Starting this month, the Tate museum in London is allowing the public to go through the museum’s collection after-dark, all while using self-controlled robots. Four robots have been designed for these museum adventures and can be controlled by people all over the world through a web portal.
Every few minutes the robots choose new operators to drive them through the galleries and exhibition spaces via on-screen buttons or keyboard arrows. The robots can even look up and down, simulating a real-life art museum visit.
The project is named ‘After Dark’ and was the winning project for the IK Prize 2014, an annual prize presented by Tate which ‘celebrates digital creativity and seeks to widen access to art through the application of digital technology’. Looks like they’ve definitely widened the access to art!
The post Now you can roam Britain’s Tate museum after-dark using a self-controlled robot appeared first on Lost At E Minor: For creative people.
this is really stressful to watch.
First-person video sailing through a gap between two buildings...(Read...)
want. except i would try to hit snooze and spill boiling water all over myself...
Designed by London-based industrial designer Josh Renouf, the Barisieur is an alarm clock that..(Read...)
I would just like to draw attention to the fact that the poster for The Texas Chainsaw Massacre 2 (1986) totally apes the poster for The Breakfast Club (1985).
I think that deserves some recognition.
Detention® Bourbon Children’s Whiskey ad
Back in 2012 we featured a brief video about a small automaton that could almost perfectly mimic the song of a bird. Using mechanics similar to a clock, the fully automated wind-up device sucks air into a small bellows and forces it through a tiny whistle that sounds exactly like a singing bird. What my non-automata-knowledge-having-self didn’t realize at the time was that the century-old gadget was just one part of a much more intricate miniature automaton called a singing bird box.
The invention of singing bird boxes is attributed to Swiss-born watchmaker Pierre Jaquet-Droz who also played a significant role in the creation of The Writer, a programmable automaton of a writing boy that recently inspired the movie Hugo. The basic device includes the bellows mechanism mentioned above along with a fully articulated bird with a moving beak, rotating head, and flapping wings. Several 18th and 19th century watchmakers including Jacob Frisard, Frères Rochat, and Charles Bruguier, were inspired by Jaquet-Droz’s to create their own opulent variations of singing bird boxes which are highly prized by collectors today. Variations include cigar holders, singing bird guns, and jewelry/makeup boxes.
One fantastic source of many antique bird boxes is London-based Douglas Fisher Antique Automata who carefully films almost all of their devices and makes them available on their YouTube channel. Included here are a few of my favorites, and you can also watch a number of fantastic technical videos about singing bird boxes filmed by Troy Duncan. (via The Presurfer)
We always knew there was something innately terrifying about children’s artworks. Those charcoal eyes, those jagged strokes of color, those messy portraits of imaginary friends. They’re all so innocent, yet they feel like nightmares waiting to happen.
Artist Dave DeVries brings out the sinister side of these innocent illustrations by adding a dose of realism. Using a combination of acrylic paint, colored pencils, and airbrush, he takes simple sketches and turns harmless kiddie monsters into petrifying creatures. He even interviews the children to get a feel of what their imaginary monsters really look like.
‘The Monster Engine’ series started when DeVries wanted to re-paint the sketches of his 7-year-old daughter. Now he has expanded his collection of realistic monsters into a book. Amazing what you can achieve with coloring materials and a desire to genuinely scare the bejeebers out of children!
The post Children’s drawings are scary when they’re painted with a touch of realism appeared first on Lost At E Minor: For creative people.
No, that headline is not a joke, I promise. A new revival of the beloved musical Cats will feature rap music and rapping cats. I kid you not.
The Mask and the phenom team up for ‘Darkness’.
Lead cut ‘Darkness’ combines DOOM’s shifty, patchwork boom-bap with Nehru’s throwback lyricism. Watch the song’s monochrome video below; it was directed by Nehru (under his birth name, Markel Scott) and director of photography Elliot Simpson.
Back in March, FACT TV caught up with Bishop Nehru at SXSW and talked to him about his collaborations with DOOM, Disclosure and more.
Furniture maker Greg Klassen builds intricately designed tables and other objects embedded with glass rivers and lakes. Inspired by his surroundings in the Pacific Northwest, Klassen works with edge pieces from discarded trees (often acquired from construction sites, or from dying trees that have begun to rot) which he aligns to mimic the jagged shores of various bodies of water. The pieces are completed with the addition of hand-cut glass pieces that appear to meander through the middle of each table. You can see much more of work here, and several tables are available through his shop.
Italy-based photographer Andrea Frazzetta gives us a little glimpse into the lives and rituals of modern healers from Lima, Peru. His project called “Urban Shamans” peeks behind the doors of the rear private shops where shamans, or the so called curanderos, perform their traditional mystical rituals which are not subject to the laws and orders of today’s world.
Up to this day, curanderos are trusted by the majority of Peruvians and are considered to be in line with psychiatrists and physicians. At some point, the parliament of Peru considered regarding them as doctors. However, bigger part of the healers are frauds as they don’t really deal with physical disorders, rather with emotional issues like fear, evil eye or even business and love life related questions.
“Nestled in plain sight throughout the streets of Lima, these generations of shamans and their sometimes shocking ritual practices toe the line between cultural fixture and anomalous spectacle.”
In his pictures, Frazzetta managed to capture even the very intimate, strange and eerie details of these healing ceremonies. Most of them include the use of a small animal (guinea pig, black hen or a white dove) or a doll to whom the illnesses of the patient are transferred. (via Feature Shot)
The post A Peek Into The Mystical Lives And Rituals Of Urban Peruvian Shamans appeared first on Beautiful/Decay Artist & Design.
Favored for its translucency and durability, marble has been the material of choice for sculptors beginning with the early Greek masters. And their chisels have been used, most typically, to carve an idealized human body but also to create massive pillars and architectural forms like the Supreme Court Building or the Washington Monument. So these mini-architectural interiors come as something we’ve never quite seen before. The intricately carved creations are the work of British sculptor Matthew Simmonds, an art-historian-turned-stone-carver. Inspired by his academic background and, later, his work in helping to restore important historic monuments (in particular, Westminster Abbey and Ely Cathedral) Simmonds began creating these fascinating, empty marble interiors after moving to Italy.
“The sculptures give the viewer a different perspective on space,” noted Dutch art writer Merete Prydes Helle. “They look different from every viewpoint. You long to be in them, and they seem almost more meaningful for that.” Indeed, there’s something about the realistic and tranquil interiors that makes you not want to look away. See more over at on form. (via Yatzer)
this weasel cat made me laugh a lot more than i think it should have.
Banned music concealed in Soviet bones.
In 1950s Russia, one of the only ways to hear blues, jazz and rock’n'roll from America was to get hold of one of these – a bootleg record pressed up on a discarded X-ray plate.
Being caught with banned music could get you arrested, but music-starved Soviet citizens used their nous to turn salvaged hospital waste into what’s effectively an incognito dubplate.
With a special lathe, bootlegs were pressed on thick radiographs found in hospital bins and then cut into rough discs around 25 centimetres across, sometimes using a cigarette to burn the central hole.
Google’s Street View, made possible by their custom-designed panoramic camera, has become the eyes of streets large and small in almost every major city. So it makes perfect sense that they’re now pointing their panoramic lenses to the walls around the world by adding street art to their portfolio. Earlier this week Google announced the launch of their Street Art Project, a new initiative to document and preserve the often transient nature of street art. The project launched with over 5,000 high resolution images including work that no longer exists, like the 5Pointz murals in Long Island City or the walls of the Tour Paris 13. (via Laughing Squid)
This is amazing! Californian glassworker Loren Stump is a celebrated expert at manipulating the fickle and delicate medium of glass. Known especially for his work with murrine, over 40 years Stump has mastered the technique of layering coloured molten glass around a core and then stretching the whole thing into a rod.
Once cooled and cut into, a cross-section of this rod reveals intricate patterns. Think of it like an incredible detailed candy-cane.
Not only is Stump adept at making murrine that he can create figurative images within the cross-sections that are hidden until the rod is sliced, he is also able to combine the two-dimensional forms into three-dimensional objects.
Some of his work is mind-boggling and it’s difficult to imagine how he even begins to create these classical pictures by mixing molten glass together. But he does and the results are incredible.
Each slice of this ‘loaf’ sold for $5000!
Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.
The Legend of Diaper Horse by Cassandra Twobears