to throw out the cross-country comparison in the first place.

Second, a visit to some of the other tolerance questions in the A124 series reveals absurd results and design idiosyncrasies that should render the results of question A124_02, on race, suspect. The other questions ask respondents if they would accept a neighbor who had various other traits: homosexuality, a different religion, heavy drinking, emotional instability, a criminal record, and so on.

To take an example of the weakness of the data, it would appear that in Iran in 2000, only 0.9 percent of respondents “mentioned” an objection to having a homosexual neighbor, whereas in 2007, 92.4 percent mentioned it. In Pakistan in 2001, according to the survey, 100 percent of respondents “did not mention” objection to a homosexual neighbor. These are obviously particularly buggy examples, but these are the data points that the survey offers for analysts to work from; readers can visit the database to form their own opinion.

Moreover, the menu of traits available in the survey for respondents to tolerate or not tolerate varied by country. Thus, Iranians were asked about Zoroastrians; Puerto Ricans, about Spiritists; Tanzanians, about witchdoctors; Peruvians, inexplicably, about “Jews, Arabs, Asians, gypsies, etc.” (A124_33). In other words, the question about race was presented as part of a different menu of questions depending on the country, another red flag signaling a need for caution in isolating it and using it to produce grand findings. And further issues abound: as Fisher noted, self-reporting of prejudice is unreliable to begin with; as the scholar Steve Saideman pointed out, the “neighbor” question is not the best measure of tolerance; and so on.

But the biggest problem, of course, is that “race” is impossible to operationalize in a cross-national comparison. Whereas a homosexual, or an Evangelical Christian, or a heavy drinker, or a person with a criminal record, means more or less the same thing country to country, a person being of “another race” depends on constructs that vary widely, in both nature and level of perceived importance, country to country, and indeed, person to person. In other words, out of all of the many traits of difference for which the WVS surveyed respondents’ tolerance, the Swedish economists – and Fisher, in their wake – managed to select for comparison the single most useless one.

Fisher has an active social-media presence and his posts circulate quite broadly among international-affairs geeks and journalists in many countries; this one found the usual echo on the networks, plus a fair amount of skepticism. In India and Pakistan, Twitter readers were shocked by India’s ultra-high and Pakistan’s ultra-low racial intolerance ratings, both on their own merits and in comparison to each other. Lakshmi Chaudhry and Sandip Roy, at India’s Firstpost, wrote a detailed objection. (Less productively, Philip Weiss at Mondoweiss objected that Fisher’s map excluded Israel, implying that this deliberately overlooked racism in Israel – a spurious accusation, since there are no data available for Israel for question A124_02 in the WVS in the first place.)

On Twitter, Fisher engaged with Saideman but brushed off other queries, tweeting archly: “Coincidentally, readers from red countries are much more likely to say they doubt the methodology behind this study.” When I raised many of the issues in this post, he offered no response or acknowledgment at all, except to block me on Twitter. (That’s why I’m not bothering to seek comment from him before running this piece.) He summarized a few of Saideman’s objections in a follow-up post, but much of this goes down the rabbit-hole of political-science arcana about ethnic conflict and, for some reason, the specific case of Somalia. A more intellectually honest move would have been to take down the map and explain to readers why the exercise was doomed from the start.

Instead, we are left with a shiny color-coded “fascinating map” on the Washington Post site that sends a strong message of Western, Anglo-Saxon moral superiority, assorted with a mystifying portrayal of the rest of the world, and accompanied by near-gibberish interpretations – all based on a methodological process that fails pretty much every standard of social-science design and data hygiene. In other words, pseudo-analysis that ends up, whether by design or by accident, playing into an ideological agenda.

But the problem here isn’t the “finding” that the Anglo-Saxon West is more tolerant. The problem is the pseudo-analysis. The specialty of foreign-affairs blogging is explaining to a supposedly uninformed public the complexities of the outside world. Because blogging isn’t reporting, nor is it subject to much editing (let alone peer review), posts like Fisher’s are particularly vulnerable to their author’s blind spots and risk endogenizing, instead of detecting and flushing out, the bullshit in their source material. What is presented as education is very likely to turn out, in reality, obfuscation.

This is an endemic problem across the massive middlebrow “Ideas” industry that has overwhelmed the Internet, taking over from more expensive activities like research and reporting. In that respect, Fisher’s work is a symptom, not a cause. But in his position as a much-read commentator at the Washington Post, claiming to decipher world events through authoritative-looking tools like maps and explainers (his vacuous Central African Republic explainer was a classic of non-information verging on false information, but that’s a discussion for another time), he contributes more than his weight to the making of the conventional wisdom. As such, it would be welcome and useful if he held himself to a high standard of analysis – or at least, social-science basics. Failing that, he’s just another charlatan peddling gee-whiz insights to a readership that’s not as dumb as he thinks.


29 Apr 18:17

Armchair woodsmen

by Michael Gibb

Anyone serious about their firewood will tell you that they get theirs early in the spring. They will also tell you that the best way to dry your wood is to chop it into short logs and arrange them in loose airy stacks somewhere that the wind can get at them. By weight, dry wood of all kinds releases roughly the same amount of energy when burnt, so the experienced hand knows to look for dry and dense wood and is not easily seduced by volume. I did not know these things until recently, but now that I do, this knowledge seems essential. It makes me a better man.

Most of what I know about firewood comes from a Norwegian book entitled Hel Ved (2011), which roughly translates as ‘solid wood’. It was written by the novelist Lars Mytting and contains detailed discussions of every aspect of sourcing, chopping, drying, storing and burning wood. There are tables in the back listing the drying rates and percentage of ash you can expect from different species of tree. There are references to research conducted by something called the Norwegian Institute of Wood Technology. Mytting is serious about his firewood.

This is the kind of book I knew I had to read before I had even seen a copy. I grew up in Norway, but now live in the UK. Fortunately, my parents could be convinced to send one to me, and I read it from cover to cover the weekend it arrived in the post. I have since studied parts of it as though preparing for an exam.

This is not out of character. The book sits comfortably on my shelf next to a number of other, similar titles. One discusses, in exhaustive detail, the virtues of various flours when baking bread; another contains detailed instructions for constructing a back garden wood-burning oven; another still provides butchery instructions for every bird and mammal found on the British Isles, as well as some found only elsewhere. Collectively, they form a kind of eccentric survivalist reference library that takes up almost an entire Ikea Billy bookshelf.

There are some individuals for whom such a reference library makes undoubted practical sense. If you live in an extremely rural community, some mastery of this knowledge is likely essential both for comfort and survival. I, on the other hand, live in central London. The two pigeons nesting in our chimney suggest that it is a long time since the disabled fireplace in our converted Victorian terrace last saw any action, and the local council would put an end to any aspirations I might have for a wood-burning oven in what can only with considerable generosity be called our back garden. There is, in short, perhaps some absurdity in my taste for survivalist literature.

Mine is an emerging masculine ideal that requires a man to possess knowledge of a particular kind

And yet I am not alone. I belong to a growing community of woodsmen, butchers and craftsmen of various kinds who ply their trade from the armchair. Hel Ved has sold more than 150,000 copies in a country with a population of just under five million, and has spent a year on Norway’s nonfiction bestsellers list. Following its success, Norway’s national broadcaster, which has a public service mandate similar to that of the BBC, aired a 12-hour television programme about firewood; one in five Norwegians watched at least part of it. An international audience also seems to have been captivated, with popular stories following on the BBC and in The New York Times. Evidently the audience for this kind of book extends well beyond the ranks of those to whom it might offer genuine practical value.

A book such as Hel Ved is, in any case, not the portable and durable field-guide that the serious practitioner would require. These are weighty, fully illustrated tomes, designed for a coffee table. They are the reason the height of Billy bookshelves can be adjusted. What’s more, it will come as no surprise that much of this audience of armchair woodsmen are, like me, male. I belong to a demographic of young men who are increasingly hungry for the kind of knowledge these books supply, and who proudly display our survivalist libraries as a mark of status, rather in the way that young aristocrats once displayed their Grand Tour portraits.

In addition to revealing much about firewood and butchery, my growing library therefore suggests something important about contemporary ideas of what it is to be a man. And as a philosopher, I find myself pondering the true nature of those ideas.

‘Hel ved’ means ‘solid wood’, but it is also a Norwegian expression denoting someone of a sound and reliable character. This translation gets much closer to explaining why Mytting's book and others like it command my attention. They are as much about cultivating a certain kind of character as they are about their particular subject matter. In moments of reflection, I often find myself worrying that a real man knows some things that I do not. He knows how to go out in to the woods and return with usable firewood. He knows how to butcher a pheasant or a squirrel. He knows not just the ideals of nose-to-tail cooking, but the grisly mechanics as well. One reason I might want to know how to butcher a pig or to stack firewood is that I might be required to do so. Another is that I want to be a better man.

Perhaps I am in the grips of the old, outmoded ideal of man as the provider, the hunter-gatherer. This is the vision of manhood embodied in Ernest Hemingway’s solitary heroes, forged through battle with noble adversaries in the deep ocean or on the plains of Africa, or, at the very least, in the bullring. Or perhaps I have been romanced by the same sirens that caught Henry David Thoreau’s ear and drove him away from the city and back to nature at Walden Pond.

The particular ideal I have been preparing for, however, strikes me as both new and different from these predecessors, though each still survives in various forms. In the older cases, the knowledge the man requires plays what philosophers call an instrumental role. Both heroes have independent aims and aspirations, and knowledge is of value only to the extent that it can be enlisted in service of these independent aims.

Many of us have opted instead to perform a kind of alchemy, transforming what was once of instrumental value into knowledge valued for its own sake

The knowledge that I am pursuing, by contrast, appears to be a case of knowledge for its own sake. It will not make me any better at flourishing in my actual environment, or in an environment to which I secretly long to escape. It has almost no practical application in my life, but I desire it nevertheless. Though I do not mean to endorse it over others, or to exclude women, mine is an emerging masculine ideal that simply requires a man to possess knowledge of a particular kind. There are some things a man of this kind simply ought to know. And this new ideal has evolved, I think, fairly naturally from those that came before it.

As a child I was taught how to whittle a bow and arrow from the soft pliable branches of early spring. My grandfather encouraged my cousin and me to make a flagpole from a recently felled tree. He taught us to carry a small knife at all times. I can still gut a fish or shell a crab with ease. These lessons were no doubt imparted because of their presumed instrumental value, and with the hope that they would serve me as they had served my teachers. Yet as the world I live in diverged from theirs, this instrumental value diminished and, in some cases, disappeared entirely. I could have abandoned this knowledge altogether. Not wanting to go this far, many of us have opted instead to perform a kind of alchemy, transforming what was once of instrumental value into knowledge valued for its own sake. But what sort of knowledge are we left with?

A few months after the end of the Second World War, during which he had served as an intelligence officer, the Oxford philosopher Gilbert Ryle made his Presidential Address to the Aristotelian Society in London. The paper he delivered was one of the first to draw a formal distinction between two different kinds of knowledge. Despite being a philosopher, Ryle appears to have been an eminently practical man. A former colleague of his once told me that his standard example of a good, virtuous activity was digging.

It is perhaps not surprising, then, that Ryle saw himself as correcting an excessive intellectualism, one that he traced at least as far back as Plato’s tripartite division of the soul. In this view, there is a part of us that does the thinking, a part of us that does the doing, and what Ryle considered a mysterious ‘Janus-faced’ intermediary that connects the two, having its foot in both camps but resting in neither.

Ryle found much to dislike about this picture. He noted, for example, that much of what we do — such as chopping wood — can be done intelligently or skilfully, as well as stupidly. According to the Platonic theory which he opposes, any intelligence exhibited in activity must be traced to the part of us that thinks. Doing something, like chopping wood, cannot itself be regarded as an exercise in intelligence. In the Platonic construction, chopping wood intelligently must be to chop wood while simultaneously performing a separate act of thought or theorising in which certain facts are contemplated in a way that guides the activity.

Not all intelligence, or skill, or cunning, is expressed through thought. Some is expressed directly in action

This picture, argued Ryle, is a mistake. The graceful dancer does not do two things at once, but rather one thing in a certain way. The same is true of the woodsman who chops wood intelligently. The intelligence is part of the performance and not separate to it. According to Ryle, intelligence can be exercised directly in certain kinds of practical performances. Not all intelligence, or skill, or cunning, is expressed through thought. Some is expressed directly in action.

The same argument can be made by noticing that thinking and reasoning are themselves things that are done, and that they too can be done both cleverly and foolishly. In ‘What the Tortoise Said to Achilles’ (1895), Lewis Carroll engages his characters in discussion of a simple argument consisting of two premises and a conclusion. The Tortoise challenges Achilles to show him how logic could ever force him to accept the conclusion of an argument. Achilles responds by stating that if the tortoise accepts his two premises, then he must also accept the conclusion. The Tortoise understands, but asks Achilles to make this step in his argument clear by writing it down and adding it as a third premise to his argument. ‘Very well,’ says Achilles, proceeding to restate his argument. If the tortoise accepts these three premises, then he must also accept the conclusion. Again the Tortoise understands, but again he asks Achilles if he should not add this statement as a fourth premise in his argument, since the Tortoise must accept the conclusion only if he accepts this further claim. At this point, Achilles sees that there is no end in sight. He can keep supplying premises indefinitely and the Tortoise can keep asking why.

What went wrong, says Ryle, is that Achilles assumed that knowing how to reason consisted in the knowledge of some proposition that can be written down and placed alongside the other facts of his argument. This, as the Tortoise made plain, is not so. If those who follow Ryle are right, teaching someone how to reason does not consist in teaching some additional fact or premise. There are two kinds of intelligence at issue, each corresponding to the exercise of a different kind of knowledge.

Ryle calls these two different forms of knowledge ‘knowing-that’ and ‘knowing-how’. The former is knowledge of propositions or facts: for example, knowing that the square root of 81 is nine, or that the army of the Ottoman Empire once reached the gates of Vienna. It can be written down and communicated through books, which might be why it comes most naturally to mind when we think of knowledge. Knowing-how, by contrast, is better thought of as a kind of skill or ability. It is the knowledge we exercise when we demonstrate that we know how to reason, or ride a bike, or swim. As the Tortoise purports to make clear, it cannot be reduced to knowledge of the first kind. Knowing how to reason or ride a bike does not consist in a series of facts that can be written down and presented to the Tortoise. It is knowledge of a different kind entirely. This is why, while there are many excellent books about bikes and cycling, there are few books that will teach you how to ride a bike.

If Ryle is right (and there are those who deny it), the relation between knowledge and my masculine ideal is more complex than it first appears. To say that there are some things that a man must know is not yet to say what kind of knowledge they involve, nor yet how that knowledge might best be obtained. If knowledge-that is all that is needed, then Hel Ved and books like it offer a viable route to becoming the kind of man I want to be. If, on the other hand, the knowledge I value takes the form know-how, then there are limits to how successfully I can pursue it from the armchair.

Given the origins of my ideal, it is most likely a combination of the two. Books can lead me part of the way, but they will leave both me and the Tortoise unsatisfied. If I truly aspire to knowing some of the things that were once essential to men like me, I must acknowledge that some of them — some of the knowledge I now value for its own sake — takes the form of know-how. Books will never capture this part of the ideal. Like men before me, I must at some point leave the armchair and head out into the woods. I have read, at least, that early spring is the time to go searching.

Published on 29 April 2013

Article topics: Knowledge, Ritual

Comments 3 submit to reddit
27 Apr 01:14

How To Chart Good

by DOGHOUSE DIARIES

How To Chart Good

I’m starting a petition to add burrito to the periodic table.

27 Apr 01:13

You are weird.

by Jessica Hagy

we're all a little off

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22 Apr 21:12

Anywhere but Here: Kowloon “Anarchy” City

by MessyNessy

It was the most densely populated place on Earth for most of the 20th century, where a room cost the equivalent of US$6 per month in high rise buildings that belonged to no country. In this urban enclave, “a historical accident”, law had no place. Drug dealers, pimps and prostitutes lived and worked alongside kindergartens, and residents walked the narrow alleys with umbrellas to shield themselves from the endless, constant dripping of makeshift water pipes above.

(c) Greg Girard

Ungoverned and unregulated, Kowloon Walled City was for so many years, a stain on the urban fabric of British colonial Hong Kong. This month it has been 20 years since the city was finally demolished and to mark the anniversary, the South China Morning Post published a fascinating and detailed info-graphic, showing what life was like inside the city of darkness… (click to enlarge)

“There was a place near an airport, Kowloon, when Hong Kong wasn’t China, but there had been a mistake, a long time ago, and that place, very small, many people, it still belonged to China. So there was no law there.”

William Gibson, Idoru

The history of the Kowloon Walled City can be traced back as far as the Song Dynasty (960–1279), when it was used as an outpost for managing the trade of salt, but it wasn’t until the British colonists came knocking that Kowloon would become associated with anarchy and lawlessness. By the 19th century it was a walled military fort which the Chinese decided to hold onto after Hong Kong Island was ceded to Britain in 1842– or as William Gibson puts it plainly, ‘when Hong Kong wasn’t China‘. It was China’s way of keeping an eye on the British (much to their annoyance) from a very convenient location, right in the middle of the newly colonized territory.

Kowloon ‘Walled’ City lost its wall during the Second World War when Japan invaded and razed the walls for materials to expand the nearby airport. When Japan surrendered, claims of sovereignty over Kowloon finally came to a head between the Chinese and the British. Perhaps to avoid triggering yet another conflict in the wake of a world war, both countries wiped their hands of the burgeoning territory.

And then came the refugees, the squatters, the outlaws. The uncontrolled building of 300 interconnected towers crammed into a seven-acre plot of land had begun and by 1990, Kowloon was home to more than 50,000 inhabitants. Author William Gibson continues with his notes on the city:

“An outlaw place. And more and more people crowded in; they built it up, higher. No rules, just building, just people living. Police wouldn’t go there. Drugs and whores and gambling. But people living, too. Factories, restaurants. A city. No laws.”

A 1989 Germany documentary takes us on a fascinating tour of the city:

Click here to view the embedded video.

In the 1980s, photographer Greg Girard documented Kowloon Walled City…

Full photostory here

Despite earning its Cantonese nickname, “City of Darkness”, amazingly, many of Kowloon’s residents liked living there. Despite its lack of basic amenities such as sanitation, safety and even sunlight, it’s reported that many have fond memories of the friendly tight-knit community that was “poor but happy”.

“People who lived there were always loyal to each other. In the Walled City, the sunshine always followed the rain,” a former resident told the South China Morning Post.

But as the community began to fascinate architects, photographers and eventually the media, the embarrassment of such living conditions could no longer be tolerated. The site was raised and HK$ 2.7 billion was spent on relocating its residents.

Today all that remains of Kowloon is a bronze small-scale model of the labyrinth in the middle a public park where it once stood.

This isn’t to say places like Kowloon Walled City no longer exist in Hong Kong….

 

Chungking Mansions

A citadel known as the Chungking Mansions is often compared to Kowloon Walled City for its unusual atmosphere, where some 5,000 people from at least 129 different countries are living, working (and lurking) in relative lawlessness….

Image (c) Matthew Field

The Economist decribes the atmosphere at Chungking Mansions in 2011:

“Teeming, crumbling and motley in the extreme, it is a structure to attract or repel the people of Hong Kong [...] Pushtun touts, Nigerians slinging fake Rolexes and a flock of Indian prostitutes in garish saris congregate at its maw. Inside, a glittering and stinking confusion of shops, food stalls and dormitories is piled on itself in an impossible jumble—17 storeys high and covering most of a city block. Is it even a building?”

Dubbed a “Ghetto at the Centre of the World” by anthropologist Gordon Matthews, Chungking was built in 1961 supposedly as a residential building, but today contains more than 90 low-budget hotels, as well as countless curry restaurants, African bistros, mobile phone shops, sari stores, and foreign exchange offices. A tight gathering place for many ethnic minorities in the city, journalist Peter Shadbolt of CNN called it the “unofficial African quarter of Hong Kong.”

(c) Matthaus Wander

In its darkest days during the 80s and 90s, Chungking Mansions was an squalid centre for drugs, gangs and criminal activity, and yet recently, it was elected as the “Best Example of Globalization in Action” by TIME Magazine and has become somewhat of a Hong Kong legend with adventurous tourists. The Lonely Planet guides features Chungking Mansions as 17th out of the 1010 things to do in Hong Kong, and lists it as second out of the 157 architectural and cultural sites in Asia.

A living hell? Or a limbo filling the gap between different economies, where ethnic minorities and asylum workers can hold more cash in their hands at one time than some might have held in their entire lives…

Sources: Gizmodo, South China Morning Post

Images of Kowloon by Greg Girard

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22 Apr 16:24

This Ambitious Nonprofit Wants To Fact Check The Web

by Ben Schiller

In case you haven’t heard, the Internet has a lot of, shall we say, inaccuracies. Hypothes.is is trying to add a new layer to web browsing, in which experts can annotate online info and vouch for (or discredit) its veracity.

The web has spread a lot of knowledge, but also helped propagate a lot of untruth. From Sarah Palin’s "death panels," to bogus science linking vaccines to autism, the democratization of information, while a fine idea, hasn’t always furthered understanding. Sometimes, it’s simply given license to liars, bullshitters, and worse.

Of course, there are controls. Sites freeze out spammers and trolls, moderate discussion, and have voting systems that bring more useful remarks to the top. But comment sections are not ideal. There’s a lot of verbiage to wade through. It’s not contextual. And, you never really know if a commenter is an honest broker, or in the pay of some company or interest group (yes, people do write shit for money). More fundamentally, the conversation increasingly doesn’t belong to us, if it ever did. That comment on Facebook is just another opportunity for the ad sales team.

To give truth more chance, an ambitious start-up named Hypothes.is wants to add a new layer to the web--one that’s not owned by anybody, but is open-source, and part of the commons. Call it the "annotation layer," or "crowd-sourced peer-review." Essentially, it is annotation capability that brings the information-validation of Wikipedia to everything that’s not Wikipedia.

"It’s infrastructure for the analysis of information," says founder Dan Whaley. That could be just fixing a spelling error, or having 1,000 experts go line by line through the healthcare bill, or financial filings. Using reputation-modeling that privileges people who actually know about stuff, the system creates information trails, showing what research or news preceded the text in question, and what other work it led to afterwards. "This is collaborative research that blurs the line between pre- and post-publication," he says.

Whaley wants Hypothes.is to be available in several forms, including as a browser plug-in (download an early version here) and an API that’s open to third-party developers. Crucially, though, nobody will own it. Sites won’t need to enable the technology; it will be part of the open toolkit of the net itself.

It’s infrastructure for the analysis of information.

The idea of a conversation "around the web" has a long history, as Whaley admits. The creators of the first browser imagined annotation capability, but ditched the idea when they realized how much server capacity they would need to facilitate it. Since then, the likes of Third Voice and Fleck have wanted to do similar things. Whaley doesn’t see such projects as reason for pessimism, but rather as evidence of need. "The fact that it’s such a persistent pursuit of so many people for so long is testament to how important it is that we find a way to make it happen," he says.

And those ex-ventures can be instructive. Before starting Hypothes.is, he spoke with many people involved, learning about mistakes to avoid. Poor user interfaces, a lack of reputation management, that the companies were for-profit--all either invalidated, or made those ventures less attractive, he says.

Whaley isn’t against making money. In the late-'90s, he made a fortune from GetThere, an early travel reservation tool that went public, before being acquired by Sabre for $757 million. He just thinks that something standards-based, rather than owned by one entity, has a better chance of success. "For something like this, you need a little more Wikipedia and Mozilla, and a little less Facebook and Google."

    


18 Apr 00:04

Reporter Asks White House if U.S. Airstrikes That Kill Afghan Civilians Qualify as ‘Terrorism’

by Rania Khalek

UPDATE: The reporter who asked the question is Amina Ismail, a journalist at McClatchy. I urge you to thank her for asking it (her twitter handle is @AminaIsmail) because I can’t imagine it was easy given how extremely rare and frowned upon it is to challenge the dominant “war on terror” narrative, especially as a female reporter with an Arab-sounding name. And Amina, if you’re reading this, thanks for kicking ass!

* * * *

Matthew Keys, the social media editor at Reuters, posted audio of a reporter asking White House Press Secretary Jay Carney if U.S. bombings that kill innocent civilians in Afghanistan constitute an “act of terror” given the labeling of the Boston Marathon bombing as “terrorism”. She specifically refers to a U.S. airstrike earlier this month that killed 11 children, just the latest in a seemingly endless line of Afghan civilian deaths at the hands of the U.S. government.

Carney completely dodged the questions, pointing instead to the 9/11 terrorist attacks to justify U.S. bombings in Afghanistan. After a long-winded answer excusing U.S. conduct, Carney concludes, “ we take great care in the prosecution of this war.”

Tell me, does this look like “great care” to you?

The lifeless bodies of Afghan children lay on the ground before their funeral ceremony, after a NATO airstrike killed several Afghan civilians, including ten children during a fierce gun battle with Taliban militants in Shultan, Shigal district, Kunar, eastern Afghanistan, Sunday, April 7, 2013. (AP Photo/Naimatullah Karyab)

I transcribed the exchange in full:

REPORTER: I send my deepest condolence to the victims and families in Boston. But President Obama said that what happened in Boston was an act of terrorism. I would like to ask, Do you consider the U.S. bombing on civilians in Afghanistan earlier this month that left 11 children and a woman killed a form of terrorism? Why or why not?

JAY CARNEY: Well, I would have to know more about the incident and then obviously the Department of Defense would have answers to your questions on this matter. We have more than 60,000 U.S. troops involved in a war in Afghanistan, a war that began when the United States was attacked, in an attack that was organized on the soil of Afghanistan by al Qaeda, by Osama bin laden and others and more than 3,000 people were killed in that attack. And it has been the President’s objective once he took office to make clear what our goals are in Afghanistan and that is to disrupt, dismantle and ultimately defeat al Qaeda. And with that as our objective to provide enough assistance to Afghan National Security Forces and the Afghan government to allow them to take over security for themselves. And that process is underway and the United States has withdrawn a substantial number of troops and we are in the process of drowning down further as we hand over security lead to Afghan forces. And it is certainly the case that I refer you to the defense department for details that we take great care in the prosecution of this war and we are very mindful of what our objectives are.

At the very least, this serves as another example of the utter meaninglessness of the word “terrorism”.

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18 Apr 00:04

Claire McCaskill: Why Aren’t We Calling Sandy Hook Terror?

by emptywheel

Janet Napolitano is testifying before the Senate Homeland Security Committee, purportedly on the budget. Not surprisingly, she’s getting a ton of questions about the Boston Marathon attack and immigration.

But in a smart series of questions that will undoubtedly be controversial, Claire McCaskill challenged Napolitano to explain why we so quickly called Boston a terrorist attack, but wouldn’t call Sandy Hook a terrorist attack. Noting that we still don’t know the motive behind either attack, McCaskill asked (these are my immediate transcriptions),

Other than weapon, is there any difference between Sandy Hook and Boston?

[snip]

We are so quick to call Boston terror, why aren’t we calling man w/high capacity magazine a terrorist?

[snip]

As I look at it w/eyes of prosecutor, I find it troubling that one is treated to cause so much more fear than other.

[snip]

It’s possible both had same motive, just one chose military weapon, the other chose homemade explosive.

It’s a provocative, but necessary question. The crime of terrorism relies on having a political motive. In both these attacks, we don’t know motive. But two days after Boston, we’re treating it as terrorism, while the attack that killed 20 children in their school still isn’t called such.

My inclination would be to call neither terrorism. McCaskill is right that the term just serves to generate fear.

But I’m glad she asked the question.

09 Apr 21:17

Art After Occupy

by Molly Crabapple
Molly Crabapple / Shell Game

Molly Crabapple / Shell Game

It’s not typical for artists to go out and see the world. Most prefer to sit politely in their studios and make increasingly refined versions of the same piece until they die. Once, artists had a monopoly on image making. If a newspaper wanted a war covered, they sent an illustrator along with a reporter. But once photography became sufficiently advanced, visual art turned to the inner world.

I grew up thinking art was frivolous. Artists are court jesters, Fabergé egg makers — we’re Boucher and Damien Hirst, making exquisite objects for the elite, whatever their bohemianism, deeply felt convictions, couldn’t wipe that away.

As a broke art school dropout, I worked as a model. Not the fancy fashion kind — I’m a foot too short. I was a naked model for amateur photographers. Nothing will make you think about money and power like smearing yourself with jam and posing for dentists with expensive cameras.

I wasn’t great at making money off my looks. But beautiful girls were an addiction. Never have I seen a stripper without thinking she was a philosopher queen. Burlesque was blowing up in New York. I started drawing the dancers.

Burlesque girls are alchemists. They’re steel-tough performers who are willing to use kitchens as dressing rooms, haul their costume bags through the snow, go into debt for Swarovski crystals, all for five the minutes on stage that they’re goddesses.

I grew up with a Toulouse Lautrec fetish. Toulouse Lautrec was the poster artist for the Moulin Rouge. He was an alcoholic dwarf with syphilis whose posters captured all the ambition and darkness behind a can-can girl’s ruffles. I wanted to be Toulouse Lautrec! We liked the same drinks! We were the same height!

When I got the job as a staff artist at a nightclub, the dream came true. It was the sort of impossibly swank joint where Saudi princelings blew $20,000 a night on champagne. Meanwhile, onstage, the world’s best vaudeville performers would do acrobatic, carefully choreographed acts about cutting off banker’s heads. My boss had the depravity of a Borgia prince, but goddamn, he understood my art. I drew my beloved performers as gods. Customers were coke snorting pigs.

It got me thinking that all it takes to get political is a sharp eye, a mocking disposition, a discomfort with your place.

Artists are in an odd space. On one hand, we’re the most fancy of the fancy. People don’t know art, but know what they like –– implying that art is a rarified space, requiring advanced education, where they couldn’t presume to judge. Average people are told over and over again that their instincts on art are stupid and wrong.

My one brush with proletarian labor was doing murals on a construction site. Unlike the other workers, I was allowed to drink on the job and come in whenever I wanted. I was the artist. I was fancy. I could be trusted.

On the other hand? I’m an artist. My job is to apply colored mud onto a surface. Just like the construction workers on the mural job, I’d be covered in toxic dust, freezing and wobbling on a rickety platform. I have dirty nails and rough hands. When famous artists pay young people ten bucks an hour to do their work for them, they’re reproducing the worst excesses of the financial world. Art is carpentry as much as metaphysics. We’re blue collar workers with pretenses at the sublime.

I thought a lot about all these things, but I never let them bleed into my work. I’d marched against the Iraq War. The failure of those million lefty marches made organized political resistance in America feel like theater. To do a poster around an issue felt like a preachy lie. I also felt that because I was a pretty-girl illustrator with a sex industry past, activism was above me. So I’d sell my work and donate the money to abortion funds.

Molly Crabapple / Shell Game

Molly Crabapple / Shell Game

Then In 2011, the world exploded. In one country after another, people sat down in their cities’ main squares — Tahrir, Syntagma, Puerta del Sol, Zuccotti — and said the old world’s machine was dead. All the police charges in the world convince them otherwise.

Singer Paul Robeson said, “The artist must take sides. He must elect to fight for freedom or slavery. I have made my choice. I had no alternative.” He was speaking during the Spanish Civil War, but he might have been speaking to me when Occupy Wall Street set up tents outside my window.

An artist can engage with politics as a documentarian or propagandist, or just as a searching human, trying to puzzle out where the world broke. I first went down to Zuccotti Park to draw the protesters. The media said they were dirty hippie scumbags. I knew they weren’t. They were veterans and construction guys and old ladies doing knitting. Someone held up a sign saying “Give a damn.”

Zuccotti Park itself was a mini city, with a library, a free clinic, a gourmet soup kitchen, and even a table giving out free cigarettes. In the middle of New York City, where every usage of public space is regimented, here was a space that was free. It was also a space where the Left, often an ineffectual snakepit, came together. Union guys stood shoulder to shoulder with Brooklyn party promoters.

The police arrested 700 people at a time, and barricaded half of downtown Manhattan. Power was afraid.

I wanted to help however I could. I donated money and clothes and tarps. I turned my apartment into a press room. Journalists from around the world charged their laptops on my power outlets and drank my booze. I also began to draw protest posters. When the police raided Occupy Oakland, they put a veteran in a coma by shooting him in the head with a tear gas canister. As a response, I drew “Can You See the New World Through the Tear Gas.”

I’d put the posters for download online, or give the files to Occupier friends. Hours later, they’d be on the streets as protest signs. My May Day poster was my most widely distributed image. I reenvisioned the classic worker: a muscular, square jawed proletarian whose job has been outsourced to China, as a Latina woman. It was wheat-pasted on walls across the world.

When I made art for OWS, I was trying to win over skeptics like myself. We all know what activist art looks like. It’s red and black, Soviet-influenced, with lots of hard angles. This is gorgeous design. But saying the revolution has an aesthetic is like saying the revolution has a shoe brand. I wanted art for people who had never considered themselves activists, but who cared deeply for their friends and the world. I kept my Rococo aesthetic. I drew women. I drew animals. I drew protest art that looked like a fairy tale.

Artists are individualists. My favorite muralist, Diego Rivera, was repeatedly expelled from the Communist Party for being too idiosyncratic for the powers of the time. Orwell showed writers their responsibility to look as unflinchingly at their friends as their enemies, even when it is hardest. Artists must do the same. If you’re an activist, there’s a constant, evil temptation to airbrush your own best side. But the best political art is the product not of movements but of the flawed, searching individual mind.


During Occupy, I became friends with the young British journalist named Laurie Penny. In November, the police cleared the camps. They cracked skulls, sealed off lower Manhattan, and threw the mini-city into dump trucks. Laurie climbed down my rusty old fire escape at 3am to get behind police lines. In the days that followed, we’d drink and smoke and try to figure out what would happen next. Occupy was just one of the movements rattling the world in 2011. We decided to do work together about another one.

Right now, Greece is an EU country sliding into fascism, racked with debt and austerity. A third of the population is unemployed. The Nazi Golden Dawn is the third most popular party. Its logo is a broken swastika. It murders immigrants. Its parliamentary representatives post photographs to social media of themselves taking part in pogroms and punch female politicians on TV.

But Greece is also the stage for leftist resistance. On TV, you can see footage of street demonstrations blanketed with fire and tear gas. What you don’t see are places like Navarino Park, a parking lot torn up by anarchists with jackhammers and made into a kids’ playground. You don’t see the people who are feeding and clothing each other when their society has failed.

Laurie and I decided to go to Athens, and record what we saw. We spent a week interviewing activists and immigrants, getting dead drunk at parties, and watching bloody street demonstrations. Out of the experience, we made Discordia.

This was the first time I had used art as reportage. We live in the most image saturated age in history. A thousand Twitpics mark the occasion whenever a cop cracks a protesters skull. I wanted to prove that artists had a reason to leave the studio. To prove old-fashioned illustration had something to say.

I found that drawings, like photojournalism, distill the essential. They remove photo blur, accidents of lighting. Visual art, unlike photos or journalism, has no pretense of objectivity. It’s joyfully, defiantly subjective. It’s truth is individual. Picasso’s Guernica didn’t show what a body looks like after a carpet-bombing. It showed the hideousness of war.

Laurie would interview and I would draw. Artists are the dorks in the corner, and drawing gives them an excuse to creepilly stare. I got images of places where photographs weren’t allowed — like anarchist cafes under threat by the police. I drew the police themselves, hulking comic-book caricatures of men, with shields and guns and tear gas canisters, who hung out on the street corners and hassled anyone young or brown. Laurie later called me out on making them look like things rather than humans. But maybe when you put on the uniform, that’s what you become.

We covered the leftist newspaper Eleftherotpoia, a newspaper that before the crisis had had the stature of the Guardian. But the owner embezzled and didn’t pay her workers. The reporters threw her out. Now they worked without pay, sustained by cigarettes, raki, and investigative journalism.

I drew the memorial of Alexandros Grigoropolos. Alexandros was a 16-year-old boy shot in the back of the head by police. His memorial is the angry, graffiti covered heart of the graffiti covered city. Behind it is a mural of gas-mask wearing protesters, and the tagline ACAB –– All Cops Are Bastards.

I drew striking steelworkers. I worked from Laurie’s photos of an anti-fascist demonstration. The Golden Dawn was going around an immigrant neighborhood, demanding the Pakistani store owners close their businesses. The immigrants demonstrated to show that they were not afraid. At the start of the demonstration, the police announced they wouldn’t defend the protesters from fascist attacks. I drew a young Pakistani boy walking through that protest, through bloody sidewalks and Nazi graffiti, in an homage to Rockwell’s anti-segregation painting, “The Problem We All Live With.”

Back home, working from iPhone snaps and conversations with Laurie, I reconstructed the city on paper. I tied the art together with graffiti. Athens has more of it, and with more dark humor and poetry, than I’d ever seen. “Don’t rely on the police for everything. Hit yourself.” “Fuck heroes. Fight Now.” “Mom, I’ll be late. We’re at war.” When I drew people I tried to not only draw what they looked like, but who they were — the strength and worry and courage and pain. I tried to capture the electricity in the Athens air. Laurie’s words were fierce and powerful things. I wanted to make art that held up to them.

I got arrested within days of finishing Discordia. I’m “not the type who gets arrested” — meaning I’m a little middle-class white girl. Cops flirt with me instead. But at the anniversary of Occupy Wall Street, a cop dragged me into the street. I was released from jail eleven hours later with the charge of blocking traffic. They arrested 150 people that day. We were locked in freezing cells so small we had to take turns sitting down. We lined up in front of each other so male officers couldn’t watch us go to the bathroom.

Occupy Wall Street taught middle-class kids what poor people and people of color have always known: the law is a cruel and arbitrary thing that turns against you in a second. I was furious and shaken for everyone, protester or not, thrown for no reason in that awful place. The next day I drew our jail cell for CNN. That protest turned out to be the last real gasp of Occupy Wall Street. After hurricane Sandy wrecked New York, Occupy turned to helping our powerless, waterless neighbors. But it was never the same.

2011 is over. The ecstatic rebellions have faded away under police batons and their own mismanagement. But the year changed us. It changed my art. It changed me. And we will see another 2011. Images have power. There’s a reason Syrian cartoonist Ali Ferzat’s hands were broken by the regime. In New Delhi, caricaturist Aseem Trivedi is charged with sedition. Thomas Nast’s illustrations helped bring down Tammany Hall. Images get under the skin, past compassion fatigue, to the raw edges of your heart.

I drew to relate to people. I drew the popular kids in school so they wouldn’t hit me. I drew my way into nightclubs who wouldn’t let me past the doorman. I drew to show Moroccan street kids I was more than a dumb tourist. I’m not much at conversation, but I could get some pretty lines on a piece of paper. Drawing was a way to take the world, make it comprehensible, put it on a sketchbook, make it mine. My political art started in the same way. I drew protest art because the world was changing. I wanted to be a full human, and to do that, I had to let my work change with it. I couldn’t look away.

02 Apr 05:01

structural change requires new structures

by noreply@blogger.com (Freddie)

As I've said, it's hard to think of any academics or scholars I know who are opposed in principle to open access of scholarly research. And the degree of this commitment is, in my experience, quite generational; my peers in graduate school speak passionately about moving to an assumption of open access for all, almost without exception. Despite the popularity of this change, I'm not assuming that it is certain or will be easy. What we're talking about is a structural change, and it will take a lot of major work to make it happen. One of the most important of these changes is our perceptions of the relative prestige of open access and online journals, and particularly where those perceptions have teeth: in hiring committees and tenure reviews. There, I think the strong commitment among younger scholars to open access will (eventually) have a clear impact. I also think that eventually, the older journals are going to feel more and more pressure to move to open access as well. Where the money comes from to continue operations will be the big question, and probably the big battle.

To make this move, people need tools, which is why I find Scalar so interesting. Check out the video at the link (now embedded), as it explains the platform much better than I could. Seeing these kinds of tools makes me quite excited about the future of sharing knowledge and scholarship with anyone who cares to read it.

The resistance will come, most likely, not from not-for-profit institutions like JSTOR, which I could see surviving under a different funding scheme, but from the for-profit publishers like SAGE and Elsevier. I don't know future there is for them, although they are powerful interests, and like all organizations they will fight to survive. My assumption is that the transition to open access will be far easier in fields like my own than in STEM fields, and they are the ones with money and influence. Whatever the case, we've got to be prepared to fight for this. It's worth fighting for.
31 Mar 14:20

Go, Carpet Tacks! The Very Best Baseball Team Names Of The Past

by Sarah Marshall

In honor of Opening Day on Sunday, the second of two pieces today on the history of the game.

From my extensive research, I've learned that baseball is a sport people watch sometimes. I could blame my lack of appreciation for America's greatest sport on many factors—my father being Australian, and therefore interested only in cricket; the fact that when I played softball in school I always ended up in right field; the fact that my entire heart belongs to Patrick Chan—but I've decided instead to scapegoat the names, specifically their terrible decline in quality in recent years.

Having already fallen in love with the names and nicknames of individual players (Noodles Hahn! Butts Wagner! Cannonball Titcomb!), I had no choice but to confirm that team names were once far greater as well. To wit: the Atlanta Braves, originally based in Boston, were known variously as the Beaneaters, the Doves, the Rustlers, and the Bees before adopting their current, boring name (they also lose points for racism). The Chicago Cubs were once the Orphans (which might be a better name, considering their losing streak—see? I know things!). The Cleveland Indians were once the Bluebirds, and before that (inexplicably) the Naps. The Dodgers were once the Brooklyn Bridegrooms, and the Pittsburgh Pirates were once the Innocents.

What these names lack in rugged masculinity they more than make up for in… well, I don't know what it is, but it's something. A certain "who the hell cares, this sport is still becoming a sport" quality? Joie de vivre—as much as joie de vivre can be said to have existed in Pittsburgh of a hundred years ago? Some other French phrase pertaining more directly to baseball names, but which I don't know about because I quit French before the baseball unit? In any case, they've got it.

And so herewith, a list of the most strange, priceless, unfortunate baseball team names in the history of the game—most of them at least 75 years old. (Categories inspired by Caity Weaver's "Sometimes State Flags" wonderfulness.) Here we go!

Some teams don't belong in our dirty-minded world.

• The Seattle Hustlers
• The Butte Miners
• The Columbia Comers
• The Milwaukee Creams

Some teams aren't too concerned about proving their masculinity.

• The Augusta Dollies
• The La Crosse Pinks
• The Hamilton Primrose
• The Middletown Orange Blossoms
• The Portland Rosebuds
• The Tacoma Daisies
• The Norfolk Mary Janes
• The Cedar Rapids Bunnies
• The Tacoma Rabbits
• The Cleveland Infants
• The Albany Babies
• The Victoria Chappies
• The Baltimore Canaries
• The Columbus Blue Birds
• The Oakland Larks
• The Philadelphia Pearls
• The Springfield Ponies
• The Montgomery Lambs

Some team names are deeply perplexing.

• The Spokane Bunchgrassers
• The Hartford Wooden Nutmegs
• The Reading Coal Heavers
• The Fairbury Jeffs

Some team names are deeply perplexing and vaguely terrifying.

• The St. Joseph Clay Eaters
• The Regina Bone Pilers

Some team names are unnecessarily specific.

• The Amsterdam Carpet Tacks
• The Vancouver Horse Doctors
• The Paterson Silk Weavers
• The Grand Rapids Furniture Makers
• The Memphis Fever Germs

Some teams are trying just a little too hard.

• The Genuine Cuban Giants
• The Atlantic City Bacharach Giants
• The Nashua Millionaires
• The Chicago Uniques
• The Baltimore Lord Baltimores
• The Buffalo Bisons
• The Rutland Sheiks

Some teams aren't trying hard enough.

• The Rome Romans
• The Troy Trojans
• The Reading Pretzels
• The Allentown Peanuts
• The Hamilton Hams
• The Medicine Hat Hatters
• The Wilson Bugs
• The Petersburg Goobers

Some teams want you to know they went to college.

• The Lawrence Barristers
• The Nashville Seraphs
• The Victoria Legislators
• The Stratford Poets
• The York White Roses
• The Lancaster Red Roses
• The Amsterdam-Gloversville-Johnstown Hyphens

Some teams want you to know they didn't.

• The Asheville Moonshiners
• The Morristown Jobbers

Some teams just picked the first animal they could think of.

• The San Francisco Sea Lions
• The Baltimore Terrapins
• The Chicago Whales
• The Taunton Herrings
• The Montpelier Goldfish

Some teams are on a mission from God.

• The Salt Lake City Elders
• The Des Moines Prohibitionists
• The St. Paul Apostles

Some teams aren't.

• The Salem Witches
• The Hazleton Pugilists
• The Moose Jaw Robin Hoods
• The Paris Parasites

Some teams just want you to feel sorry for them.

The Dayton Old Soldiers
The Davenport Onion Weeders
The Kalamazoo Celery Pickers
The Zanesville Flood Sufferers
The Fall River Adopted Sons


Related: How Much More Do Baseball Players Make Today?


Sarah Marshall lives in Portland but went to college in Vermont, and is therefore a fan of both the Rosebuds and the Sheiks.

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5 comments

27 Mar 01:37

Justice and the Sign for Equality, " = "

by John F. Ptak

JF Ptak Science Books     Post 2006

 Equal sign det

 

Equal signWith the big discussion taking place at SCOTUS (rather, the same-ish big discussion taking place in two cases) and with the equality sign appearing everywhere, it might be interesting to take a look at when that symbol first came into use. 

It turns out that " = " makes its first appearance in print with the work of Robert Recorde (a Welsh mathematician and physician, who lived from 1512-1558), in his The Whetstone of Witte, whiche is the seconde parte of Arithmeteke: containing the extraction of rootes; the cossike practise, with the rule of equation; and the workes of Surde Nombers (printed in London in 1557). 

In clear and concise language (in the fourth paragraph in the text at left) he introduces = = = = = to take the place of repeating the phrase "is equalle to".

Howbeit, for easie alteration of equations. I will propounde a fewe
exanples, bicause the extraction of their rootes, maie the more aptly bee
wroughte. And to avoide the tediouse repetition of these woordes : is equalle
to : I will sette as I doe often in woorke use, a pair of paralleles, or Gemowe
lines of one lengthe, thus: =====, bicause noe .2. thynges, can be moare
equalle.

[Page image via the MathMastery Blog, here.]

The word "equal" comes from the Latin  aequalis, meaning "uniform, identical, or equal," it also derives from aequus which perhaps more interestingly plays out as "level, even, just".

Either would do, for me, so long as the equality sign is put into play as the law of the land, and that this injustice and discrimination is brought to an end. At 456 years of age, = is far younger than the inequality it can replace.

19 Mar 02:08

ARIADNE AND THE SCIENCE by Molly Crabapple & Warren Ellis: The Complete Illustrated Story

by Warren Ellis

This is a very short story by me, broken into five parts and illustrated by Molly Crabapple.  Limited-edition prints of all five of Molly’s pieces are still available at this link.

No-one knows how old Ariadne is any more.  She’s said by many to live in seclusion within a cloaked and baroque lunar atelier, which is a strange thing for a woman known to have wanted to see everything there is to see.  Some say that, by some hypercosmic string magic, she watches herself as a child, studying the day that curious young Ariadne had her idea.  No-one had told little Ariadne not to ask questions, and when she worked out that plants were the best machines of all, she asked why they couldn’t be made to do things that her computer machines could do.  And when no-one had a good enough response, Ariadne came up with the best answer of all: I will find out by learning how to make them do that.  And that is why Ariadne lives on the moon, and why we are all here today.

There was lots of names for the thing Ariadne made: computational flora, iGrass, memory trees, That Damned Stuff. There were lots of names for Ariadne, too, because when she got tired of nobody being able or willing to answer her questions, she just released Ariadne’s Meadow into the world. Fields began thinking, and forests began processing, and the world discovered that Ariadne’s Meadow was actually quite a nice place that just wanted to help. So much so that seven years later, when everyone discovered that Meadow probes had begun to break up Mercury, Venus and Mars for power, living space and computing strata, nobody really minded very much.

Very soon, the solar system was a mass of warm and grassy island computers.  But Ariadne was far from finished.  The best machines ever should be able to answer all the questions, and she knew there was more to see.  And so there were soon trees that stood so high and strange that their silver tops crested up into the universe next door.  Ariadne grew bridges across the multiverse, the set of all possible universes, just to see what she could see, which is of course the best reason of all.  And, on the foot of every bridge she crossed, she gave Meadow to every Earth she found.  As did Meadow itself, when it explored on its own, as it was a friendly kind of Damned Stuff, and also because weeds get bloody everywhere.

But what Ariadne discovered on her walks with the Meadow was that there were bigger places to see.  The multiverse hangs in the metaverse, a room where all the universes hang like sheets on a great hypermagnetic wave.  And the Xenoverse is the weather outside that room that causes the wave.  And the Hyperverse is the weather system that causes those winds.  And the Omniverse is the impossibly giant ecology that contains all things.  Ariadne, of course, knew as well as you and I that weeds get bloody everywhere. So it was not an impossibly long time before she, in a boat of Meadow, could look down on all of creation and know that everything everywhere was really nothing more than things growing.  And she, no less than a clever woman who never learned not to ask questions, did look down, and smiled.

After that, of course, Ariadne could be said to have seen all the places there were to see. Which it’s why many say she retired to the old Moon that still hung above old Earth (because she never changed anything just for the sake of change, and the old Moon was still a perfectly good old Moon). A lonely, lovely little atelier on the Moon, just Ariadne and her science, as the new reality she’d grown for everyone crept and budded and bloomed all around the Omniverse. But Ariadne and the science is the reason we’re all here, and why no-one has died since the Meadow first grew. So, perhaps, listen to the people who knew her best, because they say she’s ageless because she trained the creepers of Meadow along Time itself, and now she dances along them, meeting all the people who ever were and teaching them always to ask questions. Because that, as I said, is why we’re all here.

Words by Warren Ellis, pictures by Molly Crabapple.

Limited-edition prints of all five of Molly’s pieces are still available at this link.

© Warren Ellis & Molly Crabapple 2012

16 Mar 00:41

Albert Einstein Wearing Fuzzy Slippers, c. 1950s

by a Blogger
Einstein sitting on the front steps of his home in Princeton, wearing his fuzzy slippers.
Photo courtesy of Gillett Griffin. (via)

15 Mar 17:08

The history of human thought recalls the swinging of a pendulum which takes centuries to swing. After a long period of slumber comes a moment of awakening

by but does it float
Photography by Flickr user: totaviva Title: Peter Kropotkin Atley
03 Mar 18:05

Supermax Prisons: Views from Above

by ctadmin

Christoph Gielen surveys Arizona’s Florence State Prison from a helicopter, 2010. Photo by Nina Gielen.

For this dispatch, Christoph Gielen shares a preview of images and text from his forthcoming “American Prison Perspectives” series. Since 2010, Gielen has used photography to confront the rapid construction of new high-tech prisons, part of a nationwide progression toward increased-security prison systems. The prison business is booming: Recognizing prisons as a growth industry, financial magazines like Barron’s have urged investors to consider buying shares of Corrections Corporation of America (CCA), the largest owner and operator of private prisons in the U.S.

With support from the Fund for Investigative Journalism, Gielen teamed up with the Canadian cultural historian Michael Prokopow to report on how Supermax prisons are designed. For his series, Gielen combines the stated objectives of prison architects with firsthand accounts of solitary confinement and the perspectives of mental health experts on the effects of isolation. In doing so, he provides a rare glimpse into the dry “science” of building maximum-security prisons.

In 2014, Gielen will launch a website entirely devoted to the “American Prison Perspectives” series. In addition to the photographs, the site will host an online forum in the hope of engaging regularly with the general public.

I specialize in photographic and video aerial studies of urban development, documenting its relation to land use. During a 2010 helicopter photo mission in Arizona, where I recorded sprawl patterns—the hidden geometries of suburban and exurban developments that become visible only when seen from far above the ground—I also flew over a number of prison complexes. Observing residential construction, I normally take my time to find the right position in flight, but these quick “fly-bys”—for example, over one of the Florence State Prison compounds, as seen in the shot above—were necessarily much less controlled. This airspace is technically not restricted, but it’s more or less understood that as a member of the general public, one shouldn’t come too close to any of these high-security places.

Christoph Gielen, Untitled XVI Arizona, 2010.

Initially I was interested only in the comparative planning forms of these prison structures, in contrast to regular commercial housing developments. But then I quickly became intrigued by what else these constructions might reveal, both from an aesthetic and a sociological point of view.

The above shot shows one of the six complexes that together comprise Arizona’s Florence State Prison, which includes units classified as medium to maximum security. (The unit seen here is likely a high-security facility, but clearly not maximum security.)

“Have prisons and jails become the mass housing of our time?”

Since 1980, when the U.S. prison population began to increase dramatically, Americans have been living in an era of mass incarceration, which Jeremy Travis, president of John Jay College of Criminal Justice, has called one of the “greatest social experiments of our time,” the ramifications of which have yet to be seen. Members of the Spatial Information Design Lab, a think- and action-tank at Columbia University, go so far as asking, “have prisons and jails become the mass housing of our time?

Raising questions about a culture of incarceration is pertinent at a time when the U.S. prison population is at an unprecedented peak. The building of new prison systems appears to be a growth industry, which I address through visual representation from both new physical and ideological vantage points. With this work I want to expose the prevailing trends—documented in studies such as Sharon Shalev’s prizewinning book Supermax: Controlling Risk Through Solitary Confinement—toward building increased-security prison systems, and illustrate how prison design and architecture do in fact reflect political discourse, economic priorities, cultural sentiments and social insecurities, and how, in turn, these constructed environments also become statements about a society.

Christoph Gielen, Untitled XVIII Arizona, 2010.

This shot shows the Perryville State Prison complex. I was particularly interested in photographing this site after encountering a particularly appalling anecdote in a 2009 article in The New York Daily News, and reading more about the story through prison message boards.

A 48-year-old inmate named Marcia Powell died at this prison in an outside cage—presumably located near one of the zigzag rows of housing complexes shown above—on May 20, 2009, after four hours of exposure to 107-degree temperatures. Powell suffered first- and second-degree burns, and a core body temperature of 108 degrees when she died, an autopsy report showed later. According to a 3,000-page report released by the Arizona Department of Corrections, she pleaded to be taken back inside, but was ignored. Not permitted to use the restroom, she died in her own excrement.

Christoph Gielen, Untitled XIII Arizona, 2010.

This image shows the Perryville State Prison from another angle. It is a medium- to high- security facility, with an inmate capacity of roughly 2,400, in eight housing units. There are two dedicated death-row facilities in the state of Arizona where prisoners await execution, divided into male and female units. The women’s death row is located in this prison compound in the “Lumley Unit.”

In “American Prison Perspectives,” I intentionally turn surveillance technology back on the surveillance apparatus of the prison itself—in a sense democratizing the use of surveillance. In other words, my method of image-capture becomes an inseparable part of its photographic content.

Christoph Gielen, Deer Crest II Suburban California, 2010.

Seen here is a small, master-planned city section in Ventura County, California, built by the Janss Investment Company in the mid-1950s. It includes about 1,000 custom home lots, a regional shopping center and an industrial park. According to June Williamson, Associate Professor of Architecture at the City College of New York, one could say that its layout represents an extension of Ebenezer Howard’s Garden City ideal (c. 1900), which was polygonal, with concentric zones to be put to various uses, and surrounded by a greenbelt. By the 1960s and 1970s, orthogonal grids were out and many residential community master planners turned to centralized circular or polygonal geometric patterns as an alternative, especially when they were building on fields that didn’t need to plug into preexisting street patterns.

Christoph Gielen, Untitled XIV Arizona, 2010.

What connects the shot of a city section in California to these new prison perspectives is a startling recurrence of polygons, and in particular hexagons. I started noticing these prominent patterns cropping up repeatedly when I first photographed sprawl from helicopters, detecting hidden geometries in housing developments from the sky. And that really brings the notion of prisons as our new mass housing full circle.

Christoph Gielen, Deer Crest V Suburban California, 2010.

The above is one more view, from a higher altitude, of the Ventura County city section.

Christoph Gielen, Untitled XVIIII Arizona, 2010.

The resemblance in shape between the Ventura County section and the Florence State Prison maximum-security unit above—completely unrelated in function—is striking. This prison’s six housing units have an inmate capacity of nearly 4,000. In Supermax, Sharon Shalev cites the maximum-security tracts seen here as forerunners of today’s increasingly high-tech Supermax facilities. The Florence State Prison is also the “Central Unit” of Arizona’s death chamber, where the current method of execution is lethal injection, as it is in all 33 states where capital punishment remains legal.

Christoph Gielen, Untitled XVII Arizona, 2010.

“American Prison Perspectives” calls attention to architectural features specifically developed to minimize prisoner movement and to produce isolation within the complex. My photographs pull into sharp focus such design details as “exercise yards” consisting of empty outdoor 8 x 10 foot enclosures attached to the back of each cell block, with bare concrete surfaces and a set of bars atop their high walls. “Exercise yard” is a misnomer; they should be called “cages.”

I counted a total of 94 such “exercise yards,” in 47 divided sets attached to the exteriors of these eight cross-shaped housing pods—all redolent of Marcia Powell’s case. They can be clearly seen in the shot below as the bright sunlight strikes this silver-roofed complex.

Christoph Gielen, Untitled XV Arizona, 2010.

Providing the opportunity to visually examine these restricted locations is significant; while some (typically low-resolution) satellite images of prison complexes are available in the public domain, the public cannot inspect Supermax facilities on the ground. Even journalists may be barred from entering, and almost certainly from taking photos on-site, due to new security measures in place since September 11, 2001, which often require background checks and security screening. Paradoxically, many journalists have been granted interviews with individual prisoners—as permitted by state law and at the discretion of the warden—even as their access to the prisons themselves remains scant.

I am particularly excited about recent related discussions from within the architectural sector. Specifically Canadian architect Raphael Sperry, the first architect to receive the Justice Initiative Fellow grant by Open Society Foundations, announced his campaign to amend the American Institute of Architects’ Code of Ethics and Professional Conduct to “prohibit the design of spaces intended for long-term solitary isolation and execution.”

We need to examine the culture of incarceration responsible for keeping a substantial portion of the U.S. population imprisoned.

The debate about solitary confinement is particularly relevant now because it coincides with a financial tipping point: Despite continued support by various State Departments of Corrections and interest groups, maintaining high-tech Supermax systems is becoming increasingly unsustainable. Illinois, for example, is among a growing number of economically troubled states gradually shifting away from the use of Supermax prisons. State legislators there have closed the Tamms Correctional Center, the state’s only super-maximum security prison. The true cost of keeping inmates confined in Supermax prisons, particularly in relation to state budgets and taxpayer spending, is thus in urgent need of further examination.

Beyond this, we need to examine the culture of incarceration responsible for keeping a substantial portion of the U.S. population imprisoned under what can only be deemed inhumane conditions. Current U.S. policies regarding solitary confinement are controversial not only considering definitions of torture under international law but also in light of our own Eighth Amendment, which prohibits cruel and unusual punishment. As Senator Dick Durbin urged in his June 19, 2012 appeal to the Senate Committee on the Judiciary (PDF), the stakes are high: More than 80,000 inmates are currently held in isolation in so-called Security Housing Units (SHUs), according to a 2005 Bureau of Justice Statistics census. They are locked up for as long as 23 hours a day in small single cells, without windows or direct access to natural light, and without meaningful activities of any kind.

What does our ongoing tolerance of this practice say about us as a society?

Support for this dispatch comes from The Fund for Investigative Journalism. Donate to “American Prison Perspectives” here.

The post Supermax Prisons:
Views from Above
appeared first on Creative Time Reports.

02 Mar 21:38

The Universal laws behind growth patterns, or what Tetris can teach us about coffee stains

by aatish

The morning after a big snowstorm swept through the US northeast, I sat in my car, ready to brave hazardous road conditions and drive to the local coffee shop. My home in New Jersey was outside of the storm’s central path, so instead of piles of snow, we were greeted with a delightful wintry mix of sleet and freezing rain. And sitting in my car, I couldn’t help but be mesmerized by these strange patterns of ice particles forming on my windshield. Here’s what I saw:

As I watched this miniature world self-assemble on my windshield like an alien landscape, I wondered about the physics behind these patterns. I learned later that these patterns of ice are related to a rich and very active current area of research in math and physics known as universality. The key mathematical principles that belie these intricate patterns lead us to some unexpected places, such as coffee rings, growth patterns in bacterial colonies, and the wake of a flame as it burns through cigarette paper.

Let’s start with a simple example. Imagine a game similar to Tetris, but where you only have one kind of block – a 1 x 1 square. These identical blocks fall at random, like raindrops. Here’s a question for you. What pattern of blocks would you expect to see building up at the bottom of the screen?

You might guess that since the blocks are falling randomly, you should end up with a smooth, uniform pile of blocks, like the piles of sand that collect on a beach. But this isn’t what happens. Instead, in our make-believe Tetris world, you end up with a rough, jagged skyline, where tall towers sit next to deep gaps. A tall stack of blocks is just as likely to sit next to a short stack as it is to sit next to another tall stack.

tetris

This doesn’t look much like what I saw on my windshield. For one thing, there aren’t any gaps or holes. But we’ll get to that later.

This Tetris world is an example of what’s known as a Poisson process, and I’ve written about these processes before. The main point is that randomness doesn’t mean uniformity. Instead, randomness is typically clumpy, just like the jagged skyline of Tetris blocks that you see above, or like the clusters of buzzbombs dropped over London in World War II.

This Tetris example might seem a bit abstract, so let me introduce you to a guy who takes abstract ideas and connects them to real-world examples. His name is Peter Yunker, and he’s a physicist at Harvard who’s also really into his coffee.

coffeestain

What’s the science behind these stains? Coffee stain typeface by Mark Mustaine

Yunker was curious about what causes these ring shaped coffee stains. In 1997, a group of physicists worked out the reason that coffee forms this ring. As a drop of coffee evaporates, liquid from the center rushes outwards to the edge of the drop, carrying coffee particles with it. The drop starts to flatten. Eventually, all you’re left with is a thin ring, as the coffee particles have all rushed to the edge of the drop. Here’s a (wonderfully trippy) video of work by Yunker’s team, showing what this process looks like.

What Yunker demonstrated is really pretty neat. He discovered that the reason that coffee makes a ring has to do with the shape of the coffee particles. Look at a drop of coffee under a microscope, and you’ll find tiny, round coffee particles suspended in water. If you zoom into the edge of an evaporating coffee drop, you’ll see coffee particles sliding past each other, just like the blocks in our Tetris world. In fact, Yunker demonstrated mathematically that the pattern of growth of these coffee particles exactly mirrors that of our randomly falling Tetris blocks!

And here’s the crazy thing. Yunker and his colleagues also discovered that if you replaced all the spherical coffee particles with new particles that are more elongated, sort of like ovals, then you get an entirely different pattern. Instead of a ring, you get a solid blotch. You can see this happening in the video above.

coffeeringblotch

If the coffee particles are round (spheres), you get a coffee ring, but if they’re oval (ellipsoids) you get a coffee blotch instead. Image Credit: Yunker et al (2011)

In one case you get a coffee ring, and in the other case you get a solid blotch. So why does tweaking the shape of the particle change the overall pattern of growth? To understand why the oval particles behave differently from the spherical ones, we first need to tweak our Tetris game. Let’s call the new version Sticky Tetris.

In sticky Tetris, a block keeps falling until it touches another block. As soon as the falling block touches another block, even if only from the side, it immediately sticks into place.

It’s a small modification to the rules, but it has a pretty big consequence. In regular Tetris, it takes very many blocks to fill a deep gap, in sticky Tetris, you can fill a gap with a single block. Very quickly, the height differences between towers start to even out. Instead of the jagged, rough skyline of our regular Tetris world, the skyline in the sticky Tetris world is more smooth.

stickytetris

That looks a lot more like the pattern on my windshield!

And here’s the point. While the spherical coffee particles behave like regular Tetris pieces, the oval shaped particles behave just like these sticky Tetris pieces. The moment an oval coffee particle touches another one, it sticks in place. Instead of the jagged skyline from before, you get this Swiss cheese like pattern, an intricate structures of sprawling filaments separated by holes and gaps.

Oval shaped coffee particles form blotches, mirroring the intricate patterns formed by sticky Tetris blocks. Image credit: Felice Macera

So here we have essentially two distinct kinds of growth processes. On the one hand we have things that accumulate like Tetris blocks, or like particle of coffee in a coffee ring. Here’s an animation of real data from Yunker’s lab showing what this looks like.

poissoncoffee

On the other hand, we have things that accumulate like Sticky Tetris blocks or like oval shaped coffee particles. The growth of these particles looks like this (again, this is real data).

KPZcoffeeIt’s clear that these are two qualitatively different kinds of patterns.

But it’s also a quantitative difference. Remember that in the Tetris world, you end up with a jagged skyline, while in the sticky Tetris world, the skyline is more smooth. By studying how the topmost layer of particles (the skyline) widens over time, physicists can classify growth processes into different categories. In the jargon of the field, processes that grow at different rates really belong into different Universality Classes.

powerlaws

If the skyline of a growth process widens according to the blue curve, it falls into the same universality class as Tetris. If it widens according to the purple curve, it falls into the same universality class as Sticky Tetris.

You can think of universality classes like a sort of mathematical filing cabinet. Say that you’re studying how ice particles clunk together on your windshield. If the rate at which the skyline widens matches the blue curve above, ice clunking is in the same universality class as Tetris. If it matches the purple curve, then ice clunking is in the same universality class as Sticky Tetris. Now, there are other universality classes out there, and not all growth processes can be neatly filed into a universality class. But the key point is that many seemingly different physical systems, when analyzed mathematically, show identical patterns of growth. This slightly mysterious tendency for very different things to behave in very similar ways is the essence of universality.

What’s more, there is a rich mathematical theory behind this sticky Tetris universality class, described by an equation known as the Kardar–Parisi–Zhang (KPZ) equation. To give you a sense of how current this research is, it was as late as 2010 that mathematicians managed to prove that this KPZ equation is in the same universality class as sticky Tetris.

These deep connections between coffee rings and the KPZ equation took Peter Yunker by surprise. In Yunker’s words, “Alexei Borodin, a mathematician from MIT, contacted us after we published a paper on how particle shape affects particle deposition regarding the coffee-ring effect. He saw our experimental videos online and was reminded of simulations that he has performed. I think this is a great example of the value of reaching out across disciplines – we never would have studied this topic without Alexei bringing it to our attention.”

And this sticky Tetris universality class has turned up in all sorts of odd places. One example involves burning paper. A physics experiment in 1997 took sheets of copier paper, carefully lit them on fire from one end, and recorded the flame front as it burnt through the paper. Here’s a sketch of what they saw. You’re looking at multiple snapshots of the flame, as it burns through the paper.

slowburn

Snapshots of a flame as it burns through copier paper. J. Maunuksela et al., Phys. Rev. Lett. 79, 1515 (1997).

As the flame burns through the paper, it develops a smooth, wavy pattern. And when the physicists studied the growth of this flame front in detail, they found that it exactly matches the predictions of the KPZ equation. They repeated their experiment using cigarette paper as well as copier paper, and saw the same results. In their words, “The second set of experiments on the cigarette paper gave results consistent with those for the copier paper despite the fact that the cigarette paper is strongly anisotropic and may contain nontrivial correlations.” (Always gotta watch out for those nontrivial correlations in cigarette paper.)

And another example that’s pretty neat and unexpected – bacterial colonies. A team of Japanese physicists showed in 1997 that in certain nutrient conditions, the edge of a bacterial colony grows outwards in exactly the manner predicted by the KPZ (sticky Tetris) universality class. Here’s an animated gif of this in action, adapted from their paper. What you’re looking at is a zoomed in photograph of the edge of a bacterial colony, as it grows in a petri dish.

bacteria_opt

Now, if you think about it, there’s something deeply puzzling here. Bacterial colonies, travelling flames, and coffee particles are all totally different systems, and there’s no reason to expect that they should obey the same mathematical laws of growth. So what’s behind this mysterious universality? Why do such different beasts play by the same rules?

You might have noticed that all these examples look a little, well, fractal-esque. It turns out that the phenomenon of universality is intricately connected to the fact that these systems are each self-similar, like fractals. As I zoomed my camera into the ice particles on my windshield, the overall pattern looked basically the same. The same is true for the front of the flame, the edge of the bacterial colony, or the skyline of sticky Tetris. Here’s an example of a curve that’s self-similar (or scale-invariant, as physicists like to call it).

Fractals of the world, Unite! Self-similarity is at the heart of universality.

Surprisingly, this self-similarity implies that many of the nitty-gritty physics details of bacteria, flames, or coffee turn out to be irrelevant. According to Peter, “the fractal nature of these growth processes is essential to their universality. In order to be universal, a system cannot depend on its microscopic details, like particle size or typical interaction lengthscale. Thus, a universal system should be scale-invariant.”

Which brings me back to the ice particles on my windshield. They clumped together in these wonderfully fractal-esque patterns that, to my eye, looked a lot like sticky Tetris. I wanted to know if there’s a connection between these ice particles and the KPZ universality class. I put the question to Peter Yunker.

He responded, “These videos are fantastic. I agree with you that the underlying process occurring here appears quite similar to a KPZ process. However, this may be a great example of why it is difficult to identify KPZ processes in real experiments. The rearrangements of these structures have a strong effect on how the interface is developing. Thus, it is very unlikely that this system exhibits the same growth exponents as a KPZ process.”

It seems that the very piece of physics that makes these ice patterns short-lived is also what makes them so hard to study. And so, let me end with a very short video, a tiny meditation on the theme of growth and longevity. ;)

 

References

Coffee Stains Test Universal Equation. Physics 6, 7 (2013) - an excellent readable account on the research of Yunker, Yodh, Borodin and colleagues

In Mysterious Pattern, Math and Nature ConvergeNatalie Wolchover does a really great job of covering Universality from a totally different angle. If you’re not reading her stuff, you ought to!

Ace mathematician Terrence Tao has written a good explainer on Universality. It’s a long read that’s packed with insights.

Animated gifs of Tetris simulations and coffee deposition data were made with permission from data by Yunker et al. (2013)

Academic References

Effects of Particle Shape on Growth Dynamics at Edges of Evaporating Drops of Colloidal Suspensions. Yunker, Lohr, Still, Borodin, Durian and Yodh, Phys. Rev. Lett. 110, 035501 (2013)

Suppression of the coffee-ring effect by shape-dependent capillary interactions. Yunker, Still, Lohr and Yodh, Nature 476, 308–311 (2011)

The Kardar-Parisi-Zhang equation and universality class by Ivan Corwin - Although very mathematical, this an excellent and clearly written review of the KPZ equation and its connection to Universality, written by one of the experts in the field.

Self-Affinity for the Growing Interface of Bacterial Colonies. Wakita, Itoh, Matsuyama and Matsushita, J. Phys. Soc. Jpn. 66 (1997)

Kinetic Roughening in Slow Combustion of Paper. Maunuksela, Myllys, Kähkönen, Timonen, Provatas, Alava and Ala-Nissila, Phys. Rev. Lett. 79, 1515–1518 (1997)

 

24 Feb 13:44

other forms of quality

by Adam Rothstein
socrates plato

I feel that those of us into the new media game spend so much time defending it against the “Google-Makes-Us-Stupid” arguments, that we don’t have much time to really critique new media in a constructive way. And so, I was glad to read Robert Cottrell’s piece in the Financial Times, about his experiences reading online.

Cottrell runs the site, The Browser, which links to a handful of the best pieces of online writing every day. So it is fair to say that Cottrell does a lot of reading online, and this is a medium for reading and writing that he has bought into, wholeheartedly. And yet he says:

I don’t pretend that everything online is great writing. Let me go further: only 1 per cent is of value to the intelligent general reader, by which I mean the demographic that, in the mainstream media world, might look to the Economist, the Financial Times, Foreign Affairs or the Atlantic for information. Another 4 per cent of the internet counts as entertaining rubbish. The remaining 95 per cent has no redeeming features. But even the 1 per cent of writing by and for the elite is an embarrassment of riches, a horn of plenty, a garden of delights.

As I write this online, I can say it is no small matter to think of one’s own words as facing these odds against their own quality. Of course, this is a poverty in the face of the death of scarcity—there being so much worthwhile writing out there online, what are the chances that someone relatively new to the game like myself could compete to be in that top one percent? I would consider myself skilled to bring my writing up to the level of “entertaining rubbish,” amid the company of all the other online writers in the world. This makes the entire effort seem rather futile. Why, in a world in which one can start a blog as easily as an email account, would I spend my time and effort crafting one more blog post?

I don’t believe that Cottrell’s evaluation of the curve of quality in online writing is necessarily wrong–but I do think there is another metric which he is perhaps ignoring. Not all writing is meant to be “of the upmost.” That is not what all writing is for. Quality, as Cottrell himself defines it, is a function of potentially wide readership, longevity, and entertainment:

Each day I seek my six pieces with these criteria in mind: would I go out of my way to recommend this piece to one of my own friends? Will it inform and delight the intelligent general reader? Will it still be worth reading a month or a year from now?

But other writing serves other purposes. These can be solipsistic pieces, written for the writer, like a journal which just so happens to be public. They could be fiercely topical–reviews of cultural products, deep analysis of particular subjects to the point of academic specialty, or other sub-cultural feedback loops of such specificity that to bemoan their lack of wide readership is to miss the point of the piece entirely. There are any number of functions that a piece of writing could have that would lead it away from a wide, generally intelligent readership.

But there is a certain sort of writing online attracting my attention, which is vast speculative and discursive experimental. I don’t mean speculative from a literary standpoint–like Oulipo or beat poetry. This is regular writing, but the subject is not discursively transparent or available. The text is a musing, a proposition, a thought procedure, or a gamble. For example:

  • By Tim Maly, an exploration of the signifier that is Mark Zuckerberg’s hoodie
  • By Deb Chachra, a meditation on the concept of “peak plastic”
  • A line by line ranking by Bruce Sterling of Adam Greenfield’s techno-architectural aphorisms
  • A rant, by Rebecca McCray, against a particular style of writing about young people in the New York Times
  • None of these are necessarily “quality writing.” I would not recommend them to people who typically read “the Economist, the Financial Times, Foreign Affairs or the Atlantic.” I would, however, recommend them to everyone I know, because almost everyone I know does not particularly scan these publications of record. The people I know look for the Weird Media: the stuff under rocks, collected on odd wikis, in the abstracts of obscure academic papers, and the underlying spirit of otherwise boring press releases. These are excellent pieces of online writing. They are excellent not because they are finished, polished paradigms of literacy, but because they are explorations, speculations, and transmissions of thoughtful work. The essays themselves are experiments, and as such, they can only be useful if they are repeated, considered, shared, and adapted.

    The ability to publish online for all-intents-and-purposes free, has given us an amazing literary tool we have never possessed before. We have the ability to find and connect a group of people who have interests overlapping very closely with ours, and create a shared canon of literature that appeals to mostly only this precise group. This canon is not a finished library, but a drawing board and a laboratory. We can explore ideas here at will, without worrying about selling the idea to the vast majority of society.

    Consider the pieces above as I would. Tim Maly acts as cultural commentator from a perspective I closely share, interpreting current events through a very particular lens that I would not find elsewhere. Deb Chachra takes her detailed knowledge, and applies it speculatively to a subject without having to satisfy the formal necessities of academic writing. Bruce Sterling and Adam Greenfield interact in an asymmetric and one-way dialog, bringing new observations on a set of abstract musings to my attention, in such a new form that I can only summarize its process as “reblog, with parentheticals.” And Rebecca McCray writes the angry manifesto, not against a government or something so dignified as art, but against something relatively mundane, and yet so outstandingly frustrating to a certain number of people such as myself. None of these sorts of writing could have existed before online writing, at least outside of the narrow audience of correspondence or a salon. And yet here they are. Do they fall into the 1% of quality? The 4% of entertaining? Or the rest? I’m not sure where Cottrell would place them, but to me, these pieces are the reasons that I read and write online.

    But writing online is a sort of progressive work. Unlike essay classics that stand the test of time, these sorts of pieces require feedback and responses from their audience, otherwise they live and die at the pace of the timeline. This gets to another of Cottrell’s points, one so wise, that it seems obvious: “we overvalue new writing, almost absurdly so, and we undervalue older writing.”

    There is a temporality to online writing, which we are still grappling with understanding. Cottrell thinks of this temporality in terms of pieces which are not quite current, but still have remarkable value. And he is not wrong about this, considering his functions of quality. But for the sorts of pieces I am describing, there is different sort of temporality. These pieces do not function as one-off bon mots, fire-and-forget pieces of literary witticism. They are part of an unfolding writing process, akin to a dialog, an ever-building architecture of literary space in the online dimension. They require their audience to surround them, to inhabit them, to promote them and to share them. Their readership may not consider these texts as classics, but as they continue to engage with them by responding and sharing them, they constitute them into a very real literature. Not that the essays don’t necessarily stand up on their own under the power of their own words. But their true life comes from their investing culture, as they are more social performances over time than they are flat texts that can be recalled.

    Online writing is very good for writing, as we have come to know it in the past. But there are new forms of writing coming into existence, that we are only now discovering and disassembling. As these instances of collective intelligence stand up, we’ll need to step forward to greet them. Not every new social organism is going to be fully developed, but we’ll certainly be there, to find which ones suit our circle and invite them in. Or at least, this is where I hope my writing can fit.

    24 Feb 05:14

    Interesting tree biology

    by noreply@blogger.com (Minnesotastan)

    The image above shows an entirely natural phenomenon, occurring inside the hollow (rotten) core of a white pine.
    Whorled branch cores look like spokes inside the trunk of a white pine, top. The cores were resistant to the rot that consumed the center of the tree, which walled off the damage and continued to grow new wood for more than 20 years.
    When I was a little kid, my parents and I used to search the woods for fallen rotten pine logs.  Opening them would sometimes reveal two treasures - grubs that could be used for fishing bait, and "knots" I suppose similar to the above, which were fragrant additions to the fireplace.

    Text and image from an entry in the Washington Post's fascinating Urban Jungle series.
    20 Feb 22:42

    Lisa Nilsson

    by darren


    Amazing anatomical cross-sections using Japanese mulberry paper and the gilded edges of old books. So good!



    02 Feb 17:34

    Social Media: Pulse of the Planet?

    by Patrick Meier

    In 2010, Hillary Clinton described social media as a new nervous system for our planet (1). So can the pulse of the planet be captured with social media? There are many who are skeptical not least because of the digital divide. “You mean the pulse of the Data Have’s? The pulse of the affluent?” These rhetorical questions are perfectly justified, which is why social media alone should not be the sole source of information that feeds into decision-making for policy purposes. But millions are joining the social media ecosystem everyday. So the selection bias is not increasing but decreasing. We may not be able to capture the pulse of the planet comprehensively and at a very high resolution yet, but the pulse of the majority world is certainly growing louder by the day.

    mapnight2

    This map of the world at night (based on 2011 data) reveals areas powered by electricity. Yes, Africa has far less electricity consumption. This is not misleading, it is an accurate proxy for industrial development (amongst other indexes). Does this data suffer from selection bias? Yes, the data is biased towards larger cities rather than the long tail. Does this render the data and map useless? Hardly. It all depends on what the question is.

    Screen Shot 2013-02-02 at 8.22.49 AM

    What if our world was lit up by information instead of lightbulbs? The map above from TweetPing does just that. The website displays tweets in real-time as they’re posted across the world. Strictly speaking, the platform displays 10% of the ~340 million tweets posted each day (i.e., the “Decahose” rather than the “Firehose”). But the volume and velocity of the pulsing ten percent is already breathtaking.

    Screen Shot 2013-01-28 at 7.01.36 AM

    One may think this picture depicts electricity use in Europe. Instead, this is a map of geo-located tweets (blue dots) and Flickr pictures (red dots). “White dots are locations that have been posted to both” (2). The number of active Twitter users grew an astounding 40% in 2012, making Twitter the fastest growing social network on the planet. Over 20% of the world’s internet population is now on Twitter (3). The Sightsmap below is a heat map based on the number of photographs submitted to Panoramio at different locations.

    Screen Shot 2013-02-05 at 7.59.37 AM

    The map below depicts friendship ties on Facebook. This was generated using data when there were “only” 500 million users compared to today’s 1 billion+.

    FBmap

    The following map does not depict electricity use in the US or the distribution of the population based on the most recent census data. Instead, this is a map of check-in’s on Foursquare. What makes this map so powerful is not only that it was generated using 500 million check-in’s but that “all those check-ins you see aren’t just single points—they’re links between all the other places people have been.”

    FoursquareMap

    TwitterBeat takes the (emotional) pulse of the planet by visualizing the Twitter Decahose in real-time using sentiment analysis. The crisis map in the YouTube video below comprises all tweets about Hurricane Sandy over time. “[Y]ou can see how the whole country lights up and how tweets don’t just move linearly up the coast as the storm progresses, capturing the advance impact of such a large storm and its peripheral effects across the country” (4).


    These social media maps don’t only “work” at the country level or for Western industrialized states. Take the following map of Jakarta made almost exclusively from geo-tagged tweets. You can see the individual roads and arteries (nervous system). Granted, this map works so well because of the horrendous traffic but nevertheless a pattern emerges, one that is strongly correlated to the Jakarta’s road network. And unlike the map of the world at night, we can capture this pulse in real time and at a fraction of the cost.

    Jakmap

    Like any young nervous system, our social media system is still growing and evolving. But it is already adding value. The analysis of tweets predicts the flu better than the crunching of traditional data used by public health institutions, for example. And the analysis of tweets from Indonesia also revealed that Twitter data can be used to monitor food security in real-time.

    The main problem I see about all this has much less to do with issues of selection bias and unrepresentative samples, etc. Far more problematic is the central-ization of this data and the fact that it is closed data. Yes, the above maps are public, but don’t be fooled, the underlying data is not. In their new study, “The Politics of Twitter Data,” Cornelius Puschmann and Jean Burgess argue that the “owners” of social media data are the platform providers, not the end users. Yes, access to Twitter.com and Twitter’s API is free but end users are limited to downloading just a few thousand tweets per day. (For comparative purposes, more than 20 million tweets were posted during Hurricane Sandy). Getting access to more data can cost hundreds of thousands of dollars. In other words, as Puschmann and Burgess note, “only corporate actors and regulators—who possess both the intellectual and financial resources to succeed in this race—can afford to participate,” which means “that the emerging data market will be shaped according to their interests.”

    “Social Media: Pulse of the Planet?” Getting there, but only a few elite Doctors can take the full pulse in real-time.


    22 Jan 02:26

    Reading Plato on Death Row

    by Lisa N Guenther

    Every Wednesday, I go to Riverbend Maximum Security Prison in Nashville to facilitate a discussion group with prisoners on death row and philosophy graduate students. It’s a nice prison, as far as prisons go: clean, suburban-feeling, with a soapy smell that lingers on my hands and clothes after I leave.  The reception area is filled with motivational posters of determined mountain climbers and goal-oriented rowing teams.  Beyond the checkpoint, an ordinary sidewalk leads to death row.  The path is lined with beige wooden fences and topiary shaped like giant bathtub stoppers.  We pass through a series of grey doors and empty hallways until we reach the smiling faces of ten men who have been condemned to death by the state of Tennessee.

    Prison_1_front
    WUI Collective and REACH Coalition, Postcards from Death Row (2012)

    Last semester, we read Plato’s dialogues on the death of Socrates.  The Apology was a great success.  “I want my lawyer to read this!” said one prisoner.  “Socrates is a badass,” another said approvingly.  The Crito was another story.  Socrates went from bring a principled badass to a spineless bastard, not just for refusing Crito’s offer of escape and exile, but mainly for his defense of fidelity to the law and the state, even when it has clearly committed a grave injustice.

    We talked about whether Socrates was a political prisoner, which raised the further question: What is a political prisoner?  Is it someone who is punished by the state for their beliefs or political actions?  What about the person who is disproportionately punished for a crime in order to serve the interests of a few politicians seeking re-election?  And where does this leave the prisoner who commited a crime, perhaps a horrible crime, but has managed to transform themselves within prison thanks to formal and informal educational opportunities that they never had on the outside?  At what point does a prisoner become political, and what sort of resistance is possible for those who aspire to be principled rather than spineless?

    Donald - Midnight
    Donald Middlebrooks, Midnight (2012)

    There’s a saying in prison: “Do your time – don’t let your time do you.”  Prisoners are encouraged by wardens and pastors, parole boards and philosophy professors to learn new things, to reflect on their experience, to make something of themselves in prison.  “I didn’t read at all before,” said a supermax prisoner interviewed by anthropologist Lorna Rhodes.  “I have an eighth grade education.  But in there I learned to discipline myself.  I want to read.  I want to be an individual” (82).  This prisoner’s desire for self-discipline would have been music to the ears of Jeremy Bentham, who designed the panoptical structure that shapes modern penitentiaries and, in Foucault’s analysis, also shapes modern subjectivity.  The panopticon individualizes subjects by isolating them from one another and exposing them to the surveillance of a constantly present, but unseen and unverifiable onlooker.  To “want to be an individual” is to empower oneself through submission to the norms that define legitimate personhood.  It is to cultivate the habits of PERSERVERENCE, AMBITION, and COMMITMENT to the point where one no longer needs to be locked in a prison cell.  A series of motivational posters will do.

    Akil - As My World Turned copy
    Akil Jahi, As My World Turned (2012)

    What are the possibilities for resistance in a panoptic society where we derive power and even pleasure from self-discipline?  In his later work, Foucault considers the possibility of shaping one’s existence through aesthetic practice.  In a 1982 interview, he says:

    "You see, that’s why I really work like a dog, and I worked like a dog all my life. I am not interested in the academic status of what I am doing because my problem is my own transformation . . . This transformation of one’s self by one’s own knowledge is, I think, something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting?" (131)

    Derrick - If My Journey
    Derrick Quintero, If My Journey Were a Book Title (2012)

    Everyone in prison is an artist, it seems.  They paint, they draw, they write poetry, they tattoo themselves and others.  When they don’t have access to standard art supplies, they become even more creative, using toilet paper or white bread to create papier-mache sculptures, or scraping the pigment from M&Ms or Skittles to use as paint.  Richard Odom, a participant in our discussion group, makes doll furniture out of discarded toilet paper rolls.  He says, “Society has flushed us down the toilet, but we can still make something beautiful with the leftovers.”

    Odoms Chairs
    Richard Odom, Chairs and Footstools (2012)

    Another prisoner, Derrick Quintero, wrote this short poem in response to our discussion of the Panopticon:

     

    Stand up prisoner

    Now sit down you prisoner

    Stand up prisoner

     

    Derrick describes his artistic practice as a form of political expression and a never-ending process of self-transformation:

    "I have never considered myself an artist… [But] Similar to the statement of the women’s movement of the 1960’s, I consider everything that is personal as political.  I hope that my art is understood as an evolution of my political relationship with my imminent world.  Some things – within my sense of right and wrong (justice) – have matured and some have remained stagnate.  I hope that I am now a much evolved and spiritually enlightened being."

    Derrick writes from a position where self-transformation is both demanded of him and refused to him, where no matter how spiritually enlightened he becomes, he is still condemned to be executed.  He and the other 3,169 prisoners on death row in the US have been framed as icons of the unreformable, irredeemable, and unforgivable.  They may “work like a dog” to transform themselves, but this is not their job.  They have been assigned to another post, to provide a different set of aesthetic and anaesthetic services. 

    Their job is to provide a concrete illustration of evil, to contain this evil within a single body, and to allow themselves to be flushed out of the world through the apparently painless and humane procedure of lethal injection.  By disappearing behind the mask of the villain, the monster, the cold-hearted killer, the death row inmate slips a sedative to the audience, allowing us to fall asleep at night knowing that our families are safe and that justice has been done.

    Derrick - Diorama detail
    Derrick Quintero, If My Journey Were a Book Title (detail) 

    The three-drug protocol used by most death penalty states helps to reinforce the sedative effect of execution on the public for whose sake it is putatively carried out.  First, an anaesthetic is administered to the prisoner; in Tennessee, as in many other states, this is sodium thiopental.  The anaesthetic is followed by a paralytic, which prevents the face and body of the prisoner from moving or twitching in a way that might disturb the witnesses, who may include members of the victim’s family seeking closure for their loss.  Finally, a drug is administered to kill the prisoner by stopping his or her heart.  

    In one of those ironic twists that the US prison system is so good at producing, there is currently no legal source of the anaesthetic, sodium thiopental, and the existing supply in many states has passed its expiration date.  This banal fact is helping to prolong the life of some prisoners on Tennessee’s death row, and countless others in states that have not yet managed to switch their protocol.

    Donald - Silence is Compliance
    Donald Middlebrooks, Silence is Compliance (2012)

    But in order to perform the anaesthetic function of soothing public anxieties around both violent crime and the violence of the criminal justice system, the prisoner’s own aesthetic practices must remain invisible.  The job of the death row inmate is not to transform himself, but to remain the same throughout an appeals process that can last years or even decades.  As Samuel Gross observes:

    "The man you wanted to kill was the abusive robber, high on crack, who pistol-whipped and shot two customers at a Seven-Eleven store in 1984.  Instead, in 1990, the state electrocutes a balding, religious, model prisoner in a neat blue-denim uniform." (qtd in Garland 2010, 47-8)

    It is by not changing – by not converting to Islam, not (re)discovering Christianity, not reading Plato with a bunch of grad students, not writing poetry, and not making doll chairs out of toilet paper rolls – that the death row prisoner serves his political-theological function.  What are the possibilities for self-transformation in a situation like this?  When your life is structured by the imperative to stand up/sit down/stand up, how do you find a way to sit and to stand with dignity?

    Kennath - Agape Love
    Kennath Artez Henderson, Agape Love (2012)

    Our last text in the Plato course was the Phaedo, the dialogue that recounts Socrates’ final hours before he is forced to drink the poison that will numb his body and stop his heart.  The class was divided; some found Socrates’ arguments for the immortality of the soul compelling, and others thought he rejected the knowledge and pleasures of the body too harshly.  Abu Ali Abdur’Rahman made a compelling case for transcendence: “If the way forward is blocked, then you’ve got to rise up.”  Another prisoner argued that state execution twists the meaning of life and death:  “They’ve stolen death.  A perfectly natural thing has been taken and used as a tool…  No one has the right to do that, to take death and use it for their own purposes.”

    There are countless prisoners on death row who are working harder than we can imagine to transform themselves and to build a meaningful sense of community.  We could learn a lot from these people if we weren’t so determined to kill them. 

    Abu Ali - Hummingbird
    Abu Ali Abdur'Rahman, Hummingbird (2000s)

    The art in this blog post was created by prisoners on Tennessee's death row.  It is currently on display at Vanderbilt's Sarratt Gallery.  For an insider's account of our discussion group, see this article by Alu Ali Abdur'Rahman and Derrick Quintero, originally published in the Riverbend prison newspaper, The Maximum Times."

    21 Jan 23:37

    Snow Coyotes and Spirit Bears

    by Carl Zimmer

    Twenty eight years ago, the first coyotes arrived in Newfoundland. They had come a long way.

    Up until the 1800s, coyotes lived mostly in the southwestern United States, and in low numbers in the Midwest. To the east and north, wolves shut them out of their forests. But when farmers and trappers exteriminated wolves in much of North America, the coyotes began to expand their range. By the 1970s, they had reached the far corners of New England. In the winter of 1985, there were reports in Newfoundland of wolf-like animals traveling across the ice to the Port au Port Peninusula. In 1987, a car hit one of the animals, and it was confirmed to be a coyote pup. The coyotes had come about as far east as they possibly could.

    Source: http://www.env.gov.nl.ca/env/publications/wildlife/index.html

    Wildlife biologists on Newfoundland estimate that as few as three coyotes made that journey to the island in 1985. Their descendants remained rare on Newfoundland for the next two decades. But in recent years, the population has exploded. Newfoundland is now home to several thousand coyotes, which prey on caribou and scavenge moose carcasses. And starting in 2003, there have been occasional reports in Newfoundland of something truly remarkable: white coyotes.

    Photo by Michael Blackwood

    The Newfoundland Department of Environment and Conservation collects coyote carcasses as part of their research on these newly arrived immigrants. Out of the 6,000 specimens they’ve collected, six are white. The animals are not albinos, which produce no pigment at all. Instead, they’re more like Arctic foxes or polar bears, whose genes specifically turn their coats to snow, while allowing them to continue making pigment in their skin and eyes.

    It’s only been in the past few years that scientists have worked out how certain genes influence the color of mammals. Pigment-producing cells called melanocytes can generate a range of hues, depending on the signals they receive. When certain proteins latch onto a receptor on melanocytes, for example, the cells produce dark pigments. If they don’t latch onto the receptor, called Mc1r, the cells make yellow or reddish pigments. Mutations to Mc1r can influence how strongly they relay their signals, and thus change the colors the cells produce.  In humans, for example, variants of Mc1r produce red hair.

    Dawn Marshall, a biologist at Memorial University of Newfoundland, and her colleagues, recently studied three white coyotes, sequencing their genes for Mc1r, along with two other genes known to be involved in color. They compared genes of the white coyotes to those of 59 ordinary coyotes to see if they could find any differences. And they did. They found that white coyotes carried two copies of the same variant of Mc1r. Some dark coyotes had the same variant, but only carried one copy; their other copy was a normal version. In other words, it appears that the white Mc1r gene is recessive. It takes two copies to turn a coyote white.

    What makes that discovery particularly intriguing is that other scientists have seen the same mutation in Mc1r before: in golden retrievers. In the dogs, it appears to blunt the dark-pigment signals, causing them to grow light hairs.

    These two findings may be no coincidence. During the coyote breeding season on Newfoundland in March 2001, a male Golden Retriever ran off with a coyote and was never seen again. It’s possible that the dog and the coyote interbred, and some of their coyote-dog hybrid pups inherited the Mc1r mutation. The coyotes that carried a single copy of the Golden Retriever gene would have looked ordinary. But from time to time, two coyotes with the gene would mate. And when a coyote pup inherited two copies of the mutant Mc1r gene, its coat became lighter. But in a coyote, these genes didn’t turn fur gold. They transformed the coyotes into snow.

    There’s an eerie reflection of the snow coyotes on the other side of the continent. In the rain forests of coastal British Columbia live bears with ghostly white coats. The First Nation people who live in those forests have been familiar with these “spirit bears” for many generations. (See this 2011 National Geographic story for more information.) At first, zoologists thought that the spirit bears were a distinct subspecies of black bears. But then they started to see spirit bear mothers rearing black cubs.

    Eventually, it became clear that the spirit bears were no different from black bears than red-headed people are from the rest of us. They had simply inherited two copies of a recessive gene that altered their fur. That gene–you guessed it–is Mc1r.

    Spirit Bear--Nabil Harfoush via Creative Commons

    Spirit bears have been around a lot longer than the snow coyotes of Newfoundland. And there are a lot more of them. Up to a quarter of the bears in some populations are white.  Philip Hedrick of Arizona State University and Kermit Ritland of the University of British Columbia have studied the genetics of spirit bears to determine how they reached such high numbers.

    Obviously, the bears did not pick up their version of Mc1r by mating with a Golden Retriever. Instead, the gene probably mutated spontaneously in some black bear long ago. When there was a single copy of this mutated Mc1r gene, it might have easily vanished. Each time a bear produces a sperm or an egg, only one copy of each gene ends up inside the new cell. It’s just a matter of chance. The original bear presumably passed down the gene to at least one of its cubs. From generation to generation, the frequency of the gene may have been determined by a roll of the biological dice.

    Hedrick and Ritland argue that this random process–called genetic drift–could have boosted the number of spirit bears at first, but later, natural selection probably played a part. In other words, having the spirit bear version of Mc1r raised the average number of cubs that bears produced.

    Animals that live in the far north often evolve white coats because it helps them blend into the snow. But spirit bears live in dense, dark forests, so it’s unlikely they get the same benefit from being white that polar bears do. One possibility is that it makes them better at fishing. When salmon return to the rivers in British Columbia, black bears and snow bears alike gorge themselves on the fish. To a salmon looking up through the water, a black bear looming overhead is far easier to see than a white bear that looks more like a cloud than a predator. As a result, scientists have found, spirit bears do much better at catching fish than their dark counterparts. Fat with fish, the spirit bears produce cubs that carry their genes.

    Back in Newfoundland, Marshall and her colleagues speculate that their snowy coyotes may also be the product of both genetic drift and natural selection. If a golden retriever did indeed consort with a coyote in 2001, it did so at a time when there were still very few coyotes on Newfoundland. That would have meant that from the start, coyotes with the Mc1r variant made up a relatively large percentage of the coyote population. When the population exploded, the white variant might have exploded too. Nevertheless, the pattern of mutations in the white-fur gene hint that natural selection has been acting on the white coyotes as well. Newfoundland is hardly a snowy wasteland, nor do coyotes hunt for salmon, so it’s not clear what could drive the natural selection of white coyotes.

    Marshall and her colleagues will need to take a closer look at the DNA of snow coyotes to get some more clues. And we’ll have to wait to see if snow coyotes vanish as inexplicably as they appeared–or if they become a familiar sight in the easternmost home of the coyotes.

    Update 1/24/13: Today I spoke on CBC radio about the white coyotes of Newfoundland. Listen here.

    [Image: Spirit Bear--Nabil Harfoush via Creative Commons]

    19 Jan 04:35

    Dark Ecology

    Paul Kingsnorth

    Take the only tree that’s left,
    Stuff it up the hole in your culture.

    —Leonard Cohen

    Retreat to the desert, and fight.

    —D. H. Lawrence

    THE HANDLE, which varies in length according to the height of its user, and in some cases is made by that user to his or her specifications, is like most of the other parts of the tool in that it has a name and thus a character of its own. I call it the snath, as do most of us in the UK, though variations include the snathe, the snaithe, the snead, and the sned. Onto the snath are attached two hand grips, adjusted for the height of the user. On the bottom of the snath is a small hole, a rubberized protector, and a metal D-ring with two hex sockets. Into this little assemblage slides the tang of the blade.

    This thin crescent of steel is the fulcrum of the whole tool. From the genus blade fans out a number of ever-evolving species, each seeking out and colonizing new niches. My collection includes a number of grass blades of varying styles—a Luxor, a Profisense, an Austrian, and a new, elegant Concari Felice blade that I’ve not even tried yet—whose lengths vary between sixty and eighty-five centimeters. I also have a couple of ditch blades (which, despite the name, are not used for mowing ditches in particular, but are all-purpose cutting tools that can manage anything from fine grass to tousled brambles) and a bush blade, which is as thick as a billhook and can take down small trees. These are the big mammals you can see and hear. Beneath and around them scuttle any number of harder-to-spot competitors for the summer grass, all finding their place in the ecosystem of the tool.

    None of them, of course, is any use at all unless it is kept sharp, really sharp: sharp enough that if you were to lightly run your finger along the edge, you would lose blood. You need to take a couple of stones out into the field with you and use them regularly—every five minutes or so—to keep the edge honed. And you need to know how to use your peening anvil, and when. Peen is a word of Scandinavian origin, originally meaning “to beat iron thin with a hammer,” which is still its meaning, though the iron has now been replaced by steel. When the edge of your blade thickens with overuse and oversharpening, you need to draw the edge out by peening it—cold-forging the blade with hammer and small anvil. It’s a tricky job. I’ve been doing it for years, but I’ve still not mastered it. Probably you never master it, just as you never really master anything. That lack of mastery, and the promise of one day reaching it, is part of the complex beauty of the tool.

    Etymology can be interesting. Scythe, originally rendered sithe, is an Old English word, indicating that the tool has been in use in these islands for at least a thousand years. But archaeology pushes that date much further out; Roman scythes have been found with blades nearly two meters long. Basic, curved cutting tools for use on grass date back at least ten thousand years, to the dawn of agriculture and thus to the dawn of civilizations. Like the tool, the word, too, has older origins. The Proto-Indo-European root of scythe is the word sek, meaning to cut, or to divide. Sek is also the root word of sickle, saw, schism, sex, and science.


    I’VE RECENTLY BEEN reading the collected writings of Theodore Kaczynski. I’m worried that it may change my life. Some books do that, from time to time, and this is beginning to shape up as one of them.

    It’s not that Kaczynski, who is a fierce, uncompromising critic of the techno-industrial system, is saying anything I haven’t heard before. I’ve heard it all before, many times. By his own admission, his arguments are not new. But the clarity with which he makes them, and his refusal to obfuscate, are refreshing. I seem to be at a point in my life where I am open to hearing this again. I don’t know quite why.

    Here are the four premises with which he begins the book:

    1. Technological progress is carrying us to inevitable disaster.
    2. Only the collapse of modern technological civilization can avert disaster.
    3. The political left is technological society’s first line of defense against revolution.
    4. What is needed is a new revolutionary movement, dedicated to the elimination of technological society.

    Kaczynski’s prose is sparse, and his arguments logical and unsentimental, as you might expect from a former mathematics professor with a degree from Harvard. I have a tendency toward sentimentality around these issues, so I appreciate his discipline. I’m about a third of the way through the book at the moment, and the way that the four arguments are being filled out is worryingly convincing. Maybe it’s what scientists call “confirmation bias,” but I’m finding it hard to muster good counterarguments to any of them, even the last. I say “worryingly” because I do not want to end up agreeing with Kaczynski. There are two reasons for this.

    Firstly, if I do end up agreeing with him—and with other such critics I have been exploring recently, such as Jacques Ellul and D. H. Lawrence and C. S. Lewis and Ivan Illich—I am going to have to change my life in quite profound ways. Not just in the ways I’ve already changed it (getting rid of my telly, not owning a credit card, avoiding smartphones and e-readers and sat-navs, growing at least some of my own food, learning practical skills, fleeing the city, etc.), but properly, deeply. I am still embedded, at least partly because I can’t work out where to jump, or what to land on, or whether you can ever get away by jumping, or simply because I’m frightened to close my eyes and walk over the edge.

    I’m writing this on a laptop computer, by the way. It has a broadband connection and all sorts of fancy capabilities I have never tried or wanted to use. I mainly use it for typing. You might think this makes me a hypocrite, and you might be right, but there is a more interesting observation you could make. This, says Kaczynski, is where we all find ourselves, until and unless we choose to break out. In his own case, he explains, he had to go through a personal psychological collapse as a young man before he could escape what he saw as his chains. He explained this in a letter in 2003:

    I knew what I wanted: To go and live in some wild place. But I didn’t know how to do so. . . .  I did not know even one person who would have understood why I wanted to do such a thing. So, deep in my heart, I felt convinced that I would never be able to escape from civilization. Because I found modern life absolutely unacceptable, I grew increasingly hopeless until, at the age of 24, I arrived at a kind of crisis: I felt so miserable that I didn’t care whether I lived or died. But when I reached that point a sudden change took place: I realized that if I didn’t care whether I lived or died, then I didn’t need to fear the consequences of anything I might do. Therefore I could do anything I wanted. I was free!

    At the beginning of the 1970s, Kaczynski moved to a small cabin in the woods of Montana where he worked to live a self-sufficient life, without electricity, hunting and fishing and growing his own food. He lived that way for twenty-five years, trying, initially at least, to escape from civilization. But it didn’t take him long to learn that such an escape, if it were ever possible, is not possible now. More cabins were built in his woods, roads were enlarged, loggers buzzed through his forests. More planes passed overhead every year. One day, in August 1983, Kaczynski set out hiking toward his favorite wild place:

    The best place, to me, was the largest remnant of this plateau that dates from the Tertiary age. It’s kind of rolling country, not flat, and when you get to the edge of it you find these ravines that cut very steeply in to cliff-like drop-offs and there was even a waterfall there. . . . That summer there were too many people around my cabin so I decided I needed some peace. I went back to the plateau and when I got there I found they had put a road right through the middle of it. . . . You just can’t imagine how upset I was. It was from that point on I decided that, rather than trying to acquire further wilderness skills, I would work on getting back at the system. Revenge.

    I can identify with pretty much every word of this, including, sometimes, the last one. This is the other reason that I do not want to end up being convinced by Kaczynski’s position. Ted Kaczynski was known to the FBI as the Unabomber during the seventeen years in which he sent parcel bombs from his shack to those he deemed responsible for the promotion of the technological society he despises. In those two decades he killed three people and injured twenty-four others. His targets lost eyes and fingers and sometimes their lives. He nearly brought down an airplane. Unlike many other critics of the technosphere, who are busy churning out books and doing the lecture circuit and updating their anarcho-primitivist websites, Kaczynski wasn’t just theorizing about being a revolutionary. He meant it.


    BACK TO THE SCYTHE. It’s an ancient piece of technology; tried and tested, improved and honed, literally and metaphorically, over centuries. It’s what the green thinkers of the 1970s used to call an “appropriate technology”—a phrase that I would love to see resurrected—and what the unjustly neglected philosopher Ivan Illich called a “tool for conviviality.” Illich’s critique of technology, like Kaczynski’s, was really a critique of power. Advanced technologies, he explained, created dependency; they took tools and processes out of the hands of individuals and put them into the metaphorical hands of organizations. The result was often “modernized poverty,” in which human individuals became the equivalent of parts in a machine rather than the owners and users of a tool. In exchange for flashing lights and throbbing engines, they lost the things that should be most valuable to a human individual: Autonomy. Freedom. Control.

    Illich’s critique did not, of course, just apply to technology. It applied more widely to social and economic life. A few years back I wrote a book called Real England, which was also about conviviality, as it turned out. In particular, it was about how human-scale, vernacular ways of life in my home country were disappearing, victims of the march of the machine. Small shops were crushed by supermarkets, family farms pushed out of business by the global agricultural market, ancient orchards rooted up for housing developments, pubs shut down by developers and state interference. What the book turned out to be about, again, was autonomy and control: about the need for people to be in control of their tools and places rather than to remain cogs in the machine.

    Critics of that book called it nostalgic and conservative, as they do with all books like it. They confused a desire for human-scale autonomy, and for the independent character, quirkiness, mess, and creativity that usually results from it, with a desire to retreat to some imagined “golden age.” It’s a familiar criticism, and a lazy and boring one. Nowadays, when I’m faced with digs like this, I like to quote E. F. Schumacher, who replied to the accusation that he was a “crank” by saying, “A crank is a very elegant device. It’s small, it’s strong, it’s lightweight, energy efficient, and it makes revolutions.”

    Still, if I’m honest, I’ll have to concede that the critics may have been onto something in one sense. If you want human-scale living, you doubtless do need to look backward. If there was an age of human autonomy, it seems to me that it probably is behind us. It is certainly not ahead of us, or not for a very long time; not unless we change course, which we show no sign of wanting to do.

    Schumacher’s riposte reminds us that Ivan Illich was far from being the only thinker to advance a critique of the dehumanizing impacts of megatechnologies on both the human soul and the human body. E. F. Schumacher, Leopold Kohr, Neil Postman, Jacques Ellul, Lewis Mumford, Kirkpatrick Sale, Jerry Mander, Edward Goldsmith—there’s a long roll call of names, thinkers and doers all, promoters of appropriate energy and convivial tools, interrogators of the paradigm. For a while, in the ’60s and ’70s, they were riding high. Then they were buried, by Thatcher and Reagan, by three decades of cheap oil and shopping. Lauded as visionaries at first, at least by some, they became mocked as throwbacks by those who remembered them. Kaczynski’s pipe bombs, plugged with whittled wood, wired up to batteries and hidden inside books, were a futile attempt to spark a revolution from the ashes of their thinking. He will spend the rest of his life in Colorado’s Florence Federal Administrative Maximum Penitentiary as a result—surely one of the least human-scale and convivial places on earth.

    But things change. Today, as three decades of cheap fuel, free money, and economic enclosure come to a shuddering, collapsing halt, suddenly it’s Thatcher and Reagan and the shrieking, depleting faithful in the Friedmanite think tanks who are starting to look like the throwbacks. Another orthodoxy is in its death throes. What happens next is what interests me, and worries me too.


    EVERY SUMMER I run scything courses in the north of England and in Scotland. I teach the skills I’ve picked up using this tool over the past five or six years to people who have never used one before. It’s probably the most fulfilling thing I do, in the all-around sense, apart from being a father to my children (and scything is easier than fathering). Writing is fulfilling too, intellectually and sometimes emotionally, but physically it is draining and boring: hours in front of computers or scribbling notes in books, or reading and thinking or attempting to think.

    Mowing with a scythe shuts down the jabbering brain for a little while, or at least the rational part of it, leaving only the primitive part, the intuitive reptile consciousness, working fully. Using a scythe properly is a meditation: your body in tune with the tool, your tool in tune with the land. You concentrate without thinking, you follow the lay of the ground with the face of your blade, you are aware of the keenness of its edge, you can hear the birds, see things moving through the grass ahead of you. Everything is connected to everything else, and if it isn’t, it doesn’t work. Your blade tip jams into the ground, you blunt the edge on a molehill you didn’t notice, you pull a muscle in your back, you slice your finger as you’re honing. Focus—relaxed focus—is the key to mowing well. Tolstoy, who obviously wrote from experience, explained it in Anna Karenina:

    The longer Levin went on mowing, the oftener he experienced those moments of oblivion when his arms no longer seemed to swing the scythe, but the scythe itself his whole body, so conscious and full of life; and as if by magic, regularly and definitely without a thought being given to it, the work accomplished itself of its own accord. These were blessed moments.

    People come to my courses for all kinds of reasons, but most want to learn to use the tool for a practical purpose. Sometimes they are managing wildlife reserves or golf courses. Some of them want to control sedge grass or nettles or brambles in their fields or gardens, or destroy couch grass on their allotments. Some of them want to trim lawns or verges. This year I’m also doing some courses for people with mental health problems, using tools to help them root themselves in practical, calming work.

    Still, the reaction of most people when I tell them I’m a scythe teacher is the same: incredulity or amusement, or polite interest, usually overlaid onto a sense that this is something quaint and rather silly that doesn’t have much place in the modern world. After all, we have weed whackers and lawnmowers now, and they are noisier than scythes and have buttons and use electricity or petrol and therefore they must perform better, right?

    Now, I would say this of course, but no, it is not right. Certainly if you have a five-acre meadow and you want to cut the grass for hay or silage, you are going to get it done a lot quicker (though not necessarily more efficiently) with a tractor and cutter bar than you would with a scythe team, which is the way it was done before the 1950s. Down at the human scale, though, the scythe still reigns supreme.

    A growing number of people I teach, for example, are looking for an alternative to a brushcutter. A brushcutter is essentially a mechanical scythe. It is a great heavy piece of machinery that needs to be operated with both hands and requires its user to dress up like Darth Vader in order to swing it through the grass. It roars like a motorbike, belches out fumes, and requires a regular diet of fossil fuels. It hacks through the grass instead of slicing it cleanly like a scythe blade. It is more cumbersome, more dangerous, no faster, and far less pleasant to use than the tool it replaced. And yet you see it used everywhere: on motorway verges, in parks, even, for heaven’s sake, in nature reserves. It’s a horrible, clumsy, ugly, noisy, inefficient thing. So why do people use it, and why do they still laugh at the scythe?

    To ask that question in those terms is to misunderstand what is going on. Brushcutters are not used instead of scythes because they are better; they are used because their use is conditioned by our attitudes toward technology. Performance is not really the point, and neither is efficiency. Religion is the point: the religion of complexity. The myth of progress manifested in tool form. Plastic is better than wood. Moving parts are better than fixed parts. Noisy things are better than quiet things. Complicated things are better than simple things. New things are better than old things. We all believe this, whether we like it or not. It’s how we were brought up.


    THE HOMELY, pipe-smoking, cob-and-straw visions of Illich and Schumacher take us back to what we would like to think was a kinder time: a time when no one was mailing out bombs in pursuit of a gentler world. This was the birth of what would become known as the “green” movement. I sometimes like to say that the movement was born in the same year I was—1972, the year in which the fabled Limits to Growth report was commissioned by the Club of Rome—and this is near enough to the truth to be a jumping-off point for a narrative.

    If the green movement was born in the early 1970s, then the 1980s, when there were whales to be saved and rainforests to be campaigned for, were its adolescence. Its coming-of-age party was in 1992, in the Brazilian city of Rio de Janeiro. The 1992 Earth Summit was a jamboree of promises and commitments: to tackle climate change, to protect forests, to protect biodiversity, and to promote something called “sustainable development,” a new concept that would become, over the next two decades, the most fashionable in global politics and business. The future looked bright for the greens back then. It often does when you’re twenty.

    Two decades on, things look rather different. In 2012, the bureaucrats, the activists, and the ministers gathered again in Rio for a stock-taking exercise called Rio+20. It was accompanied by the usual shrill demands for optimism and hope, but there was no disguising the hollowness of the exercise. Every environmental problem identified at the original Earth Summit has gotten worse in the intervening twenty years, often very much worse, and there is no sign of this changing.

    The green movement, which seemed to be carrying all before it in the early 1990s, has plunged into a full-on midlife crisis. Unable to significantly change either the system or the behavior of the public, assailed by a rising movement of “skeptics” and by public boredom with being hectored about carbon and consumption, colonized by a new breed of corporate spivs for whom “sustainability” is just another opportunity for selling things, the greens are seeing a nasty realization dawn: despite all their work, their passion, their commitment and the fact that most of what they have been saying has been broadly right—they are losing. There is no likelihood of the world going their way. In most green circles now, sooner or later, the conversation comes round to the same question: what the hell do we do next?

    There are plenty of people who think they know the answer to that question. One of them is Peter Kareiva, who would like to think that he and his kind represent the future of environmentalism, and who may turn out to be right. Kareiva is chief scientist of The Nature Conservancy, which is among the world’s largest environmental organizations. He is a scientist, a revisionist, and one among a growing number of former greens who might best be called “neo-environmentalists.”

    The resemblance between this coalescing group and the Friedmanite “neoliberals” of the early 1970s is intriguing. Like the neoliberals, the neo-environmentalists are attempting to break through the lines of an old orthodoxy that is visibly exhausted and confused. Like the neoliberals, they are mostly American and mostly male, and they emphasize scientific measurement and economic analysis over other ways of seeing and measuring. Like the neoliberals, they cluster around a few key think tanks: then, the Institute of Economic Affairs, the Cato Institute, and the Adam Smith Institute; now, the Breakthrough Institute, the Long Now Foundation, and the Copenhagen Consensus. Like the neoliberals, they are beginning to grow in numbers at a time of global collapse and uncertainty. And like the neoliberals, they think they have radical solutions.

    Kareiva’s ideas are a good place to start in understanding the neo-environmentalists. He is an outspoken former conservationist who now believes that most of what the greens think they know is wrong. Nature, he says, is more resilient than fragile; science proves it. “Humans degrade and destroy and crucify the natural environment,” he says, “and 80 percent of the time it recovers pretty well.” Wilderness does not exist; all of it has been influenced by humans at some time. Trying to protect large functioning ecosystems from human development is mostly futile; humans like development, and you can’t stop them from having it. Nature is tough and will adapt to this: “Today, coyotes roam downtown Chicago, and peregrine falcons astonish San Franciscans as they sweep down skyscraper canyons. . . . As we destroy habitats, we create new ones.” Now that “science” has shown us that nothing is “pristine” and nature “adapts,” there’s no reason to worry about many traditional green goals such as, for example, protecting rainforest habitats. “Is halting deforestation in the Amazon . . . feasible?” he asks. “Is it even necessary?” Somehow, you know what the answer is going to be before he gives it to you.

    If this sounds like the kind of thing that a right-wing politican might come out with, that’s because it is. But Kareiva is not alone. Variations on this line have recently been pushed by the American thinker Stewart Brand, the British writer Mark Lynas, the Danish anti-green poster boy Bjørn Lomborg, and the American writers Emma Marris, Ted Nordhaus, and Michael Schellenberger. They in turn are building on work done in the past by other self-declared green “heretics” like Richard D. North, Brian Clegg, and Wilfred Beckerman.

    Beyond the field of conservation, the neo-environmentalists are distinguished by their attitude toward new technologies, which they almost uniformly see as positive. Civilization, nature, and people can only be “saved” by enthusiastically embracing biotechnology, synthetic biology, nuclear power, geoengineering, and anything else with the prefix “new” that annoys Greenpeace. The traditional green focus on “limits” is dismissed as naïve. We are now, in Brand’s words, “as gods,” and we have to step up and accept our responsibility to manage the planet rationally through the use of new technology guided by enlightened science.

    Neo-environmentalists also tend to exhibit an excitable enthusiasm for markets. They like to put a price on things like trees, lakes, mist, crocodiles, rainforests, and watersheds, all of which can deliver “ecosystem services,” which can be bought and sold, measured and totted up. Tied in with this is an almost religious attitude toward the scientific method. Everything that matters can be measured by science and priced by markets, and any claims without numbers attached can be easily dismissed. This is presented as “pragmatism” but is actually something rather different: an attempt to exclude from the green debate any interventions based on morality, emotion, intuition, spiritual connection, or simple human feeling.

    Some of this might be shocking to some old-guard greens—which is the point—but it is hardly a new message. In fact, it is a very old one; it is simply a variant on the old Wellsian techno-optimism that has been promising us cornucopia for over a century. It’s an old-fashioned Big Science, Big Tech, and Big Money narrative filtered through the lens of the internet and garlanded with holier-than-thou talk about saving the poor and feeding the world.

    But though they burn with the shouty fervor of the born-again, the neo-environmentalists are not exactly wrong. In fact, they are at least half right. They are right to say that the human-scale, convivial approaches of those 1970s thinkers are never going to work if the world continues to formulate itself according to the demands of late capitalist industrialism. They are right to say that a world of 9 billion people all seeking the status of middle-class consumers cannot be sustained by vernacular approaches. They are right to say that the human impact on the planet is enormous and irreversible. They are right to say that traditional conservation efforts sometimes idealized a preindustrial nature. They are right to say that the campaigns of green NGOs often exaggerate and dissemble. And they are right to say that the greens have hit a wall, and that continuing to ram their heads against it is not going to knock it down.

    What’s interesting, though, is what they go on to build on this foundation. The first sign that this is not, as declared, a simple “ecopragmatism” but something rather different comes when you read paragraphs like this:

    For decades people have unquestioningly accepted the idea that our goal is to preserve nature in its pristine, pre-human state. But many scientists have come to see this as an outdated dream that thwarts bold new plans to save the environment and prevents us from having a fuller relationship with nature.

    This is the PR blurb for Emma Marris’s book Rambunctious Garden: Saving Nature in a Post-Wild World, though it could just as easily be from anywhere else in the neo-environmentalist canon. But who are the “many people” who have “unquestioningly accepted” this line? I’ve met a lot of conservationists and environmentalists in my time, and I don’t think I’ve ever met one who believed there was any such thing as “pristine, pre-human” nature. What they did believe was that there were still large-scale, functioning ecosystems that were worth getting out of bed to protect from destruction.

    To understand why, consider the case of the Amazon. What do we value about the Amazon forest? Do people seek to protect it because they believe it is “pristine” and “pre-human”? Clearly not, since it’s inhabited and harvested by large numbers of tribal people, some of whom have been there for millennia. The Amazon is not important because it is “untouched”; it’s important because it is wild, in the sense that it is self-willed. It is lived in and off of by humans, but it is not created or controlled by them. It teems with a great, shifting, complex diversity of both human and nonhuman life, and no species dominates the mix. It is a complex, working ecosystem that is also a human-culture-system, because in any kind of worthwhile world, the two are linked.

    This is what intelligent green thinking has always called for: human and nonhuman nature working in some degree of harmony, in a modern world of compromise and change in which some principles, nevertheless, are worth cleaving to. “Nature” is a resource for people, and always has been; we all have to eat, make shelter, hunt, live from its bounty like any other creature. But that doesn’t preclude us understanding that it has a practical, cultural, emotional, and even spiritual value beyond that too, which is equally necessary for our well-being.

    The neo-environmentalists, needless to say, have no time for this kind of fluff. They have a great big straw man to build up and knock down, and once they’ve got that out of the way, they can move on to the really important part of their message. Here’s Kareiva, giving us the money shot in Breakthrough Journal with fellow authors Michelle Marvier and Robert Lalasz:

    Instead of pursuing the protection of biodiversity for biodiversity’s sake, a new conservation should seek to enhance those natural systems that benefit the widest number of people. . . . Conservation will measure its achievement in large part by its relevance to people.

    There it is, in black and white: the wild is dead, and what remains of nature is for people. We can effectively do what we like, and we should. Science says so! A full circle has been drawn, the greens have been buried by their own children, and under the soil with them has gone their naïve, romantic, and antiscientific belief that nonhuman life has any value beyond what we very modern humans can make use of.

    “Wilderness can be saved permanently,” claims Ted Kaczynski, “only by eliminating the technoindustrial system.” I am beginning to think that the neo-environmentalists may leave a deliciously ironic legacy: proving the Unabomber right.


    IN HIS BOOK A Short History of Progress, Ronald Wright coins the term “progress trap.” A progress trap, says Wright, is a short-term social or technological improvement that turns out in the longer term to be a backward step. By the time this is realized—if it ever is—it is too late to change course.

    The earliest example he gives is the improvement in hunting techniques in the Upper Paleolithic era, around fifteen thousand years ago. Wright tracks the disappearance of wildlife on a vast scale whenever prehistoric humans arrived on a new continent. As Wright explains: “Some of their slaughter sites were almost industrial in size: 1,000 mammoths at one; more than 100,000 horses at another.” But there was a catch:

    The perfection of hunting spelled the end of hunting as a way of life. Easy meat meant more babies. More babies meant more hunters. More hunters, sooner or later, meant less game. Most of the great human migrations across the world at this time must have been driven by want, as we bankrupted the land with our moveable feasts.

    This is the progress trap. Each improvement in our knowledge or in our technology will create new problems, which require new improvements. Each of these improvements tends to make society bigger, more complex, less human-scale, more destructive of nonhuman life, and more likely to collapse under its own weight.

    Spencer Wells takes up the story in his book Pandora’s Seed, a revisionist history of the development of agriculture. The story we were all taught at school—or I was, anyway—is that humans “developed” or “invented” agriculture, because they were clever enough to see that it would form the basis of a better way of living than hunting and gathering. This is the same attitude that makes us assume that a brushcutter is a better way of mowing grass than a scythe, and it seems to be equally erroneous. As Wells demonstrates, analysis of the skeletal remains of people living before and after the transition to agriculture during the Paleolithic demonstrate something remarkable: an all-around collapse in quality of life when farming was adopted.

    Hunter-gatherers living during the Paleolithic period, between 30,000 and 9,000 BCE, were on average taller—and thus, by implication, healthier—than any people since, including people living in late twentieth-century America. Their median life span was higher than at any period for the next six thousand years, and their health, as estimated by measuring the pelvic inlet depth of their skeletons, appears to have been better, again, than at any period since—including the present day. This collapse in individual well-being was likely due to the fact that settled agricultural life is physically harder and more disease-ridden than the life of a shifting hunter-gatherer community.

    So much for progress. But why in this case, Wells asks, would any community move from hunting and gathering to agriculture? The answer seems to be: not because they wanted to, but because they had to. They had spelled the end of their hunting and gathering lifestyle by getting too good at it. They had killed off most of their prey and expanded their numbers beyond the point at which they could all survive. They had fallen into a progress trap.

    We have been falling into them ever since. Look at the proposals of the neo-environmentalists in this light and you can see them as a series of attempts to dig us out of the progress traps that their predecessors knocked us into. Genetically modified crops, for example, are regularly sold to us as a means of “feeding the world.” But why is the world hungry? At least in part because of the previous wave of agricultural improvements—the so-called Green Revolution, which between the 1940s and 1970s promoted a new form of agriculture that depended upon high levels of pesticides and herbicides, new agricultural technologies, and high-yielding strains of crops. The Green Revolution is trumpeted by progressives as having supposedly “fed a billion people” who would otherwise have starved. And maybe it did; but then we had to keep feeding them—or should I say us?—and our children. In the meantime it had been discovered that the pesticides and herbicides were killing off vast swaths of wildlife, and the high-yield monoculture crops were wrecking both the health of the soil and the crop diversity, which in previous centuries had helped prevent the spread of disease and reduced the likelihood of crop failure.

    It is in this context that we now have to listen to lectures from the neo-environmentalists and others insisting that GM crops are a moral obligation if we want to feed the world and save the planet: precisely the arguments that were made last time around. GM crops are an attempt to solve the problems caused by the last progress trap; they are also the next one. I would be willing to bet a lot of money that in forty years’ time, the successors of the neo-environmentalists will be making precisely the same arguments about the necessity of adopting the next wave of technologies needed to dig us out of the trap that GM crops have dropped us neatly into. Perhaps it will be vat-grown meat, or synthetic wheat, or some nano-bio-gubbins as yet unthought of. Either way, it will be vital for growth and progress, and a moral necessity. As Kurt Vonnegut would have said: “so it goes.”

    “Romanticizing the past” is a familiar accusation, made mostly by people who think it is more grown-up to romanticize the future. But it’s not necessary to convince yourself that Paleolithic hunter-gatherers lived in paradise in order to observe that progress is a ratchet, every turn forcing us more tightly into the gears of a machine we were forced to create to solve the problems created by progress. It is far too late to think about dismantling this machine in a rational manner—and in any case who wants to? We can’t deny that it brings benefits to us, even as it chokes us and our world by degrees. Those benefits are what keep us largely quiet and uncomplaining as the machine rolls on, in the words of the poet R. S. Thomas, “over the creeds and masterpieces”:

    The machine appeared
    In the distance, singing to itself
    Of money. Its song was the web
    They were caught in, men and women
    Together. The villages were as flies
    To be sucked empty.
    God secreted
    A tear. Enough, enough,
    He commanded, but the machine
    Looked at him and went on singing.


    OVER THE NEXT few years, the old green movement that I grew up with is likely to fall to pieces. Many of those pieces will be picked up and hoarded by the growing ranks of the neo-environmentalists. The mainstream of the green movement has laid itself open to their advances in recent years with its obsessive focus on carbon and energy technologies and its refusal to speak up for a subjective, vernacular, nontechnical engagement with nature. The neo-environmentalists have a great advantage over the old greens, with their threatening talk about limits to growth, behavior change, and other such against-the-grain stuff: they are telling this civilization what it wants to hear. What it wants to hear is that the progress trap in which our civilization is caught can be escaped from by inflating a green tech bubble on which we can sail merrily into the future, happy as gods and equally in control.

    In the short term, the future belongs to the neo-environmentalists, and it is going to be painful to watch. In the long term, though, I’d guess they will fail, for two reasons. Firstly, that bubbles always burst. Our civilization is beginning to break down. We are at the start of an unfolding economic and social collapse, which may take decades or longer to play out—and which is playing out against the background of a planetary ecocide that nobody seems able to prevent. We are not gods, and our machines will not get us off this hook, however clever they are and however much we would like to believe it.

    But there is another reason that the new breed are unlikely to be able to build the world they want to see: we are not—even they are not—primarily rational, logical, or “scientific” beings. Our human relationship to the rest of nature is not akin to the analysis of bacteria in a petri dish; it is more like the complex, love-hate relationship we might have with lovers or parents or siblings. It is who we are, unspoken and felt and frustrating and inspiring and vital and impossible to peer-review. You can reach part of it with the analytical mind, but the rest will remain buried in the ancient woodland floor of human evolution and in the depths of our old ape brains, which see in pictures and think in stories. Civilization has always been a project of control, but you can’t win a war against the wild within yourself.

    Is it possible to read the words of someone like Theodore Kaczynski and be convinced by the case he makes, even as you reject what he did with the knowledge? Is it possible to look at human cultural evolution as a series of progress traps, the latest of which you are caught in like a fly on a sundew, with no means of escape? Is it possible to observe the unfolding human attack on nature with horror, be determined to do whatever you can to stop it, and at the same time know that much of it cannot be stopped, whatever you do? Is it possible to see the future as dark and darkening further; to reject false hope and desperate pseudo-optimism without collapsing into despair?

    It’s going to have to be, because it’s where I am right now. But where do I go next? What do I do? Between Kaczynski and Kareiva, what can I find to alight on that will still hold my weight?

    I’m not sure I know the answer. But I know there is no going back to anything. And I know that we are not headed, now, toward convivial tools. We are not headed toward human-scale development. This culture is about superstores, not little shops; synthetic biology, not intentional community; brushcutters, not scythes. This is a culture that develops new life forms first and asks questions later; a species that is in the process of, in the words of the poet Robinson Jeffers, “break[ing] its legs on its own cleverness.”

    What does the near future look like? I’d put my bets on a strange and unworldly combination of ongoing collapse, which will continue to fragment both nature and culture, and a new wave of techno-green “solutions” being unveiled in a doomed attempt to prevent it. I don’t believe now that anything can break this cycle, barring some kind of reset: the kind that we have seen many times before in human history. Some kind of fall back down to a lower level of civilizational complexity. Something like the storm that is now visibly brewing all around us.

    If you don’t like any of this, but you know you can’t stop it, where does it leave you? The answer is that it leaves you with an obligation to be honest about where you are in history’s great cycle, and what you have the power to do and what you don’t. If you think you can magic us out of the progress trap with new ideas or new technologies, you are wasting your time. If you think that the usual “campaigning” behavior is going to work today where it didn’t work yesterday, you will be wasting your time. If you think the machine can be reformed, tamed, or defanged, you will be wasting your time. If you draw up a great big plan for a better world based on science and rational argument, you will be wasting your time. If you try to live in the past, you will be wasting your time. If you romanticize hunting and gathering or send bombs to computer store owners, you will be wasting your time.

    And so I ask myself: what, at this moment in history, would not be a waste of my time? And I arrive at five tentative answers:

    One: Withdrawing. If you do this, a lot of people will call you a “defeatist” or a “doomer,” or claim you are “burnt out.” They will tell you that you have an obligation to work for climate justice or world peace or the end of bad things everywhere, and that “fighting” is always better than “quitting.” Ignore them, and take part in a very ancient practical and spiritual tradition: withdrawing from the fray. Withdraw not with cynicism, but with a questing mind. Withdraw so that you can allow yourself to sit back quietly and feel, intuit, work out what is right for you and what nature might need from you. Withdraw because refusing to help the machine advance—refusing to tighten the ratchet further—is a deeply moral position. Withdraw because action is not always more effective than inaction. Withdraw to examine your worldview: the cosmology, the paradigm, the assumptions, the direction of travel. All real change starts with withdrawal.

    Two: Preserving nonhuman life. The revisionists will continue to tell us that wildness is dead, nature is for people, and Progress is God, and they will continue to be wrong. There is still much remaining of the earth’s wild diversity, but it may not remain for much longer. The human empire is the greatest threat to what remains of life on earth, and you are part of it. What can you do—really do, at a practical level—about this? Maybe you can buy up some land and rewild it; maybe you can let your garden run free; maybe you can work for a conservation group or set one up yourself; maybe you can put your body in the way of a bulldozer; maybe you can use your skills to prevent the destruction of yet another wild place. How can you create or protect a space for nonhuman nature to breathe easier; how can you give something that isn’t us a chance to survive our appetites?

    Three: Getting your hands dirty. Root yourself in something: some practical work, some place, some way of doing. Pick up your scythe or your equivalent and get out there and do physical work in clean air surrounded by things you cannot control. Get away from your laptop and throw away your smartphone, if you have one. Ground yourself in things and places, learn or practice human-scale convivial skills. Only by doing that, rather than just talking about it, do you learn what is real and what’s not, and what makes sense and what is so much hot air.

    Four: Insisting that nature has a value beyond utility. And telling everyone. Remember that you are one life-form among many and understand that everything has intrinsic value. If you want to call this “ecocentrism” or “deep ecology,” do it. If you want to call it something else, do that. If you want to look to tribal societies for your inspiration, do it. If that seems too gooey, just look up into the sky. Sit on the grass, touch a tree trunk, walk into the hills, dig in the garden, look at what you find in the soil, marvel at what the hell this thing called life could possibly be. Value it for what it is, try to understand what it is, and have nothing but pity or contempt for people who tell you that its only value is in what they can extract from it.

    Five: Building refuges. The coming decades are likely to challenge much of what we think we know about what progress is, and about who we are in relation to the rest of nature. Advanced technologies will challenge our sense of what it means to be human at the same time as the tide of extinction rolls on. The ongoing collapse of social and economic infrastructures, and of the web of life itself, will kill off much of what we value. In this context, ask yourself: what power do you have to preserve what is of value—creatures, skills, things, places? Can you work, with others or alone, to create places or networks that act as refuges from the unfolding storm? Can you think, or act, like the librarian of a monastery through the Dark Ages, guarding the old books as empires rise and fall outside?

    It will be apparent by now that in these last five paragraphs I have been talking to myself. These are the things that make sense to me right now when I think about what is coming and what I can do, still, with some joy and determination. If you don’t feel despair, in times like these, you are not fully alive. But there has to be something beyond despair too; or rather, something that accompanies it, like a companion on the road. This is my approach, right now. It is, I suppose, the development of a personal philosophy for a dark time: a dark ecology. None of it is going to save the world—but then there is no saving the world, and the ones who say there is are the ones you need to save it from.


    FOR NOW, I’ve had enough of writing. My head is buzzing with it. I am going to pick up my new scythe, lovingly made for me from sugar maple, a beautiful object in itself, which I can just look at for hours. I am going to pick it up and go out and find some grass to mow.

    I am going to cut great swaths of it, my blade gliding through the vegetation, leaving it in elegant curving windrows behind me. I am going to walk ahead, following the ground, emptying my head, managing the land, not like a god but like a tenant. I am going to breathe the still-clean air and listen to the still-singing birds and reflect on the fact that the earth is older and harder than the machine that is eating it—that it is indeed more resilient than fragile—and that change comes quickly when it comes, and that knowledge is not the same as wisdom.

    A scythe is an old tool, but it has changed through its millennia of existence, changed and adapted as surely as have the humans who wield it and the grasses it is designed to mow. Like a microchip or a combustion engine, it is a technology that has allowed us to manipulate and control our environment, and to accelerate the rate of that manipulation and control. A scythe, too, is a progress trap. But it is limited enough in its speed and application to allow that control to be exercised in a way that is understandable by, and accountable to, individual human beings. It is a compromise we can control, as much as we can ever control anything; a stage on the journey we can still understand.

    There is always change, as a neo-environmentalist would happily tell you; but there are different qualities of change. There is human-scale change, and there is industrial-scale change; there is change led by the needs of complex systems, and change led by the needs of individual humans. There is a manageable rate of evolution, and there is a chaotic, excitable rush toward shiny things perched on the edge of a great ravine, flashing and scrolling like sirens in the gathering dusk.

    When you have mown a hayfield, you should turn and look back on your work admiringly. If you have got it right, you should see a field lined with long, curving windrows of cut grass, with clean, mown strips between them. It’s a beautiful sight, which would have been familiar to every medieval citizen of this old, old continent. If you were up at dawn, mowing in the dew—the best time, and the traditional one to cut for hay—you should leave the windrows to dry in the sun, then go down the rows with a pitchfork later in the day and turn them over. Leave the other side of the rows to dry until the sun has done its work, then come back and “ted” the grass—spread it out evenly across the field. Dry it for a few hours or a few days, depending on the weather, then come back and turn it over again. Give it as much time as it needs to dry in the sun.

    After that, if the rain has held off, you’re ready to take in the hay.

    14 Jan 17:31

    He’s My Brother She’s My Sister – Nobody Dances In This Town

    by oz@hearya.com

    Apparently He’s My Brother She’s My Sister wasn’t playing … In This Town, because if they were, people would be shaking their asses. Bucking irony, the band actually features real live siblings – Robert & Rachel Kolar. Rounded out by full-body percussion by Lauren Brown, stand-up bass by Oliver Newell and lap slide by Aaron Robinson, HMBSMS are a mish-mosh of Americana, gypsy folk and vaudevillian side-show act. The fact that they are talented and the Kolars voices sound so good together make their Park The Vinyl debut so god damn fun to listen to.

    Tales That I Tell finds Rachel taking the lead working a sultry voice over the rockabilly beats and Robinson’s slide. Looking back at a life full of booze and debauchery as a new clarity enters the protagonist’s life, Rachel’s vocals aptly befit as the hellraiser she once was. A couple tunes later is the rabble-rousing Let’s Go. The guitar licks are straight out of a honky-tonk and the Kolars vocals can do nothing but lift you off your ass and get you moving.

    They are about to do a run of shows on the West Coast. Based on the videos I have seen, you have to imagine that their live shows are something to behold. I am holding my breath for an appearance down at SXSW.

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